notes fixed alignment for rhytmic notation

Hi everyone! I need to write some rhytmic exercises for my students. I would like to align the notes in the various lines not for the best fit output, but aligning the notes duration. In each line, a given note duration uses a fixed amount of space, resulting in a notes alignment that give a

Add beat hints for rhytm reading

I would like to reproduce this layout: http://d29ci68ykuu27r.cloudfront.net/product/Look-Inside/large/2965619_02.jpg As you can see, there is a well aligned 1  2  3  4 beat count above the measures. Sometimes an even more useful 1 + 2 + 3 + 4 + count is used, with hints on the octave notes,

Compiler layout parameters

Hi everyone. I'm a programmer, and I'm used to use command line parameters when compiling a program. As an example: gcc my_source_code.c -Iinclude_folder -o my_program Here, I tell the compiler to watch inside include_folder for files to include during the copilation process. My idea is to

Re: Compiler layout parameters

Good! I'll give it a try. Many thanks MIX Il Mercoledì 26 Febbraio 2014 11:04, Urs Liska u...@openlilylib.org ha scritto: Am 26.02.2014 10:49, schrieb Carlo Vanoni: Hi everyone. I'm a programmer, and I'm used to use command line parameters when compiling a program

Re: Add beat hints for rhytm reading

Thanks Pierre, that's what I'm looking for. I used it almost as-is. Now I will try to understand it more in detail. Thanks MIX Il Mercoledì 26 Febbraio 2014 12:10, Pierre Perol-Schneider pierre.schneider.pa...@gmail.com ha scritto: Oups, did not check your picture well enough. So here

relative pitch with song sections

Hi everyone, I'm transcribing a song that is, as usual, versex2-chorus-verse-chorus. Instead of copying all the notes of the verse/chorus section, I've created the verse-chorus sections so than I can just add \verse \chorus in the main score to print it. I need to display both the score and

Re: relative pitch with song sections

ha scritto: Using relative per variable at the moment of their definition is robust pitchwise. Sorry for top posting El 12/05/2014 10:48, Carlo Vanoni vanoniiscrizi...@yahoo.it escribió: Hi everyone, I'm transcribing a song that is, as usual, versex2-chorus-verse-chorus. Instead of copying

Re: relative pitch with song sections

have to still declare \relative c in the two sections to use traspose, I preferred to use the \relative c,, and remove the score transpose. Thanks guys! Il Lunedì 12 Maggio 2014 11:56, Pierre Perol-Schneider pierre.schneider.pa...@gmail.com ha scritto: 2014-05-12 11:42 GMT+02:00 Carlo Vanoni

dal segno several times

Hi everyone, this is more a generic music notation question than a LilyPond related. By the way, I will ask it here so I can get a LilyPond related solution if needed, too. I have a simple song, where the verse is 4 measures repeated twice, and the chorus again 4 measures repeated twice. The

multiple marks

Hi everyone, I'm using this nice function to add a right-aligned text that states the number of repeats of a repeat block: repeatMark = #(define-music-function (parser location volte visible) (number? boolean?) (if visible    #{ \once \override Score.RehearsalMark

Re: multiple marks

Solo solves the issue. But you’ll probably be better of placing the equivalent of this in repeatMark itself? JM Le 12 mai 2014 à 14:11:03, Carlo Vanoni vanoniiscrizi...@yahoo.it a écrit : Hi everyone, I'm using this nice function to add a right-aligned text that states the number of repeats

Re: dal segno several times

Martedì 13 Maggio 2014 2:19, Jim Long lilyp...@umpquanet.com ha scritto: On Mon, May 12, 2014 at 05:53:33PM -0400, David Raleigh Arnold wrote: On Mon, 12 May 2014 12:56:27 -0700 Jim Long lilyp...@umpquanet.com wrote: On Mon, May 12, 2014 at 12:18:37PM +0100, Carlo Vanoni wrote: I

