On Mon, Jan 19, 2015 at 09:36:55AM -0500, Kieren MacMillan wrote:
Melody + chords (tunes, e.g. Irish or old-timey)
That's a lead sheet in my parlance.
IMO, it would be useful to include an (optional) lyric context in
the lead sheet stylesheet.
Jim
On Tue, Jan 20, 2015 at 01:40:11AM +0100, Thomas Morley wrote:
To answer my own question:
In repeat-acknowledge-engraver.cc is a comment and code:
/*
We only set the barline if we wouldn't overwrite a previously set
barline.
*/
SCM wb = get_property (whichBar);
SCM db =
Date: Mon, 19 Jan 2015 23:18:31 +0100
From: Noeck noeck.marb...@gmx.de
Subject: Re: Staccato
Am 19.01.2015 um 20:29 schrieb Cynthia Karl:
On Jan 19, 2015, at 1:20 PM, Ed Gordijn ed.klari...@gmail.com
mailto:ed.klari...@gmail.com wrote:
Hi Cynthia,
Is there a way to get the second
Hi,
On Jan 19, 2015, at 9:43 PM, Cynthia Karl pck...@mac.com wrote:
You must have an intimate knowledge of LP source code to be able to say that.
[…]
How would anyone know what \dotsDown does?
1. Search the contents of the application for “dotsDown” — find 4 results.
2. The one in
E.g., I would not use small caps for the voice names. More
important, I would need German voice names.
… and it is very well documented how to do that in those templates!
I will have another look at them … ;)
Joram
___
lilypond-user mailing list
Hi Joram (et al.),
I would contribute my modest style sheets for choir works (SATB).
It is mostly about distances (paper) and fonts – not really choir related.
That’s what a stylesheet is, in my opinion.
Templates are a whole different thing — which should be discussed in a
different thread.
Am 20.01.2015 um 00:15 schrieb Noeck:
Hi Kieren, et al.
I like you initiative and I would contribute my modest style sheets for choir
works (SATB). It is mostly about distances (paper) and fonts – not really choir
related.
I think the OpenLilyLib snippets/stylesheets would be a good place to
Hi all,
Chord Chart”
+1
the compact chord symbols have yet to make it into LilyPond
I don’t think those (or any other) chord symbols should “make it into Lilypond”
— instead, I think we should have stylesheets like
stylesheets/chords/ChordNames.ily
and
Thank you, Wilbert, for a fantastic program!
- Abraham
Sent from my iPhone
On Jan 19, 2015, at 3:55 PM, Wilbert Berendsen-6 [via Lilypond]
ml-node+s1069038n170737...@n5.nabble.com wrote:
Dear friends,
Frescobaldi 2.17.2 has been released, with source code for Linux
and any other
2015-01-20 1:33 GMT+01:00 Thomas Morley thomasmorle...@gmail.com:
2015-01-20 0:43 GMT+01:00 Lars-Johan Liman lilyp...@liman.net:
thomasmorle...@gmail.com:
Try:
\bar .|:-||
Thanks a bunch! That does indeed work. If you ever need a trick or two
from the advanced DNS trick book, I'll be happy
Dear friends,
Frescobaldi 2.17.2 has been released, with source code for Linux
and any other platform, and packages for MS Windows and Mac OS X.
Download via: http://frescobaldi.org/download .
2.17.2 fixes one annoying bug that could pop up when compiling a
LilyPond file (AttributeError:
%{
From: Lars-Johan Liman lilyp...@liman.net
Subject: Double thin bar lines and repeats?
However, I'm trying to end a section of piano music with thin double bar
lines, break the line, and then start the next line with repeat marks. I
cannot make it work. Any hints?
The trick is to define a
Oups, you're wright, I should have added some explanation.
Anyway, Keith's solution is so much better! I didn't take care enough
before posting mine.
Cheers,
Pierre
2015-01-19 15:21 GMT+01:00 Phil Holmes m...@philholmes.net:
Very clever. Took me a while to work out what you're doing, but
thomasmorle...@gmail.com:
Try:
\bar .|:-||
Thanks a bunch! That does indeed work. If you ever need a trick or two
from the advanced DNS trick book, I'll be happy to repay you ... :-)
It's in the NR ;)
I did find that part, but that is, however, not how I understood it. :-P
Can you also
There is a built-in template almost exactly like this in LilyPond already
which may be used to typeset a range of choral music, with or without
accompaniment, in two or four staves.
