Hey everyone. I'm creating a score for classical guitar and I've run into a
problem combining harmonics and regular notes in the same measure in
different voices. If I do something like this:
\version 2.16.1
{ \harmonicsOn e'4 f' g' \harmonicsOff} \\ {a4 b c}
then the harmonic noteheads are
Thanks everyone! Clearly there is still much for me to learn about
Lilypond. I've gone with the \override NoteHead and it's working perfectly.
On Mon, Nov 26, 2012 at 8:05 PM, Nick Payne nick.pa...@internode.on.netwrote:
On 27/11/12 11:39, David Bellows wrote:
Hey everyone. I'm creating
Hello everyone,
I'm working on a piece for piano that uses a kind of cluster chord
glissando that goes from the bass clef to the treble clef. When I
originally engraved the piece by hand, I just drew a cluster chord in the
bass and added lines connecting it to a cluster chord in the treble (the
Hello all,
I have several projects I'm working on where I have a substantial
amount of text that I want to typeset with Xelatex and intersperse
with full scores (several pages each) generated by Lilypond.
I have both Xelatex and Lilypond set to use the letter page size.
By default the scores
Thank you for that, it's exactly what I was looking for. So much
easier and better than the kludges I was looking to do.
On 1/25/13, flup2 phili...@philmassart.net wrote:
Hello,
When I need to include full scores into a LaTeX document, I usually use the
LaTeX package pdfpages (I guess it
Hello all,
In the example below when you get to the second measure the ottava
symbol 8va collides with the bar line. I know that typically these
symbols will be above the upper staff or below the lower staff but not
in the middle like this but for this score it is necessary. For the
time being
(and then raise them again in a MIDI editor to
get the sound I want).
Thanks again,
Dave Bellows
On Fri, Sep 6, 2013 at 2:25 AM, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com wrote:
2013/9/5 David Bellows davebell...@gmail.com
Hello all,
Hi David
I'd like to learn how to fix this anyway
\once\override Staff.OttavaBracket.extra-offset = #'(0.4 . 0)
\once\override Staff.OttavaBracket.minimum-length = #0.1
Pierre, that works perfectly! And I can easily tweak it as needed.
Thank you very much!
Dave
On Fri, Sep 6, 2013 at 6:52 AM, Pierre Perol-Schneider
Hello all,
I'm writing a kind of minimalist piece that has a lot of repeated
measures that I would like to notate using the percent repeat symbol
with text above it like 8x or any other arbitrary text.
The built-in functionality does not seem to allow for this unless I'm
missing something. I
That works very well and is easy. It appears to add a little space on
the sides but it's something I can live with. Thank you very much!
On Sun, Feb 2, 2014 at 11:41 PM, TaoCG tao_lilypondu...@gmx.net wrote:
David Bellows wrote
Hello all,
I'm writing a kind of minimalist piece that has a lot
{
dedication = (For Some Dead Thing)
title = Threnody
subtitle =
subsubtitle =
instrument = Guitar
poet =
composer = David Bellows
arranger = Kosmos Noetos
tagline =
copyright = © 15 August 2014
}
\language english
\include predefined-guitar-fretboards.ly
\score {
\new
Hey all, problem solved! While skimming the Notation Reference manual
I found the \remove Forbid_line_break_engraver command which fixes
the problem and makes everything else look nicer.
On Fri, Aug 15, 2014 at 1:40 PM, David Bellows davebell...@gmail.com wrote:
Wow, that looks so much better
, 2014 at 2:00 PM, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com wrote:
Hi David,
2014-08-15 22:40 GMT+02:00 David Bellows davebell...@gmail.com:
Wow, that looks so much better. I've attached the pdf of what happens
when I compile the code (wasn't sure if that was allowed on the list
I'm working on a huge project that generates literally tons of Lilypond
files/scores using a very wide variety of styles. The way the code works it
requires there to be a dynamic marking with each note (it is able to ignore
immediate repetition of markings in the score but that's it). For some
\layout { \context { \Score \override DynamicText.stencil = ##f } }
Perfect! And thank you! (Now to figure out how to squeeze that sucker in
there...)
