On Tue, Jul 8, 2014 at 5:39 AM, Simon Albrecht simon.albre...@mail.de
wrote:
Hello everybody,
I just wrote a music function to mark grobs as editorial addition by
colouring them grey. See the code and an example:
\version 2.19.8
ed = #(let
((string-or-list?
(lambda (grob)
(or (string? grob)
On Tue, Jul 8, 2014 at 5:05 AM, Larry Kent kentla...@gmail.com wrote:
I'm editing a file that was created in 2.16. Within the \paper
settings, I have the following two lines that put headers on pages
after the first, and they print too close to the top edge of the
paper. What markup should
On Tue, Jul 8, 2014 at 9:48 AM, David Kastrup d...@gnu.org wrote:
Simon Albrecht simon.albre...@mail.de writes:
Hello everybody,
I just wrote a music function to mark grobs as editorial addition by
colouring them grey. See the code and an example:
\version 2.19.8
ed = #(let
Xavier,
That issue is a perfect example of what can be changed easily (i.e., no
symbolic linking, no fancy naming-renaming, copying-recopying, etc.) All the
fonts can co-exist, just as we are already used to with text fonts, in what
I've developed.
Regards,
Abraham
Xavier Scheuer
, schrieb Abraham Lee:
On Tue, Jul 8, 2014 at 5:05 AM, Larry Kent kentla...@gmail.com
wrote:
I'm editing a file that was created in 2.16. Within the *\paper*
settings, I have the following two lines that put headers on pages
after the first, and they print too close to the top edge
On Thu, Jul 10, 2014 at 3:39 AM, James Harkins jamshar...@gmail.com
wrote:
Something I've been wondering about for awhile... lilypond.org boasts
of optical spacing for notes with alternating up and down stems,
but it seems this feature has been lost somewhere (or disabled by
default). In this
On Fri, Jul 11, 2014 at 7:09 AM, David Nalesnik
david.nales...@gmail.com wrote:
On Thu, Jul 10, 2014 at 5:09 AM, Abraham Lee tisi...@gmail.com
wrote:
On Thu, Jul 10, 2014 at 3:39 AM, James Harkins
jamshar...@gmail.com wrote:
Something I've been wondering about for awhile... lilypond.org
On Fri, Jul 11, 2014 at 8:00 AM, David Kastrup d...@gnu.org wrote:
Abraham Lee tisi...@gmail.com writes:
Equally spaced stems do look nice with groupings that change staff
constantly, however. I remember that SCORE had a feature that
enabled this. I've often thought that LilyPond should
On Mon, Jul 14, 2014 at 4:56 PM, Noeck noeck.marb...@gmx.de wrote:
Hi Urs,
it seems like I missed something. How did you create those scores?
...
What is the Cadence font?
Joram,
I can answer for Urs. ...
The Cadence font was the first result of that effort.
Hi Abraham,
Janek,
You are right about Ross. I updated the Ross example PDF (same link as
before, so see the original message). See what you think with the thicker
lines now.
Regards,
Abraham
P.S. Anyone interested in using these should wait a little until we get the
distribution website up and running. It
wrote:
Am 26.07.2014 19:52, schrieb Abraham Lee:
P.P.S. You don't like Amadeus? I feel rejected :)
Well, it's not that I don't like it, it feels like a good name for a
notation font. But it's similarly unappropriate as would be Finale or
Sibelius (you know that Amadeus is an out
You may be joking, but that's not a bad idea. Scorlatti... Maybe so.
-Abraham
On Sun, Jul 27, 2014 at 8:30 AM, David Kastrup d...@gnu.org wrote:
Abraham Lee tisimst.lilyp...@gmail.com writes:
P.P.S. You don't like Amadeus? I feel rejected :) I guess I'm okay with
that... What shall we
On Mon, Jul 28, 2014 at 10:39 AM, dirk van damme
dirk.van.da...@hotmail.be wrote:
Hi,
Is there a possibility/approach to produce with Lilypond a music file
that
comes much closer to the natural sound of the music instruments used
in the
score - then through MIDI output as documented in the
On Mon, Jul 28, 2014 at 11:32 AM, Mark Polesky markpole...@gmail.com
wrote:
On Mon, Jul 28, 2014 at 10:30 AM, Mark Polesky
markpole...@gmail.com wrote:
Or Scordato, which means out of tune but also forgotten.
