technical exercises for all guitarists worth a lifetime
of practice: Dynamic Guitar Technique. Nothing else is close.
Free download: http://www.openguitar.com/dynamic.html
daveA David Raleigh Arnold dra..at..openguitar.com
attachment
miracles.
Get it at: http://www.openguitar.com/dynamic.html
daveA David Raleigh Arnold dra..at..openguitar.com
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On Sunday 13 February 2005 07:40 pm, Paul Scott wrote:
David Raleigh Arnold wrote:
That's what Pedro Kroger's 'lilypond-snapshot' does. Both lilypond
(2.2.6) and lilypond-snapshot (2.4.2) work fine on my debian/testing
machine, but unfortunately there is a font problem with
lilypond-snapshot
of the
instrument consist in Dynamic Guitar Technique. I promise miracles.
Get it at: http://www.openguitar.com/dynamic.html
daveA David Raleigh Arnold dra..at..openguitar.com
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http
it at: http://www.openguitar.com/dynamic.html
daveA David Raleigh Arnold dra..at..openguitar.com
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On Wednesday 09 February 2005 04:21 pm, Benjamin Esham wrote:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
On Feb 9, 2005, at 11:43 AM, David Raleigh Arnold wrote:
Is there any objection to my having my own language.ly? [...] I
don't like to hack like that without permission, especially
On Sunday 06 February 2005 04:08 pm, Graham Percival wrote:
On 5-Feb-05, at 9:40 AM, David Raleigh Arnold wrote:
As I've said before, please tell me exactly what section(s) should
changed, and exactly
what should be changed or added.
Table of Contents
* GNU LilyPond \u2014
Raleigh Arnold dra..at..openguitar.com
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.
Get it at: http://www.openguitar.com/dynamic.html
daveA David Raleigh Arnold dra..at..openguitar.com
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Technique. I promise miracles.
Get it at: http://www.openguitar.com/dynamic.html
daveA David Raleigh Arnold dra..at..openguitar.com
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it at: http://www.openguitar.com/dynamic.html
daveA David Raleigh Arnold dra..at..openguitar.com
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Raleigh Arnold dra..at..openguitar.com
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On Monday 24 January 2005 07:23 am, Erik Sandberg wrote:
On Sunday 23 January 2005 03.16, David Raleigh Arnold wrote:
So is your proposed fix, in other words, that shiftOn should apply to
colliding rests also? so in your exemple the e4\rest should be
shifted a few mm to the right
On Saturday 22 January 2005 03:05 pm, Erik Sandberg wrote:
On Friday 21 January 2005 20.57, David Raleigh Arnold wrote:
Quoted w/o permission:
[quote][i]Originally posted by donaldsauter[/i]
[br]Jan de Kloe's article A House Style for Engraving
Guitar Music in the most recent Soundboard
exercises for guitar which are worthy of the
instrument consist in Dynamic Guitar Technique. I promise miracles.
Get it at: http://www.openguitar.com/dynamic.html
daveA David Raleigh Arnold dra..at..openguitar.com
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of the
instrument consist in Dynamic Guitar Technique. I promise miracles.
Get it at: http://www.openguitar.com/dynamic.html
daveA David Raleigh Arnold dra..at..openguitar.com
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for guitar which are worthy of the
instrument consist in Dynamic Guitar Technique. I promise miracles.
Get it at: http://www.openguitar.com/dynamic.html
daveA David Raleigh Arnold dra..at..openguitar.com
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is repackaged. daveA
--
The only technical exercises for guitar which are worthy of the
instrument consist in Dynamic Guitar Technique. I promise miracles.
Get it at: http://www.openguitar.com/dynamic.html
daveA David Raleigh Arnold dra..at..openguitar.com
/dynamic.html
daveA David Raleigh Arnold dra..at..openguitar.com
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On Thursday 13 January 2005 07:15 am, Gordon Gilbert wrote:
Is it possible to comment out whole sections of your file? For example in
the process of trying something, would it work to comment out a whole
section of music or chords, or words like this?