On Thu, Sep 4, 2014 at 9:24 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi David,
So what I'm looking for is that one
and everything looks
funky again.
In the following code, if you comment out the \addlyrics bit then it works
as it should, but if you leave it in then it doesn't. Does anyone know of a
solution or have any suggestions?
\version 2.19.13
\header {
title = Music
composer = David Bellows
}
\language
\layout { \context { \Score \omit DynamicText } }
in a shorter way
And nicer looking (as in easier to understand to the average person) --
thanks!
On Sat, Sep 6, 2014 at 4:16 AM, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com wrote:
Hi,
2014-09-04 18:31 GMT+02:00 David Bellows
...@gmail.com wrote:
Hi David,
2014-09-04 22:47 GMT+02:00 David Bellows davebell...@gmail.com:
In the following code, if you comment out the \addlyrics bit then it works
as it should, but if you leave it in then it doesn't. Does anyone know of a
solution or have any suggestions?
I have seen
as expected for
me*. So working around the problem appears to be easy.
Yours, Simon
*(With the small exception that the Completion_rest_engraver places rests
irrespective of metric structure, which makes it hard to read. But that’s
another issue)
Am 04.09.2014 um 22:47 schrieb David Bellows:
I'm
In the following code Lilypond correctly creates the tie to the note even
when it's left out (a tie just to a duration):
\version 2.19.13
\score{
\new Staff {d4~ 16}
}
But if you try to do this with a rest:
\version 2.19.13
\score{
\new Staff {r4~ 16}
}
It prints a note (middle C) instead
:
Hello David,
Am 14.09.2014 um 18:58 schrieb David Bellows:
In the following code Lilypond correctly creates the tie to the note even
when it's left out (a tie just to a duration):
\version 2.19.13
\score{
\new Staff {d4~ 16}
}
But if you try to do this with a rest:
\version 2.19.13
There is a PPA so I could upgrade quite easily, if necessary,
Even easier and much better is to just download it from Lilypond directly.
It is packaged in such a way as to make installation and upgrading on
Ubuntu (and all Linux distros) super duper easy. This way you can have the
latest versions
The project I'm working on right now also automatically generates music and
I ran into the same problem. Here's what my software automatically
generates now to deal with it:
\score {
\new PianoStaff
\new Staff = upper
\new Voice = first \with {\remove Note_heads_engraver \consists
Is there a reason not to use Completion_heads_engraver all the time or
atleast as a default?
I think the expectation is that most composers most of the time do not want
notes split up automatically as it probably means a mistake was made when
entering the notes. Basically they'll split when they
This is probably asking a lot, but is there a way to have ottava markings
used automatically? It sounds like a complicated function since you'd also
want it to be able to span consecutive notes but being able to specify when
(as in how many ledger lines above the staff) it would kick in would be
I ended up creating my own solution to use in my code that generates
scores. Unfortunately it doesn't really translate into anything usable by
anyone else. Likewise I created my own staff switching method as well so
that rests would be printed in the other staff.
Still, I think the automatic
I could see where this could be useful when sharing Lilypond files. Since
we don't all use the same language setting things can get a bit confusing.
But it seems like this should be something that one's editor does. Like I
type my Lilypond file as I normally do it and then hit M-x
on
that which works fine but doesn't give as aesthetically a pleasing result
as your method does. I will totally ditch my method if this one progresses
much further.
On Tue, Oct 7, 2014 at 4:32 PM, David Nalesnik david.nales...@gmail.com
wrote:
Hi,
On Mon, Oct 6, 2014 at 3:51 PM, David Bellows
will look over the code and see if I can't figure it out for myself.
Thanks!
On Sat, Oct 11, 2014 at 7:57 AM, David Nalesnik david.nales...@gmail.com
wrote:
Hi,
On Wed, Oct 8, 2014 at 9:48 AM, David Bellows davebell...@gmail.com
wrote:
Here's a preliminary experiment. It will add an automatic
That is amazing work! I don't have the time to experiment with it right now
but I will do so tonight and let you know tomorrow the results. But based
on your example this looks like it will be perfect. I think the negative
numbers for the bassa is a good choice as that was what I was imagining in
very much!
