Hi François,
In your layout bloc you can try to add : \override
Score.SpacingSpanner.packed-spacing = ##f
E.g:
\version 2.18.2
\include gregorian.ly
\score {
\new Voice = cantus {
c'^\markup a very very very very long text c' a a g f f
}
\new Lyrics \lyricsto cantus {
Hi,
Is there a possibility to change the size of the notepads independent from
everything else?
I tried for example noytehead-style “altdefault” which looks slightly bigger on
my screen, but the composer wants noteheads which really touch the lines.
For example when I set the system
Hi Wim,
See:
http://lilypond.org/doc/v2.18/Documentation/notation/inside-the-staff.html#selecting-notation-font-size
Cheers,
Pierre
2014-12-29 10:35 GMT+01:00 Wim van Dommelen m...@wimvd.nl:
Hi,
Is there a possibility to change the size of the notepads independent from
everything else?
I
Hi,
I was quite surprised to find hardly any information on typesetting of
chord symbols.
For example, assuming c-sharp, we have the C and the sharp. The sharp
follows the C, but should it be aligned? Top or bottom? How big should it
be compared to the C? And where to put m (minor) - (minor)? +
Hi Jaimie,
i just stumbled on the same issue. For me
*\override Glissando.breakable = ##t\override Glissando.after-line-breaking
= ##t*
together work well and without any error in the log.
Cheers!
Gagi
On 4 December 2014 at 16:35, Jaime E Oliver jaime.oliv...@gmail.com wrote:
Thanks,
I
Merci Pierre,
this works fine but must be inserted in all subsequent files. A job for sed...
Francois
2014-12-29 4:21 GMT-05:00, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com:
Hi François,
In your layout bloc you can try to add : \override
Score.SpacingSpanner.packed-spacing = ##f
I'm trying to write out Alvin Lee's (phenomenal) guitar solo from
his Woodstock performance of I'm going home with 10 Years After, and
for the bends got the guitar-string-bending notation-snippet
2014-12-29 14:05 GMT+01:00 list_lilyp...@infopower.nl:
I'm trying to write out Alvin Lee's (phenomenal) guitar solo from
his Woodstock performance of I'm going home with 10 Years After, and
for the bends got the guitar-string-bending notation-snippet
Is this what you're looking for?
http://lilypond.org/doc/v2.19/Documentation/notation/displaying-chords#customizing-chord-names
Knute Snortum
(via Gmail)
On Mon, Dec 29, 2014 at 4:13 AM, Johan Vromans jvrom...@squirrel.nl wrote:
Hi,
I was quite surprised to find hardly any information on
2014-12-29 16:24 GMT+01:00 Federico Bruni fedel...@gmail.com:
I think that it happens because it assumes that you want to use a TabStaff
context.
btw, find attached a file which compiles fine
do you really want just a staff without tablature?
\version 2.19.15
%\include bend.ly
\include
OMG! Did I really use hidemyass.com for that snippet? :)
Ok, I put the voice context in place.
I don't know whether I did that the way you were aiming at, because the
'TAB' phenomena are still there.
See attachments.
regards,
Joe
On Mon, 29 Dec 2014 16:24:31 +0100
Federico Bruni
I can tweak the Y-offset of an accent if there is no slur, but with a slur,
Y-offset doesn't seem to respond. How can I tweak the Y-offset of an
accent when the note is slurred?
\version 2.19.15
\relative c''' {
c4 ^\tweak Y-offset #6 - ( a ) c -\tweak Y-offset #6 - a
}
Knute Snortum
(via
My reply was actually: AFAIK you **must** use a TabStaff / TabVoice and I
sent a file with this score block:
\score {
\new StaffGroup
\new Voice { \clef treble_8 \melody }
\new TabVoice { \clef moderntab \melody }
\layout {
\omit StringNumber
\context {
\StaffGroup
Johan,
As far as I can see there are no generally-accepted, authoritative
standards about formatting of the elements of chord notation.
There is an exhaustive book on chord notation, Standardized Chord Symbol
Notation: A Uniform System for the Music Profession, by Carl Brandt and
Clinton Roemer.