The word scordatura is a derivative of this.
Also scordare means detune and also
On Mon, Jul 28, 2014 at 12:35 PM, Hans Aberg haber...@telia.com wrote:
On 26 Jul 2014, at 01:14, tisimst tisimst.lilyp...@gmail.com wrote:
I couldn't wait any longer, so here's a formal announcement about
the new
music fonts that I've been working on, by way of example. They are
all 100%
On Mon, Jul 28, 2014 at 1:47 PM, Marten msvis...@planet.nl wrote:
Dear all,
Trying to typeset a song I am faced with the following problem for
which I
can;t find a solution in the manual or snippet repository. I kindly
request
your help.
I'm typesetting a song with one staff, where the
On Mon, Jul 28, 2014 at 4:48 PM, Steve Noland st...@thenolands.us
wrote:
Dear all,
Can you post a link where the new music fonts can be found for
downloading? I am unable to get to them on openlillylib.org.
Thanks,
Steve
___
lilypond-user mailing
On Mon, Jul 28, 2014 at 5:28 PM, Marten msvis...@planet.nl wrote:
Hello Abraham, Simon,
Thanks for your solutions and quick replies :)
I decided to try to implement Simon's third solution, as it
explicitly
keeps the melody of the stanzas together with their texts.
Ingenious - hadn't
On Mon, Jul 28, 2014 at 5:19 PM, Thomas Morley
thomasmorle...@gmail.com wrote:
2014-07-29 0:58 GMT+02:00 Abraham Lee tisimst.lilyp...@gmail.com:
2. LilyPond needs to be patched in order actually use the fonts.
I'd be interested in that file, too.
Can't find it on the list ...
Although we
On Tue, Jul 29, 2014 at 7:35 AM, Urs Liska u...@openlilylib.org wrote:
Am 29.07.2014 14:58, schrieb Hans Aberg:
On 29 Jul 2014, at 14:53, Urs Liska u...@openlilylib.org wrote:
On 29. Juli 2014 14:47:57 MESZ, Hans Aberg haber...@telia.com
wrote:
On 29 Jul 2014, at 00:58, Abraham Lee
On Thu, Jul 31, 2014 at 2:44 PM, MING TSANG tsan...@rogers.com wrote:
Hi, lilyponders:
I try to engrave a hymn which has two staff - one for SA and one for
TB. At measure 70 to the end (measure 91) SA staff split into two S
A and each contains two voices. TB stays on one staff till the end.
On Thu, Jul 31, 2014 at 12:07 PM, Urs Liska u...@openlilylib.org wrote:
Or send me the latest version of the file.
Urs
Urs,
Here's the newest version of font.scm. I decided to create my own
function after all so that make-pango-font-tree (at least from the
user's perspective) follows the
On Fri, Aug 1, 2014 at 1:57 PM, Larry Kent kentla...@gmail.com wrote:
This looks great! It compiled correctly for me in LilyPond, but
Frescobaldi 2.0.16 returns an error message on this line: #(define
fonts (although it also compiled a lovely bit of score).
This latest version of
On Sat, Aug 2, 2014 at 4:02 AM, Urs Liska u...@openlilylib.org wrote:
Just one question before I can make a patch from this: which Lilypond
version is this file derived from? (I need to know that in order not
to discard any work others may have done in that file).
Urs
I'm using 2.18.2.
