Re: WG: How to make a partitur book of 7 pieces?
Il giorno sab 27 dic 2014 alle 8:54, Dr. Bernhard Kleine
bernhard.kle...@gmx.net ha scritto:
\version 2.19.15
\book {
\header {
title = Messe in C-Dur
subtitle = für Chor und Orgel
composer = Anton Bruckner
arranger = bearb. v. Jos. Messner
piece = Kyrie
}
}
\include ./Messe in C_Kyrie.ly
\header {
piece = Gloria
}
\include ./Messe in C_Gloria.ly
Sorry I missed the code.
Von: Dr. Bernhard Kleine [mailto:bernhard.kle...@gmx.net]
Gesendet: Samstag, 27. Dezember 2014 08:53
An: 'Federico Bruni'
Cc: 'lilypond-user@gnu.org'
Betreff: AW: How to make a partitur book of 7 pieces?
The following piece prints the piece = „Gloria“ for the whole
work and not only for the second part. How to change that?
It happens because both headers blocks are placed in the same \book
block and the last one, containing Gloria, overrides the previous.
You should put each piece inside a \bookpart block.
http://lilypond.org/doc/v2.19/Documentation/notation/multiple-scores-in-a-book#index-_005cbookpart
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Re: Gregorian chant repository?
Hi François, check this thread : http://lilypond.1069038.n5.nabble.com/Articles-on-church-music-on-Github-in-LilyPond-format-td164530.html Cheers, Pierre 2014-12-26 21:27 GMT+01:00 Alicuota618 alicuota...@gmail.com: Hello, Before I begin to type the gregorian tunes I need, I would like to know if there is any repository for gregorianChant in ly format... Thanks in advance, Francois ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
AW: WG: How to make a partitur book of 7 pieces?
Von: Federico Bruni [mailto:fedel...@gmail.com]
Gesendet: Samstag, 27. Dezember 2014 10:37
An: Dr. Bernhard Kleine
Cc: lilypond-user@gnu.org
Betreff: Re: WG: How to make a partitur book of 7 pieces?
Il giorno sab 27 dic 2014 alle 8:54, Dr. Bernhard Kleine
bernhard.kle...@gmx.net ha scritto:
\version 2.19.15
\book {
\header {
title = Messe in C-Dur
subtitle = für Chor und Orgel
composer = Anton Bruckner
arranger = bearb. v. Jos. Messner
piece = Kyrie
}
}
\include ./Messe in C_Kyrie.ly
\header {
piece = Gloria
}
\include ./Messe in C_Gloria.ly
Sorry I missed the code.
Von: Dr. Bernhard Kleine [mailto:bernhard.kle...@gmx.net]
Gesendet: Samstag, 27. Dezember 2014 08:53
An: 'Federico Bruni'
Cc: 'lilypond-user@gnu.org'
Betreff: AW: How to make a partitur book of 7 pieces?
The following piece prints the piece = „Gloria“ for the whole work and not only
for the second part. How to change that?
It happens because both headers blocks are placed in the same \book block and
the last one, containing Gloria, overrides the previous.
You should put each piece inside a \bookpart block.
http://lilypond.org/doc/v2.19/Documentation/notation/multiple-scores-in-a-book#index-_005cbookpart
___
But in the bookpart the individual pieces will each start on a new page. Is
there no other solution?
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Re: Gregorian chant repository?
Am 26.12.2014 um 21:27 schrieb Alicuota618: Before I begin to type the gregorian tunes I need, I would like to know if there is any repository for gregorianChant in ly format... Consider using gregorio. I't better gregorian chant and there are some scores aviable. http://gregoriochant.org/dokuwiki/doku.php Greetings Beda ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: AW: WG: How to make a partitur book of 7 pieces?
Il giorno sab 27 dic 2014 alle 11:23, Dr. Bernhard Kleine bernhard.kle...@gmx.net ha scritto: It happens because both headers blocks are placed in the same \book block and the last one, containing Gloria, overrides the previous. You should put each piece inside a \bookpart block. http://lilypond.org/doc/v2.19/Documentation/notation/multiple-scores-in-a-book#index-_005cbookpart ___ But in the bookpart the individual pieces will each start on a new page. Is there no other solution? Then put the \header block inside the \score block. From http://lilypond.org/doc/v2.19/Documentation/notation/creating-titles-headers-and-footers \header blocks may be placed in four different places to form a descending hierarchy of \header blocks: At the top of the input file, before all \book, \bookpart, and \score blocks. Within a \book block but outside all the \bookpart and \score blocks within that book. Within a \bookpart block but outside all \score blocks within that bookpart. After the music expression in a \score block. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
afterGrace and slashedGrace
I think that I already asked the same question few weeks ago but can't
find it in my inbox nor in the archives.