On Mon, 29 Dec 2014 17:22:40 +0100
Federico Bruni fedel...@gmail.com wrote:
My reply was actually: AFAIK you **must** use a TabStaff / TabVoice
I understood your reply as a possible explanation for the unwanted
behaviour of the snippet, sorry for the misunderstanding.
Actually you did write: I
I am a music teacher who has just converted to lilypond after years of
frustrating finale and sibelius usage. I transcribed a little piece on
ukulele with tab and included chord fret diagram markups above the music,
but it took me quite a while.
The fret diagram markups was probably the hardest
2014-12-29 16:24 GMT+01:00 Federico Bruni fedel...@gmail.com:
2014-12-29 14:05 GMT+01:00 list_lilyp...@infopower.nl:
I'm trying to write out Alvin Lee's (phenomenal) guitar solo from
his Woodstock performance of I'm going home with 10 Years After, and
for the bends got the
Hi there,
I am try to learn LilyPond by doing. I have a score, which display a
flat symbol in ees major. However, I can't get that in LilyPond.
\version 2.19.15
\relative c, {
\clef bass
\key ees \major
c8 g' ees' g, c,4 g'' bes, |%m69
}
The last note in that score has a flat
Dear Lilypondians,
I need to place a music line in a Latex table so that any measure in the
music has the same width of the correspondent cell in the table.
I tried placing single lilypond files in the table, but because they contain
different objects (minims, different clefs, whole notes etc.)
At 10:16 29/12/2014 -0800, Jinsong Zhao wrote:
I am try to learn LilyPond by doing. I have a score, which display a
flat symbol in ees major. However, I can't get that in LilyPond.
Easy: append an exclamation mark to the note name. Even better,
append a question mark, which helpfully
To force an accidental, simply write an exclamation mark behind the pitch:
bes!
Am 29.12.2014 um 19:16 schrieb Jinsong Zhao:
Hi there,
I am try to learn LilyPond by doing. I have a score, which display a
flat symbol in ees major. However, I can't get that in LilyPond.
\version 2.19.15
Hi, and welcome to the community!
On Mon, Dec 29, 2014 at 12:16 PM, Jinsong Zhao jsz...@yeah.net wrote:
Hi there,
I am try to learn LilyPond by doing. I have a score, which display a flat
symbol in ees major. However, I can't get that in LilyPond.
\version 2.19.15
\relative c, {
\clef
2014-12-29 17:05 GMT+01:00 Knute Snortum ksnor...@gmail.com:
I can tweak the Y-offset of an accent if there is no slur, but with a slur,
Y-offset doesn't seem to respond. How can I tweak the Y-offset of an
accent when the note is slurred?
\version 2.19.15
\relative c''' {
c4 ^\tweak
Hi there,
The LilyPond can't determinate the tie in the following snippet. Why?
and how to get a tie between the bes and bes2? Thanks!
\version 2.19.15
\relative c'' {
\clef treble
\key ees \major
g'4 f8 ees ees4 g,8 bes ~ |%m70
{ bes2 g4 g8 bes } \\ { g ees 4 f d ees2 }
}
Best
Jinsong Zhao wrote:
I am try to learn LilyPond by doing. I have a score, which display a
flat symbol in ees major. However, I can't get that in LilyPond.
\version 2.19.15
\relative c, {
\clef bass
\key ees \major
c8 g' ees' g, c,4 g'' bes, |%m69
}
What you want is called a
At 11:21 29/12/2014 -0700, Andrea Noname wrote:
I need to place a music line in a Latex table so that any measure in
the music has the same width of the correspondent cell in the table.
Do you need proportional notation? See
2014-12-29 19:27 GMT+01:00 Jinsong Zhao jsz...@yeah.net:
Hi there,
The LilyPond can't determinate the tie in the following snippet. Why? and
how to get a tie between the bes and bes2? Thanks!