On Mon, Oct 13, 2014 at 6:47 PM, David Nalesnik david.nales...@gmail.com
wrote:
Hi,
On Mon, Oct 13, 2014 at 1:18 PM, David Bellows davebell...@gmail.com
wrote:
OK, I've now played around with it and it works very nicely and will be
easy to integrate into my software. You've
And of course KDE is nice. And if you use Kubuntu then it's installed by
default.
On Mon, Nov 3, 2014 at 7:30 AM, Shane Brandes sh...@grayskies.net wrote:
XFCE is also a useful desktop interface. Unity might be good for
tablet minded people but, at least, I found it to be highly disruptive
of
I'm using Kubuntu (Ubuntu with KDE) and have just helped a friend, a Linux
newbie, transition his Lilypond approach on his Linux box. My sincere
advice is to just download the software from the website and use that. The
installation is super easy and even easier to upgrade (once you've
installed
Then you probably need to use explicit X-offset adjustments — see
http://lilypond.org/doc/v2.19/Documentation/notation/explicit-staff-and-system-positioning
for more details.
Thanks for this. I went through the example and tried my best to
incorporate it into my software and resultant
of the infrastructure.
On Sat, Feb 14, 2015 at 8:27 AM, Phil Holmes m...@philholmes.net wrote:
- Original Message - From: David Bellows davebell...@gmail.com
To: lilypond-user lilypond-user@gnu.org
Sent: Saturday, February 14, 2015 4:22 PM
Subject: Indenting arbitrary lines
I have an odd
I have an odd request that I'm hoping someone will have some ideas for.
1. I want all lines to be indented (like the first line).
2. Except when I specifically tell Lilypond not to indent. Like the following:
c4 d4 \bar\break \don'tindentthisnextbit e4 f4 g4 ...
The project I'm working can
platforms or at least all
*nix-based platforms?
On Sun, Mar 22, 2015 at 3:16 AM, Hans Aberg haber...@telia.com wrote:
On 22 Mar 2015, at 00:28, David Bellows davebell...@gmail.com wrote:
os.execute(lilypond example.ly lily.txt”)
The call system() should always use sh. Try
lilypond
OK, I know this might be way too specific a question for this list but
I'm hoping.
Here is example.ly
\version 2.19.17
{
c' e' g' e'
}
And lily.lua for Lua 5.3
os.execute(lilypond example.ly lily.txt)
And then from the command line:
lua lily.lua
I'm trying to suppress any of Lilypond's
In the versions of Lilypond I've used up through 2.19.16 when I would
compile the attached file the resulting MIDI file would play the
entire chord. With 2.19.17 now only the root note is played. I don't
really know where to look for this kind of information but I can't
tell if this is the new
mission critical so I can wait.
On Wed, Mar 25, 2015 at 4:46 PM, Thomas Morley thomasmorle...@gmail.com wrote:
2015-03-25 23:28 GMT+01:00 Nathan Ho when.possi...@gmail.com:
On Wed, Mar 25, 2015 at 2:08 PM, David Bellows davebell...@gmail.com wrote:
In the versions of Lilypond I've used up
Thomas Morley thomasmorle...@gmail.com:
2015-03-26 1:08 GMT+01:00 David Bellows davebell...@gmail.com:
Could you confirm that it works for you?
I copy and pasted it directly in and it doesn't change the behavior.
I've attached my file.
Silly me. Must be heavily overtired...
It needs to be put
Looks really nice Abraham! The font situation is now becoming an
embarrassment of riches!
And I would also like to mention that the openlilylib
install-lily-fonts program worked like a charm and now I have these
newest updates. Nice job all the way around!