How can I use slashedGrace for a grace note at the end of a bar?
\version 2.19.15
\relative c'' {
\slashedGrace d8 d4 r2. |
\afterGrace c1 { d8 } |
% the grace note is printed as normal note (bigger) and without the
slashed stem
\afterGrace c1 { \slashedGrace d8 } |
}
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Re: afterGrace and slashedGrace
Hi Federico,
There's a conflict between \afterGrace and \slashedGrace in your coding.
How about :
\version 2.19.15
\relative c'' {
\afterGrace
c1 {
\once\override Flag.stroke-style = #grace
d8
}
}
HTH,
Pierre
2014-12-27 11:35 GMT+01:00 Federico Bruni fedel...@gmail.com:
I think that I already asked the same question few weeks ago but can't
find it in my inbox nor in the archives.
How can I use slashedGrace for a grace note at the end of a bar?
\version 2.19.15
\relative c'' {
\slashedGrace d8 d4 r2. |
\afterGrace c1 { d8 } |
% the grace note is printed as normal note (bigger) and without the
slashed stem
\afterGrace c1 { \slashedGrace d8 } |
}
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Re: afterGrace and slashedGrace
Thanks Pierre!
Just found my previous question:
https://lists.gnu.org/archive/html/lilypond-user/2014-11/msg00261.html
I see that if I change the direction of the slashed stem it appears a
bit too long (I think) and I must tweak it, see commented line below:
\version 2.19.15
\relative c'' {
r2 \afterGrace
c2 {
\once\override Flag.stroke-style = #grace
d8
}
\afterGrace
c1 {
\once\override Flag.stroke-style = #grace
\once\stemDown
%\once\override Stem.length = #4.5
d8
}
}
Il giorno sab 27 dic 2014 alle 12:01, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com ha scritto:
Hi Federico,
There's a conflict between \afterGrace and \slashedGrace in your
coding.
How about :
\version 2.19.15
\relative c'' {
\afterGrace
c1 {
\once\override Flag.stroke-style = #grace
d8
}
}
HTH,
Pierre
2014-12-27 11:35 GMT+01:00 Federico Bruni fedel...@gmail.com:
I think that I already asked the same question few weeks ago but
can't find it in my inbox nor in the archives.
How can I use slashedGrace for a grace note at the end of a bar?
\version 2.19.15
\relative c'' {
\slashedGrace d8 d4 r2. |
\afterGrace c1 { d8 } |
% the grace note is printed as normal note (bigger) and without
the slashed stem
\afterGrace c1 { \slashedGrace d8 } |
}
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Re: Unresolvable rest collision?
Am 27.12.2014 08:27, schrieb Jayaratna: Just a few days ago I had to correct the following incipit: http://lilypond.1069038.n5.nabble.com/file/n169753/dentestui01.png In the original the longae rests at the beginning of the piece indicate that the Modus Longarum is imperfect, thus: http://lilypond.1069038.n5.nabble.com/file/n169753/dentestui02.png It’s only natural that mensural notation follows wholly different conventions than 19th/20th century typesetting standards, since inspite of many similarities they are essentially different systems of notation. So your example does not say anything about how to typeset an arrangement by Moszkowski. Best regards, Simon ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
AW: AW: WG: How to make a partitur book of 7 pieces?
