Am 31.12.2014 um 02:45 schrieb Alicuota618:
Hello,
I found long ago a way to center rests in single-staff polyphony. But
I dont find it anymore, neither in doc or google (or did I use wrong
words for searching).
To be more explicit, lilypond gives naturally the first rests of the
attachment
The documentation about beams (
http://lilypond.org/doc/v2.19/Documentation/notation/beams) suggests that
you can enabel and disable automatic beaming in the measure. In the
following example I expected the last three notes to have the stem up like
in a voiceOne context:
Sorry, hit the send key too early.
The documentation about beams (
http://lilypond.org/doc/v2.19/Documentation/notation/beams) suggests that
you can enabel and disable automatic beaming in the measure. In the
following example I expected the last three notes to have the stem up like
in a voiceOne
Am 31.12.2014 00:32, schrieb David Sumbler:
On Tue, 2014-12-30 at 22:04 +0100, Simon Albrecht wrote:
Am 30.12.2014 13:16, schrieb David Sumbler:
Further to my query (below) yesterday about varying ralls and accels in
midi, how do I actually get these to work at all?
At the moment the
Hello Helge,
\noBeam after the third and fourth notes should do what you want.
%%
\version 2.18
\relative c'' {
\time 3/4 \key es \major
\voiceTwo as8\ c f\noBeam
\voiceOne as\noBeam c f\! |
}
%%
HTH, Simon
Am 31.12.2014 10:11, schrieb Helge Kruse:
It does perfectly the trick. Many thanks und vielen Dank!
Francois
2014-12-31 3:16 GMT-05:00, Marc Hohl m...@hohlart.de:
Am 31.12.2014 um 02:45 schrieb Alicuota618:
Hello,
I found long ago a way to center rests in single-staff polyphony. But
I dont find it anymore, neither in doc or google
2014-12-31 12:00 GMT+01:00 Simon Albrecht simon.albre...@mail.de:
\noBeam after the third and fourth notes should do what you want.
Ah, yes. And it is documented on the cited page of the manual. I should
have read more carefully.
Adding \noBeam to each individual note might be a bit
2014-12-30 20:33 GMT+01:00 Stan Mulder st4588...@earthlink.net:
I have a fretboard problem.
I have defined a new fretboard for a plectrum banjo. Everything is working
properly when I specify a chord, except when I specify a SLASH chord, i.e.,
a chord with a designation for the bass player. So
Hello all,
I’m putting together a stylesheet based on mid-20th-Century Warner-Chappell
musical theatre vocal books, and would like to mimic more closely their tie
shape:
As you can see, it’s nearly “parabolic (i.e., the curve doesn’t really
increase dramatically near the noteheads) and
Hello Craig,
Tabs play an important role in makefiles, and the bullets on the first two
lines are suspect to me. Maybe an effect of copying into your E-Mail message.
Can you supply as attachments the original and modified makefiles? The result
of « diff originalOne yours » will be instructive.
Hi Jacques,
I've attached my makefile. You can compare it to pp. 50-52 of the Lilypond
Usage manual, which is what I adapted it from. Any advice would be much
appreciated.
Craig
On Thu Jan 01 2015 at 12:29:28 AM Jacques Menu imj-muz...@bluewin.ch
wrote:
Hello Craig,
Tabs play an important
Have you trying the \shape command?
\version 2.19.15
\relative c'' {
\shape #'((0 . 0.2) (1.5 . 1) (0 . 0) (0 . 0.2)) Tie
a1 ^~ | a1
}
Knute Snortum
(via Gmail)
On Wed, Dec 31, 2014 at 6:26 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hello all,
I’m putting together a
Am 31.12.2014 um 15:26 schrieb Kieren MacMillan:
Hello all,
I’m putting together a stylesheet based on mid-20th-Century
Warner-Chappell musical theatre vocal books, and would like to mimic
more closely their tie shape:
As you can see, it’s nearly “parabolic (i.e., the curve doesn’t really
On Wed, Dec 31, 2014 at 9:12 AM, Urs Liska u...@openlilylib.org wrote:
Am 31.12.2014 um 15:26 schrieb Kieren MacMillan:
Hello all,
I’m putting together a stylesheet based on mid-20th-Century
Warner-Chappell musical theatre vocal books, and would like to mimic
more closely their tie shape:
On Wed, Dec 31, 2014 at 9:20 AM, David Nalesnik david.nales...@gmail.com
wrote:
On Wed, Dec 31, 2014 at 9:12 AM, Urs Liska u...@openlilylib.org wrote:
Without trying it out I'd expect Janek's \shapeII (in openlilylib) and
using it with polar coordinates should help you.
