Re: scale durations

Am 09.03.2016 um 03:54 schrieb Craig Dabelstein: Sorry gents, here is one more I can't work out. The piece is in 9/8 but I need one instrument to play in 4/4. I have no idea how to work out that fraction: \set Staff.timeSignatureFraction = 4/4 \scaleDurations 8/9 because (4/4)/(9/8) = 8/9

Re: Default text fonts change CenturySchL to Tex Gyre Schola?

Am 11.03.2016 um 19:49 schrieb Thomas Scharkowski: Only recently I noticed the change of the default text fonts in LilyPond. When did this take place and why? When: In August 2015 (LilyPond 2.19.26). Why: I don’t know, probably you can find the reason in the discussion of issue 4552

Re: Bar Lines and Compound Time Signature

Am 12.03.2016 um 19:32 schrieb Edward Ardzinski: I would like the bar number on the second line to be 9, not 5, counting each bar of 17 as 1 bar of 9 and another of 8...then have 18 on the beginning of the 3rd line in the pdf You could use an extra voice for the changing measure lengths

Re: Dashed Tie Design Improvement

Am 16.03.2016 um 01:18 schrieb dtsmarin: The default shape of the tie's dashes looks a bit strange to me, is there a way to modify it to look a bit like the second one which in my opinion looks fuller on page? Also how can I increase and thicken the dashes between the tie end points?

Re: calling header declarations in score

Am 11.03.2016 um 04:07 schrieb Jaime Oliver: I am not sure why this doesn’t work… any help? modifiedNote has to be defined without backslash just like every other variable or music or event function. Then, the braces aren’t necessary but you need the \etc for the music argument of this

Re: Left Hand Fingerings on Guitar Tab

Am 06.04.2016 um 21:20 schrieb Jay Vara: I am trying to add left hand fingerings to the Tablature without affecting the staff. […] Is there a way to suppress the fingerings on the staff and have it show up only in the Tablature? Instead of markups you should use fingerings like in c-1 c

Re: Left Hand Fingerings on Guitar Tab

Am 06.04.2016 um 21:45 schrieb Simon Albrecht: On 06.04.2016 21:32, Malte Meyn wrote: Am 06.04.2016 um 21:20 schrieb Jay Vara: I am trying to add left hand fingerings to the Tablature without affecting the staff. […] Is there a way to suppress the fingerings on the staff and have it show

Re: Rhythm details

Am 16.03.2016 um 15:49 schrieb Alberto Simões: Can anybody please let me know how this is called and, if you know, where in the documentation I can find how to typeset it? This is a tremolo. It means that the lower and upper note/chord are played alternately in 32nd notes (or arbitrary small

Re: Winged repeat bar line unique over multiple staves

Am 22.03.2016 um 14:03 schrieb Alexis Maleval: Hi, I would like to know how to prevent a winged repeat bar line to be split when it has to cover 2 staves. Probably this isn’t possible yet; a BarLine is put together from the bar lines of every single staff plus the SpanBars between the

Re: Writing a number in stead of notehead.

Am 22.03.2016 um 18:23 schrieb Philip Bergwerf: Hello dear lilypond users! I am experimenting with rhytmic notation. How can i change a notehead into a digit? Is there a way to do that. Of course there is! Please tell me and i did see once a notation with numbers as rhytmic notation but i

Re: Where is the latest articulate.ly?

Am 23.03.2016 um 18:13 schrieb Daniel Birns: The one I found on a mailing list from 2011 doesn’t seem to handle even slurs or staccato. It’s part of vanilla LilyPond since version 2.14 (see http://lilypond.org/doc/v2.14/Documentation/changes/) and has been improved several times since

Re: midi articulation

Am 23.03.2016 um 18:21 schrieb Daniel Birns: Okay, I see what articulate.ly does. However… has anyone tried to do this within the midi generator. I think so: see the second-to-last bullet point at http://lilypond.org/doc/v2.19/Documentation/changes/ But, honestly, the midi files suck.