Von: Federico Bruni [mailto:fedel...@gmail.com] Gesendet: Samstag, 27. Dezember 2014 11:31 An: Dr. Bernhard Kleine Cc: lilypond-user@gnu.org Betreff: Re: AW: WG: How to make a partitur book of 7 pieces? Il giorno sab 27 dic 2014 alle 11:23, Dr. Bernhard Kleine bernhard.kle...@gmx.net ha scritto: It happens because both headers blocks are placed in the same \book block and the last one, containing Gloria, overrides the previous. You should put each piece inside a \bookpart block. http://lilypond.org/doc/v2.19/Documentation/notation/multiple-scores-in-a-book#index-_005cbookpart ___ But in the bookpart the individual pieces will each start on a new page. Is there no other solution? Then put the \header block inside the \score block. From http://lilypond.org/doc/v2.19/Documentation/notation/creating-titles-headers-and-footers \header blocks may be placed in four different places to form a descending hierarchy of \header blocks: At the top of the input file, before all \book, \bookpart, and \score blocks. Within a \book block but outside all the \bookpart and \score blocks within that book. Within a \bookpart block but outside all \score blocks within that bookpart. After the music expression in a \score block. ___ Thank you for that, it works. I have experience with the generation of a title page according to http://lilypond.org/doc/v2.19/Documentation/snippets/spacing. It did not work. It only showed “Title page” and did not show the rest of the work. Any idea? ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: AW: WG: How to make a partitur book of 7 pieces?
2014-12-27 12:58 GMT+01:00 Dr. Bernhard Kleine bernhard.kle...@gmx.net: Thank you for that, it works. Great I have experience with the generation of a title page according to http://lilypond.org/doc/v2.19/Documentation/snippets/spacing. It did not work. It only showed “Title page” and did not show the rest of the work. Any idea? Please provide a minimal example. It will also help you to understand how all of this works. http://www.lilypond.org/tiny-examples.html ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: afterGrace and slashedGrace
2014-12-27 12:20 GMT+01:00 Federico Bruni fedel...@gmail.com: I see that if I change the direction of the slashed stem it appears a bit too long (I think) and I must tweak it, see commented line below: I totally agree. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Unresolvable rest collision?
Simon Albrecht-2 wrote It’s only natural that mensural notation follows wholly different conventions than 19th/20th century typesetting standards The (maybe ot) point was that the rest position can have a meaning. Incipits are quite a common feature in modern notation. Cheers, A -- View this message in context: http://lilypond.1069038.n5.nabble.com/Unresolvable-rest-collision-tp169585p169768.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
ANN: Frescobaldi 2.17.1
Hi all, Yesterday, shortly after releasing Frescobaldi 2.17, a bug was discovered that was also present in 2.0.16: when clicking File→Quit, selecting Cancel would also quit Frescobaldi, loosing the changes in unsaved documents. That was the reason 2.17.1 was released very quickly. I am proud that now this release contains, besides the Python sourcecode, also a fully self-contained Windows executable and Mac OS X .dmg files ready to deploy on Mac OS X. Thanks go to everyone who made this possible! Download: http://frescobaldi.org/download https://github.com/wbsoft/frescobaldi/releases Homepage: http://frescobaldi.org/ Happy 'Ponding and 2015! Wilbert Berendsen -- Wilbert Berendsen (http://www.wilbertberendsen.nl) ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: ANN: Frescobaldi 2.17.1
Is this available from MacPorts yet, or will it once it gets into their system? On Sat, Dec 27, 2014 at 11:00 AM, lilypond-user-requ...@gnu.org wrote: From: Wilbert Berendsen wbs...@xs4all.nl To: frescoba...@googlegroups.com, lilypond-user@gnu.org Cc: Date: Sat, 27 Dec 2014 17:43:23 +0100 Subject: ANN: Frescobaldi 2.17.1 Hi all, Yesterday, shortly after releasing Frescobaldi 2.17, a bug was discovered that was also present in 2.0.16: when clicking File→Quit, selecting Cancel would also quit Frescobaldi, loosing the changes in unsaved documents. That was the reason 2.17.1 was released very quickly. I am proud that now this release contains, besides the Python sourcecode, also a fully self-contained Windows executable and Mac OS X .dmg files ready to deploy on Mac OS X. Thanks go to everyone who made this possible! Download: http://frescobaldi.org/download https://github.com/wbsoft/frescobaldi/releases Homepage: http://frescobaldi.org/ Happy 'Ponding and 2015! Wilbert Berendsen -- Wilbert Berendsen (http://www.wilbertberendsen.nl) ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: ANN: Frescobaldi 2.17.1