But then you'd
Hi David,
I think that you should investigate the numerous properties listed under
details (http://lilypond.org/doc/v2.18/Documentation/internals/tie) for
finding the basic shape.
I tried that… Unfortunately, it says “More information on the allowed
parameters for a grob can be found by
Kieren,
On Wed, Dec 31, 2014 at 9:30 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David,
I think that you should investigate the numerous properties listed under
details (http://lilypond.org/doc/v2.18/Documentation/internals/tie) for
finding the basic shape.
I tried
Hi Kieren,
Here's a bad one :
\version 2.19.15
\paper {
paper-width = 100
paper-height = 30
ragged-right = ##f
indent = 0
tagline = ##f
}
{ a'1 -\tweak thickness #.5 ^(-\tweak stencil ##f ^~ a') }
happy new year !!
Pierre
2014-12-31 16:35 GMT+01:00 David Nalesnik
Hi Pierre,
On Wed, Dec 31, 2014 at 9:46 AM, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com wrote:
Hi Kieren,
Here's a bad one :
\version 2.19.15
\paper {
paper-width = 100
paper-height = 30
ragged-right = ##f
indent = 0
tagline = ##f
}
{ a'1 -\tweak thickness
Hi David,
See the following :
\version 2.19.15
\paper {
paper-width = 100
paper-height = 50
ragged-right = ##f
indent = 0
tagline = ##f
}
{ a'1 -\tweak thickness #.5 ^(-\tweak stencil ##f ^~ a') }
{ \tieUp a'1 -\tweak thickness #.5 ~ a' }
Slur is naturally slightly mor parapolic
Hi Pierre,
On Wed, Dec 31, 2014 at 10:24 AM, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com wrote:
Hi David,
See the following :
\version 2.19.15
\paper {
paper-width = 100
paper-height = 50
ragged-right = ##f
indent = 0
tagline = ##f
}
{ a'1 -\tweak thickness
Kieren MacMillan wrote
I tried that… Unfortunately, it says “More information on the allowed
parameters for a grob can be found by looking at the top of the Internals
Reference page for each interface having a details property.” and I
haven’t been able to find the “more information” they’re
Chris,
I think this would work better if you gave each musician their full measure
rests when they are not singing/playing and then let Lily remove them when
they are not needed. Something like:
\score {
\new Staff { \relative c'' { R1 R1 c4 d e f f e d c R1 R1 } }
\new ChoirStaff
\new
On Wed, 2014-12-31 at 11:52 +0100, Simon Albrecht wrote:
Am 31.12.2014 00:32, schrieb David Sumbler:
On Tue, 2014-12-30 at 22:04 +0100, Simon Albrecht wrote:
Am 30.12.2014 13:16, schrieb David Sumbler:
Further to my query (below) yesterday about varying ralls and accels in
midi, how do I
Hey Phil,
That's what I did. l had tried that once before but without any luck. The
score is a bit complex. Starts off with 4 part SATB then interlude then S
S1 A then T T1 B then interlude then finishes in SATB.
I had to work with each part to get it all lined up properly but finally
got it
tisimst wrote
I took a look into the source code and here's what it says about each of
the details properties (found in 2.19.15 lily/tie.cc with the default
values found on IR web page and in define-grobs.scm):
Hmmm...
Looking at tie-details.cc, I see different numbers (v. 2.19.15) than in
Hi Abraham,
On Wed, Dec 31, 2014 at 11:09 AM, tisimst tisimst.lilyp...@gmail.com
wrote:
It certainly does say that these are supposed to be visible in the IR, but
why aren't they? What can we do to get things like this there? I'm happy to
assist if I can be given some direction...
