2014-09-03 9:17 GMT+02:00 James pkx1...@gmail.com:
On 02/09/14 21:58, Thomas Morley wrote:
2014-09-02 12:44 GMT+02:00 MING TSANG tsan...@rogers.com:
James Phil:
I comment out line 421 which call solfege-engravers - both versions run ok.
Un-comment out line 421 - v2.19.12 run ok; but fails
Dear readers,
Have made this one.
s2.^\markup { \underline \fontsize #-2 D : C : Menuetto } _\markup {
\italic \fontsize #-2 sino al Fine } \bar |
Is there and \override command to move this inside the bar?
Thanks in advantage!
Peter
___
- Original Message -
From: Peter Terpstra peter.terpst...@gmail.com
To: lilypond-user@gnu.org
Sent: Thursday, September 04, 2014 10:28 AM
Subject: How to move text inside an empty bar?
Dear readers,
Have made this one.
s2.^\markup { \underline \fontsize #-2 D : C : Menuetto }
Is there a searchable archive of past questions and
answers from this list? A cursory look found nothing
anywhere obvious.
Trying to figure out the linkage between chord names over
the staff in a
\chordmode { s8 g1 c2 d2:7 g1 c4 d4:7 g1 g4 }
directive and the tune as specified earlier in the
Am 04.09.2014 11:59, schrieb Don Gingrich:
Is there a searchable archive of past questions and
answers from this list? A cursory look found nothing
anywhere obvious.
Mabe the footer of each delivered message is not as obvious as it could
be ;-)
But if you follow the link to the listinfo
- Original Message -
From: Don Gingrich gingr...@internode.on.net
To: lilypond-user@gnu.org
Sent: Thursday, September 04, 2014 10:59 AM
Subject: Silly question, maybe...
Is there a searchable archive of past questions and
answers from this list? A cursory look found nothing
anywhere
On Fri, 2014-08-29 at 13:27 -0500, David Nalesnik wrote:
Richard,
On Fri, Aug 29, 2014 at 9:36 AM, Richard Shann
rich...@rshann.plus.com wrote:
On Fri, 2014-08-29 at 16:00 +0200, Jacques Menu wrote:
Hello Richard,
\set
The snippet http://lsr.di.unimi.it/LSR/Item?id=750
for changing the markup used for chord names makes use of Scheme
procedures like define-line-markup, define-small-markup ...
But these do not appear to be defined in the source files
define-markup-commands.scm or markup.scm, and do not seem to
cd /usr/local/lilypond grep -r define-line-markup *
doesn’t give me any results; I assume they’re not part of LilyPond.
On 04.09.2014 13:38, Richard Shann wrote:
The snippet http://lsr.di.unimi.it/LSR/Item?id=750
for changing the markup used for chord names makes use of Scheme
procedures like
On 04/09/14 12:38, Richard Shann wrote:
The snippet http://lsr.di.unimi.it/LSR/Item?id=750
for changing the markup used for chord names makes use of Scheme
procedures like define-line-markup, define-small-markup ...
I don't see these referenced anywhere in git or in this snippet.
Are you sure
Please remember to replay-all to any answer, so that others may also help
with suggestions.
This would appear to do what you want:
{
\once \override TextScript.extra-offset = #'( 0 . -4.5 )
^\markup {
\column {
{ \underline \fontsize #-2 D : C : Menuetto }
{ \raise #0.5 \italic
On Fri, 2014-08-29 at 12:20 +0100, Richard Shann wrote:
The remaining outstanding difficulty is controlling the measure width
-
ideally all the bar lines would align vertically down the screen (the
chord symbols would be made smaller if they didn't fit).
I have set
\set
At 12:48 on 04 Sep 2014, James wrote:
On 04/09/14 12:38, Richard Shann wrote:
The snippet http://lsr.di.unimi.it/LSR/Item?id=750
for changing the markup used for chord names makes use of Scheme
procedures like define-line-markup, define-small-markup ...
I don't see these referenced anywhere in
On Thu, 2014-09-04 at 12:48 +0100, James wrote:
On 04/09/14 12:38, Richard Shann wrote:
The snippet http://lsr.di.unimi.it/LSR/Item?id=750
for changing the markup used for chord names makes use of Scheme
procedures like define-line-markup, define-small-markup ...
I don't see these
On Thu, 2014-09-04 at 13:04 +0100, Mark Knoop wrote:
At 12:48 on 04 Sep 2014, James wrote:
On 04/09/14 12:38, Richard Shann wrote:
The snippet http://lsr.di.unimi.it/LSR/Item?id=750
for changing the markup used for chord names makes use of Scheme
procedures like define-line-markup,
Phil Holmes wrote:
Please remember to replay-all to any answer, so that others may also
help with suggestions
Sorry again, only received and email this is the first post that appears in the
newsreader and normally i do only follow-up to newsgroup.
This would appear to do what you want:
[]
On 4 September 2014 13:18, Richard Shann rich...@rshann.plus.com wrote:
this illustrates the meaning, but doesn't hint at how to create a
variant of the procedure (in my case, make-small-markup is too small).
