combining two whole notes into one

Hello. I have two votes. And each one sings the same note. For example, F. When the notes are stylized, they are combined using the \mergeDifferentlyHeadedOn command. But whole notes are not joined together with this command. Please help me. Maybe someone knows how to do it.Юрий Виноградов

Re: Initial rests in MIDI not included?

On Wed 27 Sep 2023 at 01:13:09 (+0200), Jean Abou Samra wrote: > After replacing “ ... ” with “ c' ”, I got the expected MIDI output with > LilyPond 2.24.2, i.e., lots of silence and four C notes at the end. I did the same, and I attach a screenshot of audacious playing the file, called mid.midi.

Re: Initial rests in MIDI not included?

On Tue 26 Sep 2023 at 18:52:52 (-0400), Kevin Cole wrote: > Once again, I'm flummoxed by some syntax problem... I was hoping for 40 > measures of silence, as I plan to mix it with other parts, and want to be > able to mute parts interactively. However the following doesn't give me 40 > measures of

Re: Initial rests in MIDI not included?

After replacing “ ... ” with “ c' ”, I got the expected MIDI output with LilyPond 2.24.2, i.e., lots of silence and four C notes at the end. signature.asc Description: This is a digitally signed message part

Initial rests in MIDI not included?

Once again, I'm flummoxed by some syntax problem... I was hoping for 40 measures of silence, as I plan to mix it with other parts, and want to be able to mute parts interactively. However the following doesn't give me 40 measures of silence, but starts right in on PartTwo. What have I missed THIS

Re: Strange behavior of repeat unfold inside a repeat volta with alternatives.

Thanks for the explanation! I was not aware of the previous behavior and that was very confusing. And I guess I was not expecting alternatives to work with /unfold/ either but that makes sense. On 2023-09-26 23:53, David Kastrup wrote: Stéphane SOPPERA writes: I observed a strange behavior

Re: Strange behavior of repeat unfold inside a repeat volta with alternatives.

Stéphane SOPPERA writes: > I observed a strange behavior with a /repeat unfold/ inside a /repeat > volta/ with /alternatives/. See the attached /bug_repeat__ok.ly/ for > full source. > > Using Lilypond 2.24.1: > >     \repeat volta 2 { >   %% Here we repeat three times the same music. > *

Strange behavior of repeat unfold inside a repeat volta with alternatives.

Hi, I observed a strange behavior with a /repeat unfold/ inside a /repeat volta/ with /alternatives/. See the attached /bug_repeat__ok.ly/ for full source. Using Lilypond 2.24.1:     \repeat volta 2 {   %% Here we repeat three times the same music. *  \relative { c'4 e g r } |** **  

Obscure message in Frescobaldi

This is not about a Lilypond problem, strictly speaking, but it is related indirectly, and since here there are very many LilyPond users around here, I also hope to address at least a couple of Frescobaldi users here with an unanswered question, hoping that someone can solve this for me: I am

Alternating time signature with cue clef

TL;DR How do I engrave an alternating time signature and an initial cue clef? Scriabin has a prelude where he has written a time signature as alternating 5/8 and 4/8 time. After the initial one, no other time signatures are written. I have figured out a way to engrave this with help from a LSR

Re: shifting accidentals horizontally

> A possible solution for this could be to do a similar thing to add > certain note columns to separate NoteCollision grobs, so they can be > spaced independently. I've added Valentin's solution as a new snippet to the LSR. https://lsr.di.unimi.it/LSR/Item?u=1=1172 Werner

Re: Is there a way to convert -- or evaluate -- a string to a pitch?

Or alternatively (if you only need basepitch, not different octaves) you may avoid parsing and directly pull the pitch from the pitch name mapping (less powerful, but less chaotic and safer): #(assoc-get (string->symbol "c") pitchnames) or even (to avoid problems when changing language) from a