Hi Kieren,
I thought of a change - or addition - like your proposal. At least the
counter should be exchangable by the context-id.
That way partcombined voices can be addressed by up, down and so on.
I can't say, if it is managable to omit the context-name (Voice or Staff
or else). But we will
Am 27.07.2014 23:17, schrieb pls:
On 27.07.2014, at 22:18, Phil Holmes m...@philholmes.net
mailto:m...@philholmes.net wrote:
I don't know. My guess: there is no reasonable slur that will miss
the hairpin if the hairpin is inside the slur, so Lily does the best
compromise.
Thanks, Phil!
On 28.07.2014, at 12:52, Simon Albrecht simon.albre...@mail.de wrote:
Am 27.07.2014 23:17, schrieb pls:
On 27.07.2014, at 22:18, Phil Holmes m...@philholmes.net wrote:
I don't know. My guess: there is no reasonable slur that will miss the
hairpin if the hairpin is inside the slur, so
In the following example, the ordinary overrides of self-alignment-X appear
to have no effect on the position pf the dynamics (or an effect I can't
see). Large numbers are needed for an obvious shift.
Is this a bug, or something I'm doing wrong?
\version 2.19.10
{
\override
Hello LilyPond users,
I’ve created a chroot jail for LilyPond 2.18.2 on Ubuntu 12.04.4 LTS which I
installed by executing the binary
lilypond-2.18.2-1.linux-64.sh. I have followed the instructions the
instructions on
Hi,
Is there a possibility/approach to produce with Lilypond a music file that
comes much closer to the natural sound of the music instruments used in the
score - then through MIDI output as documented in the manuals. Or do I need
to process the Lilypond MIDI file through another program - if so
dirk van damme dirk.van.da...@hotmail.be writes:
Is there a possibility/approach to produce with Lilypond a music file that
comes much closer to the natural sound of the music instruments used in the
score - then through MIDI output as documented in the manuals. Or do I need
to process the
On Mon, Jul 28, 2014 at 10:39 AM, dirk van damme
dirk.van.da...@hotmail.be wrote:
Hi,
Is there a possibility/approach to produce with Lilypond a music file
that
comes much closer to the natural sound of the music instruments used
in the
score - then through MIDI output as documented in the
On Mon, Jul 28, 2014 at 10:30 AM, Mark Polesky markpole...@gmail.com
wrote:
Or Scordato, which means out of tune but also forgotten.
The word scordatura is a derivative of this.
Also scordare means detune and also forget
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Or Scordato, which means out of tune but also forgotten.
The word scordatura is a derivative of this.
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On Mon, Jul 28, 2014 at 11:32 AM, Mark Polesky markpole...@gmail.com
wrote:
On Mon, Jul 28, 2014 at 10:30 AM, Mark Polesky
markpole...@gmail.com wrote:
Or Scordato, which means out of tune but also forgotten.
The word scordatura is a derivative of this.
Also scordare means detune and also
On 26 Jul 2014, at 01:14, tisimst tisimst.lilyp...@gmail.com wrote:
I couldn't wait any longer, so here's a formal announcement about the new
music fonts that I've been working on, by way of example. They are all 100%
LilyPond compatible for both PDF and SVG output. They all (except Gonville)
On Mon, Jul 28, 2014 at 12:35 PM, Hans Aberg haber...@telia.com wrote:
On 26 Jul 2014, at 01:14, tisimst tisimst.lilyp...@gmail.com wrote:
I couldn't wait any longer, so here's a formal announcement about
the new
music fonts that I've been working on, by way of example. They are
all 100%
On 28 Jul 2014, at 20:47, Abraham Lee tisimst.lilyp...@gmail.com wrote:
BTW, is there some effort adding more microtonal symbols? LilyPond can now
properly handle microtonal key signatures, it seems.
Good question. If you are glyphs you are referring to are found the default
font set,
On 28. Juli 2014 20:24:02 MESZ, Abraham Lee tisimst.lilyp...@gmail.com wrote:
On Mon, Jul 28, 2014 at 11:32 AM, Mark Polesky markpole...@gmail.com
wrote:
On Mon, Jul 28, 2014 at 10:30 AM, Mark Polesky
markpole...@gmail.com wrote:
Or Scordato, which means out of tune but also forgotten.
The
Dear all,
Trying to typeset a song I am faced with the following problem for which I
can;t find a solution in the manual or snippet repository. I kindly request
your help.