See
http://www.lilypond.org/doc/v2.19/Documentation/learning/built_002din-templates
That’s interesting and
Here's a little thing that has got me stumped.
Is it possible to add three dots to a note glyph, thus:
O:.
to signify that the duration of the note is to be multiplied by 9/4 ?
And can this be done in such a way
(i) that the dots avoid clashing with staff lines, and
(ii) that the note
Hi Kieren, et al.
I like you initiative and I would contribute my modest style sheets for choir
works (SATB). It is mostly about distances (paper) and fonts – not really choir
related.
I think the OpenLilyLib snippets/stylesheets would be a good place to collect
them. (If Urs agrees – I am not
2015-01-20 0:43 GMT+01:00 Lars-Johan Liman lilyp...@liman.net:
thomasmorle...@gmail.com:
Try:
\bar .|:-||
Thanks a bunch! That does indeed work. If you ever need a trick or two
from the advanced DNS trick book, I'll be happy to repay you ... :-)
It's in the NR ;)
I did find that part,
Hi all,
What’s happening with this issue?
I would love to coordinate my efforts on the chord names stylesheets I’m
putting together with whatever’s going on with regard to structural change(s).
Thanks,
Kieren.
___
Kieren MacMillan, composer
www:
On Mon, Jan 19, 2015 at 06:26:38PM -0800, Jim Long wrote:
That is, a closing volta barline which has no matching opening
volta barline repeats either to the beginning of the piece, or to
the nearest double barline, whichever is closer.
My apologies for not describing that very definitively,
Dear LilyPond group,
Does anyone know how to correctly implement a bendAfter with polyphony?
When i do
e a,\bendAfter #1 c c
LilyPond simply ignores the bendAfter.
The following example works, but isn't a very efficient/elegant workaround.
Besides, it's technically not correct either since
I dare say there is a prettier and more concise way of doing this,
but at least I now have something that works!
What about the following?
#(define-public (pt-to-ss size)
Convert from points to staff space units.
;; The value `output-scale' gives the size (in mm) of the staff
;;
Thanks, Urs.
Reading your code, seems like it was just a convenience function for
setting SpacingSpanner.common-shortest-duration
Adding a simple:
\override Score.SpacingSpanner #'common-shortest-duration =
#(ly:make-moment 1 4)
Got me to the density I was looking for.
I'm transcribing a Mendelssohn score, and am trying to get Lilypond to pack
notes about as densely as they are in the original score. For example,
trying to fit a snippet like this onto a single line:
\version 2.16.2
\language english
\relative c''' {
\key e \minor
\mark \default
\time 2/2
Am 20. Januar 2015 07:47:20 MEZ, schrieb Steve Lacy sl...@slacy.com:
I'm transcribing a Mendelssohn score, and am trying to get Lilypond to
pack
notes about as densely as they are in the original score. For example,
trying to fit a snippet like this onto a single line:
\version 2.16.2
On Sun, 18 Jan 2015 21:09:07 -0800, Paul Scott waterho...@ultrasw.com wrote:
So I am saying that I would like any new features for instrument switching to
suit my need to
not always enter the notes in concert pitch. I don't really think that be a
problem.
Absolutely.
There is a set of
Forwarding to bug-lilypond.
Could someone please verify this and create a tracker entry?
(It's not my code BTW)
Am 20. Januar 2015 08:20:25 MEZ, schrieb Steve Lacy sl...@slacy.com:
Thanks, Urs.
Reading your code, seems like it was just a convenience function for
setting
From: Noeck [hidden email]
To: [hidden email]
Subject: Re: Printing titles at a consistent size
Date: Sun, 18 Jan 2015 23:57:09 +0100
Hi,
if I am not mistaken, there was some discussion and a solution how
to get the
line space consistent for different
Hi!
I'm a long time TeX geek trying to wrap my head around Lilypond - with
some, but limited, success. :-)
However, I'm trying to end a section of piano music with thin double bar
lines, break the line, and then start the next line with repeat marks. I
cannot make it work. Any hints?
Here's my
Hello Pierre,
This version with the empty tempo name is the one that fits my need best, since
it’s easier to fine tune with offsets for every particular case.
Thanks a lot!
