thx Jean - that was, what I saw.. didn't find it this time.
|\version "2.24.2" \relative c'' { << \new Staff \new Voice { \time
3/8 d4. \breathe \grace s8 d8 d d d4. \breathe d8 d d } \new Staff {
\time 3/8 d4. \breathe \appoggiatura e8(d) d d d4. \breathe d8 d d } >> } |
See this section of
```
\version "2.24.2"
\relative c'' {
<<
\new Staff \new Voice {
\time 3/8 d4. \breathe \grace s8 d8 d d d4. \breathe d8 d d
}
\new Staff {
\time 3/8 d4. \breathe \appoggiatura e8(d) d d d4. \breathe d8 d d
}
>>
}
```
See [this section of the
Hi,
an Appogiatura seems to move the breath sign in other voices:
I remembered stumbling upon this, but didn't find the solution anymore :(
Best, J
---8<--
\version "2.24.0"
\relative c'' {
<<
\new Staff \new Voice {
\time 3/8 d4. \breathe d8 d d d4.
Le jeudi 02 novembre 2023 à 14:11 -0400, PMA a écrit :
> My piano score in progress has 3 voices. As these voices are to become
> somewhat conflated, I've assigned each a unique color for its noteheads,
> stems, flags, and slurs. All of this works fine.
>
> However, I can't find a way to
Dear LP Gurus,
My piano score in progress has 3 voices. As these voices are to become
somewhat conflated, I've assigned each a unique color for its noteheads,
stems, flags, and slurs. All of this works fine.
However, I can't find a way to change color default for its
ARTICULATIONS (the
Hi Johannes,
>> As a workaround, I could use "\once \override LyricText.self-alignment-X =
>> #LEFT" - but I'd like to understand the logic and whether there is a more
>> elegant way...
>
> The logic is that a syllable is centered, except when it starts a melisma, in
> which case it is
Le jeudi 02 novembre 2023 à 17:47 +0100, Johannes Roeßler a écrit :
>
>
> As a workaround, I could use "\once \override LyricText.self-alignment-X =
> #LEFT" - but I'd like to understand the logic and whether there is a more
> elegant way...
The logic is that a syllable is centered, except
Hi Michael,
heh, I guess I've gotten so used to keeping my key signature in a separate
voice it never occurred to me I could change keys at the level of
individual voices.
Thanks again,
Andrew
er/ihn/ihm/sein | he/him/his
Berlin
On Thu, Nov 2, 2023 at 4:18 PM Michael Werner wrote:
> On Thu,
Hi all,
could someone help me understand what going on here:
I'm working with ignoreMelismata = ##t, stretching the "schlaf" by
skipping the next note.
In the 3rd voice it's centering the word - but it doesn't in the
melismata in voice 1 and 2
As a workaround, I could use "\once \override
On Thu, Nov 2, 2023 at 9:43 AM N. Andrew Walsh
wrote:
> Another question: is it possible to set the key signature for the two
> "alternate" sections to be different? I know I can hide one, but is it
> possible for different voices to have/display key signatures that are
> independent of one
Hi Michael,
excellent, I'll have a look at that. Another question: is it possible to
set the key signature for the two "alternate" sections to be different? I
know I can hide one, but is it possible for different voices to
have/display key signatures that are independent of one another?
Cheers,
On Thu, Nov 2, 2023 at 7:11 AM N. Andrew Walsh
wrote:
> One question: you add some extra padding between the two variants with an
> \override; is there a way to do the same thing for modifying the padding
> between two PianoStaff groups (but not change the staff-staff spacing
> within each of
I’m unsure what of this is relevant today, but maybe you can find help or inspiration in this thread:Re: Extending staff lines through key changelists.gnu.org2 nov. 2023 kl. 12:58 skrev David Kastrup :Peter Mayes writes:Ideally what I want is the first version, but with the stave extendingjust
Peter Mayes writes:
> Ideally what I want is the first version, but with the stave extending
> just enough to go through the key signature.
Could you live with the following?
{
\key c\minor
c'1
\key c\major
\once\override Score.BreakAlignment.break-align-orders =
#(grob-transformer
Peter Mayes wrote:
I have since learned about silent notes, and I get almost what I want if
I add a silent note after the advisory key change. But then the bar
lengths are altered. To put the two result together:
Ideally what I want is the first version, but with the stave extending
just
Hi Michael,
thank you so much for taking the time to write out an example. I was able
to modify it to work for two PianoStaff objects. One question: you add some
extra padding between the two variants with an \override; is there a way to
do the same thing for modifying the padding between two
Thanks for the response.
The \turn placement is exactly what I needed.
I may not have been clear enough on the second question. The four
movements are engraved in four separate \score blocks. The change of key
signature is the very last thing at the end of the first movement. There
are no
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