Re: Flag stencil

Isn’t \override Flag.stencil = #modern-straight-flag or \override Flag.stencil = #(straight-flag [some values, see flag-styles.scm for explanation]) what you want? I think you don’t need to write the stencil from scratch ;) Am 24.03.2016 um 09:37 schrieb Andrew Bernard: Hi Marc, Thanks.

Re: How to add padding around whiteout text

Am 24.03.2016 um 19:25 schrieb Joseph N. Srednicki: Could someone please explain how to add some padding around the text or point me to the location in the documentation or mail archive that deals with this issue? Whiteout has been improved in version 2.19, you can now override the

Re: Slashed grace notes

Am 26.03.2016 um 14:03 schrieb Peter O'Doherty: Hi, Is it possible to notate a grace note group, with both a slash and a slur? Thanks, Peter Yes, see http://lsr.di.unimi.it/LSR/Item?id=721 P.S.: This was your third email with this content. ___

Re: layout scope

Am 08.03.2016 um 13:53 schrieb BB: How can I restrict the scope of \layout{} to only one \score{}? Just put the \layout block into the \score block. Same for \midi: \score { [MUSIC] \layout { […] } \midi { […] } } ___ lilypond-user mailing

Re: OT: pagenumber

Am 04.03.2016 um 21:42 schrieb Blöchl Bernhard: Just a guess, try pagenumber = #f That’s not ‘more correct’; false is ##f, not #f in LilyPond … Besides of that, what you mean is \paper { print-page-number = ##f } So maybe try out before guessing ;)

Re: OT: pagenumber

Am 04.03.2016 um 21:54 schrieb Noeck: myfoo = "ok" % but mybar = bliblablup % why is that allowed? Because LilyPond allows strings without quotes as long as they contain only certain characters (alphabet and probably some others). Good for lyrics for example, but also when using \clef

Re: Use jazz fonts in LilyPond?

Am 05.03.2016 um 23:40 schrieb Sharon Rosner: Where do one get hold of these alternative fonts for Lilypond? Try here: https://github.com/noteflakes/lyp-lilyjazz/ This is the original font by Torsten Hämmerle. Since LilyPond 2.19.12 it’s possible to use several notation fonts (including

Re: Cadenza writtinh

Am 06.03.2016 um 17:41 schrieb David Kastrup: Giving the notes graceish looks is a different problem. Maybe we should provide the means to create graceish looks without switching to grace timing, to better facilitate cadenze which are often written in this manner. I don't know offhand how to

Re: Cadenza writtinh

Am 06.03.2016 um 16:40 schrieb Antoon Dekker: I have no clue how to deal with this kind of notation. Have anyone a hint for me?Antoon Some hints: \magnifyMusic for small notes, \cadenzaOn for cadenza measure of arbitrary

Re: Cadenza writtinh

Am 06.03.2016 um 17:47 schrieb Malte Meyn: Am 06.03.2016 um 17:41 schrieb David Kastrup: Giving the notes graceish looks is a different problem. Maybe we should provide the means to create graceish looks without switching to grace timing, to better facilitate cadenze which are often written

Re: scale durations

Am 07.03.2016 um 21:45 schrieb Kieren MacMillan: \set Staff.timeSignatureFraction = #'(3 . 4) \scaleDurations #'(3 . 2) { You can use 3/4 and 3/2 here instead of the more complicated and less clear #'(3 . 4) and #'(3 . 2) ;) ___

Re: Changing color when using \draw-line

Am 05.03.2016 um 16:23 schrieb Joseph N. Srednicki: Can anyone tell me how to change the color when using \draw-line? \with-color #blue \draw-line #'(0 . 3) ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Problems with midi2ly

Am 05.03.2016 um 18:37 schrieb mark damerell: 1. Where is the manual? The man page says it is a texinfo document, but I cannot find it. There is a section about midi2ly in the ‘Usage’ documentation: http://lilypond.org/doc/v2.18/Documentation/usage-big-page.html#invoking-midi2ly

Re: Replying to posts

Am 29.04.2016 um 15:50 schrieb Alexander Kobel: There's one single reason why I sometimes prefer even small code pieces in attachments, despite the fact that I usually like to read them inline: If there is a lone ">>" (which happens quite often in LilyPond code, for obvious reasons), it messes