On Wed, Apr 22, 2015 at 12:45 PM,
Hey all,
I'm trying get everything organized and altogether legal and
what-have-you with respect to my big music/software project the
Platonic Music Engine (www.platonicmusicengine.com) which means that I
need to make sure all the dependencies I'm using have the appropriate
license and copyright
, May 2, 2015 at 3:24 PM, Nathan Ho when.possi...@gmail.com wrote:
On Sat, May 2, 2015 at 3:17 PM, David Bellows davebell...@gmail.com wrote:
Hey all,
I'm trying get everything organized and altogether legal and
what-have-you with respect to my big music/software project the
Platonic Music
Hello all,
I have a big coding project that generates Lilypond files to be
processed by Lilypond in an external process. My software is GPL. I
make use of a couple of scripts that were produced on this list but
have not been uploaded to the LSR. They are significant enough that I
would consider
://www.gnu.org/licenses/agpl.html).
On Sat, May 9, 2015 at 1:37 PM, David Nalesnik david.nales...@gmail.com wrote:
Hi David.
On Sat, May 9, 2015 at 3:17 PM, David Bellows davebell...@gmail.com wrote:
Hello all,
I have a big coding project that generates Lilypond files to be
processed by Lilypond
...@openlilylib.org wrote:
Am 09.05.2015 um 23:06 schrieb David Bellows:
I'm not sure so this maybe wrong. But AFAIK copyright for content posted
to the list is by default with the author and has no license by itself. So
I
think you can't assume it's PD.
This sounds correct as well. Does just
9, 2015 at 2:01 PM, Urs Liska u...@openlilylib.org wrote:
Am 9. Mai 2015 22:55:32 MESZ, schrieb David Bellows davebell...@gmail.com:
Sorry about not contacting you sooner!
It's perfectly OK! I'm sure I'm just way over-thinking the issue!
I'm more than happy to let you use the auto-ottava
:
On 09/05/2015 22:06, David Bellows wrote:
I'm not sure so this maybe wrong. But AFAIK copyright for content posted
to the list is by default with the author and has no license by itself. So I
think you can't assume it's PD.
This sounds correct as well. Does just making the code available
I communicated this to OP in a private email but I thought I'd let the
list in on it as well. My suggestion was to just change the paper size
and put it in landscape mode. I found the following to work nicely:
#(set-default-paper-size "b4landscape")
Now the entire score is on one line and the
Hey Ryan,
One way to cheat is to export as an svg file and then edit it in
something like Inkscape and then export that as a pdf. You can create
all sorts of really cool vector graphicy things pretty easily that
way. Unfortunately you cannot then translate that stuff back into your
Lilypond file
Urs, I'd still like to see a poll or at least all the answers
collected and analyzed etc.
Me:
46-year-old composer.
I use Lilypond for all my scores. I've used off and on for 10 years(?)
but every day for the past 3 years. I started using it because it was
free, produced excellent scores, and
Hey David, I saw this about work you've done on the emacs Lilypond
mode. Is the new code base available anywhere and is it usable?
On Fri, Sep 18, 2015 at 7:37 AM, David Kastrup wrote:
>
> Nam Sibyllam quidem Cumis ego ipse
> oculis meis vidi in ampulle pendere, et cum
>
This seems like it might be exceedingly cool, but I'm running into a
problem. When running make-live-score.sh I get this:
Drawing systems...
Layout output to `score-page-1.svg'...
Layout output to `score-page-2.svg'...
Layout output to `score-page-3.svg'...
Success: compilation successfully
(if any)
>
> Thanks for you interest! The tool is currently at an early stage of
> development (more like a proof-of-concept actually). There's still quite a
> lot of work to do :)
>
> Yours,
>
> Mathieu
>
>
> Le 2015-11-29 20:10, David Bellows a écrit :
>>
>
ease tell me how it goes now.
>
> Cheers,
>
> Mathieu
>
> Le lundi 30 novembre 2015 à 16:27 -0800, David Bellows a écrit :
>> > The jPlayer plugin for jQuery excepts (if possible) two audio formats :
>> > Ogg Vorbis (.ogg) and AAC (.m4a). Please make sure you hav
According to the Wikipedia article
(https://en.wikipedia.org/wiki/Number_sign) in North America referring
to # as "pound sign" dates back to at least 1932 in published material
which predates ASCII by almost 30 years. The Wikipedia article
provides a citation for this but I am unable to verify it.
al score.ly file)
>> > - adapt the Javascript code in the index.tpl file (lines 80, 81, 82) to the
>> > audio files you want to use (if any)
>> >
>> > Thanks for you interest! The tool is currently at an early stage of
>> > development (mor
And just to let people know, if anyone does want to carry on a massive
meta-discussion/RFC in a slightly more manageable form, there is a
subreddit devoted to Lilypond (which I happen to be the moderator
for): http://www.reddit.com/r/lilypond. We'd be totally fine with
having that, or any, kind of
> I have just installed Ubuntu 16.04 to replace my previous 12.04 system,
> and installed LilyPond v.2.19.40.