If I recall, it's a scheme macro which generates these. It only works
for existing
At 13:41 on 04 Sep 2014, Neil Puttock wrote:
On 4 September 2014 13:18, Richard Shann rich...@rshann.plus.com
wrote:
this illustrates the meaning, but doesn't hint at how to create a
variant of the procedure (in my case, make-small-markup is too
small).
If I recall, it's a scheme macro which
James, Thomas Phil:
Thank you for the work around by adding
\layout {
\context {
\Staff
\accepts NullVoice
}
}
to the \score block, it works for both v2.19.12 and v2.19.13
Thanks,
Emmanuel,
Ming.
On Thursday, September 4, 2014 5:31:02 AM, James pkx1...@gmail.com
On Thu, 2014-09-04 at 14:17 +0100, Mark Knoop wrote:
At 13:41 on 04 Sep 2014, Neil Puttock wrote:
On 4 September 2014 13:18, Richard Shann rich...@rshann.plus.com
wrote:
this illustrates the meaning, but doesn't hint at how to create a
variant of the procedure (in my case,
I'm working on a huge project that generates literally tons of Lilypond
files/scores using a very wide variety of styles. The way the code works it
requires there to be a dynamic marking with each note (it is able to ignore
immediate repetition of markings in the score but that's it). For some
Hi David,
So what I'm looking for is that one magical command that will just not print
any dynamic marking that is in the Lilypond file.
\layout { \context { \Score \override DynamicText.stencil = ##f } }
should work.
Hope this helps!
Kieren.
___
Kieren MacMillan,
\layout { \context { \Score \override DynamicText.stencil = ##f } }
Perfect! And thank you! (Now to figure out how to squeeze that sucker in
there...)
On Thu, Sep 4, 2014 at 9:24 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David,
So what I'm looking for is that one
Hello folks,
I’d like to obtain the tie between the cis’s in beat 1 and 2 in the attached,
from a version of BWV 508 (3/4).
The best I could find is:
%
\version 2.18.2
{
\clef treble \key b \major \time 3/4
…
\tieDown
cis ~ ais fis4 )
{fis8 --}
{\hideNotes cis8
On Thu, Sep 4, 2014 at 11:23 AM, Jacques Menu imj-...@bluewin.ch
wrote:
Hello folks,
I’d like to obtain the tie between the cis’s in beat 1 and 2 in
the attached, from a version of BWV 508 (3/4).
The best I could find is:
%
\version 2.18.2
{
\clef treble \key b \major \time 3/4
Howdy!
For some reason lilypond ( 2.18.0) doesn't get this correct
straight
out of the box, though there is lots of room for slightly shorter stems...
shouldn't
need to move the note column...
http://www.gooeytar.com/projects/test/granada_test.pdf
How do I fix this
Hello Steve,
admittedly this is not easy to figure out.
\once \override Beam.positions = #'(-3.5 . -3.5)
is what you want here. It specifies the y position of the left and right
ends of the beam in staff-space units.
Yours,
Simon
Am 04.09.2014 um 20:11 schrieb st...@linuxsuite.org:
The only thing I dislike about this is the use of \hideNotes.
\hideNotes makes Notes _transparent_ but doesn't remove the stencils.
This often results in strange output issues, sometimes striking,
sometimes subtle. The problem is that the ties or slurs will still try
to avoid the hidden
I'm working on a huge project that generates literally tons of scores. I
have chosen have Lilypond break notes up at bar lines. Even though the
music isn't actually in 4/4 (or whatever) I think it makes it easier to
read or look nicer.
But when I add lyrics it stops breaking up the notes and
2014-09-04 14:28 GMT+02:00 Simon Albrecht simon.albre...@mail.de:
Hello Thomas,
I like the lyric word engraver you once posted on this list and use it quite
often; yesterday I happened to find a bug:
If a lyric word is broken, the syllables on the new line may (or will) be
contracted,
On Thu, Sep 4, 2014 at 4:40 PM, Thomas Morley thomasmorle...@gmail.com
wrote:
2014-09-04 14:28 GMT+02:00 Simon Albrecht simon.albre...@mail.de:
Hello Thomas,
I like the lyric word engraver you once posted on this list and use it
quite
often; yesterday I happened to find a bug:
If a
Like the original OP I'd really like to get the stringNumberSpanner function
from LSR http://lsr.di.unimi.it/LSR/Snippet?id=616 to incorporate the
startTextSpan and number of notes. Ideally, one would wind up with something
like a8\restez {5 4} which would extend a line for 4 of the note value
Date: Thu, 4 Sep 2014 11:21:24 +0100
From: Phil Holmes m...@philholmes.net
To: Don Gingrich gingr...@internode.on.net,
lilypond-user@gnu.org
Subject: Re: Silly question, maybe...
--
Phil said:
- Original Message -
From: Don Gingrich gingr...@internode.on.net
To:
Dear members,
I'd like to use my roman font digits for proportional symbols in a
Renaissance score. Ho do I replace the Feta font digits with my Roman
Garamond ones?
I've looked at this post, but it does not work with replacing my font:
34 matches
Mail list logo