%{
a b c d
d e f g
}
Comment marks
On Wednesday 12 January 2005 10:34 pm, Albert Einstein wrote:
Do you know something about marking barre ?
I know that a vertical bracket is very popular in Germany
for marking a barre, but I have never been tempted to
adopt it. Extra verticals are a problem when the hspacing
is tight.
As you
I just wanted to show what it took to get decent fingering on an
introductory grade simple little exercise in two parts. There is
a problem getting the first 1-- close to the notehead. The output
is at http://www.openguitar.com/html/files/cma0.pdf .
Finger numbers should be close to the
On Friday 31 December 2004 09:14 pm, Erik Sandberg wrote:
On Friday 31 December 2004 14.35, David Raleigh Arnold wrote:
I've held off upgrading from 2.2.6 to 2.4.2 because I wanted to finish
a project.
I converted this file from 2.2.6 to 2.4.2 and the bug is still very much
present
Please, how can I get the same numbers with the hyphens as without? I've only
been trying to do it for four years or so. I'm not the only one. The
hyphens are much nicer than dotted ties or those horrible straight ruled
lines between numbers.
\version 2.2.6
\include english.ly
\paper {
On Tuesday 28 December 2004 02:21 pm, Karl Hammar wrote:
[EMAIL PROTECTED]:
I ran lyinclude on A.ly, uncommented the betweensystemspace and
betweensystempadding lines, removed the lyrics and found that it
was indeed possible to squeeze the staves together. Choirstaves
anyway. I still
In 2.2.6, I could get the job done by setting minimumVerticalExtent
to zeroes and verticalExtent to get what I wanted. No luck so far
getting the staves close enough with betweensystemspace. It's
academic, because lilypond-book fails whether there's a layont
block or not:
I put a lilypond-book with an example of the slyce.ly source
for the notation in it on my site. That trivial little thing
saved me from every bit as much hassle as I thoughtit might. If you're
interested, take a look at:
http://www.openguitar.com/instruction.html
daveA
On Friday 17 December 2004 09:34 am, Michael Kallas wrote:
Would it maybe make sense to make \version
numbers in the .ly files mandatory?
Or at least have some --Wall / --strict feature
that fails if it is not set?
That way, you would't forget to insert the version
and have to learn the hard
On Thursday 16 December 2004 05:16 pm, Erik Sandberg wrote:
On Thursday 16 December 2004 22.10, [EMAIL PROTECTED] wrote:
I used Lilypond to write The Legend of the Toad, which will be
commercially available mid January in a recording by Roby Lakatos,
and for which a demo which can be
You have a list of sed command files in your working directory. Its name is
cly-sedfilts. Its first line is a path or partial path, and each line
following has a file name to which the first line is prefixed. When you
invoke:
$ sedfilt.py cly ly
sedfilt concatenates the sed edits in the
Mostly for original compositions, but right now I'm doing some 19th
century stuff. daveA
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Just uploaded a new slyce. It's a bit more fault tolerant
than the version of a few days ago. Slyce could be helpful
in producing the lilypond-docs, just for example. daveA
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Now sly can extract, copy, and process sly-formatted material in lilypond
files. The extension tells sly what to do with the file.
Get it at my website, http://www.openguitar.com
daveA
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When I ran into a problem with lilypond-book, I had just updated
a dozen 2.2 files to 2.4, so I wrote this utility to make sure
I wouldn't have as much trouble in the future.
If you use lilypond-book, you'll love this.
