Many thanks Kieren & Valentin,
Have used a mix of \newSpacingSection and \tweak extra-spacing-width to achieve
something close to what is possible with use of "skip". Still it's not
perfect(output attached).
Using \tweak extra-spacing-width alone only works for the first 2 sections on
n32
On 12/06/2020 15:26, Peter Toye wrote:
Free rhythm in part of a bar I need to have part only of a bar notated
with free rhythm. Also other staves need to be synchronised. I've
tried using \cadenzaOn but then I get a barcheck problem and the next
bar goes odd. I can't see anything about this in
Hello,
How can I modify the horizontal gap between the clef or time signature and
the first note/chord/pause/skip in the bar?
Thanks!
On Fri, Jun 12, 2020 at 1:15 PM Aaron Hill wrote:
> . If all that was needed was
> to specify a duration, then it might not matter since four quarters is
> the same as two halves. However then, David's suggestion of using
> ly:duration? would make much more sense.
>
>
>
I agree, but my last
Greetings everybody,
I just wanted to let you know that Janus Nowacki, one of the founders
of the TeX Gyre font suite that is used by default in LilyPond, has
recently died:
http://www.gust.org.pl/news/jmn-obit-en
And his personal website (in Polish): https://jmn.pl/
The TeX Gyre font project was
Peter,
>From trial and error I learned, if a cadenza is started mid-measure (say on
the second of four beats), then Lilypond want to start the nest meterd part
on the third beat.
The solution is to star the cadenza on the first beat of the measure.
As to the bass it can be "fudged" with a
On 6/12/20, Valentin Petzel wrote:
> I’m not sure if \newSpacingSection is a nescessarily good idea, because it
> basically divides the score into parts of different spacing. And I’m not
> sure about that, but I think this may cause inconsequent spacing.
Well, IMO as soon as you start
Peter Toye writes:
> David,
>
> Thanks. That solves the vocal line, but it doesn't seem to solve the
> synchronisation issue with the accompaniment, which is rather
> necessary in a song!
To quote: "1) How do I get the desired result, which is one bar with the
first 2 crotchets synchronised
David,
Thanks. That solves the vocal line, but it doesn't seem to solve the
synchronisation issue with the accompaniment, which is rather necessary in a
song!
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Friday, June 12, 2020, 4:31:18 PM, David
Hello Valentin,
I’m not sure if \newSpacingSection is a nescessarily good idea, because it
basically divides the score into parts of different spacing. And I’m not sure
about that, but I think this may cause inconsequent spacing. (Also it is
overly complicated for overriding a single bit auf
Peter Toye writes:
> I need to have part only of a bar notated with free rhythm. Also other staves
> need to be synchronised. I've tried using \cadenzaOn but then I get a
> barcheck problem and the next bar goes odd. I can't see anything about this
> in the snippets or manuals. A minimal
Hi Peter!
I don't know if that's the correct way to do it, but if you use
\scaleDurations on the cadenza material it seems to work out for me:
{
c'4 4 4 4 |
4 4 \scaleDurations 2/5 { 8 8 8 8 8 8 8 8 8 8 } |
}
The '2/5'-part depends of course on the length of the material inside.
I need to have part only of a bar notated with free rhythm. Also other staves
need to be synchronised. I've tried using \cadenzaOn but then I get a barcheck
problem and the next bar goes odd. I can't see anything about this in the
snippets or manuals. A minimal example follows.
There seem to
On 2020-06-10 10:28 am, Paolo Prete wrote:
... I have been misled by the term "rational". In fact, in the italian
language the term "rational" (---> razionale) means an irreducible
fraction of two coprime integers, while in the english language it
means a
number that can be expressed as the
On 6/7/20, Rutger Hofman wrote:
> My first attempt is here:
> https://www.rutgerhofman.nl/lilypond/divisi-doc/divisi-doc.html
Very nice! I have a few minor remarks:
- The writing style differs a bit from our recommended style, see CG
5.5.3 and 5.5.4
On 6/10/20, Paolo Prete wrote:
> When I looked at the list of predicates...;
>
> https://lilypond.org/doc/v2.19/Documentation/notation/predefined-type-predicates.it.html
>
> ... I have been misled by the term "rational". In fact, in the italian
> language the term "rational" (---> razionale)
On 6/10/20, Eby Mani wrote:
> Is there any way to add horizontal spacing to make music more readable
> without using "skip" inside violin section commented in the score ?.
Well, you probably can get a slightly better result by inserting
\newSpacingSection in a few of these places (and also
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