Le mercredi 4 mars 2015 10:23:00, vous avez écrit :
Je me suis un peu penché sur le sujet il y a deux jours et je n'ai rien
trouvé de magique.
Désolé,
Merci qd mm d'avoir pris le tps de chercher. J'ai eu une autre réponse en
privé de Nicolas, mais je remet sur la liste.
Hi list,
I would like to be able to return the argument list of a Scheme function,
say as a list of symbols. So, for example, in the case of
grob-interpret-markup, I would like to retrieve '(grob text). There are a
number of functions for determining information about procedures listed
here:
Hi, everyone!
I'm trying to figure how to write a page (well, several pages) with multiple
exercises (bass licks).An example is this
pagehttp://d29ci68ykuu27r.cloudfront.net/product/Look-Inside/large/4055621_181.jpg(of
course without the fancy graphics)
So, for each exercise there must be:-
Hello Pierre and Jan-Peter,
thanks for the nice (and helpful!) welcome!
Usually, I need lilypond to create midi output for choir rehearsal. So the
advenced Method of pierre for the \repeatTie is a bit too much. I appreciate
it, though, because /sometimes/ I need the beautiful pdfs :)
Oh, and as
Oups, spéciale.
Bravo encore Nicolas.
Pierre
Le 4 mars 2015 21:27, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com a écrit :
Désolé Daniel, je t'ai un peu oublié.
Donc voilà :
\version 2.16.2
degroupement =
#(define-music-function
(parser location dur mus)
(number?
Désolé Daniel, je t'ai un peu oublié.
Donc voilà :
\version 2.16.2
degroupement =
#(define-music-function
(parser location dur mus)
(number? ly:music?)
(music-map
(lambda (x)
(let (
(dd (ly:music-property x 'duration))
(pp (ly:music-property x
Am Mittwoch, 04. März 2015 22:35 CET, David Nalesnik david.nales...@gmail.com
schrieb:
Hi list,
I would like to be able to return the argument list of a Scheme function,
say as a list of symbols. So, for example, in the case of
grob-interpret-markup, I would like to retrieve '(grob
Dear David,
Am Mittwoch, den 04. März 2015 um 15:35:46 Uhr (-0600) schrieb David Nalesnik:
I would like to be able to return the argument list of a Scheme function,
say as a list of symbols.
I'm not sure I understand what exactly you're looking for. In scheme,
you can assign a name to all
Hey I have been doing dynamics with capitals like
\version 2.18.2
\relative c'{
g-24_\markup{ \halign #1.3 \lower #4 \italic \fontsize #1 \bold FF}
bes-4\4_\markup {\concat \halign #.8 {\dynamic m \italic \fontsize #1
\bold F}} c d
bes4 d f a_\markup \halign #0 {\concat {\dynamic s \italic
Hi Carlo,
I don’t get what exactly is the problem you have. Normally you would
have one score for each exercise, and each score has
%\new ChordNames \chords
\new StaffGroup \with { instrumentName = 647 }
\new Staff \music
\new TabStaff \music
And normally lily will choose a perfectly
On Wed, Mar 4, 2015 at 3:49 PM, Mattes r.mat...@mh-freiburg.de wrote:
Am Mittwoch, 04. März 2015 22:35 CET, David Nalesnik
david.nales...@gmail.com schrieb:
Hi list,
I would like to be able to return the argument list of a Scheme function,
say as a list of symbols. So, for example,
Hi Orm,
On Wed, Mar 4, 2015 at 3:54 PM, Orm Finnendahl
orm.finnend...@selma.hfmdk-frankfurt.de wrote:
Dear David,
Am Mittwoch, den 04. März 2015 um 15:35:46 Uhr (-0600) schrieb David
Nalesnik:
I would like to be able to return the argument list of a Scheme function,
say as a list of
Hello Stephen,
you will find this documented at
http://lilypond.org/doc/v2.18/Documentation/notation/expressive-marks-attached-to-notes#dynamics
and in the thereupon following section, New dynamic marks.
However in brief:
Usually, in the classical engraving style, which stood model for
I'm looking for an example of a time signature in the format of 3/4 =
6/8. I can find the compound meter, e.g. 1/2 + 2/4, but not with the =
sign.
--
Dave Higgins
--
http://www.geocaching.com/profile/?guid=60ac8b65-d115-42b7-9363-f2dff0c863cf
--
Creditor, n.:
A man who has a better
Hi Simon,
thanks for the answer.Well, your code helped me. In fact, my problem was that I
was not sure I can create multiple \score {}.By creating a \score for each
exercise, inserting your code in the brakets, I was able to create the
exercises page.So, I have something like this
\score { \new
Stephen,
it is helpful if you basically retain the original subject, so mailing
software will recognise as belonging to the thread. This increases
comfort for the list subscribers.