Re: Choice of pitch input mode

Am 29.04.2016 um 13:58 schrieb Matt Hood: What does everyone prefer? Relative, absolute, or a mix of both? I always use \relative without reference pitch because reference pitches confused me every single time I used them. In RhythmicStaffs I use only durations without pitch (possible in

Re: Added ninth chord (symbol)

Am 29.04.2016 um 19:22 schrieb Henry Law: "add9" is not a valid chord designator in Lilypond, as far as I can see. I can ask for "9" or "maj9" or "sus2" but none of these is my chord: LilyPond knows the difference between 9 and add9 but doesn’t display it by default. Am I stuck? I'm

Re: Added ninth chord (symbol)

Am 30.04.2016 um 08:56 schrieb Brett Duncan: Henry, have you had any success with the pop-chords.ly file? (If not, I have some files I could send to you.) You don’t need this or chord exceptions in general if you follow my much simpler answer that no-one replied to

Re: Choice of pitch input mode

Am 30.04.2016 um 05:43 schrieb David Wright: But it's no surprise that composing directly into LP is only really possible in absolute mode. It’s not. I’ve always done it in \relative mode using octave checks, I never had any problems. ___

Re: Added ninth chord (symbol)

Am 30.04.2016 um 15:07 schrieb Henry Law: On 30/04/16 13:49, Henry Law wrote: \new ChordNames { \set additionalPitchPrefix = "add" \chordmode { c:5.9 c:m7.5- c:5+.9- } } Another wrinkle I've just found. If you want a minor chord with an added ninth (say) you can't code, for

Re: Added ninth chord (symbol)

Am 30.04.2016 um 14:53 schrieb ming : It works in version 2.18.2 Error in version 2.19.40 Sent from Mail for Windows 10 What doesn’t work? Your mail lacks context (In-Reply-To header, quote, or code example) ___ lilypond-user mailing list

Re: Extending the staff for time signature changes between scores

Am 19.05.2016 um 22:19 schrieb Simon Albrecht: On 19.05.2016 03:23, David Wright wrote: \layout { \context { \Staff \override StaffSymbol.break-align-symbols = #'(time-signature key-signature staff-bar break-alignment) } } I tried to use the proper LilyPond list syntax here:

Re: Time signature at end of score.

Am 24.05.2016 um 00:47 schrieb Charles Suncana: Hi, I´m a newbie to Lilypond and am using Frescobaldi to help me use it. At the end of each engraving Frescobaldi puts a courtesy time signature for the next expected bar. However when the piece is finished AND converted to PDF, the courtesy

Re: Add a little horizontal space?

Am 11.05.2016 um 00:10 schrieb Jérôme Plût: Is there a simple way to add a little horizontal space between two notes (actually, two time moments - preserving staff alignment) in a score? I want to change something like this: —♩—♫— to something like —♩———♫— . You can X-offset a NoteColumn

Re: Rhythmic shorthand for notes?

Am 18.05.2016 um 00:48 schrieb Julian Lam: I suppose it's a two-parter: Yes it is. - How do I combine four sixteenths into what looks like a single quarter note with the beams crossing through the stem? \repeat tremolo 4 a16 \repeat tremolo 4 a or a4:16 a: - How do I notate

Re: Single-note tremolos

Am 16.05.2016 um 21:20 schrieb Malte Meyn: IMO your variant isn’t much better: I should have first thanked you to work on this topic at all (and your changes 1 and 3 are indeed worth to be included into LilyPond; 2 with some further changes, I have no opinion on 4 but these thoughts let me

Re: Single-note tremolos

Am 16.05.2016 um 01:23 schrieb Carl Sorensen: 2) The tremolo lines are too thick (they should be thinner than beams, but in LilyPond they are the same thickness). IMO your variant isn’t much better: The tremolo beams look *very* slim now. Two ideas: 1. Does Gould say something about *how

