Re: Pitch inflection

No, the arrow modifications are the only departures from standard notation. MT On 31 January 2018 at 16:47, Hans Åberg wrote: > > > > On 31 Jan 2018, at 21:25, Michael Taylor > wrote: > > > > Thank you for your message & the links. I have

Re: test spanner with controlled gradient / dynamic volume curve indicated by grey level

I think this is ok. I will be using a proportional notation anyway so I think it is fine to set \override Glissando.after-line-breaking = ##f Maybe ideally there would be some distribution or only partial reiteration (instead of getting all colors again), but I think this will work fine.

Re: test spanner with controlled gradient / dynamic volume curve indicated by grey level

Thanks. You have gone far and above the call of duty. I will post questions if I have any, but wont shed tears if you cannot get around to it. Best, Michael On 01/31/2018 06:28 PM, Thomas Morley wrote: 2018-01-31 19:02 GMT+01:00 Michael Winter : I am now

Re: test spanner with controlled gradient / dynamic volume curve indicated by grey level

2018-02-01 1:28 GMT+01:00 Thomas Morley : > 2018-01-31 19:02 GMT+01:00 Michael Winter : > >> I am now curious what you are thinking about the line breaking. Maybe I am >> out to lunch here and you have a much better idea. I will wait to hear

Re: test spanner with controlled gradient / dynamic volume curve indicated by grey level

2018-01-31 19:02 GMT+01:00 Michael Winter : > I am now curious what you are thinking about the line breaking. Maybe I am > out to lunch here and you have a much better idea. I will wait to hear from > you before I do any heavy lifting. I'm very busy. My shitty

Re: test spanner with controlled gradient / dynamic volume curve indicated by grey level

ah. ok. somehow I though it broke all together. So perhaps you are having the same problem as me. Well... at least I got my feet a bit more wet with scheme. Not sure if by "how the broken part should look" if you are asking a question. But admittedly, I do not have a solid idea, I just want

Re: test spanner with controlled gradient / dynamic volume curve indicated by grey level

2018-01-31 18:37 GMT+01:00 Michael Winter : > As for linebreaking. That is indeed a showstopper at the moment. Is that > because you are using filled box stencil? No, I was not clear enough, though. Line-breaks worked, but they were not nice. One reason was bad padding

Re: Tying chords

If you attach the tilde to the individual notes rather than the entire chord, that should work. That is, ` ` rather than `~ `. On 02/01/18 00:30, Rohan Srinivasan wrote: > Hi all, > > I am tying two chords together. Is it possible to have the top tie be above > the note and the

Re: Tying chords

Hi Rohan, Am 01.02.2018 um 00:30 schrieb Rohan Srinivasan: Hi all, I am tying two chords together. Is it possible to have the top tie be above the note and the bottom tie to be below? Generally this should be the case. That is, if you are in \oneVoice mode. If you instead have a first or

Tying chords

Hi all, I am tying two chords together. Is it possible to have the top tie be above the note and the bottom tie to be below? i.e. When I use _~ the tie is below both notes and vice versa for ^~ Thanks in advance ___ lilypond-user mailing list

Re: Function or command to omit only certain accidentals of a chord?

Stefano Troncaro writes: > Hello again everyone! > > Suppose I have the following example: > > \version "2.19.80"\language "english" > command = { > %What should go here to omit the sharp while keeping the natural?} > \score { > \new Staff { > \new Voice

Re: Pitch inflection

> On 31 Jan 2018, at 21:25, Michael Taylor wrote: > > Thank you for your message & the links. I have attached a fragment of the > source to clarify what I am trying to replicate. Are there any other microtonal accidentals, except for plain up and down arrows?

Re: test spanner with controlled gradient / dynamic volume curve indicated by grey level

almost. something seems to be not quite right about the alignment... On 01/31/2018 03:30 PM, Michael Winter wrote: ok. I have learned a tremendous amount with your help. I went ahead and hacked away replacing your function with line markups and now it seems to work with line breaks. let me

Re: test spanner with controlled gradient / dynamic volume curve indicated by grey level

ok. I have learned a tremendous amount with your help. I went ahead and hacked away replacing your function with line markups and now it seems to work with line breaks. let me know if you see anything wrong with this. Best, Michael --- \version "2.18" \paper {

slash to indicate repeated chord?

When placing chord names on a lead-sheet, sometimes a slash ( / ) is used on subsequent measures or beats to indicate repeating the previous chord. How can this be done in lilypond? ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Function or command to omit only certain accidentals of a chord?

In that case, you could use something like this: ⋘ \version "2.19.80" nth = #(define-music-function (n tweak mus) (integer? ly:music? ly:music?) (single tweak (list-ref (ly:music-property mus 'elements) n)) mus) { \nth 1 \omit Accidental % Remember, zero-indexed } ⋙ If you could be

Re: Function or command to omit only certain accidentals of a chord?