Dear Conor, Il 27/12/14 18.12, Conor Cook ha scritto: Is this available from MacPorts yet, or will it once it gets into their system? I have already submitted the update to MacPorts. I hope they'll merge it in a couple of days at most. Best wishes. Davide ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: ANN: Frescobaldi 2.17.1
Dear Wilbert, Thanks for the new version of Frescobaldi. I notice that the installer file of version 2.17 and version 2.17.1 takes a long time before it begins to install the software. It may be one or two minutes before the install screen appears. I mean when I double click on the installer, I don't seen the install action, and need to wait one or two minutes. I don't see that in the previous version. I am not sure if it's the problem of my computer. The platform I use is Windows 7 professional 64bit. Best, Jinsong On 2014/12/27 8:43, Wilbert Berendsen wrote: Hi all, Yesterday, shortly after releasing Frescobaldi 2.17, a bug was discovered that was also present in 2.0.16: when clicking File→Quit, selecting Cancel would also quit Frescobaldi, loosing the changes in unsaved documents. That was the reason 2.17.1 was released very quickly. I am proud that now this release contains, besides the Python sourcecode, also a fully self-contained Windows executable and Mac OS X .dmg files ready to deploy on Mac OS X. Thanks go to everyone who made this possible! Download: http://frescobaldi.org/download https://github.com/wbsoft/frescobaldi/releases Homepage: http://frescobaldi.org/ Happy 'Ponding and 2015! Wilbert Berendsen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
glissando to a nearby modified pitch doesn't always work inside a triplet
I'm new here and don't know if I can send attachments, so I'll try some
code with proza:
\version 2.16.2
\relative c' {
% The following doesn't show the (guitar) slide
% that I need in this triplet:
\times 2/3 { dis'8\glissando[ d( c)] }
% It's not that the slide is obscured by the d-line:
\times 2/3 { cis8\glissando[ c( b)] }
% And it's not that the slide doesn't work at all,
% because here it does:
% \times 2/3 { e\glissando d( c) }
% I think it's because of the modifier in d#:
\times 2/3 { e\glissando dis( c)}
% Although 'coming from below' works:
\times 2/3 { e,\glissando dis'( c)}
}
Play this in your 2.16.2, then you'll see what I mean.
My OS does not let me upgrade yet to 2.18, that's why I'm using 2.16.2.
My guess is that there is not enough space between the two notes where
the glissando needs to be because the pitch modifier occupies so much
horizontal space that lilypond 'decides' that the lenght of the line
indicating the glissando isn't enough to be visible so that it would
be better to drop the glissando altogether.
Any hints how to get this triplet show the intended slide and pull off?
Thanks,
Joe
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Re: glissando to a nearby modified pitch doesn't always work inside a triplet
Hi Joe,
2014-12-27 21:41 GMT+01:00 list_lilypond list_lilyp...@infopower.nl:
I'm new here and don't know if I can send attachments, so I'll try some
code with proza:
\version 2.16.2
\relative c' {
% The following doesn't show the (guitar) slide
% that I need in this triplet:
\times 2/3 { dis'8\glissando[ d( c)] }
% It's not that the slide is obscured by the d-line:
\times 2/3 { cis8\glissando[ c( b)] }
% And it's not that the slide doesn't work at all,
% because here it does:
% \times 2/3 { e\glissando d( c) }
% I think it's because of the modifier in d#:
\times 2/3 { e\glissando dis( c)}
% Although 'coming from below' works:
\times 2/3 { e,\glissando dis'( c)}
}
Play this in your 2.16.2, then you'll see what I mean.
My OS does not let me upgrade yet to 2.18, that's why I'm using 2.16.2.
Upgrade manually, it's a child's play
My guess is that there is not enough space between the two notes where
the glissando needs to be because the pitch modifier occupies so much
horizontal space that lilypond 'decides' that the lenght of the line
indicating the glissando isn't enough to be visible so that it would
be better to drop the glissando altogether.
Any hints how to get this triplet show the intended slide and pull off?
Thanks,
Joe
Try the following code (adjust the number for 'minimum-length to fit your needs)
Some comments inline.