I'm a
On Wed, Dec 31, 2014 at 11:59 AM, David Nalesnik david.nales...@gmail.com
wrote:
Hi Abraham,
Is the documentation in the NR not being derived from the doc string of
the interface?
Sorry, I mean IR.
___
lilypond-user mailing list
Original Message -
From: David Sumbler da...@aeolia.co.uk
Clearly I am doing something wrong - perhaps it is to do with the way I
have entered my tempo markings. Just to make things clearer, I am
setting a saxophone quartet (that I wrote in 1978!); I want tempo
markings to appear once
Abraham,
On Wed, Dec 31, 2014 at 11:47 AM, tisimst tisimst.lilyp...@gmail.com
wrote:
tisimst wrote
I took a look into the source code and here's what it says about each of
the details properties (found in 2.19.15 lily/tie.cc with the default
values found on IR web page and in
tisimst wrote Wednesday, December 31, 2014 5:09 PM
I took a look into the source code and here's what it says about each of the
details properties (found in 2.19.15 lily/tie.cc with the default values
found on IR web page and in define-grobs.scm):
[snip]
It certainly does say that these
Trevor,
On Wed, Dec 31, 2014 at 12:41 PM, Trevor Daniels t.dani...@treda.co.uk
wrote:
tisimst wrote Wednesday, December 31, 2014 5:09 PM
I took a look into the source code and here's what it says about each of
the
details properties (found in 2.19.15 lily/tie.cc with the default
values
On Wed, 2014-12-31 at 18:11 +, Phil Holmes wrote:
Original Message -
From: David Sumbler da...@aeolia.co.uk
Clearly I am doing something wrong - perhaps it is to do with the way I
have entered my tempo markings. Just to make things clearer, I am
setting a saxophone
I've been including english.ly in my files, but I'm considering dropping that
and just using the default (Dutch),
which as far as I can tell will just require me to remember the es/is
alterations, since the English note names are the same as the Dutch.
Is there anything besides the note-names
Dave wrote
I've been including english.ly in my files, but I'm considering dropping
that and just using the default (Dutch),
which as far as I can tell will just require me to remember the es/is
alterations, since the English note names are the same as the Dutch.
Is there anything besides
tisimst tisimst.lilypond at gmail.com writes:
Kieren MacMillan wrote
Any hints, for example, on what ‘ratio' actually does, or
[..]
effect of ratio. Seems like a bug to me that increasing ratio
doesn't
change the shape of the tie curve very much if the tie is at its
height-limit, but
All,
I've been thinking about what has been done on the alternative music fonts
and I thought I'd pose a question, welcoming any feedback. Here we go...
With the workflow I use to create the font files, if there's a glyph that I
don't replace, I just keep it the way it is found in Emmentaler
Hello, I am searching the star for gregorian typesetting.
Like the one between Rorate, * coeli in
http://www.cantoeprego.it/canto/png/1054.111.rorate.caeli.png
Thanks in advance and happy new year to all!
Francois
___
lilypond-user mailing list
Hello,
This is my code (after the sanctus example in
http://lilypond.org/doc/v2.19/Documentation/notation/typesetting-gregorian-chant
with \version 2.18.0) :
\paper {
ragged-right = ##t
}
\include gregorian.ly
\score {
\new VaticanaVoice = cantus {
\clef vaticana-do3
f
\[ g \pes a
Happy new year François,
I guess you would have to use a normal star like so: *
The double quotes are needed.
Ora -- te, * cae -- li
You can tweak the lyrics font if you want another font for this symbol:
\tweak font-name #Century Schoolbook L *
Cheers,
Joram
Hi again François,
there two limiting factors to my answer: 1) I did not write many
gregorian chants and 2) Lilypond has some limitations in this area.
But there are a few things I know how to improve and I have a few
questions for you:
Is it a convention in gregorian chants to have the hyphens
Dear Joram,
thanks first, this look much better this way.
About your question about hyphening, I just took it from the example
given in the manual and tried and failed...
Best thanks and happy new year!
F
2014-12-31 20:11 GMT-05:00, Noeck noeck.marb...@gmx.de:
Hi again François,
there two
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