> In my ~/.emacs file I already had
Here's my .emacs file for Kubuntu 16.04:
(setq load-path (append (list (expand-file-name
"/usr/local/lilypond/usr/share/emacs/site-lisp"))
I guess should throw my own modest contribution into the hat. My
Platonic music engine (http://www.platonicmusicengine.com) is
algorithmically generated music created to simulate any musical idea.
It generates traditional scores using Lilypond and graphical scores
using pdfLaTeX. It is written
So sorry everyone, I forgot to use reply all. Here's my latest message:
Ok, this all might be confusing so I've attached two example pngs
showing the collisions. The use_rest.png file uses rests like c'4/rest
while no_rest just uses regular rests like r4. I know I could
manipulate these manually
M, H. S. Teoh <hst...@quickfur.ath.cx> wrote:
> On Wed, Oct 26, 2016 at 04:52:18PM -0700, David Bellows wrote:
>> > Do you use the \voiceOne, \voiceTwo, \voiceThree commands in the
>> > generated parts? Sometimes those can help, by rendering rests for
>> > each v
good.
Dave
On Wed, Oct 26, 2016 at 5:32 PM, Urs Liska <u...@openlilylib.org> wrote:
>
>
> Am 26. Oktober 2016 16:56:16 GMT-07:00, schrieb "H. S. Teoh"
> <hst...@quickfur.ath.cx>:
>>On Wed, Oct 26, 2016 at 04:52:18PM -0700, David Bellows wrote:
>>>
ely expandable became a headache so now I use << voice1 //
voice2 // voice3 >> etc which is easy to just keep adding to. Would
using \voiceOne (etc) make that much of a difference?
On Wed, Oct 26, 2016 at 4:34 PM, H. S. Teoh <hst...@quickfur.ath.cx> wrote:
> On Wed, Oct 26, 2016 at
> So we can simply photoshop the barlines in and photoshop the entire score by
> entering 4
measures or so at time and separately engraving 'em, then assembling the
entire score by hand. Not ideal perhaps, but a whole lot easier than any
other way of doing it I know of.
No idea if this would be
plits up and ties notes across bar
lines and it does it really, really well).
So I'm not sure if I've formed that line incorrectly or if there is
something else going on or a combination of things.
Thanks for any help,
David Bellows
\version "2.19.49"
\header {
}
\language "
ow all the problems are gone. Still an interesting
problem, I suppose, but I've moved on.
Dave Bellows
On Wed, Oct 19, 2016 at 6:31 PM, David Bellows <davebell...@gmail.com> wrote:
> I've attached mwe.ly and mwe.png. I'm using Lilypond 2.19.49 but I've
> observed the same results
I'm a composer in the classical tradition. Sheet music is everything.
And I compose directly into Lilypond. I don't have access to any
instruments and don't want to lug around manuscript paper. I also
don't want to spend time writing all the music out by hand and then
writing it out *again* in
I have a large computer music generating program that I'm creating.
One of the things it does is generate sheet music for the generated
music using Lilypond. It works really well.
When dealing with one or two voices everything's fine. But I just
added a musical style that uses three voices and
as designed for
> exactly these kinds of situations.
>
>
> ---
> Knute Snortum
> (via Gmail)
>
> On Mon, Aug 14, 2017 at 10:24 AM, Francisco Vila <paconet@gmail.com>
> wrote:
>>
>> On 14/08/17 16:00, David Bellows wrote:
>> > [copied to entire lis
[copied to entire list, sigh]
Hey Francisco,
It looks really nice, congratulations!