Re: etc. don’t matter, also sometimes it makes sense to change the
subject and include the former one within
... if only so that Brian Ferneyhough can visit:
http://www.finalemusic.com/blog/brian-ferneyhough-visits-makemusic/
I can take the rhythmic notation and, using OpenMusic Syntax, port it to
Finale. I clean it up in Finale...
That last one... I think there's a step that we can make less
Greetings all,
I have asked this question on the list in the past, but no solution seems to be
available. The topic is fixed width measures. I have contemporary music that
has lots of complex tuplets within tuplets and rapidly varying time signatures
(New Complexity School). The composer I am
like this?
\version 2.18.2
\header {
title = Bass riffs
opus =
tagline =
}
% font
\paper {
#(set-paper-size letter)
top-margin = #5
bottom-margin = #8
ragged-last-bottom = ##t
print-all-headers = ##f
% system-system-spacing #'basic-distance = #25
oddFooterMarkup = \markup {
Thanks for your answers Simon and Jim.
I used your function for no breaks Jim, and it's really handy. I've just
renamed it to noAutoBreak to avoid using a lilypond command name (\noBreak is
already defined). To be honest, I was quite surprised to see that I can use the
same name... Is it
On Thu, 5 Mar 2015, James Harkins wrote:
... if only so that Brian Ferneyhough can visit:
http://www.finalemusic.com/blog/brian-ferneyhough-visits-makemusic/
I can take the rhythmic notation and, using OpenMusic Syntax, port it to
Finale. I clean it up in Finale...
That last one... I
Hi Andrew,
I tried some things with some success: if there are only two bars per
line and ther is no indent, the bars are _almost_ the same width. I
don’t have any idea why this is imprecise, though.
HTH, Simon
P.S. I also did some reformatting to the code, which in my eyes much
improves
Found it:
#(define ((time-equals-time up down upp downp) grob)
(grob-interpret-markup grob
(markup #:override '(baseline-skip . 0) #:number
(#:line (
(#:column (up down))
#:vcenter =
Am 05.03.2015 um 08:27 schrieb Urs Liska:
Am 5. März 2015 08:22:11 MEZ, schrieb Simon Albrecht simon.albre...@mail.de:
See http://lilypondblog.org/2014/05/independent-meters/ ;-)
One might redirect him there, but IIUC there have been fruitless
attempts already to do so…
Not really. I tried to
Am 05.03.2015 um 00:00 schrieb Carlo Vanoni:
Hi Simon,
thanks for the answer.
You’re very welcome.
Well, your code helped me. In fact, my problem was that I was not sure
I can create multiple \score {}.
See
http://lilypond.org/doc/v2.18/Documentation/notation/input-structure
for more
On Wed, Mar 04, 2015 at 11:00:32PM +, Carlo Vanoni wrote:
Now, I'll like to have each exercise on a single line, or by the way control
when to break. I'm able to avoid automatic break by adding \noBreak here and
there, but in seems not like the best way to do it. Any better way to force,
See http://lilypondblog.org/2014/05/independent-meters/ ;-)
One might redirect him there, but IIUC there have been fruitless
attempts already to do so…
Best, Simon
Am 05.03.2015 um 03:17 schrieb James Harkins:
... if only so that Brian Ferneyhough can visit:
Am 5. März 2015 07:40:52 MEZ, schrieb Martin Tarenskeen
m.tarensk...@zonnet.nl:
On Thu, 5 Mar 2015, James Harkins wrote:
... if only so that Brian Ferneyhough can visit:
http://www.finalemusic.com/blog/brian-ferneyhough-visits-makemusic/
I can take the rhythmic notation and, using
At 11:37 05/03/2015 +1100, Andrew Bernard wrote:
I have asked this question on the list in the past, but no solution
seems to be available. The topic is fixed width measures. I have
contemporary music that has lots of complex tuplets within tuplets
and rapidly varying time signatures (New
I am working with Orthodox liturgical music. Below is a one of the
pieces I am working with. In this and all of my current pieces, I would
like the lyrics to fall somewhat closer to the median between the staves
if at all possible. Thanks.
-Michael Dykes
\version 2.16.0
\include english.ly
Le mercredi 4 mars 2015 21:27:57, vous avez écrit :
Désolé Daniel, je t'ai un peu oublié.