Re: relative pitch with song sections

I just noticed that using \clef bass_8 will print a small 8 under the clef. Not nice. How to get rid of it? Il Lunedì 12 Maggio 2014 12:51, Carlo Vanoni vanoniiscrizi...@yahoo.it ha scritto: Uh, bass_8... that's a news. I still use the relative to prevent some ' and , from the code. Since I

Re: relative pitch with song sections

Great! Il Mercoledì 14 Maggio 2014 11:16, Pierre Perol-Schneider pierre.schneider.pa...@gmail.com ha scritto: 2014-05-14 11:08 GMT+02:00 Carlo Vanoni vanoniiscrizi...@yahoo.it: I just noticed that using \clef bass_8 will print a small 8 under the clef. Not nice. How to get rid of it?  \new

Re: relative pitch with song sections

Man, what a flame I'm ingited :) I've read all your answers with real interest. First of all, I'm not in classical music. I play pop-rock-jazz. So I played in big bands, but don't know the orchestral world. As an electric bass player, I know that I play a transposing instrument, but as you

omit time signature when time doesn't change

Hi everyone! I have a score with some time changes. I'm using variables for the various song section. Each section has it's own time (more useful than declaring it each time there is a time change). What happens is that the time signature will be printed any time it is declared, even when no

Re: omit time signature when time doesn't change

) On Tue, May 20, 2014 at 2:38 PM, Carlo Vanoni vanoniiscrizi...@yahoo.it wrote: Hi everyone! I have a score with some time changes. I'm using variables for the various song section. Each section has it's own time (more useful than declaring it each time there is a time change). What happens

Chord name on song section

Hi everyone, I have a song with various sections (intro, verse, chorus, ...) defined as variables. I would like to add chords on top of some of these sections. On the Lilypond manual all the examples add chords as a separate voice using   to bound everything togheter. I have score, tabs and

exercises book

Hi, everyone! I'm trying to figure how to write a page (well, several pages) with multiple exercises (bass licks).An example is this pagehttp://d29ci68ykuu27r.cloudfront.net/product/Look-Inside/large/4055621_181.jpg(of course without the fancy graphics) So, for each exercise there must be:-

Re: exercises book

a perfectly adequate number of bars per line without any need of force. There is some method of forcing the exact number of bars per line, you might find it on the list archives (or someone else can point you to it). So, where’s your problem? Yours, Simon Am 04.03.2015 um 22:46 schrieb Carlo

Re: exercises book

, Jim Long lilyp...@umpquanet.com ha scritto: On Wed, Mar 04, 2015 at 11:00:32PM +, Carlo Vanoni wrote: Now, I'll like to have each exercise on a single line, or by the way control when to break. I'm able to avoid automatic break by adding \noBreak here and there, but in seems not like

drum rest position

Hi, everyone! I have this simple drum score \version 2.18.0 DrumVoiceOne = \drummode {     hh8 hh hh sn hh hh hh hh sn hh } DrumVoiceTwo = \drummode {     bd4 r8 bd r4 r } \score {         \new DrumStaff       \new DrumVoice {     \voiceOne

Re: drum rest position

Well... I suppose it is due to the fact that there is a snare note that can be quite close to the rest, so Lylypond move it a little down.I would like to have the first rest aligned down, too. Il Giovedì 5 Marzo 2015 9:57, Carlo Vanoni vanoniiscrizi...@yahoo.it ha scritto: Hi

Re: drum rest position

That's exactly what I need! (actually, I've positioned it on -6)Thank you very much Joram. Il Giovedì 5 Marzo 2015 10:17, Noeck noeck.marb...@gmx.de ha scritto: Hi Carlo, LilyPond prefers to have voices close together but not too close. In your example, the lower voice avoids a too

Re: exercises book

://lilypond.org/doc/v2.18/Documentation/notation/multiple-scores-in-a-book.it.html Please see also attached files. HTH, Pierre 2015-03-04 22:46 GMT+01:00 Carlo Vanoni vanoniiscrizi...@yahoo.it: Hi, everyone! I'm trying to figure how to write a page (well, several pages) with multiple exercises (bass