\version 2.19.15
\relative c'' {
\clef treble
\key ees \major
g'4 f8 ees ees4 g,8 bes ~
Hi Andrea,
Here's 3 different snippets with exactly the same width :
\version 2.18.2
\paper {
paper-height = 30
paper-width = 60
indent = 0
ragged-right = ##f
tagline = ##f
print-page-number = ##f
}
\transpose c c'' {
c4 c c c
}
\pageBreak % = just for this example
\transpose c
Am 29.12.2014 13:53, schrieb Alicuota618:
Merci Pierre,
this works fine but must be inserted in all subsequent files. A job for sed...
Francois
2014-12-29 4:21 GMT-05:00, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com:
Hi François,
In your layout bloc you can try to add : \override
Many thanks to Malte, Brian, David and Tim. You help me a lot.
Best regards,
Jinsong
On 2014/12/29 10:16, Jinsong Zhao wrote:
Hi there,
I am try to learn LilyPond by doing. I have a score, which display a
flat symbol in ees major. However, I can't get that in LilyPond.
\version 2.19.15
On 2014/12/29 10:35, Thomas Morley wrote:
snip
Try:
\relative c'' {
\clef treble
\key ees \major
g'4 f8 ees ees4 g,8 \once \tieUp bes~ |%m70
{ \voiceOne bes2 g4 g8 bes }
\new Voice { \voiceTwo g ees 4 f d ees2 }
}
The \\ returns far to often problems. I use it
Dear Brian,
thanks for your suggestion. Actually for mixing music and text I would
prefer equally spaced notes whatever their value, which is the opposite of
proportional spacing. I usually do a trick by setting all note figures to an
octave.
Thank you,
Andrea
--
View this message in
Hi Pierre,
yes, this is helpful. I will still have to adjust the page dimensions.
But the real problem is that in any case these examples will not be
vertically centered (lilypond makes adjustments according to flags, clefs
and anything falling above or below the stafflines), so I will have to
2014-12-29 18:11 GMT+01:00 Carl Sorensen c_soren...@byu.edu:
Johan,
As far as I can see there are no generally-accepted, authoritative
standards about formatting of the elements of chord notation.
There is an exhaustive book on chord notation, Standardized Chord Symbol
Notation: A Uniform
Tweaking padding works great for the accent, but in a more complete example
of my problem, I now can't get the ottova bracket to move up. (In the
example, the bracket doesn't need to move, but in the full piece it does.)
\version 2.19.15
\relative c''' {
\tweak Y-offset #2 \ottava #1
\shape
That's perfect, thanks so much.
Knute Snortum
(via Gmail)
On Mon, Dec 29, 2014 at 12:48 PM, Thomas Morley thomasmorle...@gmail.com
wrote:
2014-12-29 20:46 GMT+01:00 Knute Snortum ksnor...@gmail.com:
Tweaking padding works great for the accent, but in a more complete
example
of my
Il giorno lun 29 dic 2014 alle 19:03, Ryan Clarin
ryancla...@gmail.com ha scritto:
I am a music teacher who has just converted to lilypond after years
of frustrating finale and sibelius usage. I transcribed a little
piece on ukulele with tab and included chord fret diagram markups
above the
Rallentando and accelerando are supported in MIDI output if the
articulate.ly script is used. Looking at the script, I can see how I
can additional synonyms for rall., rit. etc. that the script would then
recognize. I can also begin to see how to change the amount of rall, or
accel. by modifying
Il giorno lun 29 dic 2014 alle 19:11, Thomas Morley
thomasmorle...@gmail.com ha scritto:
Look at the output from:
m = c e g4\arpeggio
mus = {
\override Voice.Arpeggio.color = #red
\override TabVoice.Arpeggio.color = #red
\m
}
\new TabStaff \new TabVoice \mus
\new Staff \new Voice {
yes, that's perfect thanks!
J
On Dec 29, 2014, at 7:21 AM, Gagi Petrovic gagig...@gmail.com wrote:
Hi Jaimie,
i just stumbled on the same issue. For me
\override Glissando.breakable = ##t
\override Glissando.after-line-breaking = ##t
together work well and without any error in the
True. Me too, I started from 2.16 and got that output. Which made me
upgrade to 2.18 and then to 2.19.15, where it still appears.
regards,
Joe
On Mon, 29 Dec 2014 23:20:49 +0100
Federico Bruni fedel...@gmail.com wrote:
Il giorno lun 29 dic 2014 alle 19:11, Thomas Morley
2014-12-29 23:20 GMT+01:00 Federico Bruni fedel...@gmail.com:
But I get the same output on 2.18.2 and 2.16.2.