\version 2.16.2
\relative c' {
\override Glissando #'minimum-length = #10
%% overriding Glissando 'minimum-length needs
%% the following additional override
\override Glissando #'springs-and-rods = #ly:spanner::set-spacing-rods
%% You may want to override 'extra-dy as well:
\once \override Glissando #'extra-dy = #-0.5
\times 2/3 { dis'8\glissando[ d( c)] }
\once \override Glissando #'extra-dy = #-0.5
\times 2/3 { cis8\glissando[ c( b)] }
}
HTH,
Harm
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Re: glissando to a nearby modified pitch doesn't always work inside a triplet
Hi, On Sat, Dec 27, 2014 at 2:41 PM, list_lilypond list_lilyp...@infopower.nl wrote: My guess is that there is not enough space between the two notes where the glissando needs to be because the pitch modifier occupies so much horizontal space that lilypond 'decides' that the lenght of the line indicating the glissando isn't enough to be visible so that it would be better to drop the glissando altogether. Any hints how to get this triplet show the intended slide and pull off? Yes, you need to override the 'minimum-length property. The override of 'springs-and-rods is necessary for the new setting to take effect. \override Glissando #'minimum-length = #5 \override Glissando #'springs-and-rods = #ly:spanner::set-spacing-rods It looks like the first glissando is actually hidden by the staff line. --David ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Gregorian chant input in LilyPond
Hi, while comparing gabc [1] and LilyPond [2] syntax for Gregorian chant music, I wondered whether LilyPond could profit from the simplicity of gabc. I see at least two options: a) A conversion of the respective syntax Something like gabc2ly. It could be used as a standalone tool on the commandline or perhaps used to translate a selected part of the file in Frescobaldi. b) A new input mode It could be called \gregorianmode and do the same translation within LilyPond directly. This would be much nicer as the gabc-style source could be edited and would not be gone in the one-way street of the conversion. Has anyone tried anything similar? Was that discussed before? Is it a bad idea? If not, I could try (a) – option (b) is certainly out of my reach. Cheers, Joram [1]: http://home.gna.org/gregorio/gabc/ [2]: http://lilypond.org/doc/v2.18/Documentation/notation/typesetting-gregorian-chant ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
lilypond markdown extension
Hi, I just wrote a markdown extension doing something similar as lilypond-book: It takes some LilyPond code and creates an image (formats provided by LilyPond) from it, which is then inserted at this point in the output html document. Probably, I am not the first one doing this. Is there any experience with any available md-LilyPond extension? Or would anyone be interested in my md-extension (python-markdown)? Mine is quite rough just now and I try to figure out whether it is worth polishing it or if that would be reinventing the wheel. I found this thread: http://lilypond.1069038.n5.nabble.com/LilyPond-in-pandoc-md-rst-td153833.html But there might be newer things out there. Cheers, Joram ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: ANN: Frescobaldi 2.17.1
Op Sat, 27 Dec 2014 12:14:44 -0800 Jinsong Zhao jsz...@yeah.net schreef: Dear Wilbert, Thanks for the new version of Frescobaldi. I notice that the installer file of version 2.17 and version 2.17.1 takes a long time before it begins to install the software. It may be one or two minutes before the install screen appears. I mean when I double click on the installer, I don't seen the install action, and need to wait one or two minutes. I don't see that in the previous version. I am not sure if it's the problem of my computer. The platform I use is Windows 7 professional 64bit. I did not make any change to the install process. It might be a Windows issue? (I do not use Windows often) -- Wilbert Berendsen (http://www.wilbertberendsen.nl) ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: ANN: Frescobaldi 2.17.1
On 28/12/2014 4:14 AM, Jinsong Zhao wrote: Dear Wilbert, Thanks for the new version of Frescobaldi. I notice that the installer file of version 2.17 and version 2.17.1 takes a long time before it begins to install the software. It may be one or two minutes before the install screen appears. I mean when I double click on the installer, I don't seen the install action, and need to wait one or two minutes. I don't see that in the previous version. I am not sure if it's the problem of my computer. The platform I use is Windows 7 professional 64bit. I don't see any delay in the installer - just installed 2.17.1 on my laptop running Windows 8.1 x64. Nick ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Gregorian chant input in LilyPond