On Mon, Aug 4, 2014 at 10:39 AM, Richard Shann
rich...@rshann.plus.com wrote:
Perhaps the following could be added to the Nested Staff Groups
section
of the page
http://www.lilypond.org/doc/v2.18/Documentation/notation/displaying-staves
By default Piano Staff, Grand Staff and Staff Group can
On Mon, Aug 4, 2014 at 11:41 AM, David Kastrup d...@gnu.org wrote:
Abraham Lee tisimst.lilyp...@gmail.com writes:
On Mon, Aug 4, 2014 at 10:39 AM, Richard Shann
rich...@rshann.plus.com wrote:
Perhaps the following could be added to the Nested Staff Groups
section
of the page
http
On Sun, Aug 3, 2014 at 8:49 PM, tisimst tisimst.lilyp...@gmail.com
wrote:
Okay, this is the last call for anyone to vote on the new name for the
Amadeus (SCORE look-a-like) music font. I'll announce the new name
tomorrow.
In case you forgot, here's the survey link:
On Tue, Aug 5, 2014 at 7:36 AM, Mark Stephen Mrotek
carsonm...@ca.rr.com wrote:
David,
Thank you for your reply and the commands.
Where in the documentation can I find more on the method (the why and
how it
works) you presented?
Thank you for your kind attention.
Mark
-Original
On Sun, Aug 3, 2014 at 8:49 PM, tisimst tisimst.lilyp...@gmail.com wrote:
Okay, this is the last call for anyone to vote on the new name for the
Amadeus (SCORE look-a-like) music font. I'll announce the new name
tomorrow. In case you forgot, here's the survey link:
Dirk,
I've collected all my soundfonts into a MASSIVE compressed file (~2.5
GB). Here's the link where you can download it from my Google Drive
account:
https://docs.google.com/uc?export=downloadconfirm=6Ccwid=0B48p48kXy91YRUVqUGMzbl9PdGs
Enjoy!
Regards,
Abraham
On Mon, Jul 28, 2014 at
On Wed, Aug 6, 2014 at 1:10 PM, Nathan Ho when.possi...@gmail.com
wrote:
On Wed, Aug 6, 2014 at 11:58 AM, Abraham Lee
tisimst.lilyp...@gmail.com wrote:
Dirk,
I've collected all my soundfonts into a MASSIVE compressed file
(~2.5 GB).
Here's the link where you can download it from my
On Sat, Aug 2, 2014 at 9:05 AM, Gilberto Agostinho
gilbertohasn...@gmail.com wrote:
PS: if you want some excerpts of those scores, just let me know!
That would be great! Send them my way!
Regards,
Abraham
___
lilypond-user mailing list
On Fri, Aug 8, 2014 at 10:35 AM, Hilary Snaden
h...@newearth.demon.co.uk wrote:
On 2014-08-08 09:35, tisimst wrote:
On Fri, Aug 8, 2014 at 2:21 AM, Hilary Snaden [via Lilypond]
ml-node+s1069038n165395...@n5.nabble.com wrote:
Is this likely to be resolved? Perhaps a more fully-functioning
On Fri, Aug 8, 2014 at 11:44 AM, PMA peterarmstr...@aya.yale.edu
wrote:
P.S. I should ask alternatively: Is there a way that
proportionalNotationDuration...make-moment...
can be reset _per system_ (assuming now a multi-
system \score)?
PMA wrote:
Hi List.
An *.ly of mine has four 1-system
On Fri, Aug 8, 2014 at 12:24 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi Pete,
Trouble is, the vertical space between \score's is too big.
This was not so in the original version (2.12.3), but is
now after my upgrade to version 2.18.2.
Is it possible to reduce
On Fri, Aug 15, 2014 at 2:24 PM, David Bellows davebell...@gmail.com
wrote:
Hello all,
I'm developing a program that does various things to sounds including
various ways of creating scores. One of the things intends to produce
simple guitar chords with fret diagrams, chord names, and strumming
On Thu, Aug 21, 2014 at 4:31 PM, Urs Liska u...@openlilylib.org wrote:
Hi all,
this has been discussed before, but now's the time to repeat the
call for participation for our crowd engraving project with Das
trunkne Lied, a large scale orchestral work by Oskar Fried.