Re: Scoring song with multiple sections

Am 01.05.2016 um 17:29 schrieb Henry Law: But on the second appearance of "<<" Lily barfs with "syntax error, unexpected <<". Every \score can contain only one music expression but you did something like % \version "2.18.2" \score { << \new Staff a \new Staff b >> <<

tie from grace to second in chord

Hi list, the tie from the f' in the following code goes too far right as if the f' wasn’t shifted because of the g' (see attachment). Is this a bug? Any ideas for a workaround? %%% \version "2.19.40" % 2.18.2 and earlier \language "deutsch" \relative { \set tieWaitForNote = ##t

Re: Contemporary glissando breaks bar-checking

Am 19.04.2016 um 19:41 schrieb Michael Hendry: I’ve returned to a file I created under version 2.14.0 […] and I get bar-check warnings and unsatisfactory layout. The \cadenzaOn and \cadenzaOff behaviour changed between 2.16 and 2.18; \cadenzaOff doesn’t set the measurePosition to zero

Re: format-mark function for A, B, C, …, X, Y, Z, Aa, Bb, Cc, …

Am 16.08.2015 um 22:00 schrieb Thomas Morley: 2015-08-16 21:21 GMT+02:00 Malte Meyn <lilyp...@maltemeyn.de>: Hi list, sometimes there are more than 25 or 26 rehearsal marks in a piece. LilyPond’s format-mark-(alphabet|letters) function and friends continue after X, Y, Z with AA, AB, AC

Re: tuplets in compound meter

Am 26.07.2016 um 20:34 schrieb David Wright: >What I didn't take into account is tuplet's optional argument for the >tuplet spanner duration. Can you do this in compound time? What would be the syntax? Of course, you can use scaled and dotted durations like \time 6/8 \tuplet 7/6 2. { … }

Re: tuplets in compound meter

Am 25.07.2016 um 11:44 schrieb Andrew Bernard: So they are tuplet 10/9. Can you not simply set the tuplet numbers accordingly? \once \override TupletNumber.text = "" I could. But like my solutions with scaled durations, the input doesn’t really reflect the output. And when you have many of

tuplets in compound meter

Hi list, I’m setting Sriabin’s “Vers la flamme” in LilyPond. This piece in 9/8 contains tuplets where 5 quarter notes replace 9 eights, or 4 and a half quarters. But of course I cannot write \tuplet 5/4½ or \tuplet 5/(9/2). \tuplet 10/9 won’t help because it prints the numerator 10. I could

Re: I am not top posting

Am 24.07.2016 um 06:05 schrieb Robert Edge: I have no idea why, but this interface won't let me ask a question. It says I am top posting. I am not top posting. I have not quoted anything. Maybe you have some code containing >> ? Such like << \relative { c' d e } \\ \relative { a b c

Re: Replacement for "parser"

Am 30.07.2016 um 14:53 schrieb Hans Åberg: When using Graham Breed’s regular.ly, one writes a line like #(ly:parser-set-note-names parser SomePitchNames) which worked in LilyPond 2.19.10. But in 2.19.45, there is an error: error: GUILE signaled an error for the expression beginning here

Re: Replacement for "parser"

Am 30.07.2016 um 18:30 schrieb Hans Åberg: On 30 Jul 2016, at 18:21, Malte Meyn <lilyp...@maltemeyn.de> wrote: That one, I discovered, but “parser” must be there in another location. Are you sure? input/regression/note-names.ly doesn’t have parser or (*parser*) anywhere. L

Re: Replacement for "parser"

Am 30.07.2016 um 18:06 schrieb Hans Åberg: On 30 Jul 2016, at 15:47, Malte Meyn <lilyp...@maltemeyn.de> wrote: Am 30.07.2016 um 14:53 schrieb Hans Åberg: When using Graham Breed’s regular.ly, one writes a line like #(ly:parser-set-note-names parser SomePitchNames) which

Re: Custom fonts

Am 11.08.2016 um 13:11 schrieb Erik Ronström: However, for some reason it doesn’t work: #(define fonts …) seems to have no effect at all in my document. Any tips for why? Which version of LilyPond are you using? You should test whether LilyPond “sees” the CM fonts and how they are named.