I'm typesetting a song with one staff, where the refrain comes first and
spans multiple lines of notes; after that come 3
Hi,
2014-07-28 16:13 GMT+02:00 David Nalesnik david.nales...@gmail.com:
In the following example, the ordinary overrides of self-alignment-X appear
to have no effect on the position pf the dynamics (or an effect I can't
see). Large numbers are needed for an obvious shift.
Is this a bug, or
On Mon, Jul 28, 2014 at 3:17 PM, Janek Warchoł janek.lilyp...@gmail.com
wrote:
Hi,
2014-07-28 16:13 GMT+02:00 David Nalesnik david.nales...@gmail.com:
In the following example, the ordinary overrides of self-alignment-X
appear
to have no effect on the position pf the dynamics (or an
Hi,
2014-07-28 22:51 GMT+02:00 David Nalesnik david.nales...@gmail.com:
What is potentially confusing (and you see how badly I've been confused) is
that the default setting of X-offset has changed.
I'm not sure if i understand. You mean that default X-offset values
for DynamicTexts changed,
Hi,
2014-07-28 3:38 GMT+02:00 Kieren MacMillan kieren_macmil...@sympatico.ca:
Hi Jan-Peter,
I think the most complicated part is addressing multiple voices in one Staff.
[…]
propably there are more things to modify to make it more intuitive.
I think the stated problem would be solved *AND*
Janek Warchoł wrote Monday, July 28, 2014 10:12 PM
2014-07-28 22:51 GMT+02:00 David Nalesnik david.nales...@gmail.com:
I think that this should be made clear in the documentation, if you haven't
already done this!
Yes, i should do this (or maybe some doc editor would like to help me?
I
On Mon, Jul 28, 2014 at 1:47 PM, Marten msvis...@planet.nl wrote:
Dear all,
Trying to typeset a song I am faced with the following problem for
which I
can;t find a solution in the manual or snippet repository. I kindly
request
your help.
I'm typesetting a song with one staff, where the
Hi Janek,
On Mon, Jul 28, 2014 at 4:12 PM, Janek Warchoł janek.lilyp...@gmail.com
wrote:
Hi,
2014-07-28 22:51 GMT+02:00 David Nalesnik david.nales...@gmail.com:
What is potentially confusing (and you see how badly I've been confused)
is
that the default setting of X-offset has changed.
Am 28.07.2014 21:47, schrieb Marten:
Dear all,
Trying to typeset a song I am faced with the following problem for which I
can;t find a solution in the manual or snippet repository. I kindly request
your help.
I'm typesetting a song with one staff, where the refrain comes first and
spans
On Mon, Jul 28, 2014 at 1:19 PM, Urs Liska [via Lilypond]
ml-node+s1069038n165017...@n5.nabble.com wrote:
Good idea.
Would you just collect votes in this thread or should we do something
more formal?
Urs
Alright everyone,
Here's something more formal. It's my first time using this
Janek Warchoł janek.lilyp...@gmail.com writes:
Hi,
2014-07-28 16:13 GMT+02:00 David Nalesnik david.nales...@gmail.com:
In the following example, the ordinary overrides of self-alignment-X appear
to have no effect on the position pf the dynamics (or an effect I can't
see). Large numbers are
Dear all,
Can you post a link where the new music fonts can be found for downloading? I
am unable to get to them on openlillylib.org.
Thanks,
Steve
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Dear all,
Can you post a link where the new music fonts can be found for downloading? I
am unable to get to them on openlillylib.org.
Thanks,
Steve
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Well, the output while using 'self-alignment-X with DynamicText _has_ changed.
This needs thoroughly documentation.
And it will likely break some of my custom-functions.
This will not be a big problem for me, I assume, though maybe others
rely on the old behaviour as well.
I uploaded two images
On Mon, Jul 28, 2014 at 4:48 PM, Steve Noland st...@thenolands.us
wrote:
Dear all,
Can you post a link where the new music fonts can be found for
downloading? I am unable to get to them on openlillylib.org.
Thanks,
Steve
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2014-07-29 0:58 GMT+02:00 Abraham Lee tisimst.lilyp...@gmail.com:
2. LilyPond needs to be patched in order actually use the fonts.
I'd be interested in that file, too.
Can't find it on the list ...
