e signature
>> > again, although there is no change - just as a reminder. I could
>> > not
>> > find anything in the NR and in the Snippet Repository.
>> >
>> >
>> Unless I'm misunderstanding, just repeating the \time should do it:
>>
>
hat). If someone
> could get me a breadcrumb to that, that'd be grand.
> Thanks
> Luca
--
Mark Knoop
2.25 there is also:
\override TupletBracket.span-all-note-heads = ##t
which I think does the right thing, at least in the Gould "old-style". Surely
this should be the default?
--
Mark Knoop
At 11:15 on 23 Jun 2023, Andrew Bernard wrote:
> In notation octavations both up and down are always 8 and 15. Nothing
> to do with lilypond specifically. So 8va, 15va, 8vb, 15vb. These apply
> to clefs and octavation lines.
Unless you're Olivier Messiaen...
--
Mark Knoop
ionSpanner.ily
Description: Binary data
--
Mark Knoop
Wait, I see there is already a \fontCaps command - does that not work?
At 15:10 on 16 Jun 2023, Mark Knoop wrote:
> Not offhand, but I'd start with make-small-caps in
> define-markup-commands.scm and strip out the is-lower logic.
> At 09:41 on 16 Jun 2023, Kieren MacMillan wrote:
> scoreTitleMarkup = \markup \uppercase \fromproperty #'header:title
> }
> { c1 }
> Thanks,
> Kieren.
--
Mark Knoop
pictured at [1], or anything similar?
>>>
>>> It's one standard for open meter.
>>>
>>> Here's the Dorico manual info: [...]
>>
>> Thanks, but ideally we would like to see a real-world example that
>> predates recent notation programs – they probably all try to implement
>> the stuff from Gould's book...
>>
>>
>>Werner
--
Mark Knoop
em functions which somehow
> never made it in.
Yes - please do so in the relevant github repo.
Cheers, M
--
Mark Knoop
steps but keeps the notes on the scale,
> effectively changing the heard intervals (e.g., in C major, if you
> invert D around C like this, you get B, not B♭); LilyPond doesn't
> implement this.
Actually it does, see \modalInversion
--
Mark Knoop
next email regarding Discourse, that itself would
rely on user donations to fund it - it seems likely that a similar
maximum size limit would be set.
--
Mark Knoop
e -c, --current-version option to convert-ly.
--
Mark Knoop
e held message notice text is just
> in a completely different place than the configuration for the
> rejection notice text in the Mailman 2 UI...). That would be fine with
> me as well. Mark, WDYT?
Absolutely - this sounds ideal if it's possible.
--
Mark Knoop
eans that instead of delaying the message
> until Mark or me looks at it, the feedback will come instantly.
> Jean
Thanks Jean, I support this proposal.
--
Mark Knoop
ffix.pdf
> Do I have to [locate and] rebuild the music function, or is there an
> easy parameter I don’t know about?
It seems to be hard-coded in the function get-outfile-name (lily-library.scm).
--
Mark Knoop
ted. This makes sense logically because they are
> not the same note, but it doesn't look right to me, at least. Maybe
> it's the intended behavior?
FWIW, Gould writes:
"Repeat an accidental if sounding at a different octave, even when the
same pitch is used with an octave sign."
--
Mark Knoop
that repo to merge this.
--
Mark Knoop
would result in:
c'8[ d' r e'] r f'[ g'] r | r r r a'\noBeam b'[ s s c'']
Could this be possible?
--
Mark Knoop
t;
>>>> Am 29.01.2023 um 09:43 schrieb Wim van Dommelen :
>>>>
>>>> I encountered a piece written in so-called "German notation" and I
>>>> want to play it properly notation (which is "French"
>>>>
>>>> I can do the basic transposes but the key is always interfering and
>>>> produces strange results.
>>>>
>>>> Is there a quick Lilypond recipe to convert this (from "German" to
>>>> "French" written) ?