We are looking for
On Sun, Aug 31, 2014 at 6:48 PM, Adam Spiers
lilypond-u...@adamspiers.org wrote:
Please could someone tell me why the bar lines aren't aligned
correctly in this?
https://gist.github.com/aspiers/3a9fa8fc4422742cab82
I've tried all the obvious stuff from:
On Thu, Sep 4, 2014 at 11:23 AM, Jacques Menu imj-...@bluewin.ch
wrote:
Hello folks,
I’d like to obtain the tie between the cis’s in beat 1 and 2 in
the attached, from a version of BWV 508 (3/4).
The best I could find is:
%
\version 2.18.2
{
\clef treble \key b \major \time 3/4
On Sat, Sep 6, 2014 at 12:57 PM, Nicolai Pfeffer
nicolai.pfef...@gmx.de wrote:
Hi Abraham!
I’m a clarinetist and music editor from Cologne, Germany and I’ve
worked as an engraver for some of the major German publishing houses.
I highly appreciate your effort of creating a Henle-like music
Dear LilyPond Community,
The new website where you can download alternative music fonts is now
live! Head on over to fonts.openlilylib.org and try them out! If there
are any broken links, please let me know so I can fix them. If any
instructions are unclear, please let me know so I can
On Tue, Sep 9, 2014 at 10:01 PM, Steven Arntson
ste...@stevenarntson.com wrote:
Thanks for this, it helps. I'm struggling to understand this program
with very little background, and it is like spelunking without a
headlamp. Consequently, I fear asking questions that are not worth
answering.
I
On Wed, Sep 10, 2014 at 9:06 PM, Shane Brandes sh...@grayskies.net
wrote:
I fiddled around with making one a while back but thought the system
was to oddball to be handily useful at the time and that was several
releases ago. I may work on one when the snows come again, probably
for an earlier
On Thu, Sep 11, 2014 at 1:39 AM, Martin Tarenskeen
m.tarensk...@gmail.com wrote:
Hi,
Once I have more time I will definitely try the new fonts. It's an
interesting project and addition to the power of LilyPond.
But I hope this will not change the goal of LilyPond development in
the future
On Thu, Sep 11, 2014 at 3:29 AM, Urs Liska u...@openlilylib.org wrote:
Hi Abraham,
great that it has come to that point, congratulations.
At a time we'll surely try out the effect on our new _big_ Oskar
Fried score :-)
I'm at least very interested how it will come out with Cadence, but
for a
On Fri, Sep 12, 2014 at 11:10 AM, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com wrote:
Hi,
Since Abraham has done a wonderful job with his new fonts, I wanted
to come back to some font works i started years ago without success
(I'm a total newbee with FontForge).
And still, I'm
On Fri, Sep 12, 2014 at 12:42 PM, Urs Liska u...@openlilylib.org wrote:
Hi, Abraham, I invite you to visit me and investigate my engraving
plate from Chopin's f minor concerto :-)
Urs,
You have an actual engraving plate in your possession?! Lucky! I really
wish I could come and visit to see
-- Forwarded message --
From: Conor Cook conor.p.c...@gmail.com
Subject: Re: Henle Music font
Date: Fri, 12 Sep 2014 14:49:57 -0500
To: Abraham Lee tisimst.lilyp...@gmail.com
Oops, I didn't mean to make it private. I get the emails as a digest,
which makes responding hard
On Fri, Sep 19, 2014 at 11:18 AM, Karol Majewski karo...@wp.pl wrote:
OK, so having read what Abraham wrote, I'll put my question in other
way:
Is there any typeface that works in LilyPond with \medium command? I
haven't found any...
-- Karol
Karol,
Do you mean that you want a slightly
On Fri, Sep 19, 2014 at 11:37 AM, Neil Puttock n.putt...@gmail.com
wrote:
On 19 September 2014 18:18, TaoCG tao_lilypondu...@gmx.net wrote:
There must be something wrong on your side. I can see a clear
difference
between Regular and Medium in both normal and italic shape.