JM
Le 14 janv. 2015 à 18:39, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com a écrit :
Or even :
Am 19.01.2015 um 20:29 schrieb Cynthia Karl:
On Jan 19, 2015, at 1:20 PM, Ed Gordijn ed.klari...@gmail.com
mailto:ed.klari...@gmail.com wrote:
Hi Cynthia,
Is there a way to get the second snippet to produce regular staccato dots?
You van use \dotsDown or \dotsUp
I confirm – as it has
2015-01-19 22:10 GMT+01:00 Lars-Johan Liman lilyp...@liman.net:
Hi!
I'm a long time TeX geek trying to wrap my head around Lilypond - with
some, but limited, success. :-)
However, I'm trying to end a section of piano music with thin double bar
lines, break the line, and then start the next
Urs, et. al.,
On Mon, Jan 19, 2015 at 2:41 AM, Urs Liska [via Lilypond]
ml-node+s1069038n170689...@n5.nabble.com wrote:
I think it would be easier to develop such a thing as a library,
Is this effort all about creating stylesheets (i.e., customizing the
look-and-feel of scores via
Very clever. Took me a while to work out what you're doing, but you're
essentially putting in a staff that is never shown, and then putting the ossia
above that.
--
Phil Holmes
- Original Message -
From: Pierre Perol-Schneider
To: Keith OHara
Cc: lilypond-user
Sent:
... I don't see any
reason why a standard set of these can't be included in LilyPond itself
for the user to access, but maybe that's more for something like
Frescobaldi.
I'm inclined to second this.
... but to be able to open an
actual file with a lot of the structure already created,
David,
On Mon, Jan 19, 2015 at 4:43 AM, David Sumbler [via Lilypond]
ml-node+s1069038n170692...@n5.nabble.com wrote:
From: Noeck [hidden email]
To: [hidden email]
Subject: Re: Printing titles at a consistent size
Date: Sun, 18 Jan 2015 23:57:09 +0100
Hi,
if I am not
Am 19.01.2015 um 14:25 schrieb tisimst:
Urs, et. al.,
On Mon, Jan 19, 2015 at 2:41 AM, Urs Liska [via Lilypond] [hidden
email] /user/SendEmail.jtp?type=nodenode=170693i=0 wrote:
I think it would be easier to develop such a thing as a library,
Is this effort all about creating
Hi Abraham,
Is this effort all about creating stylesheets (i.e., customizing the
look-and-feel of scores via \overrides, fonts, etc.)
Yes.
or templates (i.e., the structure of the scores)?
No… but I could imagine that one beneficial side-effect of devevloping the
stylesheets would be
Hi Henning,
My templates contain a lot of commented lines with commands/tweaks that I
sometimes use, so that I don’t need to look them up again. That might fit
templates in Frescobaldi, but isn’t suitable for stylesheets that you just
include without looking at them.
To my mind, the
Hi all,
I certainly understand that as being the most common need.
And apparently the one we officially recommend in the documentation. =)
However I am not a composer. I am in the position of either adapting an
existing book
for younger players who may not be able to play all the
Hi Urs (et al.),
I think it would be easier to develop such a thing as a library, as a work in
progress. When including it into LilyPond it the stakes are quite high, and
this might be a reason for never getting to that point …
+1
I'd see the attitude towards reviewing contributions
Hi Martin,
But before needing all kinds of includes for different kinds of scores: I
think there is still enough room for improvement for the raw default LilyPond
output - without needing extra include files.
I agree 100%.
One of the outputs of this effort, I hope, will be a consensus-built
Hi Christopher,
Melody + chords (tunes, e.g. Irish or old-timey)
That’s a “lead sheet” in my parlance.
Instrument + piano (accompanied instrument solo)
Good. This should be different (though not much so) from the piano+voice
stylesheet.
Cheers,
Kieren.
___
Kieren
Hi Urs,
Anything with figured bass.
Good call.
I don't know if that should be a kind of plug-in solution or if it would
need a complete set of style sheets.
Either way, I would hope it wouldn’t be a lot of extra overhead.
Thanks,
Kieren.
___
Kieren MacMillan, composer
Hi Jay (et al.),
- solo instrument + solo instrument (solo part is cue staff)
Cool.
I assume the goal is mostly for setting sensible defaults for a
specific type of score and less about building the structure. So you'd
still need to manually build the scores and staves. Correct?
Yes.
Johan Vromans wrote Monday, January 19, 2015 1:55 PM
In an earlier posting I mentioned a set of templates that I've developed
and used for a couple of years. These do not work by changing the template
code, but adding to it. This is much simpler to achieve.