>>>>
>>>> Thanks,
>>>> Wim van Dommelen
>>>>
>>>>
>>>
>>
--
Mark Knoop
count up to
> an irrational ratio by counting finite parts).
Perhaps one should define "correctly" before assuming impossibility. By
any definition of correctly which makes sense in this context (i.e.
precise rhythmic execution), it is arguably equally impossible to play
music in a *dyadic* meter correctly.
--
Mark Knoop
s can use it?
How does this differ from the current mechanism using
add-text-replacements! and replacement-alist? Could these be extended to
allow the replacement string to include \markup?
--
Mark Knoop
not just use \offset?
https://lilypond.org/doc/v2.23/Documentation/notation/the-offset-command
--
Mark Knoop
.
I'd like to identify what _isn't_ used so it can be marked as
unmaintained/deprecated/scavenged for parts.
Regards,
Mark
--
Mark Knoop
ot;better" - and I don't expect anybody
else to do that either.
My hope is that by making OLL a little more usable and less chaotic, it
might be possible to identify firstly which features are being most
used, and secondly use that information to prioritize moving those into
LilyPond in the best way possible.
--
Mark Knoop
er formats
- `snippets` :: mostly moved to `oll-misc`
- `templates` :: templates and predefined instruments
## Pull requests
- https://github.com/openlilylib/oll-misc/pull/10
- https://github.com/openlilylib/scholarly/pull/73
- https://github.com/openlilylib/analysis/pull/17
--
Mark Knoop
lative c' {
\repeat unfold 3 b1
R1 \tag #'verse
b2 b2
R2 \tag #'bridge
c1
R1 \tag #'coda
d2. d4.
R1*9/8*3
r2. d8 8 8 % NB final 8th note becomes a whole note...
% | ... unless it is followed by a barcheck
}
--
Mark Knoop
at thread and totally
> forgot about it!
> Can you provide a MWE of the feature for us?
Attached is the ily file from my standard library. Just uncomment the
bottom section for the example.
alignTo.ily
Description: Binary data
--
Mark Knoop
years for this purpose, I think originally from
this thread:
https://lists.gnu.org/archive/html/lilypond-user/2013-12/msg01296.html
--
Mark Knoop
/source?
Probably best to switch back to
https://github.com/openlilylib/edition-engraver now, we're merging
everything back to that. (Although I don't know if there are currently
any differences between the two...)
If you can send some code I'll try to have a look later today.
Cheers,
Mark
--
Mark Knoop
lines are considerably longer and the glyph is narrower, and the slope of the
natural beams is also quite a lot steeper.
--
Mark Knoop
music set using other fonts). Each
accidental is clearly distinct and has it's own character - one almost
doesn't need to read them at all - unlike many other fonts where
naturals can look very similar to sharps at smaller sizes (particularly
Sibelius).
--
Mark Knoop
on 2.23.11.
https://github.com/markk/oll-core
https://github.com/markk/edition-engraver
https://github.com/markk/partial-compilation
https://github.com/markk/breaks
--
Mark Knoop
it working now. I also had to filter out DynamicTexts
from the Scripts list. But yes, I agree, this is messing with too much and
would be better done as a dedicated grob.
--
Mark Knoop
do.breakable = ##t
\override Glissando.after-line-breaking = #(glissando-and-stems 0)
\mus
}
%}
--
Mark Knoop
minimum-length is one of > the "spanner
properties accessed before line-breaking such as direction" > [known issue]?
That's correct - I tried \alterBroken first. The springs-and-rods callback
which reads minimum-length has to run before the spanner can be broken.
--
Mark Knoop
'4\startTextSpan^\markup \with-color #blue \box \column { "without"
"adjustment" "GOOD" }
bes'4
\break
bes'4
f''4\stopTextSpan
c'2
\repeat unfold 24 c'16
2
}
%}
transitionSpanner.pdf
Description: Adobe PDF document
--
Mark Knoop
At 15:56 on 17 Jul 2022, Mark Knoop wrote:
I note a bug with the edition-engraver which can no longer address the
first moment of the score. This needs further investigation (unless
somebody else has already solved this?).