Run slyce.py on this file: Head
FWIW this is my version information for tetex. Hope it helps. daveA
scylla:/home/dra# apt-cache showpkg tetex-bin
Package: tetex-bin
Versions:
2.0.2-23
(/var/lib/apt/lists/ftp.us.debian.org_debian_dists_testing_main_binary-i386_Packages)
What is ljfour mode? The lilypondfiles are fine, and convert-ly did ok
with them. I ran convert-ly on the .lytex file and it changed nothing
except the new \version as the first line. I am missing something.
daveA
Input file:
[EMAIL PROTECTED]:~/data/wb/lily/carcassibook/carcscales$ cat
On Wednesday 17 November 2004 05:19 pm, Nicolas Sceaux wrote:
Nicolas Sceaux [EMAIL PROTECTED] writes:
Jan Nieuwenhuizen [EMAIL PROTECTED] writes:
Nicolas Sceaux writes:
This is absolutely useless
This is absolutely fantastic. (Certain) users have been requesting
this for years, it
On Wednesday 17 November 2004 12:12 am, J L wrote:
Hi,
I was just wondering how many people use the web-page version of the
LilyPond documentation on Windows? The thing is, on Windows it is more
convienient to use the pdf version and could mean that only this bit of the
documentation needs
On Friday 05 November 2004 11:46, James Moore wrote:
What's the right way to designate repeats for a piece that has:
Chorus
Chorus (written at end of chorus: last X to Coda)
Verse 1
Verse 2 (written at end of verse: D.C. al Coda
Chorus
Coda
The chorus and verse repeats seem simple, but
On Wednesday 27 October 2004 06:18 am, Erik Sandberg wrote:
On Monday 11 October 2004 10.44, Mats Bengtsson wrote:
To those who know this better; the results are the same with 2.2.5
and
2.3.22. What confuses me most is that it doesn't help to add a
\voiceFour in the lower voice or a
On Monday 25 October 2004 07:32 am, Kieren Richard MacMillan wrote:
[ Mac OS X 10.3.5 ; Lilypond 2.3.20 via Fink ]
Hey, y'all!
Just curious -- is it just me, or is Lilypond missing rf (as opposed
to
rfz) and the articulation mark for a natural harmonic (o)?
That's called a flagolet.
On Thursday 21 October 2004 09:18 am, Maurits Lamers wrote:
Yes, you're absolutely right.
To have the lyrics with the voice on the staff, the appropriate
syllable could be printed immediately before or after the note
on the same line or space. You could manage that by coding the
lyrics as if
On Saturday 16 October 2004 03:30 pm, Mats Bengtsson wrote:
You don't need the input file to solve Roland's problem.
Forgive me, but I'm a bit confused.
Is tha idea of lilypond-snapshot to make it simpler to
have and use two versions of lilypond on the system?
I take it that it works, and I
On Monday 11 October 2004 01:48 pm, Erik Sandberg wrote:
Citerar Mats Bengtsson [EMAIL PROTECTED]:
Of course, I should have cross-posted already the previous email to
bug-lilypond.
I just came to think of yet another possible solution, namely to
mimic the \verb command in LaTeX and
On Monday 11 October 2004 08:26 pm, Jack O'Quin wrote:
I'm helping a friend write an electric bass method book. In an effort
to reach as many players as possible, we decided to print each
exercise in both bass clef and tablature. Lilypond and lilypond-book
work great for this.
After
On Tuesday 05 October 2004 06:24 am, Mats Bengtsson wrote:
The lyrics lines are included in the LilyPond MIDI output,
but I guess it depends on the MIDI player you use.
For example, I tried to run mf2t
(http://www.hitsquad.com/smm/programs/mf2t/) on the output
from the melody-lyrics.ly
On Tuesday 14 September 2004 03:26 pm, Erik Sandberg wrote:
On Tuesday 14 September 2004 18.05, Bruce Calder wrote:
Hi, and thanks for this gift of an application! I've
been looking for something like it for Linux for a
while.
I would like to use it to translate ptabtools output.
I
Is there a way to specify a fixed measure width throughout a piece,
or more prefereably have all the measures on a line be the same
width? Many fake/real books are written out this way, and I would
like to be able to duplicate this.