The biggest issue for this would be the fact that gabc and lilypond notation approach representing music from two different view points. The different heights (a to m) in gabc represent the actual position of the neume on the staff, regardless of the clef position. As a result g may correspond to fa, re, ti (or ta), so, mi, or do depending on the clef (c1, c2, c3 (flatted), c4, f3, or f4). Given that Gregorian chant uses a movable do, this isn't as illogical as it may sound because one group may choose different pitches for the same neume on the same clef in different pieces and different groups may sing the same piece at different pitches. There really is very little correspondence between a note's pitch and where it appears on the staff. What matters is the relation between the notes (the scale) not the actual pitches. In short: gabc represents the *visual representation* of a chant score (i.e. what appears in the manuscript), not the musical content. Lilypond notation, on the other hand, is very much tied to the pitch. a' (in absolute mode) is A440 and means that regardless of key settings (relative mode and the transpose function both play with this mapping). This makes sense because modern music (which Lilypond is designed around) uses a fixed do. Regardless of who performs a piece, or which piece a note appears in, the same note represents the same pitch. In short: lilypond notation represents the *musical content* (i.e. what we hear), not how it visually appears on the page (position tweaks, stencil tweaks, etc. excepted). Any attempt to convert from gabc to lilypond would require bridging that gap by establishing conventions for how the height of a note on the staff maps on to a particular pitch. That's not to say that isn't possible (the visual representation and the musical content are related, after all, otherwise scores would be meaningless), but it would require some thinking out and I suspect that not everyone would be satisfied with any particular solution. ✝ Br. Samuel, OSB (R. Padraic Springuel) PAX ☧ ΧΡΙΣΤΟΣ ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: glissando to a nearby modified pitch doesn't always work inside a triplet
Am 27.12.2014 21:41, schrieb list_lilypond:
I'm new here and don't know if I can send attachments,
Yes, you can send attachments, and it’s a good thing to do, at best a
(compilable) .ly file (see http://www.lilypond.org/tiny-examples.html)
and a small png (or pdf) image, since it makes understanding, working on
your problem and replying considerably easier.
Best regards,
Simon
so I'll try some
code with proza:
\version 2.16.2
\relative c' {
% The following doesn't show the (guitar) slide
% that I need in this triplet:
\times 2/3 { dis'8\glissando[ d( c)] }
% It's not that the slide is obscured by the d-line:
\times 2/3 { cis8\glissando[ c( b)] }
% And it's not that the slide doesn't work at all,
% because here it does:
% \times 2/3 { e\glissando d( c) }
% I think it's because of the modifier in d#:
\times 2/3 { e\glissando dis( c)}
% Although 'coming from below' works:
\times 2/3 { e,\glissando dis'( c)}
}
Play this in your 2.16.2, then you'll see what I mean.
My OS does not let me upgrade yet to 2.18, that's why I'm using 2.16.2.
My guess is that there is not enough space between the two notes where
the glissando needs to be because the pitch modifier occupies so much
horizontal space that lilypond 'decides' that the lenght of the line
indicating the glissando isn't enough to be visible so that it would
be better to drop the glissando altogether.
Any hints how to get this triplet show the intended slide and pull off?
Thanks,
Joe
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Re: Grace notes around bar lines
2014-12-26 13:11 GMT+01:00 Noeck noeck.marb...@gmx.de:
Hi,
how can I – in a series of grace notes – put some before and some after
the bar line?
pseudo code: \grace { a8 b | c' d' } e1
\relative c'' {
g1 \bar \grace { a8[ b \bar || c d] } e1 |
}
And why would someone want that?
No idea.
Cheers,
Harm
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Re: Gregorian chant input in LilyPond
Dear Br. Samuel, thanks for your thoughts in reply to my mail! Am 27.12.2014 um 23:48 schrieb Br. Samuel Springuel: The biggest issue for this would be the fact that gabc and lilypond notation approach representing music from two different view points. I know that, but it does not seem such a big issue to me: The gabc input should contain a clef (c2 or f3 etc.) and this would fix the relation between the two representations, wouldn’t it. (This implies that there is no general conversion of a-m (gabc) to a-g (LP) but a clef-dependent one). This way I would end up with a definition which note (a-m) is a do and so on. However, it would not mean that the la is 400 Hz. But this latter issue can not be solved in a general way. Or do I still have a misconception here? I would even see that difference as a gain, because the key independent input of gabc seems convenient to me (for chant notation) and the LP representation could be still used in a normal staff and could be transposed. So it would combine the best of two approaches. In fact, I am a bit more concerned about the spacing. In gabc, one can set the spacing within a neume and I don’t know how to do that in LP and gregorio cares less about the timing than LP. I suspect that not everyone would be satisfied with any particular solution. That might be true and perhaps my reasoning above is too naive. Please correct me then. Cheers, Joram ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Grace notes around bar lines
\relative c'' {
g1 \bar \grace { a8[ b \bar || c d] } e1 |
}
Thanks, Harm! That’s a nice trick.