Further to this, I've just pushed a fix for the first moment bug to my
which can no longer address the first
moment of the score. This needs further investigation (unless somebody else has
already solved this?).
--
Mark Knoop
simplifictions it fixes the initial problem of this
thread as well.
NB the fix here:
https://gitlab.com/lilypond/lilypond/-/merge_requests/1294
is not part of it.
Many thanks to Jean!
Best,
Harm
That's brilliant, thanks Harm, and Jean. Will test on my project shortly.
--
Mark Knoop
At 11:03 on 11 Apr 2022, Thomas Morley wrote:
Am Mo., 11. Apr. 2022 um 10:56 Uhr schrieb Mark Knoop :
At 10:30 on 11 Apr 2022, Thomas Morley wrote:
Am Mo., 11. Apr. 2022 um 09:53 Uhr schrieb Mark Knoop :
At 19:12 on 10 Apr 2022, Mark Knoop wrote:
I'm trying to debug some issues I'm having
At 10:30 on 11 Apr 2022, Thomas Morley wrote:
Am Mo., 11. Apr. 2022 um 09:53 Uhr schrieb Mark Knoop :
At 19:12 on 10 Apr 2022, Mark Knoop wrote:
I'm trying to debug some issues I'm having with the new DurationLine grob.
Previously I've been using a TextSpanner to achieve similar results.
One
At 19:12 on 10 Apr 2022, Mark Knoop wrote:
I'm trying to debug some issues I'm having with the new DurationLine grob.
Previously I've been using a TextSpanner to achieve similar results.
One issue is that DurationLine adds space at the left side of a broken spanner,
seemingly to avoid
\markup "using TextSpanner" 4 4 4
R1*16
<>\stopTextSpan
R1
}
>>
}
--
Mark Knoop
At 12:21 on 05 Apr 2022, Jean Abou Samra wrote:
Le 05/04/2022 à 09:48, Mark Knoop a écrit :
Hi,
I'm trying to align markups in a Dynamics context to their baseline, but they
always align their tops. Can't figure out what property to set to achieve this.
Example follows - I'd like the markups
five }
s1^\markup \column { one two three }
s1^\markup \column { one two }
s1^\markup \column { one two three four five }
s1^\markup \column { one two three }
}
>>
}
>>
}
}
--
Mark Knoop
is - maybe with an external command
(I'm using Linux)?
Thank you very much,
Alasdair
--
Mark Knoop
_\espressivo
You can just use \omit directly as a tweak:
c1-\omit^\fermata _\espressivo
--
Mark Knoop
for and is too visually
cluttered for me to accept as a compromise:
\markup\right-column\box{
\line{Solos: 1st x tpt}
\line{2nd x clr}
}
Any ideas?
You want the box to be around the columns? So:
\markup \box \right-column {
\line{Solos: 1st x tpt}
\line{2nd x clr}
}
--
Mark Knoop
There seem to be a lot of different -- and to me -- overly
complicated -- ways of doing this. Is there a "recommended" way
without trying to give relative coordinates to move to?
\tempo is not a postfix command like dynamics and markups. Just put it before
the g2.
--
Mark Knoop
At 16:43 on 05 Sep 2021, Jean Abou Samra wrote:
Le 05/09/2021 à 16:22, Mark Knoop a écrit :
Hi,
I'm using Aaron's excellent overlayMarkup function from this thread:
https://lists.gnu.org/archive/html/lilypond-user/2021-09/msg00052.html and am
seeing different behaviour for Script objects
t get a text stencil from this font
%%continuing, cross fingers
g'1
-\tweak stencil \overlayMarkup 0 0 0 3 "test"
\fermata
}
%%%%%%%%
--
Mark Knoop
m...@markknoop.com
https://markknoop.com/
At 01:24 on 21 Jul 2021, Adalberto Tovar Gomez wrote:
Hi!!