I just tried it, but unfortunately it appears to only work when used inside the chord, and I need to find a way to do it from outside. 2018-01-31 17:39 GMT-03:00 Caagr98 : > You could try \single instead of \once, as in cs,>. > > On 01/31/18 21:27, Stefano Troncaro wrote: > >

Re: Function or command to omit only certain accidentals of a chord?

You could try \single instead of \once, as in . On 01/31/18 21:27, Stefano Troncaro wrote: > Hello again everyone! > > Suppose I have the following example: > > \version "2.19.80" \language "english" command = { %What should go here to > omit the sharp while keeping the natural? } \score {

Function or command to omit only certain accidentals of a chord?

Hello again everyone! Suppose I have the following example: \version "2.19.80"\language "english" command = { %What should go here to omit the sharp while keeping the natural?} \score { \new Staff { \new Voice \relative c'' { \key b \minor \accidentalStyle modern \partial 4

Re: Pitch inflection

Thank you for your message. I am hoping to reproduce the arrow notation used by the composer, rather than substituting a different notational convention (which this composer has employed in other pieces). The fact that he implies a difference between a slightly lowered F & a slightly raised E

Re: Shape slurs from inside chords

On 1/31/2018 1:58 PM, Knute Snortum wrote: Wow, okay.  That works just fine.  Thanks! Sure: {   \key g \minor   4 } -David Yup, that's a great little snippet indeed. You could even bump the notes

Re: Shape slurs from inside chords

Wow, okay. That works just fine. Thanks! --- Knute Snortum (via Gmail) On Wed, Jan 31, 2018 at 8:04 AM, David Nalesnik wrote: > On Wed, Jan 31, 2018 at 8:58 AM, Knute Snortum wrote: > > Is it possible to shape a slur that goes from one note in

Re: Custom Dynamics using Edition Engraver

Hi Jan-Peter, That's exactly what I was looking for. Perfect! Thank you so much! Craig On 1 February 2018 at 01:02, Jan-Peter Voigt wrote: > Hi Craig, > > the intent of the edition engraver is to separate overrides from the > content. So it is not the EE that is creating

Re: test spanner with controlled gradient / dynamic volume curve indicated by grey level

Another option for the line breading is to give the target final note for a system, hide it (basically the last note in your example). then in the next system. do the same with the starting note on the left side and hide it. Kind of a hack, but could actually look nice because you would see

Re: test spanner with controlled gradient / dynamic volume curve indicated by grey level

Hmmm... I made the change to use the stencil extent and that seems to be fine. I am not sure what you are saying about the visibility of the final stencil. As for linebreaking. That is indeed a showstopper at the moment. Is that because you are using filled box stencil? When I was using a

Re: Pitch inflection

[Please cc the list so that others can follow.] > On 31 Jan 2018, at 16:00, Michael Taylor wrote: > > Thank you for your message. I am hoping to reproduce the arrow notation used > by the composer, > rather than substituting a different notational convention (which

Re: Pitch inflection

Thank you for your message. I am hoping to reproduce the arrow notation used by the composer, rather than substituting a different notational convention (which this composer has employed in other pieces). The fact that he implies a difference between a slightly lowered F & a slightly raised E

Re: Shape slurs from inside chords

On Wed, Jan 31, 2018 at 8:58 AM, Knute Snortum wrote: > Is it possible to shape a slur that goes from one note in a chord to another > note in another chord, or do I have to create the slur from "scratch" with > tweak control-points? For instance: > > \version "2.19.80" >

Re: Custom Dynamics using Edition Engraver

Hi Craig, the intent of the edition engraver is to separate overrides from the content. So it is not the EE that is creating custom dynamics, but it might prove useful, if you want to apply them on an external Score or on arbitrary spots inside the Score. A attached an example. HTH

Shape slurs from inside chords

Is it possible to shape a slur that goes from one note in a chord to another note in another chord, or do I have to create the slur from "scratch" with tweak control-points? For instance: \version "2.19.80" \language "english" { \key g \minor 4 } I would like to shape

Re: MIDI player in Frescobaldi wiki page

Hi Guy I've updated the wiki page. Thanks Il giorno mar 30 gen 2018 alle 19:56, Guy Stalnaker ha scritto: Federico, You wiki document makes no mention of Qsynth. I use it in conjunction with FluidSynth and Frescobaldi on LinuxMint and MacOS (I use CoolSoft Virtual

Re: Custom Dynamics using Edition Engraver

Hi Craig, I'd say, you need a custom stencil. The EE can then set the stencil with a command like this: \editionMod ed-target 1 0/4 Staff \override DynamicText.stencil = #(lambda (grob) ...) I am not at my desktop right now. The stencil function (lambda) could analyze the dynamic string and

Re: test spanner with controlled gradient / dynamic volume curve indicated by grey level

2018-01-31 3:46 GMT+01:00 Michael Winter : > On first glance. This looks ideal. THANK YOU > > I am a bit brain dead at the moment, so will dig in tomorrow and let you > know if I have any further questions / thoughts / ideas. Glad you like it. I've found a weakness,