Re: Specific large "watermark" time signature

Am 11.08.2016 um 09:54 schrieb Urs Liska: manually editing Y-offset doesn't seem like a good idea, as I don't have the impression there's an easy relation that could be set up between font-size and Y-offset. There is such a relation: The time signature in the Score context is aligned to the

Re: Problem with point-and-click from within function

Am 11.08.2016 um 13:00 schrieb Urs Liska: After some experimentation I have the impression this is related to a phenomenon I see in the attached file. The three functions all return the original music, but somewhat differently. The point I'm wondering about is: why does the point-and-click

Re: Problem with point-and-click from within function

Am 11.08.2016 um 13:29 schrieb Malte Meyn: Am 11.08.2016 um 13:00 schrieb Urs Liska: After some experimentation I have the impression this is related to a phenomenon I see in the attached file. The three functions all return the original music, but somewhat differently. The point I'm

Re: Angled bar lines

Am 10.08.2016 um 23:27 schrieb Malte Meyn: \defineBarLine "[" #'("|" "[" ".") An explanation of this: define a bar line style called "[" that normally prints a "[" bar line. At the end of a line print "|" instead (

Re: LilyPond logo?

Am 03.08.2016 um 16:13 schrieb Malte Meyn: b/w vector graphic as a logo for LilyPond This could also be part of the Feta font. \markup \musicglyph #"logo.waterlily" ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.o

Re: LilyPond logo?

Am 03.08.2016 um 18:07 schrieb Pierre-Luc Gauthier: 2016-08-03 11:03 GMT-04:00 Andrew Bernard : The concept is fine I am sure, but the execution difficult, and acceptance problematical. I know it’s difficult but does that mean one cannot try? Logo design is fraught

Re: Angled bar lines

Am 10.08.2016 um 22:43 schrieb Philip (Michael) Dykes: Hi I need to get a section at the beginning of a piece of liturgical music I have (Only Begotten Son) in which /*sometimes*/ a certain thing is sung but /not /normally sung indicated. The typical manner I have seen this done is via the use

Re: Custom fonts

Am 11.08.2016 um 11:04 schrieb Erik Ronström: Of course, I can define my own macro, but isn’t there a built-in mechanism to resolve different fonts of the same typeface/font family? Do you really want to change only the Lyrics font? Or is it ok to change the fonts in the whole document?

Re: addQuote/quoteDuring plus \partcombine doesn't accurately indicate a2 passage

Am 12.08.2016 um 15:48 schrieb Kieren MacMillan: My expectation (and desires) would be that it would say “a2” (or whatever the aDueText is) in m1. Instead, it says “solo” (or whatever the soloText is). Am I misusing either the quote mechanism or the partcombine mechanism? Or is this expected

Re: Laissez viber ties dotted

Am 21.07.2016 um 03:14 schrieb Andrew Bernard: How can one make a laissez vibrer tie dotted or dashed, as can be done for a normal tie? Using \tieDotted has no effect. This is because \tieDotted is a shorthand for \override Tie.dash-pattern = #'((0 1 0.1 0.75)) and laissez vibrer ties are

Re: Simultaneous accidental breaks cross-staff stem

Am 19.07.2016 um 22:39 schrieb Joel C. Salomon: From “Arrival of the Wolves”: an accidental in the upper Staff’s voiceOne shifts a chord in its voiceTwo so it no longer aligns with the corresponding note in the lower Staff, yielding the attached result. You can force the to the right place

Missing warning about clashing note columns in 2.19

Is this a bug/regression? 2.18.2 warns about clashing note columns, 2.19.44 does not. \version "2.19.44" << c''4 \\ \stemUp a'2 >> ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Set Stanza for every staff

Am 29.06.2016 um 00:08 schrieb Thomas Morley: 2016-06-28 23:40 GMT+02:00 Br. Gabriel-Marie | SSPX : In my music I have been using \set stanza = "1. " to get line numbering for the lyrics. But this only numbers the beginning of the lyric's line. I can manually insert that