Although we
are going to see if this can be made part of the core code so users won't
have to
Hello Abraham, Simon,
Thanks for your solutions and quick replies :)
I decided to try to implement Simon's third solution, as it explicitly
keeps the melody of the stanzas together with their texts.
Ingenious - hadn't thought about a solution like that.
I have two question about it though:
1.
On Mon, Jul 28, 2014 at 5:28 PM, Marten msvis...@planet.nl wrote:
Hello Abraham, Simon,
Thanks for your solutions and quick replies :)
I decided to try to implement Simon's third solution, as it
explicitly
keeps the melody of the stanzas together with their texts.
Ingenious - hadn't
Dear Abraham,
I am very interested in the lilyjazz font. Can't wait...
Regards,
Steve
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On Mon, Jul 28, 2014 at 5:19 PM, Thomas Morley
thomasmorle...@gmail.com wrote:
2014-07-29 0:58 GMT+02:00 Abraham Lee tisimst.lilyp...@gmail.com:
2. LilyPond needs to be patched in order actually use the fonts.
I'd be interested in that file, too.
Can't find it on the list ...
Although we
Thanks very much!!
Steve
On Jul 28, 2014, at 4:56 PM, Abraham Lee
tisimst.lilyp...@gmail.commailto:tisimst.lilyp...@gmail.com wrote:
On Mon, Jul 28, 2014 at 5:19 PM, Thomas Morley
thomasmorle...@gmail.commailto:thomasmorle...@gmail.com wrote:
2014-07-29 0:58 GMT+02:00 Abraham Lee
Not that you asked, but I'm most excited to use Haydn and especially
Gutenberg1939. The latter is like the font of on of the original printings of
my favorite hymn, Elgar's Drakes Broughton. As a music director at a parish,
I might want to use it in supplements, though I'll probably get
On Mon, Jul 28, 2014 at 07:47:17PM +, Marten wrote:
Dear all,
Trying to typeset a song I am faced with the following problem for which I
can;t find a solution in the manual or snippet repository. I kindly request
your help.
I'm typesetting a song with one staff, where the refrain
Hello LilyPond users,
I've created a chroot jail for LilyPond 2.18.2 on Ubuntu 12.04.4 LTS which I
installed by executing the binary
lilypond-2.18.2-1.linux-64.sh. I have followed the instructions the
instructions on
\version 2.18.0
#mandolin-tuning
#o;o;o;o;
The code will show a wrongnotes, say a-c-e-g instead of g-d-a-e (low to
high). Is the code erroneous or the predefined tuning?
Regards BB
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Sorry, I reduced the code too much! I started with the following code
trying to redefine a fretboard:
\version 2.18.0
#default-fret-table
\chordmode {a:m7}
%#guitar-tuning
%#5;x;5;5;5;x;
#mandolin-tuning
#o;o;o;o;
theChords = \chordmode {
a:m7
}
\score {
\theChords
}
It
Hi,
Some time ago, a user here gave me a cadenzaToMusic function, which could
stretch rests in non-cadenza parts to match the duration of a cadenza.
(That's because I was having problems with compressing the cadenza music to
fit in a normal-length bar.)
I've used it in a couple of pieces
BB bb-543...@versanet.de writes:
Sorry, I reduced the code too much! I started with the following code
trying to redefine a fretboard:
\version 2.18.0
#default-fret-table
\chordmode {a:m7}
%#guitar-tuning
%#5;x;5;5;5;x;
#mandolin-tuning
#o;o;o;o;
That's just gibberish. What
On 14-07-28 03:42 AM, BB wrote:
Sorry, I reduced the code too much! I started with the following code
trying to redefine a fretboard:
\version 2.18.0
#default-fret-table
\chordmode {a:m7}
%#guitar-tuning
%#5;x;5;5;5;x;
#mandolin-tuning
#o;o;o;o;
theChords = \chordmode {
a:m7
}
Hi everyone,
I'm working on a score where I need hairpins to end on a specific text. I do
this because I don't really like the hairpins with a circle tip. I prefer to
use n. for niente and pd. for perdendosi (the first one for strings, the
second one for winds).
Now, on some occasions the
Need troubleshooting help with a two-line markup block.
The block is used for the copyright statement in scores published by Mutopia
and has to remain dimensionally stable over a wide range of possible
staff-sizes.
To accomplish this, \abs-fontsize characters and \override #'(baseline-skip
.
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