I've reworked your example to make it more clear and backward compatible
with 2.16:
\version 2.16.0
mus = {
\override Voice.NoteHead #'color = #red
\override
Hi all,
Is there a way to add stems to cluster events made with something like
\makeClusters { c e8 c e8 c e8 c e8 c e8 }
so that there is a sense of the underlying rhythmic structure?
best,
J
___
lilypond-user mailing list
lilypond-user@gnu.org
2014-12-29 16:24 GMT+01:00 Federico Bruni fedel...@gmail.com:
I think that it happens because it assumes that you want to use a TabStaff
context.
Also, Marc Hohl recommended me (in a private email) to use voice contexts
or you may have some problems. I'll add it to the README on github.
Hi Jaime,
On Mon, Dec 29, 2014 at 4:50 PM, Jaime E Oliver jaime.oliv...@gmail.com
wrote:
Hi all,
Is there a way to add stems to cluster events made with something like
\makeClusters { c e8 c e8 c e8 c e8 c e8 }
so that there is a sense of the underlying rhythmic structure?
The Notation
On Tue, 30 Dec 2014 00:19:02 +0100
Federico Bruni fedel...@gmail.com wrote:
2014-12-29 16:24 GMT+01:00 Federico Bruni fedel...@gmail.com:
I think that it happens because it assumes that you want to use a
TabStaff context.
Also, Marc Hohl recommended me (in a private email) to use voice
Hi again,
On Mon, Dec 29, 2014 at 6:06 PM, David Nalesnik david.nales...@gmail.com
wrote:
Hi Jaime,
I'll look into lengthening it to reach the stem.
Not at all easy, I'm afraid. Are you looking for the cluster-band sort of
notation, or would individual clusters per stem suffice (like
On Mon, Dec 29, 2014 at 6:43 PM, David Nalesnik david.nales...@gmail.com
wrote:
Hi again,
On Mon, Dec 29, 2014 at 6:06 PM, David Nalesnik david.nales...@gmail.com
wrote:
Hi Jaime,
I'll look into lengthening it to reach the stem.
Not at all easy, I'm afraid. Are you looking for the
Hello,
I added a new LSR snippet for review:
http://lsr.di.unimi.it/LSR/Item?u=1id=968 and although there are two
\scores in the snippet, only the first is shown in the preview. Is this
as expected?
Best regards,
Simon
___
lilypond-user mailing
2014-12-30 2:30 GMT+01:00 Simon Albrecht simon.albre...@mail.de:
Hello,
I added a new LSR snippet for review:
http://lsr.di.unimi.it/LSR/Item?u=1id=968 and although there are two
\scores in the snippet, only the first is shown in the preview. Is this as
expected?
Yes, it's the default to
2014-12-30 2:51 GMT+01:00 Thomas Morley thomasmorle...@gmail.com:
2014-12-30 2:30 GMT+01:00 Simon Albrecht simon.albre...@mail.de:
Hello,
I added a new LSR snippet for review:
http://lsr.di.unimi.it/LSR/Item?u=1id=968 and although there are two
\scores in the snippet, only the first is shown
Dear David, all,
Thanks for your responses.
Ideally I want to make a graphic notation for overpressure bowing similar to
the xenakis excerpt attached.
I was thinking of adding stems to a cluster-band as a hopefully day solution,
but I see it is not so easy. I did try the new voice hack, but
Thank you for the welcome and reply. I want to include every fret diagram
at every chord change, the kids simply do better reading a long when they
can see the actual Fret diagram marked up above the music at every change
vs having to look above on their sheet for the predefined diagram on top of
Hi everyone,
I'm new to Lilypond, that's why I haven't contributed to this list, yet. I just
wanted to say thank you to all those who do. By reading (and trying to
understand) your posts I learn a lot, esp what Lilypond can do. Thanks for
letting me participate!
Cheers, Guentzel
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