You could put 8 8ths or 16 16ths or whatever it takes in
On Wednesday 08 September 2004 05:55 am, Mats Bengtsson wrote:
I seem to recall a discussion on this topic some year ago on
the mailing list. From the top of my head, I don't remember
the conclusions, but you may want to search the mailing list
archives to see what came up then.
/Mats
On Thursday 26 August 2004 12:58 am, Walter Hofmeister wrote:
Lilypond 2.2.5 on Mac OS X 10.3.4
I am preparing some guitar instructional material and would like to
specify both left hand(numbers) and right hand(letters) fingerings. I
would like to have the left hand finger numbers close to
On Thursday 26 August 2004 12:24 pm, Peter B. Steiger wrote:
BTW, I'm working on a midi-to-lilypond converter since I can't get
midi2ly to work correctly. Unfortunately my grasp of both C and MIDI
file format is pretty elementary, and I can only work on it in my
spare time which means about
On Monday 16 August 2004 12:37 am, Peter B. Steiger wrote:
In my ongoing quest to make barbershop-style notation as quick and
painless as possible, I downloaded 2.3.11 this week and got it
running to see how I can adapt satb.ly to my needs. I think I can
make this work! Those of you who have
On Wednesday 11 August 2004 08:12 am, Mats Bengtsson wrote:
Unfortunately, there is no automatic support for this at
the moment, but I found a comment in the implementation
that this is on the TODO list (in the file lily/rest-collision.cc).
Just a reminder that colliding rests *always* are to
On Wednesday 11 August 2004 05:07 pm, Carl D. Sorensen wrote:
You have a syntax error, which is easily remedied.
Instead of c-5, you change to c_5 to force the markup below and c^5
to force it above.
You never use c_-5.
-4 4- and 3-4 are all very useful in fingering, and they have been
Is it advisable to leave the stable version now and upgrade?
I searched the changelog for \stem and didn't find anything.
\header {
\version 2.2.5
}
\score { \notes {
\context Voice = voiceUno{
\relative c' {
c4 d8 e f g a b
c e, f g a b c d
e g, a b % - group has wrong stem direction
c
On Tuesday 10 August 2004 08:53 am, Mats Bengtsson wrote:
According to what rule? When I try your example here, the stems
point upwards. I tried manually forcing them down and compared
which version felt most pleasing to the eye, but I have to say
it was a fair play.
When the stems are down,
On Friday 06 August 2004 03:43 pm, Benjamin Esham wrote:
I am typesetting a piece which has some swing sections. In these
sections, two eighth notes should be played as a tripletted quarter
note and eighth note.
A swing or jazz 8th is far less different from an 8th
than a triplet, or even
On Wednesday 28 July 2004 12:09 pm, Ralph Little wrote:
Hi,
Unless I'm mistaken, cut-common and common-time are actually
different things.
Cut-common is the same as 2/2 not 4/4, whereas common-time and 4/4
are the same thing.
Cut-common is usually represented with a C with a slash through.
On Wednesday 14 July 2004 01:29 am, Sami Huhtala wrote:
Much simpler solution when the need to force a number above/below the
staff is only temporary:
c^3 forces the fingering-number above the note
c-3 finds the 'most natural' place for the number
(always[?] above the staff -
On Sunday 27 June 2004 10:05 am, Sean Reed wrote:
hi,
i'm new to the list and relatively new to lilypond.
i am very impressed with and pleased by its flexibility and the great
quality of its appearance.
i am using mac os 10.3.4 and lilypond 2.2.3.
the tempo of the midi output from my files
On Thursday 24 June 2004 02:02 pm, Will Oram wrote:
On Jun 24, 2004, at 10:59 AM, Jan Nieuwenhuizen wrote:
Will Oram writes:
mvmt1/mvmt1.ly:15:19: error: can't find file: `/defs.ly'
\include /defs.ly
That looks odd, you wouldn't have defs.ly in your root directory,
right?
Right.
On Thursday 17 June 2004 12:25 am, Joshua Koo wrote:
Hi
I put each of my instrument notes is inside a separate file, so lets
say all cellos notes are inside cello.ly and violin notes are inside
violin.ly In each of these files, they have a \score{} so I can print
out the indiviual parts.