And why would someone want that?
No idea.
;)
Cheers,
Joram
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Re: Can LyricExtender ignore/skip syllables?
Unfortunately, I still haven't found a better solution for the
LyricExtender.
Anyway, maybe the code could be useful for someone... so here's a new
snippet:
http://lsr.di.unimi.it/LSR/Item?id=967
Still, any suggestions are welcome. :)
Cheers,
Klaus
% http://lsr.di.unimi.it/LSR/Item?id=967
% http://lists.gnu.org/archive/html/lilypond-user/2014-12/msg00123.html
% Contributed by Klaus Blum
\paper {
indent = 0
ragged-right = ##f
}
\header {
tagline = ##f
}
% ---
% - The central function
% Usage:
% FunctionLetter SopranoNote BassNote OptA OptB OptC OptD OptE FillStr
% ---
#(define-markup-command (fsymbol layout props FunctionLetter SopranoNote BassNote OptA OptB OptC OptD OptE FillStr)
(markup? markup? markup? markup? markup? markup? markup? markup? markup?)
(interpret-markup layout props
#{
\markup{
\concat {
\override #'(baseline-skip . 1.4)
\center-column {
\override #`(direction . ,UP)
\override #'(baseline-skip . 2.0)
\dir-column {
\halign #CENTER
$FunctionLetter
\tiny
\halign #CENTER
$SopranoNote
}
\tiny
$BassNote
}
\tiny
\override #`(direction . ,UP)
\override #'(baseline-skip . 0.8)
\dir-column {
{
\override #`(direction . ,UP)
\override #'(baseline-skip . 1.3)
\dir-column { $OptA $OptB $OptC $OptD $OptE }
}
}
$FillStr
}
}
#}))
% ---
% - cross out the letter for shortened dominants (where base is omitted):
% ---
#(define-markup-command (crossout layout props letter)
(markup?)
(interpret-markup layout props
#{
\markup{
\concat {
\override #'(baseline-skip . 0.4)
\left-column {
$letter
\with-dimensions #'(-0.0 . 0.0) #'(0 . 0)
\translate-scaled #'(-0.4 . 0.4)
\with-dimensions #'(-0.0 . 0.0) #'(0 . 0)
\draw-line #'(2.4 . 1.7)
}
}
}
#}))
% ---
% - double-printed letters for double dominant or double subdominant:
% ---
#(define-markup-command (double layout props letter)
(markup?)
(interpret-markup layout props
#{
\markup{
\concat {
\override #'(baseline-skip . 0.4)
\left-column {
$letter
\with-dimensions #'(-0.4 . 0.6) #'(0 . 0)
$letter
}
}
}
#}))
% ---
% opening round bracket before a chord:
% ---
openbracket = { \set stanza = \markup {\normal-text \magnify #1.1 (} }
% ---
% - Voices: soprano, alto, tenor
% ---
global = { \key c \major \time 4/4}
sopranmel = \relative c'' {
\clef treble
\stemUp
\global
e4 e e( d)
c4 d d2
d4 e8 d c4 c
d8( c) b g4 c2\fermata
}
altmel = \relative c'' {
\clef treble
\stemDown
\global
c4 bes a2
a4 c c( b)
b2 g4 a
a4 \hideNotes g8 s \unHideNotes g2
}
tenormel = \relative c' {
\clef treble
\stemDown
\global
g'4 g f2
d4 a' a( g)
e2 e4 f
d4 d8( f) e2
}
% ---
% - hidden bass voice (for containing the lyrics)
% ---
bassmelhidden =
\relative c {
\clef bass
\stemDown
\global
\hideNotes
\override NoteHead.color = #red
\override NoteColumn #'ignore-collision = ##t
f,4 cis'4 d d
f4 fis4 g g
gis4 gis8 gis bes4 a8 g
fis8 fis g8 g c,2
}
% ---
% - bass voice to be displayed
% ---
bassmelshown = \relative c {
\clef bass
\stemNeutral
\global
%\hideNotes
c4 cis4 d2
f4 fis4 g2
gis2 bes4 a8 g
fis4 g4 c,2
%\unHideNotes
}
% ---
% - lyrics stanza 1: Symbols for functional harmony
% ---
lyr = \lyricmode {
\override LyricText.self-alignment-X = #LEFT
\override LyricExtender.left-padding = #-0.5
\override LyricExtender.extra-offset = #'(0 . 0.5)
%
Re: ANN: Frescobaldi 2.17.1
Davide, Would there be any advantage to installing the (soon to be released) MacPorts update instead of the dmg file provided by the Frescobaldi website? Thanks, Stan On Dec 27, 2014, at 12:47 PM, Davide Liessi davide.lie...@gmail.com wrote: Dear Conor, Il 27/12/14 18.12, Conor Cook ha scritto: Is this available from MacPorts yet, or will it once it gets into their system? I have already submitted the update to MacPorts. I hope they'll merge it in a couple of days at most. Best wishes. Davide ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Mac DMG