Donc voilà :
\version 2.16.2
.../...
Avec mention spécial à Nicolas qui a eu l'idée géniale d'utiliser le
trémolo (j'avoue humblement ne pas y avoir du tout pensé).
Oui mais il y a toujours les
Am 5. März 2015 08:22:11 MEZ, schrieb Simon Albrecht simon.albre...@mail.de:
See http://lilypondblog.org/2014/05/independent-meters/ ;-)
One might redirect him there, but IIUC there have been fruitless
attempts already to do so…
Not really. I tried to comment on the Finale blog, which wasn't
Hello,
a possible workaround would be to insert
\layout {
\context { \Voice
\override Stem.neutral-direction = #'()
\consists Melody_engraver }
}
It computes the stem direction for neutral-position (i.e. normally the
center staff line) and here also the wrongly
Sorry ... I was too fast ;)
I meant
{ a'1\repeatTie }
Am 04.03.2015 um 15:01 schrieb Jan-Peter Voigt:
Hi Markus,
you can use
{ a'1\repeatSlur }
HTH
Jan-Peter
Am 04.03.2015 um 14:58 schrieb lyuser.theg...@spamgourmet.com:
Hello,
Being quite a rookie in music notation and lilypond in
Hello
{ a'1\repeatTie }
Great, and so quick :)
Many thanks!
cu
--
Markus
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Hello,
what is the difference between ~ and ( ) ?
a1 ~ | a1 is rendered just like a1 ( | a1 ), but in the midi output I hear to
notes in the latter case and only one in the former...
Thanks!
--
Markus Grunwald
https://www.the-grue.de
Fragen zur Mail? https://www.the-grue.de/mail_und_co
On Wed, Mar 4, 2015 at 12:39 PM, David Sumbler da...@aeolia.co.uk wrote:
What I want is for the individual instruments' dynamics to remain with
and apply to them, but simultaneously to allow any dynamics in the
normally invisible midiStaff to apply to all of them. Is this possible?
You
Yes, I now see that 'mid' is treated as a stand-alone music expression,
so that Staff and Voice contexts are added automatically. This is
confirmed by adding \mid to the printed output.
So my original question now becomes: how can I add dynamics to the 'mid'
staff and have them applied to all
Hello,
Being quite a rookie in music notation and lilypond in general, I have a
problem:
\version 2.18.2
{
% I want a slur from the b to the c in 1) and to the a in 2)
\repeat volta 2 { b'1 ( }
\alternative
{
{ c''1 ) }
{ a'1 ) }
}
}
This gives me a warning:
Hi Markus,
you can use
{ a'1\repeatSlur }
HTH
Jan-Peter
Am 04.03.2015 um 14:58 schrieb lyuser.theg...@spamgourmet.com:
Hello,
Being quite a rookie in music notation and lilypond in general, I have a
problem:
\version 2.18.2
{
% I want a slur from the b to the c in 1) and to the a in 2)
Hi,
See :
- http://www.lilypond.org/doc/v2.18/Documentation/music-glossary/tie
- http://www.lilypond.org/doc/v2.18/Documentation/music-glossary/slur
Cheers,
Pierre
2015-03-04 15:55 GMT+01:00 lyuser.theg...@spamgourmet.com:
Hello,
what is the difference between ~ and ( ) ?
a1 ~ | a1 is
Hi Markus,
there is a difference between slurs and ties. A tie means concat two
notes (they have to be of the same pitch). A slur says, move from one
note to another and keep them tight. Hm, this is not really accurate ;)
And yes, that means, the recommendation of the repeatTie is a misuse
Hi Jan-Peter,
I know that this is a standard solution ; personnally, I'm not a big fan
simply because this tie looks like... a tie ;)
So I'd suggest two options :
1. With \repeatTie plus a vertical tweak
2. With a hidden grace note.
So here it goes:
\version 2.18.2
%% option 1:
{
% I want a
Oups, forgot to say 'Hi' to Markus...
So Hi Markus and welcome to the list !
Cheers,
Pierre
2015-03-04 16:09 GMT+01:00 Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com:
Hi Jan-Peter,
I know that this is a standard solution ; personnally, I'm not a big fan
simply because this tie
Hi Pierre,
of course. As I mentioned in the just sent mail to Markus, repeatTie is
kind of a misuse, but repeatSlur doesn't exist. I most times use \shape
or some derivate like in the snippet from the list, I found in my archive.
Cheers,
Jan-Peter
Am 04.03.2015 um 16:09 schrieb Pierre
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