Same here.
On Fri, Sep 19, 2014 at 3:44 PM, Scott Miller scottli...@gmail.com
wrote:
On Fri, Sep 19, 2014 at 5:37 PM, Kieren MacMillan
wrote
\paper { ragged-bottom = ##f }
Thanks! Yeah I have tried various ragged-xxx options, but it doesn't
seem to space evenly over the whole page.
Ex:
On Thu, Sep 25, 2014 at 5:36 AM, tisimst tisimst.lilyp...@gmail.com
wrote:
Thanks so much for your kind words!
I think you are right about how much easier it is now, but in all
fairness to Han-wen, et al, who created Emmentaler, I didn't have to
parametrically define the glyphs. I understand
On Thu, Sep 25, 2014 at 6:06 AM, Martin Tarenskeen
m.tarensk...@zonnet.nl wrote:
Hi,
I often \include articulate.ly to generate midifiles from my
LilyPond scores. Looking at the content of the articulate.ly file I
see for example:
#(define ac:staccatoFactor '(1 . 2))
Is there a way to
On Fri, Sep 26, 2014 at 1:23 PM, Joshua Nichols
josh.d.nich...@gmail.com wrote:
I wonder if this problem has occurred with 2.18.2, but I have not
tried it.
Anyone understand why the composer is coming out all the way to the
right of the margin? see attached.
Sincerely,
Josh
Josh,
I,
PM, Abraham Lee
tisimst.lilyp...@gmail.com wrote:
On Fri, Sep 26, 2014 at 1:23 PM, Joshua Nichols
josh.d.nich...@gmail.com wrote:
I wonder if this problem has occurred with 2.18.2, but I have not
tried it.
Anyone understand why the composer is coming out all the way to the
right of the margin
On Fri, Sep 26, 2014 at 3:03 PM, Joshua Nichols
josh.d.nich...@gmail.com wrote:
(or rather, the empty markup)...
What do you mean? I don't see an empty markup.
So it must be the current composer...
Is it too long?
IC,
Josh
Josh,
It's not that YOU put empty markup in it, but that the
Paul,
This sounds intriguing! First of all, my best wishes to you and your startup
company. May you have great success!
Secondly, I'm not entirely sure I understand what you are trying to avoid with
the text above measure bars. Can you give us an example or two showing us
exactly what you
That's what I thought. I just wanted to make sure that that's what was really
the issue that needed to be addressed.
Regards,
Abraham
Sent from my iPhone
On Sep 28, 2014, at 9:34 PM, Chris Crossen elaparic...@gmail.com wrote:
On Sep 28, 2014, at 8:08 PM, Abraham Lee tisimst.lilyp
+1!
I think that makes perfect sense and feels very coherent with the other
functions.
Regards,
Abraham
Sent from my iPhone
On Sep 29, 2014, at 1:18 AM, Knute Snortum ksnor...@gmail.com wrote:
Well, mine would be \voiceNeutral, but I'm not demanding that! It would
fit with \tieUp -
On Mon, Sep 29, 2014 at 1:05 PM, Peter Crighton
petecrigh...@gmail.com wrote:
I see, thanks.
I have several files I include in every project, in one of which I
make some overrides to TabStaff.
How can I avoid this problem in scores I’m not using any TabStaffs
in, other than removing the
On Mon, Sep 29, 2014 at 4:41 PM, Peter Crighton
petecrigh...@gmail.com wrote:
2014-09-29 21:18 GMT+02:00 Federico Bruni fedel...@gmail.com:
2014-09-29 21:12 GMT+02:00 Abraham Lee tisimst.lilyp...@gmail.com:
Put the overrides in a \layout block, like:
\layout {
\override TabStaff.Stemstencil
as the original code. I'm not sure if this
will buy you anything new, but who knows. Good luck!