For example:
+---
| \include
Am 19.01.2015 um 04:41 schrieb Kieren MacMillan:
Hi Urs (et al.),
Maybe having it as a semi-official library would be more manageable?
Sure… whatever works best!
I think it would be easier to develop such a thing as a library, as a
work in progress. When including it into LilyPond it the
Am 19.01.2015 um 04:44 schrieb Kieren MacMillan:
Hi all,
I had been surprised not to find a template for the “lead sheets” I’ve been
making.
Yes!
Let’s start making a list of the “big picture” targets:
piano solo
instrument solo/part
orchestra score
choir, a cappella
On Sun, 18 Jan 2015 22:44:29 -0500
Kieren MacMillan kieren_macmil...@sympatico.ca wrote:
piano solo
instrument solo/part
orchestra score
choir, a cappella
choir plus piano
piano + voice, art song
piano + voice + guitar chords, popular
chamber score (2-4
From: Noeck noeck.marb...@gmx.de
To: lilypond-user@gnu.org
Subject: Re: Printing titles at a consistent size
Date: Sun, 18 Jan 2015 23:57:09 +0100
Hi,
if I am not mistaken, there was some discussion and a solution how to get the
line space consistent for different settings of the staff
Dear openlilylib people,
I have read a few messages about this mysterious editionEngraver and I
would like to try using it, but I am doing something wrong and I don't know
what. I found the folder for it on github and tried to use it by
downloading the three files there (definitions.ily,
Dear Kevin,
thanks for this hint! There is an error in the description ...
The editionEngraver is part of openLilyLib. To use it, you have to
download the whole library and add the path to the list of include paths.
Then you can
\include editorial-tools/edition-engraver/definitions.ily
and use
I'm using a Laissez Vibrer tie on a chord. It works fine, but I would like
to change the shape. \shape works fine but for only one tie. How do I
shape both ties?
%%% -- Start
\version 2.19.15
\language english
\relative c, {
\time 3/4
\key a \major
\clef bass
\shape #' ( (1 . 0) (2 .
2015-01-19 17:34 GMT+01:00 Kevin Barry barr...@gmail.com:
Dear openlilylib people,
I have read a few messages about this mysterious editionEngraver and I
would like to try using it, but I am doing something wrong and I don't know
what. I found the folder for it on github and tried to use it
Am 19. Januar 2015 17:45:00 MEZ, schrieb Jan-Peter Voigt jp.vo...@gmx.de:
Dear Kevin,
thanks for this hint! There is an error in the description ...
The editionEngraver is part of openLilyLib. To use it, you have to
download the whole library and add the path to the list of include
paths.
Then
On Mon, Jan 19, 2015 at 11:45 AM, Cynthia Karl pck...@mac.com wrote:
Section 1.285 staccato of the 2.19.15 LilyPond Music Glossary says:
Staccato is indicated by a dot above or below the note head. Gardner Read
(Music Notation: A Manual of Modern Practice) agrees with this and has a
Hi Cynthia,
Is there a way to get the second snippet to produce regular staccato dots?
You van use \dotsDown or \dotsUp
Greetings, Ed
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
On Jan 19, 2015, at 1:20 PM, Ed Gordijn ed.klari...@gmail.com wrote:
Hi Cynthia,
Is there a way to get the second snippet to produce regular staccato dots?
You van use \dotsDown or \dotsUp
Greetings, Ed
It’s difficult to tell exactly what those commands do, but I don’t think
Hi Knute,
On Mon, Jan 19, 2015 at 11:08 AM, Knute Snortum ksnor...@gmail.com wrote:
I'm using a Laissez Vibrer tie on a chord. It works fine, but I would
like to change the shape. \shape works fine but for only one tie. How do
I shape both ties?
As with the ties in a TieColumn, \shape
Section 1.285 staccato of the 2.19.15 LilyPond Music Glossary says: Staccato
is indicated by a dot above or below the note head. Gardner Read (Music
Notation: A Manual of Modern Practice) agrees with this and has a little
picture showing a stem-up note with a dot just beneath the note-head
Cynthia,
The placement of the staccato, also fingerings, articulations, and dynamics,
can be place above a note using ^ and below a note using _ in place of
the -.
Mark
http://lilypond.org/doc/v2.18/Documentation/notation/inside-the-staff
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