I’ve been running Frescobaldi under Mint although it’s a bit back-leveled. I was pleased to see a DMG for Mac as I wasn’t able to complete the MacPorts installation due to a missing file; MacPorts gave me an unusable fix. My Lilypond is installed in an app and Frescobaldi is not able to find it. And I’m not able to put the app in the path in the preference dialog. I’ve tried copying the executable to my bin folder and set the path to that, but it still is not found. What’s the trick here? Arthur Hixson ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Smarter double measure numbers
Hi-
I have finally achieved a solution to the question I asked here:
http://lists.gnu.org/archive/html/lilypond-user/2014-10/msg00851.html
I'm doing this:
measureFixer_One = {
\set Score.barNumberVisibility = #all-bar-numbers-visible
\bar
\override Score.BarNumber.stencil
= #(lambda (grob)(grob-interpret-markup grob
#{ \markup {1 (7)}
#}))
s1
%etc etc...
\override Score.BarNumber.stencil
= #(lambda (grob)(grob-interpret-markup grob
#{ \markup {6 (12)}
#}))
\revert Score.BarNumber.stencil
\set Score.currentBarNumber = #13
}
The above works OK, especially because I am only doing this for 15 or so
bars each time, but I would really like a smarter function that takes the
currentBarNumber, adds a the difference as a parameter (in this case 6) and
prints n (n+x)
Part of the need is due to multiple editions (multimovement with contiguous
bar numbers vs. single movements)
Help?
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Re: ANN: Frescobaldi 2.17.1
Am 2014-12-28 um 06:33 schrieb Stan Sanderson stans...@gmail.com: Would there be any advantage to installing the (soon to be released) MacPorts update instead of the dmg file provided by the Frescobaldi website? For me the advantage is that I can update a bunch of my tools with one call of my update script (that includes a „call to port“) without the need to open a website, search for the download, wait for it to complete, open the file, click here, click there… Greetlings, Hraban --- fiëé visuëlle Henning Hraban Ramm http://www.fiee.net http://angerweit.tikon.ch/lieder/ https://www.cacert.org (I'm an assurer) ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Mac DMG
Am 2014-12-28 um 07:56 schrieb Arthur Hixson ac.hix...@comcast.net: My Lilypond is installed in an app and Frescobaldi is not able to find it. And I’m not able to put the app in the path in the preference dialog. I’ve tried copying the executable to my bin folder and set the path to that, but it still is not found. What’s the trick here? Include the real LilyPond executable (within the app) in your PATH: export PATH=$PATH:/Applications/LilyPond.app/Contents/Resources/bin Use this line in a ~/.bashrc or ~/.profile file. Greetlings, Hraban --- fiëé visuëlle Henning Hraban Ramm http://www.fiee.net http://angerweit.tikon.ch/lieder/ https://www.cacert.org (I'm an assurer) ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: \articulate problem
Patrick == Patrick or Cynthia Karl pck...@me.com writes:
Interesting.
The problem is in the Prall rendition:
It comes out as:
{ d'' 32 c'' d'' c'' 1*-1/32 }
This is generated from a ly:music-compress function applied to
{ d''32 c'' d'' c'' }
to squash it to the same length as the original semiquaver.
I have no idea where that 1*-1/32 comes from , but that's where the
`backwards in midi time' message originates, I think.
Peter C
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