Re: Control breaks in staff that I get from a variable?

2024-02-10 Thread Jean Abou Samra
> As some of us know, this does not work: > > << >   \staffIGot >   { s1*5 \break } > >> > > It introduces an extra staff. Not wanted. The classic fix is << \new Devnull { s1*5 \break } \staffIGot >> Best, Jean signature.asc Description: This is a digitally signed message part

Control breaks in staff that I get from a variable?

2024-02-10 Thread Ole V. Villumsen
**Question in short**: Suppose I have a staff in a variable. Can I impose breaks (line breaks, page breaks, page turns) on that staff without modifying the variable? My use case is using the staff in a part and in a score with other parts, where obviously the breaks need to be different.

Re: Rest space in between fugue's voices

2024-02-10 Thread David Kastrup
Kieren MacMillan writes: > Hi George, > > [n.b. I’ve cc'ed the list, as per standard practice in the Lilypond > community.] > >> Thank you very much! It worked perfectly just by inserting "\tweak >> X-offset #1" before the 16th rest in my original code > > Oh, great! I didn’t think to try only

Re: Rest space in between fugue's voices

2024-02-10 Thread Kieren MacMillan
Hi George, [n.b. I’ve cc'ed the list, as per standard practice in the Lilypond community.] > Thank you very much! It worked perfectly just by inserting "\tweak X-offset > #1" before the 16th rest in my original code Oh, great! I didn’t think to try only that tweak. > I didn't quite understand

Re: Rest space in between fugue's voices

2024-02-10 Thread Kieren MacMillan
Hi George, > Currently, I am transcribing Bach's Fantasia and Fugue in a minor (BWV 904), > but I am dealing with a rest collision between the fugue voices on measure > 69. Specifically, on the 4th beat I have not found a way to give distance > between the a' from the alto and the 16th rest

Rest space in between fugue's voices

2024-02-10 Thread George
Hi everyone, Currently, I am transcribing Bach's *Fantasia and Fugue in a minor* (BWV 904), but I am dealing with a rest collision between the fugue voices on measure 69. Specifically, on the 4th beat I have not found a way to give distance between the *a'* from the alto and the 16th rest from

Re: Texinfo documentation.

2024-02-10 Thread Hwaen Ch'uqi
Ah, thank you! I must confess having seen that link but misunderstanding precisely what it meant. Hwaen Ch'uqi On 2/10/24, Jean Abou Samra wrote: >> I have recently upgraded from 2.22.2 to 2.24.3. However, as I only use >> LTS distributions of ubuntu, I had to download the tar.gz package. No

Re: Texinfo documentation.

2024-02-10 Thread Jean Abou Samra
> I have recently upgraded from 2.22.2 to 2.24.3. However, as I only use > LTS distributions of ubuntu, I had to download the tar.gz package. No > problem. But how may I obtain the documentation in texinfo format for > use with emacs? In fact, looking through the archive, it does not > appear that

LilyPond 2.25.13

2024-02-10 Thread Jonas Hahnfeld via LilyPond user discussion
We are happy to announce the release of LilyPond 2.25.13. This is termed a development release, but these are usually reliable for testing new features and recent bug fixes. However, if you require stability, we recommend using version 2.24.3, the current stable release. Please refer to the

Texinfo documentation.

2024-02-10 Thread Hwaen Ch'uqi
Greetings, I have recently upgraded from 2.22.2 to 2.24.3. However, as I only use LTS distributions of ubuntu, I had to download the tar.gz package. No problem. But how may I obtain the documentation in texinfo format for use with emacs? In fact, looking through the archive, it does not appear

Re: Tempo formatting question.

2024-02-10 Thread Hwaen Ch'uqi
Ah, thank you and Jean A. for this. Works perfectly! Hwaen Ch'uqi On 2/8/24, Knute Snortum wrote: > On Thu, Feb 8, 2024 at 8:26 AM Hwaen Ch'uqi wrote: > >> Greetings, >> >> I would like to indicate a metronome mark of "Prestissimo" > note tied to dotted quarter note>=96. How may I do this? I

Re: Nested Keep_alive_together_engraver

2024-02-10 Thread Julian Santander
Thanks. That's fine. I guess it is a tribute to the extensibility and the rich infrastructure that I could pull out what I needed with just a few lines of code. For what is worth, my use case was a frenched score with a double choir (each must be kept together independently) where at some point

Re: Nested Keep_alive_together_engraver

2024-02-10 Thread David Kastrup
Julian Santander writes: > For the record, I believe I finally solved all my problems (with this > particular score). > > About the problem I asked in my previous e-mail. > > The way Keep_alive_together_engraver works with the "remove-layer" property > is confusing as it is used for two