On Monday 31 May 2004 08:51 pm, Graham Percival wrote:
On Fri, 28 May 2004 08:48:48 -0400
Ting Gan [EMAIL PROTECTED] wrote:
I came upone a problem with MIDI files. I have a piece of
music which has a voice and a piano part. The MIDI file which
lilypond file output to does not play
On Tuesday 01 June 2004 07:57 am, Hendrik wrote:
Hello,
Apart from that I don't get my file running yet, I'd like to put
double fingering instructions, as needed for the piece of
guitar-music I'm trying to typeset. In the part fingering in the
manual, I found
b-2
to be a b with a 2
On Thursday 13 May 2004 04:37, Erik Sandberg wrote:
On Tuesday 11 May 2004 20.40, Steve Shorter wrote:
Howdy!
I was wondering about the apparent difference in repeat bars
Seems
\bar |:
and
\bar :|
et al have a thick bar, followed by a thin bar followed
On Monday 03 May 2004 15:33, Ferenc Wagner wrote:
Steve Shorter [EMAIL PROTECTED] writes:
On Mon, May 03, 2004 at 10:50:33AM -0400, Steve Shorter wrote:
Howdy!
I have some triplets at the end of the bar and the
bracket/brace outlining the triplet collides with the barline.
How can
On Tuesday 04 May 2004 14:18, Pedro Kroger wrote:
Hi people,
In June I'll be presenting an one hour lecture on free software for
music and Linux as a platform for music and audio at the 5th
International Free Software Forum at Brazil
(http://www.softwarelivre.org/forum2004/). Of course I'll
On Wednesday 28 April 2004 12:22, Jos Smeets wrote:
In Lilypond 2.0.1 I could handle repeated lyrics as follows:
\repeat fold 2 { }
\alternative {{Bla bla }{ Pom pom }}
After I upgraded to 2.2.0 this stopped working. I cannot find a way
to handle this now. Can anyone help?
Looking
On Friday 16 April 2004 10:02, Michael Edwards wrote:
I mentioned about a week ago that I was considering whether I
might start using LilyPond. I will need to get a new hard disk
before I have enough room to use LilyPond, so perhaps there is not
much point in asking any detailed
%{
On Tuesday 13 April 2004 11:33, KEVIN ZEMBOWER wrote:
Ben, thank for letting me know about the attachments not being
allowed. I didn't know that. I thought I was making it easier for
anyone to help me.
Not a limitation on text files, just on images and such. You could even
make your
On Tuesday 13 April 2004 20:12, Roland Goretzki wrote:
Hello list, hello Stan,
You wrote:
In the attached example, eighth rests collide with note stems. I'd
appreciate suggestions about how to make it look better.
The code for the measure(s) is
bf bf'8 |
{d8\rest d f[ c8\rest
On Tuesday 13 April 2004 01:21, Gunther Strube wrote:
Hi,
What is the difference with an arpeggio with a direction? Have you
seen:
http://www.lilypond.org/doc/v2.2/Documentation/user/out-www/lilypon
d/Arpeggio.html
I cannot find Rasgueado in the music glossary.
That's it!
I
At long last writesly, a python script that takes parts off the
disk and builds a sly file with them, using the header as a
guide. In other words, it reverses what sly does.
Sly has been simplified. The only special thing you put in your notes
data is the field separator, which sly gets from
On Wednesday 31 March 2004 07:58, Mats Bengtsson wrote:
No! First of all, \center-align only works within a single markup
and makes sure that if you have several lines in your markup,
these will be aligned to each other.
This works for some reason, with one line in the markup:
On Saturday 27 March 2004 13:25, Edward Sanford Sutton, III wrote:
I now have a 'copyright renewed 1943' edition which might fix some
of the mistakes, but then I don't think it could be on mutopiaproject
right?