Re: Alla breve notation in Kyrie (2) from Bach's Hohe Messe

alte, I didn't have the opportunity to look at Bach's handwriting. I have checked two edited versions. One uses 4/4, the other C (not cut C). So I gather that's correct. regards, Jogchum Op 07-07-16 om 14:28 schreef Malte Meyn: Am 07.07.2016 um 13:48 schrieb Jogchum Reitsma: In the second K

Re: Alla breve notation in Kyrie (2) from Bach's Hohe Messe

Am 07.07.2016 um 13:48 schrieb Jogchum Reitsma: In the second Kyrie from J.S. Bach's Hohe Messe, the time signature is 4/4, but the bars are filled with 8 quarter notes or its equivalent in time. Are you sure you meant 4/4 which is shown as C? Bach uses the cut C (alla breve). \set

Re: LilyPond logo?

Am 04.08.2016 um 16:43 schrieb Carl Sorensen: On 8/4/16 7:10 AM, "Andrew Bernard" wrote: Does lilypond actually need visual branding? Are we trying to increase market share with a logo? I think it would be nice to have. As I said in my first post, an eye catcher

Re: LilyPond logo?

Am 05.08.2016 um 10:28 schrieb Wols Lists: On 05/08/16 05:15, tyronicus wrote: The vectorized image looks very good. It'd be nice, though, to have some sort of "icon" logo in true black and white. Maybe something like the attached? It's an Inkscape svg if anyone wants to mess with it. lp.png

Re: Music function with \scaleDurations

Am 05.08.2016 um 19:39 schrieb Evan O'Dorney: \set Staff.timeSignatureFraction = 2/4 \scaleDurations 3/2 { $mus } \revert Staff.timeSignatureFraction However, GUILE gives an error at "$mus". What's wrong? Are you sure? Which LilyPond version are you using? 2.16.2 and 2.18.2

Re: LilyPond logo?

Am 05.08.2016 um 14:40 schrieb Pierre Perol-Schneider: Here's tests with the different proposition. I've added mine at last but I'm not satisfied yet. That’s nice too. A bit more vivid than my “I’ve never really used inkscape before but the star tool is nice” experiments ;) Did you draw

Re: LilyPond logo?

Am 05.08.2016 um 13:52 schrieb Marc Hohl: Am 05.08.2016 um 11:38 schrieb Werner LEMBERG: Here are some experiments of mine. Very nice! logo1.svg is the one I used in the score, logo_outline.svg is the outline version, logo2/3/4.svg are some attempts to make it simpler. I like logo3

Re: LilyPond logo?

Am 05.08.2016 um 14:36 schrieb Alexander Kobel: Looking at the "original" picture from a distance, I perceive the center as only one colored patch. Would you mind trying a version with just one dot in the center? I used the five dots because the center of a flower has much detail. A single

Re: LilyPond logo?

Am 05.08.2016 um 22:59 schrieb Werner LEMBERG: But maybe less is more and two flower layers are enough; so here is a combination of logo3 and logo4 (only two flower layers -> less detail, only one pad but with gap -> more typical). Looks promising! Can you adjust the `packman' to have a

Re: How do i set the minimum system space?

Am 07.08.2016 um 00:46 schrieb Philip Bergwerf: This is a alternative notation method called 'Piano_TAB'. Because of the special staff, lilypond does set the space between the system to 0. How can i set the minimum system spacing? I hope you guys know how to do it? It’s not really setting to

Re: LilyPond logo?

Am 06.08.2016 um 17:51 schrieb Malte Meyn: - #8 of course would need a pad to recognise it as a water lily rather than a generic flower; this was just a test to demonstrate a more realistic (?) positioning of petals, not a complete logo. Maybe I’ll try to add a pad. Here is an attempt to use

Re: LilyPond logo?

s.G" \hspace #-.5 "ond" } \markup { \with-color #red \bold "13. " "Music engraving by" \lilypond " 2.19.46—www.lilypond.org <http://2.19.xn--46www-5u3b.lilypond.org>" } 2016-08-06 22:35 GMT+02:00 Pierre Perol-Schneider < pierre.schneider.p

Re: LilyPond logo?