Regards,
Abraham
Sent from my iPhone
On Sep 29, 2014, at 5:18 PM, Peter Crighton petecrigh...@gmail.com wrote:
2014-09-30 0:49 GMT+02:00 Abraham Lee tisimst.lilyp...@gmail.com:
If it's something you need
On Thu, Oct 2, 2014 at 2:48 PM, Chris Crossen elaparic...@gmail.com
wrote:
Due to the lack of response, I’m wondering if this question is
posted on the right list.
Is there another list where this question is more likely to be seen
by developers?
Thanks,
Chris
Chris,
I looked into this a
On Thu, Oct 2, 2014 at 6:34 PM, Harris, Jeff j...@jeffharris.us wrote:
Abraham,
Thanks for the help.
Creating a new header block is working, it does seem to work better
when the variables are defined before they are used. The issue with
this is that I don't know what header elements will be
Josh,
It's not the hints. Font hints are instructions for the computer to render the
glyphs more accurately at small sizes. Unfortunately, it's a different issue.
-Abraham
Sent from my iPhone
On Oct 6, 2014, at 8:25 PM, Joshua Nichols josh.d.nich...@gmail.com wrote:
I apologize for not
On Tue, Oct 7, 2014 at 1:57 PM, Frederick Bartlett
frederick.bartl...@gmail.com wrote:
Hi!
I'm trying to set selection from Saint-Saën's Oratorio de Noël for
my choir.
In the Gloria in altissimis (p9 in the IMSLP PDFs), I found an odd
combination of ties:
\relative c''' {
{ s1
Greetings, fellow users!
With the advent of the new music fonts and the accompanying website, I
just thought I'd open up this thread to any feedback anyone has about
the fonts and ANYTHING related to them. I think it would also be neat
for users to also share success stories from using them.
?
2014-10-10 9:05 GMT+02:00 Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com:
Hi Abraham,
2014-10-09 15:39 GMT+02:00 Abraham Lee tisimst.lilyp...@gmail.com:
I just thought I'd open up this thread to any feedback anyone has about the
fonts and ANYTHING related to them.
Just one
Guy,
Thank you for using it! That's a wonderful story! Keep it up :)
Regards,
Abraham
Sent from my iPhone
On Oct 9, 2014, at 2:56 PM, Guy Stalnaker jimmyg...@gmail.com wrote:
I LOVE what you've done. I them installed on all of my lilypond/Frescobaldi
intallations (five in total). And you
Scott,
Very interesting... If they're used to Finale's output, then this isn't too
surprising, since Finale's Maestro font and Profondo are based on the same
glyph set, only Profondo is a heavier version.
And I'm glad you like Scorlatti! Care to share any of your recent works with it?
...@gmail.com wrote:
On Oct 9, 2014, at 8:39 AM, Abraham Lee tisimst.lilyp...@gmail.com wrote:
Greetings, fellow users!
With the advent of the new music fonts and the accompanying website, I just
thought I'd open up this thread to any feedback anyone has about the fonts
and ANYTHING
Noeck,
On Fri, Oct 10, 2014 at 6:14 PM, Noeck noeck.marb...@gmx.de wrote:
- Polskie Wydawnictwo Muzyc music font
As you are often asking for scores with a nice font, I recently found
scores printed by the Polish publisher Polskie Wydawnictwo Muzyc
(PWM).
This is the only scan, I found in the
Eyolf,
Your snippet compiles perfectly for me on Ubuntu using LilyPond 2.18.2, so it
probably is something with your installation? Sorry I can't help more than
that.
Regards,
Abraham
Sent from my iPhone
On Oct 12, 2014, at 6:23 PM, Eyolf Østrem ey...@oestrem.com wrote:
On 13-10-2014
Joram,
On Sun, Oct 12, 2014 at 10:04 AM, Noeck noeck.marb...@gmx.de wrote:
Hi Abraham,
thanks for your reply.
