Re: OCR to lilypond

I find a free online ocr , it can recognize text from jpg, png, tiff, bmp and gif image. -- View this message in context: http://lilypond.1069038.n5.nabble.com/OCR-to-lilypond-tp30035p184380.html Sent from the User mailing list archive at Nabble.com.

NR 3.3.2: \tagGroup

Hi all If you scroll down to \tagGroup here: http://lilypond.org/doc/v2.19/Documentation/notation/different-editions-from-one-source#using-tags you find: % \tagGroup #'(violinI violinII viola cello) declares the respective tags as belonging

Re: NR 3.3.2: \tagGroup

Federico Bruni writes: > Ok, I got it: > > \version "2.19.31" > > music = \relative c'' { > \tagGroup #'(A B C) > \tag #'A { a4 a a a } > \tag #'B { b4 b b b } > \tag #'C { c4 c c c } > \tag #'D { d4 d d d } > } > > \new Staff { > \keepWithTag #'A > \music > } > > will

Re: Introducing "LilyPond HTML Live Score"

Hi David, I just updated the project's repository. I refactored and simplified a lot of things. There's now a single python script (make-live-score) which takes care of everything. Also, you don't need to edit your .ly file anymore. Please note that the script except audio files to be specified

Re: NR 3.3.2: \tagGroup

Il giorno mer 2 dic 2015 alle 16:45, Federico Bruni ha scritto: In the following example commenting/uncommenting \tagGroup does not change any behaviour. What I'm missing? \version "2.19.31" music = \relative c'' { %\tagGroup #'(A B C D) \tag #'A { a4 a a a } \tag

Instrument names disappear when using \partcombine and grace notes.

Hi. With the following example, the instrument name doesn't appear on the rendered pdf on the second staff (the one that uses \partcombine). I suspect it has something to do with the use of \grace in the notes, because when I remove the grace notes the effect disappears. I have done \grace {s16}

Re: Instrument names disappear when using \partcombine and grace notes.

Harm, Your examples displays both instrument names as of 2.19.32. JM > Le 2 déc. 2015 à 20:43, Thomas Morley a écrit : > > 2015-12-02 20:01 GMT+01:00 thorne : >> Hi. With the following example, the instrument name doesn't appear on >> the rendered

Re: Instrument names disappear when using \partcombine and grace notes.

2015-12-02 20:01 GMT+01:00 thorne : > Hi. With the following example, the instrument name doesn't appear on > the rendered pdf on the second staff (the one that uses \partcombine). > I suspect it has something to do with the use of \grace in the notes, > because when I remove

Re: Better slashed graces

On 2015-11-30 18:01, tisimst wrote: I know that beamed grace notes don't /need/ a slash, so maybe there could be a hook to turn it on or off? There already is \slashedGrace. But it doesn't work for multiple notes. Best Peter ___ lilypond-user

Re: OCR to lilypond

2015-12-02 15:28 GMT+01:00 jerry : > I find a free online ocr , it can > recognize text from jpg, png, tiff, bmp and gif image. Do you have lilypond code printed at paper that you want to scan? As you wrote, this "Free Online OCR"

Re: fingerings added to tabs?

Blöchl Bernhard writes: > Thanks for the code. > Just now I am on a PC with LP version 16.2 only. That can be changed. 2.18 has been out for years. > I am on a PC with version 19 some hours later. With version 16 I get > errors with the 3 lines, red in > >

Re: fingerings added to tabs?

Thomas Morley writes: > Usually, a TabStaff _is_ the fingering, thus the confusion. No. The TabStaff tells me what fret to use on what string. It does not tell me which finger to use. -- David Kastrup ___ lilypond-user

Re: fingerings added to tabs?

Blöchl Bernhard writes: > Am 01.12.2015 20:05, schrieb David Kastrup: >> Blöchl Bernhard writes: >> >>> Am 01.12.2015 18:55, schrieb David Kastrup: BB writes: Exactly like the manual describes

Re: accidentals for just intonation

> Harry Partch writes music that tops out at the 13th overtone, but La Monte Young has pieces with primes in the upper 300s. How does Partch notate his music? If I remember correctly he does put ratios over his notes, but I'm not sure how it works. As for La Monte Young - I don't think any of his

Re: Introducing "LilyPond HTML Live Score"

Hey Mathieu > I just updated the project's repository. I refactored and simplified a lot of things. A new problem. I'm able to successfully run the script on both your example and my test file. But now whenever I open it up in a browser (Firefox, Chrome, Rekonq) I get the message that I need to

Re: Introducing "LilyPond HTML Live Score"

Hi David, Can you send me the generated HTML output file ? If you see such a message, this means that the JavaScript code contains errors. I'll fix that if I can see your file. Thanks, Mathieu Le 2015-12-02 22:35, David Bellows a écrit : Hey Mathieu I just updated the project's

Re: Introducing "LilyPond HTML Live Score"

This looks really nice. It would nicely complement http://lilybin.com/ -- View this message in context: http://lilypond.1069038.n5.nabble.com/Introducing-LilyPond-HTML-Live-Score-tp184247p184394.html Sent from the User mailing list archive at Nabble.com.