Am 06.08.2016 um 17:11 schrieb Pierre Perol-Schneider: Plus pdf 2016-08-06 17:10 GMT+02:00 Pierre Perol-Schneider < pierre.schneider.pa...@gmail.com>: Logo test enclosed. Cheers, Pierre My opinions: - #5 is much better than both #3 and #2 (and #1) because it’s more realistic (no

LilyPond logo?

Hi list, I’m planning to publish an arrangement of Grieg’s Holberg Suite on IMSLP. I experimented with a copyright \header field which contains not only text but also the Creative Commons logo. Then I thought that the tagline could have such an eye catcher too, but there seems to be no

Re: tiny function

Am 30.06.2016 um 22:37 schrieb Br. Gabriel-Marie | SSPX: \new Lyrics \verseNumber #1 This would have to be \new Lyrics \with { \verseNumber 1 } or, easier to type, \lyricsWithVerseNumber 1 like in the code below: \version "2.18.2" lyricsWithVerseNumber = #(define-music-function

Re: tiny function

Am 30.06.2016 um 22:59 schrieb Jeffery Shivers: Hi Gabriel-Marie, Could you describe in context what you are trying to achieve? Are you meaning to apply *stanza* number, rather than instrument names? Have a look at: No he doesn’t, he wants stanzas at the beginning of every line, see the

Re: Making end-double barline visible again

Am 28.01.2017 um 15:53 schrieb Amir Teymuri: > i have made barlines for the whole piece invisible using: > > \layout { >\context { > \Score > \omit SpanBar >} >\context { > \Staff > \omit BarLine >} > } > > and want to have the ending barlines at the end of

Re: change staff

Am 25.01.2017 um 11:55 schrieb Gianmaria Lari: > - Is there a simpler way to write this source code avoiding all these > change staff? You could use a simple music function: l = #(define-music-function (music) (ly:music?) #{ \change Staff = "left" #music \change Staff =

Re: offset of chords

Am 26.01.2017 um 04:32 schrieb MING TSANG: > Is it possible to tweak chords outside the four eighth-note beam? Try \once \override NoteColumn.force-hshift = -1.8 ___ lilypond-user mailing list lilypond-user@gnu.org

Re: autochange and multiple voices

Am 20.01.2017 um 18:39 schrieb Jérôme Plût: > Problem 1: why, on the third beat, is the alto voice (playing a g') > displayed on the "down" Staff? It doesn’t in LilyPond 2.19.53, which version are you using? > Problem 2: delete the line saying "<>" and recompile. Now > all hell breaks loose:

Re: can't move note columns in both voices at beginning of a bar

Am 28.01.2017 um 18:16 schrieb Stefan Thomas: > the following example shows, that I can't move NoteColumns in two voices > at the beginning of a measure. It's only possible in one of the voices. > Has someone an idea for a solution? Do you want to have more space after the barline? Try the

Re: Distance of secondary beams

Am 17.01.2017 um 11:43 schrieb Urs Liska: > I don't find the appropriate property to modify the distance between > secondary stems. Attached you'll find the result of \override > Beam.beam-thickness = 0.15, and I need to adjust the beams to be closer > together, e.g. to 0.5 staff spaces. I don't

Re: Lyrics problem

Am 15.01.2017 um 21:58 schrieb Craig Dabelstein: > Has anyone encountered this before? In bars 1 and 19 of this MWE the > lyrics have been put a long way from the staff. In this example it only > occures when \compressFullBarRests is used, but in my full score it is > occurring with other

Re: Faking a time signature

Am 15.01.2017 um 22:00 schrieb Menu Jacques: > Hello, > > Going on with my Gabrieli example, there is a time change to 3/2, and I > can’t get rid of the warning message on the first R1*3/2. > > Thanks again for your help! > > JM You can adjust the measureLength for this last, shorter measure

Re: Text *in* score - Stopped staves - Horizontal spacing

Am 15.01.2017 um 23:54 schrieb Pierre-Luc Gauthier: > If you comment line 46 and un-comment 48, the R1 rest does not have a > sufficient horizontal spacing to allow for the text to dodge the > skylines. > > Also, could the horizontal spacing be a function of the 'line-width > parameter 40? Try