I don't think that is right. A copyright renewal was required after 28
years,
On Wednesday 24 March 2004 11:54, Lyle Raymond wrote:
On Wednesday 24 March 2004 9:36 am, Mats Bengtsson wrote:
Now that I look more carefully at the output you sent earlier,
it looks as if you try to set the header field 'pagenumber'
in your file. Is that right?
I just discovered that
On Monday 22 March 2004 02:02, Lyle Raymond wrote:
On Saturday 20 March 2004 9:51 am, David Raleigh Arnold wrote:
On Saturday 20 March 2004 03:21, Lyle Raymond wrote:
I've discovered that while in one directory, lilypond file.ly
automatically creates a pdf file; but while in another
On Sunday 21 March 2004 02:25, David Bobroff wrote:
Why does lilypond do small clefs in the middle of a line by default
instead of regular?
It is common engraving practice. As to why it is common practice I
can only speculate that a full sized clef would appear bulky and out
of place, or
= Warrior's Wedding Song
composer = David Raleigh Arnold
piece = David Raleigh Arnold
poet = \it \Large adagio
tagline = \center \copyright2004 David Raleigh Arnold
}
\include english.ly %
melody = \notes {
\time 3/4 \key e \major
\partial 4 b4
e'2 fs'4
af'2 e'4
r2 \bar |.
}
harmony = \notes
On Saturday 20 March 2004 03:21, Lyle Raymond wrote:
I've discovered that while in one directory, lilypond file.ly
automatically creates a pdf file; but while in another, it only
creates a latex file and doesn't go any further. What's happening?
I'm using version 2.1.0, by the way.
This is
Is there any way to get Staff.midiInstrument to work?
\context Staff = tone {
\set Staff.instrument = #vocal
\set Staff.midiInstrument = #voice oohs
\melody
{
Lilypond 1.32 doesn't complain, but neither does it deliver. I've
tried a lot of things. \property is long gone, apparently.
On Wednesday 17 March 2004 18:55, Roland Goretzki wrote:
Hi,
I have the line
\include deutsch.ly
in my .ly-files, but if I use the
\translator { \EasyNotation }
then the result for the english note b, which in german is called
h, is only the english B in the note.
Perhaps it
On Wednesday 17 March 2004 08:38, Mats Bengtsson wrote:
Edward Sanford Sutton, III wrote:
On Tuesday March 16 2004 10:45, Mats Bengtsson wrote:
A single grace notes without a slur but with a slash is trivial to
obtain, see
http://mail.gnu.org/archive/html/lilypond-user/2004-02/msg00122.htm
On Monday 15 March 2004 16:48, David Raleigh Arnold wrote:
On Monday 15 March 2004 10:04, Tiffany Weisman wrote:
I only meant the list as a starting point.
I disagree that you shouldn't use redundant
notation. Cadd9 is different from Cadd2 or Csus2. As
is C9sus4 and C11. A higher chord
On Monday 15 March 2004 10:04, Tiffany Weisman wrote:
I only meant the list as a starting point.
I disagree that you shouldn't use redundant
notation. Cadd9 is different from Cadd2 or Csus2. As
is C9sus4 and C11. A higher chord extension suggests a
different way of voicing the chord. The 2
On Monday 08 March 2004 05:27, Mats Bengtsson wrote:
David Raleigh Arnold wrote:
On Thursday 04 March 2004 05:14, Mats Bengtsson wrote:
The question is what is the correct typesetting practice.
