Joseph Srednicki writes:
> Hi David:
> Thanks for answering my inquiry about beaming 16th-note triplets.
> However, it looks provided an example in a file called "js.ly" that
> was scrubbed as indicated below.
> If the example is not too long and it's not too much trouble, can you
> reply
[ g c ] b g b} |}
\score { \new Staff \melody}
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Message: 2
Date: Sat, 26 Aug 2023 21:15:58 +0
On 2023-08-26 05:17, JacquelineUkulele-Guitar Grant wrote:
Hi All
I am new to this Lilipond user help group, I aplopgize if I am
breaking any rules are guideline.
I have been use Lilypond for a few year, even though I do not fully
understand it.
I am trying to make a Chord Chart that
On Sat, 26 Aug 2023 at 15:16, Gerardo Ballabio
wrote:
>
> Hello,
> I'm using Staff.StaffSymbol.line-positions to raise the staff position
> in the middle of a line. When the change is at the end of a measure,
> the bar line is aligned with the new staff, leaving the old staff
> partially "open",
Joseph Srednicki writes:
> Hello:
>
> The tiny example below contains a bar of sixteenth-note triplets in
> 6/8 time. In this example, I used the "[" and "]" characters to
> achieve the desired beaming manually.
>
> Instead of using the "[" and "]" characters, what is the correct code
> to set
Hello:
The tiny example below contains a bar of sixteenth-note triplets in 6/8 time.
In this example, I used the "[" and "]" characters to achieve the desired
beaming manually.
Instead of using the "[" and "]" characters, what is the correct code to set
the automatic beam behavior for these
Thank you!
--
Knute Snortum
On Sat, Aug 26, 2023 at 1:23 AM Jean Abou Samra wrote:
> > In short, is there a way to control the slope of the beam after the
> break, or
> > some other way to deal with the situation?
>
> \alterBroken positions #'((-6.5 . -3.5) (-3.5 . -1)) Beam
>
>
>
Hello,
I'm using Staff.StaffSymbol.line-positions to raise the staff position
in the middle of a line. When the change is at the end of a measure,
the bar line is aligned with the new staff, leaving the old staff
partially "open", that is, the bar line doesn't extend over all the
height of the old
Hi All
I am new to this Lilipond user help group, I aplopgize if I am breaking any
rules are guideline.
I have been use Lilypond for a few year, even though I do not fully understand
it.
I am trying to make a Chord Chart that goes over two pages, in what I call a
"ukulele layout". A
Hello,
I have been looking for a long time for a way to automatically annotate
slide positions or fingerings for brass instruments below or above the
notes. There have been one or two requests for this, but never a
complete solution, at least the oracle of Google has not been able to
tell me
Michael and Jean, thank you both. It seems I was on the right track, and
now have a bit of refinement to it. I hadn't encountered \after yet.
Hi,
I'd do it like this:
\version "2.24.1"
<<
\new Voice = "mus" { \repeat unfold 64 { c'8 } }
\new Lyrics \lyricsto "mus" { \repeat unfold 64 foo }
\new Lyrics <<
\after 1*4 \lyricmode { aah } <>
\after 1*5 \after 2. \lyricmode { haa } <> <>
>>
\new Lyrics \lyricsto "mus" {
> In short, is there a way to control the slope of the beam after the break, or
> some other way to deal with the situation?
\alterBroken positions #'((-6.5 . -3.5) (-3.5 . -1)) Beam
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