\version 2.19.14
\transpose c c'
{
% default (Century Schoolbook)
\tuplet 3/2 { a8 a a }
% bold (Century Schoolbook) - closer to Bravura
\override TupletNumber.font-series =
/2 { a a a }
}
Regards,
Abraham
On Sun, Oct 12, 2014 at 6:54 PM, Abraham Lee
tisimst.lilyp...@gmail.com wrote:
Joram,
On Sun, Oct 12, 2014 at 10:04 AM, Noeck noeck.marb...@gmx.de wrote:
Hi Abraham,
thanks for your reply.
\version 2.19.14
\transpose c c'
{
% default (Century Schoolbook
On Mon, Oct 13, 2014 at 2:01 AM, Martin Tarenskeen
m.tarensk...@zonnet.nl wrote:
Hi,
When I use the LilyJAZZ fonts and style, the ' is missing in titles
and texts. I don't mind if not every exotic unicode character in the
world is supported in every font, but in this case it's difficult to
On Mon, Oct 13, 2014 at 12:24 PM, Urs Liska u...@openlilylib.org wrote:
The point of this is you don't want the tuplet *number* down but the
whole thing.
Knute,
In other words, instead of TupletNumber, use TupletBracket. You can
also use the shortcut \tupletDown :)
Regards,
Abraham
P.S.
On Mon, Oct 13, 2014 at 11:05 AM, Abraham Lee
tisimst.lilyp...@gmail.com wrote:
On Mon, Oct 13, 2014 at 2:01 AM, Martin Tarenskeen
m.tarensk...@zonnet.nl wrote:
Hi,
When I use the LilyJAZZ fonts and style, the ' is missing in titles
and texts. I don't mind if not every exotic unicode
Joram,
On Mon, Oct 13, 2014 at 4:14 PM, Noeck noeck.marb...@gmx.de wrote:
Is it possible to switch the music font for a staff or even a measure
with your approach? Or does it only work in the \paper environment.
It would be cool for comparisons of fonts in the same file like here
(using oll):
Jon,
On Tue, Oct 14, 2014 at 10:33 AM, Jon Arnold
jonarnoldsem...@gmail.com wrote:
Hi-
I'm working on a piece for handbells and needed to borrow some
articulation
marks from (gasp) a Finale font.
That's nothing to be (too) ashamed of :)
I have the font in my ~/.fonts directory, have
On Wed, Oct 15, 2014 at 7:55 AM, Henning Hraban Ramm
lilypon...@fiee.net wrote:
Hi James,
of course not every printshop is incompetent. But I’m a printing
engineer who knows the PDF specs as well as their application in
prepress. I used to work in printshops and prepress agencies most of
my
On Wed, Oct 15, 2014 at 4:16 PM, Urs Liska u...@openlilylib.org wrote:
Can it be that you have the PDF file open in a viewer?
On Windows it isn't possible to automatically reload the PDF, it runs
into an error at the stage where your run seems to fail.
HTH
Urs
That was my suspicion as
Greetings, All!
I just though I'd share a little solution I made up for piano notation
when you want to indicate that a note or chord or whatever should be
played by the opposite hand. It uses the \finger function and \set
fingerOrientations override to place them in the right spot. There are
Urs,
On Mon, Oct 20, 2014 at 1:30 PM, Urs Liska u...@openlilylib.org wrote:
Yes, that's (unfortunately) correct.
I have (say) two flute parts that will be printed individually in
parts. But in the score they should be combined (which is what
\partcombine should be good for ...).
But for
lilypon...@fiee.net wrote:
Am 2014-10-20 um 23:02 schrieb Abraham Lee tisimst.lilyp...@gmail.com:
Personally, I agree with your comment about LilyJAZZ. While there is a
certain personality behind it, I don't think I'd use it for a large score.
However, I think there are lots of people who
Well, I can't say that it was intended for any particular purpose, other than
to look like a hand copyist's writing, but that was clever!