Re: Changing the staff of a note inside of a chord

Am 19.01.2017 um 22:02 schrieb Amir Teymuri: > how can i change the Staff of only one note of a chord? For cross staff stems see http://lilypond.org/doc/v2.19/Documentation/notation/common-notation-for-keyboards#cross_002dstaff-stems ___

Re: Tie at end of alternative

Am 19.08.2016 um 17:43 schrieb Mark Stephen Mrotek: Hello, Please look at the attached snippet. Thank you. Mark Try \laissezVibrer instead of ~. The poor treatment of broken spanners at volta repeats is a known issue; probably one of the most mentioned ones on the list.

Re: Chord names in a score

Am 19.08.2016 um 23:32 schrieb Andy Deitrich: It put the mandolin chords on a new, 3rd staff. It probably has something to do with defining "mando" as a staff. I don't know how else to get the mandolin chords to appear above the staff. Does this help explain? Your code is far from minimal

Re: Chord names in a score

Am 19.08.2016 um 22:52 schrieb Silverlode: Any ideas what I'm doing wrong? Thanks. Please give us a complete minimal working example. Where is your context “mando”? Sadly, your text and code is horribly formatted and the screen shot links give a 404 (not found) error; it seems as if

Re: NoteHeads vs duration

Am 20.08.2016 um 12:25 schrieb Pierre Perol-Schneider: (case duration ((0) (grob-interpret-markup grob (markup "0"))) ((1) (grob-interpret-markup grob (markup "1"))) ((2) (grob-interpret-markup grob (markup "2")))

Re: Adding augmentation dots

Am 20.08.2016 um 16:56 schrieb Erik Ronström: but \override Dots.dot-count = #1 has no effect. This is because there is no Dots grob. If I understand correctly one could create such a grob using ly:engraver-make-grob. But this needs a reference to the engraver (Dots_engraver in this case)

Re: Delayed Turn

Am 20.08.2016 um 19:18 schrieb Mark Stephen Mrotek: I want the turn to be a little higher than the "bes." Any instructions would be appreciated. Try s2*1/2-\tweak Y-offset 5 \turn Also, \dolce is unknown to LilyPond, it should be "dolce" ;) ___

Re: LilyPond logo?

Am 05.08.2016 um 16:27 schrieb Johan Vromans: On Fri, 5 Aug 2016 14:01:26 +0200 Malte Meyn <lilyp...@maltemeyn.de> wrote: But maybe less is more and two flower layers are enough; so here is a combination of logo3 and logo4 (only two flower layers -> less detail, only one pad but

\abs-(font)size for \epsfile

Hi list, is there a staff-size indepent version of \epsfile like \abs-fontsize instead of \fontsize? \markup \abs-fontsize #20 \epsfile #X #10 "foo.eps" seems to have no effect. Cheers Malte ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Compiling the master document

Am 04.10.2016 um 11:26 schrieb Bernhard Kleine: %%master: Anton-Bruckner-Messe-in-C.ly at the end of part3 did not work. It should be % -*- master: Anton-Bruckner-Messe-in-C.ly; (note the semicolon) ___ lilypond-user mailing list

Re: Typesetting "as near to Petrucci style as possible".

Am 07.10.2016 um 09:35 schrieb Richard Shann: the R1*6/4 typesets as a classical whole bar rest You would need a separate override for MultiMeasureRest: \override MultiMeasureRest.style = #'neomensural This is because MultiMeasureRest’s stencil doesn’t look for the style even

Re: Compiling the master document

Am 04.10.2016 um 14:10 schrieb Federico Bruni: Il giorno mar 4 ott 2016 alle 12:48, Bernhard Kleine <bernhard.kle...@gmx.net> ha scritto: Am 04.10.2016 um 11:55 schrieb Malte Meyn: % -*- master: Anton-Bruckner-Messe-in-C.ly; there is obviously an error in Frescobaldis user guide: Li

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