I was wondering if you could talk a bit about how you and the composer
chose the license for this work. I license my stuff under a permissive
CC license but still find it interesting when other composers do as
I fear I already know the answer to this question but I thought I'd try anyway.
I have a project that generates music and sheet music using Lilypond.
I want to allow the user to use any music font they want (the free
music fonts). But I want to keep things as simple as possible. So I
don't want
10. Juli 2017 04:29:35 MESZ schrieb David Bellows <davebell...@gmail.com>:
>>I fear I already know the answer to this question but I thought I'd try
>>anyway.
>>
>>I have a project that generates music and sheet music using Lilypond.
>>I want to allow the user to us
On Mon, Jul 10, 2017 at 2:02 PM, Urs Liska <u...@openlilylib.org> wrote:
> [CCing back to the list]
>
>
> Am 10.07.2017 um 22:02 schrieb David Bellows:
>>> If your software is able to determine the lilypond installation directory
>>> it could create the
I use Linux, Lilypond, LuaLaTeX, and Csound, editing all of it in
emacs. This does seem like a pretty potent or at least popular
combination.
On Sat, Nov 18, 2017 at 8:18 AM, Sam Bivens wrote:
> I'm also a Linux user. For notation I use LilyPond (with Frescobaldi)
>
going on in that script so I am very
grateful that you took the time to figure this out.
Sincerely,
Dave Bellows
On Wed, Aug 15, 2018 at 2:54 PM David Bellows wrote:
>
> Elaine Alt:
>
> > But it does make me wonder whether it would work if you structured your
> > sc
t;
>
>>
>> ------ Forwarded message --
>> From: David Bellows
>> Date: Wed, 15 Aug 2018 10:23:41 -0700
>> Subject: Auto-ottava Scheme script problems
>> Hello all,
>> ...
>>
>> So I've been using that function daily for years and it works
>
Hello all,
Several years ago David Nalesnik very kindly and generously created a
Scheme script that would automatically apply ottava markings to a
score when needed (according to my own instrument definitions). I
needed this function because my Lilypond scores are all generated
automatically by
You didn't say why you wanted this so I might as well throw in the
project I'm working on, the Platonic Music Engine
(http://www.platonicmusicengine.com). The point is **not** to be a
front-end for Lilypond but to generate music. But it will also create
sheet music using Lilypond (and graphical
..(Maybe this would even
> warrant a new tab in the sheet)
One of Lilypond's biggest strengths! Working out meaningful/useful
parallels with the other programs would be the issue, I'm guessing?
On Tue, Nov 20, 2018 at 11:50 AM David Kastrup wrote:
>
> Karlin High writes:
>
> &g
illing to contribute
and look forward to the results!
Dave
On Tue, Nov 20, 2018 at 10:52 AM Abraham Lee wrote:
>
> Hi, David!
>
> On Tue, Nov 20, 2018 at 11:39 AM David Bellows wrote:
>>
>> Over in the /r/composer sub on Reddit, a user put together a chart
>> listing featur
Over in the /r/composer sub on Reddit, a user put together a chart
listing features of Musescore, Sibelius and Dorico. While I can figure
out whether Lilypond has some/many of those features (or can "fake"
them), I figured that there are people here who could do this easier
and better and off the
hat
make much of a difference?
Dave
On Mon, Nov 26, 2018 at 2:37 PM Abraham Lee wrote:
>
>
>
> On Tue, Nov 20, 2018 at 1:04 PM David Bellows wrote:
>>
>> Urs,
>>
>> >I think it would be good to add our stuff to the chart (not necessarily
>> >much to
Lilypond groups beams automatically according to the beat. If you use
the "Completion_heads_engraver" you can get Lilypond to automatically
split long notes at bar lines tying them together.
So I'm wondering if Lilypond can automatically split long notes
according to the beat and if I am just
ond files automatically from a program
I've written that generates music so I will have to find a way to
automate the process. I was hoping that this was already a feature
that I wasn't aware of.
On Thu, Apr 4, 2019 at 6:08 PM Aaron Hill wrote:
>
> On 2019-04-04 5:24 pm, David Bellows wrote:
>
it happened across bar lines.