Regards,
Abraham
Sent from my iPhone
On Oct 20, 2014, at 9:58 PM, Werner LEMBERG w...@gnu.org wrote:
The snippet portrayed in the image is from a
All,
It was brought to my attention that there were some printing issues
with the Beethoven font (white spots would appear at certain
overlapping lines). These are now fixed and updated on
fonts.openlilylib.org. I have also added .WOFF font files, though I'm
not really sure how to use them,
Marc,
I've never done anything with lilypondbook, so I can't say definitively, but it
sounds like the fonts need to be put in your system font directory. Only
LilyPond uses it's own fonts folder, so if you are using another program for
this, it will be looking for them in the system font
Try putting them in /home/marc/.local/share/fonts instead. I've noticed that
things seem to work a little better in there.
-Abraham
Sent from my iPhone
On Oct 23, 2014, at 12:31 PM, Marc Hohl m...@hohlart.de wrote:
Am 23.10.2014 um 16:43 schrieb Abraham Lee:
Marc,
I've never done
Oops, I meant
#:roman lilyjazztext
#:sans lilyjazzchord
Sorry for the confusion!
-Abraham
Sent from my iPhone
On Oct 29, 2014, at 4:44 PM, tisimst tisimst.lilyp...@gmail.com wrote:
Stephen,
On Wed, Oct 29, 2014 at 4:21 PM, Stephen MacNeil [via Lilypond] [hidden
email] wrote:
Hi
Oh, dear! Disregard the last one. It was a long day. They should be
LilyJAZZText and LilyJAZZChord.
-Abraham
On Wed, Oct 29, 2014 at 5:02 PM, Abraham Lee
tisimst.lilyp...@gmail.com wrote:
Oops, I meant
#:roman lilyjazztext
#:sans lilyjazzchord
Sorry for the confusion!
-Abraham
Sent from
Fellow LilyPonders,
I just thought I'd mention that I have started a new blog (not meant to
compete in any way with lilypondblog.org, of course, which I follow
regularly)! There I plan to share information relating to music
engraving in general, LilyPond tips tricks I discover, and
The chord text font uses whatever Is set as the sans-serif font. Some of the
symbols are created using markup drawing commands, others use symbols from the
music font like for the sharp and flat.
-Abraham
Sent from my iPhone
On Nov 7, 2014, at 7:10 AM, Bric b...@flight.us wrote:
how does
Ryan Mark,
I am glad that there's a use for this! I posted it originally, but it
looks like you want it slightly different. Here's the code to do
exactly what you showed in the picture:
\version 2.18.2
rhMark = \markup {
\concat {
\path #0.1 #'((moveto 0 -1.75)(rlineto 0.5 0)(rlineto
:
Abraham,
I shall note my records and give credit properly.
Mark
From: Abraham Lee [mailto:tisimst.lilyp...@gmail.com]
Sent: Friday, November 07, 2014 10:37 AM
To: Mark Stephen Mrotek
Cc: Ryan McClure; lilypond-user@gnu.org
Subject: RE: Vertical brackets with text around chords
Ryan Mark
I realize that Thanksgiving is an American holiday, but I thought I'd just say,
Thank you! to everyone that is or has been involved in the development,
usage, support, etc. of LilyPond. There are so many talented individuals on
this and other related mailing lists that provide help and insight
Greetings, All!
There's a new music font at fonts.openlilylib.org. Go check it out!
Regards,
Abraham
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Has anyone heard of the GoldenAge font family? Just curious if anyone has used
it before (it's an old Finale font), or wanted to.
-Abraham
Sent from my iPhone
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I've been collaborating with an Italian design student that created
numerous music fonts for a school project, but they aren't actually used in
any notation program (yet), but he has agreed to work with me and take the
steps necessary to make them usable with LilyPond. Each of his fonts are
quite
Oh, and in case it wasn't clear, this new context definition doesn't
inherit ANYTHING. It's a totally new context. You'll notice there are no
\remove statements (like for accidentals, clefs, etc.) Since \RhythmicLine
doesn't \accept certain engravers, there's no need to \remove them. :-)
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