Can \barNumberCheck be set to error?

I am just wondering if there is any way to set only \barNumberCheck to generate an error instead of a warning. I am using a Makefile to handle a project. I am using \barNumberCheck on every bar on every part. It is convenient to have Lilypond error any time a bar number check fails so that the

Re: Can \barNumberCheck be set to error?

thorne writes: > I am just wondering if there is any way to set only \barNumberCheck to > generate an error instead of a warning. > > I am using a Makefile to handle a project. I am using \barNumberCheck > on every bar on every part. It is convenient to have Lilypond error >

Re: Vertically centering a song text.

tisimst writes: > \skip in the Lyrics context is necessary for skipping beats without > creating a melisma (which can be manually created with a single underscore > for each beat in the melisma). I'm not sure why it's insensitive to the > number after it. I have

Re: Vertically centering a song text.

Bill, On Wednesday, December 2, 2015, William Marchant [via Lilypond] < ml-node+s1069038n184395...@n5.nabble.com> wrote: > In the example snippet quoted below, there is a line: > skipFour = \repeat unfold 4 { \skip 8 } > > I have found this useful on its own, and have saved it for future use. >

Re: Instrument names disappear when using \partcombine and grace notes.

Thank you, sir. The "\with" construct seems to have fixed it. On Wed, Dec 2, 2015 at 12:43 PM, Thomas Morley wrote: > 2015-12-02 20:01 GMT+01:00 thorne : >> Hi. With the following example, the instrument name doesn't appear on >> the rendered pdf on

Re: fingerings added to tabs?

Many thanks for all taht helped! Indeed with LP version 2.19 the code works without any problems. I tried with version 2.18 and it works as well. (Sorry with 2.16, it is on an old machine of my friend at another place I normally do not use for working with LP.) The result with newe LP

Re: Vertically centering a song text.

Robert Blackstone wrote: How can I shift the lyrics of the second part vertically > so that it is centered with respect to the first part LSR503 shows one way of doing this: http://lsr.di.unimi.it/LSR/Item?id=503 I use Y-offset instead of extra-offset Cheers, Robin

RE: Kneed beams and changes of staff

One more thing: this problem is related to the kneed beams behaviour only and is not affected by changes of staff or \autochange, see: \autochange { \override Score.Beam.auto-knee-gap = #3 \tuplet 5/4 {g''32[e'' g''64 d a,32 gis]} } { \override Score.Beam.auto-knee-gap = #1 \tuplet 5/4

Vertically centering a song text.

Dear List, Could anybody help me (a newby) with the following issue: I am setting a song, vocal line and keyboard, with two sections, the first of which has two verses, the second only one, as in the ME, copied, and slightly modified, from

Re: fingerings added to tabs?

Hi Bernhard, Am 02.12.2015 um 08:54 schrieb Blöchl Bernhard: > Thanks for the code. > Just now I am on a PC with LP version 16.2 only. I am on a PC with > version 19 some hours later. With version 16 I get errors with the 3 > lines, red in > > \override Fingering.side-axis = #Y >

RE: Kneed beams and changes of staff

Mark Stephen Mrotek wrote > A rather tedious, yet precise method, is: > > \once \set stemRightBeamCount = #x > \once \set stemLeftBeamCount = #x One one more thing, this method actually does not work. Think like this: the problem isn't the number of beams for each note (these are correct) but

Re: accidentals for just intonation

From: "N. Andrew Walsh" To: lilypond-user If you've been watching the OpenLilyLib repository, you'll see that Urs has been working on a set of tools for rendering music in just intonation. He (quite modestly) says that it isn't ready for

Re: Vertically centering a song text.

In the example snippet quoted below, there is a line: skipFour = \repeat unfold 4 { \skip 8 } I have found this useful on its own, and have saved it for future use. The { \skip 8 } part has me baffled. What does it do? I have changed the number to 4, or 16 but there is no perceptible