Anyway, this works perfectly and gives one a lot of control on how to
split things up. Thanks!
On Fri, Apr 5, 2019 at 6:27 AM David Kastrup wrote:
>
> David Bellows writes:
>
> > Lilypond groups beams automatically according to the beat. If you use
>
n Sun, 19 May 2019 at 12:09, David Bellows wrote:
>>
>> Hey Andrew,
>>
>> Hmm, I'm running Kubuntu 19.04. You wouldn't think there'd be that
>> much difference between the two? I also wouldn't think there would be
>> anything we could do in our Lilypond files t
Hi Andrew,
> adding \stopStaff at the end of the sections - does this do what you want?
That gets me really close except ...
> There seems to be some stray clefs in this, but I am sure you can tidy this
> up.
I have no idea where those stray clefs are coming from. In the first
pdfs I sent
tscript crashes. I don't have this
> problem with other scores.
>
> Andrew
>
>
> On Sun, 19 May 2019 at 09:14, David Bellows wrote:
>>
>>
>> I tried to keep the examples minimal but I also needed to show the
>> full extent of what is going on.
>>
\vers
Hey Andrew,
I did receive your other email. I guess the one emailed directly to me
got through. I haven't had time to go through everything you wrote yet
but I would be interested in seeing that part of the Lilypond file.
I'm hoping my problem doesn't require a complex solution since all I'm
f
>
> Hope this helps.
>
> Best
> Karim
>
> On Sun, May 19, 2019 at 09:04:47AM -0400, lilypond-user-requ...@gnu.org wrote:
> >
> > Message: 2
> > Date: Sat, 18 May 2019 20:09:10 -0700
> > From: David Bellows
> > To: Andrew Bernard
> > Cc
really is a pretty terrific program.
On Sun, May 19, 2019 at 2:39 PM Mark Stephen Mrotek
wrote:
>
> Dave,
>
> You are asking a computer (Lilypond) to look good when "one never knows
> what's going to happen."
>
> IMHO, the two are mutually exclusive.
>
> M
Hey Kieren,
> If the algorithm uses a random number generator to determine which output to
> give, “one never knows what’s going to happen”, but it would still be easy
> for Lilypond to make the result "look good".
Yep, that's it exactly. I do spend a lot of time generating a lot of
different
are just
running afoul of some limitation of LilyPond. I certainly have never
tried pushing this aspect of the software.
That could be.
On Sun, May 19, 2019 at 6:06 AM Aaron Hill wrote:
>
> On 2019-05-18 10:46 pm, David Bellows wrote:
> >> Maybe use bar checks?
> >
> > Giv
who do, I do try to keep
things clean. (I probably need to add comments to the Lilypond
generating file as it is.)
Dave
On Sun, May 19, 2019 at 11:32 AM Urs Liska wrote:
>
>
> Am 19.05.19 um 17:56 schrieb David Bellows:
>
> Hey Aaron,
>
> Before I respond to the rest of your e
; This is usually the result of incorrect mensuration of a note or notes.
>
> You piece still has some sort of vertical simultaneity.
> Perhaps you could start with a temporary time signature, just to see if
> voices align.
> Then remove it for publication.
>
> Mark
>
:lilypond-user-bounces+carsonmark=ca.rr....@gnu.org] On Behalf Of
> David Bellows
> Sent: Saturday, May 18, 2019 3:59 PM
> To: lilypond-user
> Subject: Unconventional score and unwanted stray staff lines
>
> Hello everyone,
>
> I tried to keep the examples minimal but
Hi Thomas,
Thanks for jumping in!
> At least in the minimal one can workaround with inserting \noBeam:
It works in some cases but not when that last pitch it tied to
previous notes (see attached pdf). When they are not tied this works
well. In my use-case, I have Lilypond break notes up
> Am Di., 21. Mai 2019 um 18:03 Uhr schrieb David Bellows
> :
> >
> > Hi Thomas,
> >
> > Thanks for jumping in!
>
> Well, without Urs' minimal I wouldn't have. Thanks Urs!
>
> > > At least in the minimal one can workaround with inserting \noBeam:
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