As a musician, how can I know if the ottava applies only to
the upper voice or to the full stave
On Friday 12 March 2004 10:20, Mats Bengtsson wrote:
David Raleigh Arnold wrote:
On Friday 12 March 2004 01:48, Edward Sanford Sutton, III wrote:
On Wednesday March 10 2004 12:23, David Raleigh Arnold wrote:
On Saturday 06 March 2004 02:53, Edward Sanford Sutton, III wrote
On Friday 12 March 2004 23:57, Edward Sanford Sutton, III wrote:
On Friday March 12 2004 12:01, David Raleigh Arnold wrote:
On Friday 12 March 2004 10:20, Mats Bengtsson wrote:
David Raleigh Arnold wrote:
[snip--difficult to tell what's off list now, with the delay]
Mozart used fp a lot
On Thursday 11 March 2004 10:37, David Raleigh Arnold wrote:
On Sunday 07 March 2004 01:58, chip wrote:
I am trying to get a measure like this -
8thRest 8thNote 8thNote 8thNote 4Note triplet8thNotes
using this code
r8 a' csharp'' e'' = 2 beats
csharp''4 = 1 beat
\times 4/3 {gsharp
On Saturday 06 March 2004 17:40, Hans Forbrich wrote:
I am have (re)started discussions with a local professional
print/binding shop around professionally publishing some
Lilypond-based work. In part, I'd like to set something up around
Tex-based small-run business here (here being St. Albert
On Thursday 11 March 2004 23:46, Paul Scott wrote:
David Raleigh Arnold wrote:
On Saturday 06 March 2004 02:53, Edward Sanford Sutton, III wrote:
Is there a preferred way to have two different dynamics in a
section of music to indicate that it is played at one level the
first time
On Friday 12 March 2004 01:48, Edward Sanford Sutton, III wrote:
On Wednesday March 10 2004 12:23, David Raleigh Arnold wrote:
On Saturday 06 March 2004 02:53, Edward Sanford Sutton, III wrote:
Is there a preferred way to have two different dynamics in a
section of music to indicate
On Friday 12 March 2004 05:18, Mats Bengtsson wrote:
David Raleigh Arnold wrote:
When numbering measures at the beginning of a line, if there be a
line break in the middle of the measure, the number should be that
of the *following* measure, not the current measure which is
broken. I
On Saturday 06 March 2004 02:53, Edward Sanford Sutton, III wrote:
Is there a preferred way to have two different dynamics in a
section of music to indicate that it is played at one level the first
time and at the next level the second time?
fp is common, and I've seen pf. I've never seen
On Sunday 07 March 2004 01:58, chip wrote:
I am trying to get a measure like this -
8thRest 8thNote 8thNote 8thNote 4Note triplet8thNotes
using this code
r8 a' csharp'' e'' = 2 beats
csharp''4 = 1 beat
\times 4/3 {gsharp''8[ gsharp'' gsharp'']} =
(4 x 1.5/3) = 2 beats
5 beats?
Try
On Tuesday 09 March 2004 08:25, Mats Bengtsson wrote:
The only real inconvenience is the inability to send .pngs, since
.ly files can simply be the text or part of it.
For those who don't have a website, Would it be possible to provide
a separate subdirectory somewhere so .pngs could be
On Wednesday 03 March 2004 10:52, Jan Nieuwenhuizen wrote:
Hi,
Yesterday we tried having the mailing list software (Mailman 2.1.2)
reject mail with application/octet-stream attachments. The Mailman
user interface is a bit vague; it turned out that the virus mails
still get to the mailing
On Wednesday 03 March 2004 02:34, Thomas Scharkowski wrote:
According to Duden Rechtschreibung 1961 an 1998):
hei - ßen
Thomas
Bochum
Germany
På tirsdag, 2. mars 2004, kl. 11:07, skrev David Bobroff:
In this instance the word is heissen (with ess-tset, of course).
Should it be heiss
On Monday 01 March 2004 18:52, Paul Scott wrote:
David Raleigh Arnold wrote:
On Sunday 29 February 2004 23:06, Paul Scott wrote:
Using globals helps me save a lot of typing and makes time and
measure number mistakes far less likely. Is there a way I can
eliminate the extraneous 4/4 and extra
On Tuesday 02 March 2004 08:36, David Bobroff wrote:
It seems that for lyrics it is optional to escape the . It appears
to work either way. The problem with *not* escaping them is that the
auto indent gets confused for anything input after that point in the
*.ly file. Nor does
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