There is some kind of code that implements SuperCollider and
Lilypond. I used SuperFomus, a SuperCollider Class, but apparently is
no longer available.
Take a look at Fosc: https://github.com/n-armstrong/fosc
--
Mark Knoop
alFunction }
where 'intervalFunction' created the markup string "Perfect 5th above previous
pitch".
--
Mark Knoop
you want one mid-bar
- are you using bar-checks? often a failed break is a symptom of an error in
the entry of durations
- some things are not breakable by default (Beams, note durations), see here
for solutions.
http://lilypond.org/doc/v2.18/Documentation/notation/line-breaking
--
Mark Knoop
At 08:53 on 04 Feb 2021, Martin Tarenskeen wrote:
On Thu, 4 Feb 2021, Mark Knoop wrote:
At 08:29 on 04 Feb 2021, Martin Tarenskeen wrote:
{ c'4\< d' e' f' | g1\! }
the hairpin ends way too early, before the barline.
If you look a little further down the page you'll find "
find "Setting hairpin behavior at
bar lines".
--
Mark Knoop
{*
>>>* \global dis'' fis' a' d'' fis' a' dis'' fis' e'' f'*
>>>* dis'' fis' a' d'' fis' a' dis'' fis' e'' f' }*
>>>* MusicWithOctaves = {*
>>>* \global \okT dis'' fis' a' d'' fis' a' \okT dis'' fis' \okT e'' f'*
>>>* \okT dis'' fis' a' \okT d'' fis' a' \okT dis'' fis' \okT e'' f'*
>>>* }*
>>>* %% END SNIPPET*
>>>* I thought it could be done with musicMap but I can't get it to work.*
>>>* Has someone a hint for me?*
>> http://lsr.di.unimi.it/LSR/Item?id=445
--
Mark Knoop
' }
> MusicWithOctaves = {
> \global \okT dis'' fis' a' d'' fis' a' \okT dis'' fis' \okT e'' f'
> \okT dis'' fis' a' \okT d'' fis' a' \okT dis'' fis' \okT e'' f'
> }
> %% END SNIPPET
> I thought it could be done with musicMap but I can't get it to work.
> Has someone a hint for me?
http://lsr.di.unimi.it/LSR/Item?id=445
--
Mark Knoop
er grace filler in the needed place.
>
> Any suggestions?
Hi Andrew,
This is untested, but perhaps:
{
\once \set tieWaitForNote = ##t
c'1*1/4~ \grace s8 s1*3/4 | c'1
}
will work?
--
Mark Knoop
p_alive_together_engraver. David K rightly rejected my patch (which was
not fully worked through, although did enable this particular usage). I'm
afraid I haven't had a chance to look at it again since then.
Details here: https://gitlab.com/lilypond/lilypond/-/issues/4973
--
Mark Knoop
orkflow as follows:
- convert Lilypond's MIDI output to text
- edit as necessary
- save diff of the edit
- convert back to MIDI for playback
...
- edit Lilypond, export new MIDI, convert to text
- use patch to apply previous diff
- convert back to MIDI for playback
https://www.pair.com/support/kb/paircloud-diff-and-patch/
--
Mark Knoop
ere you want the break, say in this example halfway through the
second 4/8 bar
2. Split the note at that point into two, you will have to do the maths to make
this work. It might look like { c4*3/7 c4*4/7 }
3. Hide the second of these notes { c4*3/7 \once \hideNotes c4*4/7 }
--
Mark Knoop
; On 5/29/2020 11:29 AM, Wim van Dommelen wrote:
>>>> Is there somebody already working on a proper 64-bit compile of LilyPond
>>>> for the new Mac OS X 10.15.4 "Catalina" version?
>>>
>>> Yes: Marnen Laibow-Koser has produced this.
>>>
>>> I haven't seen a build yet for the 2.21 series, though.
>>> --
>>> Karlin High
>>> Missouri, USA
>>
--
Mark Knoop
page for details.
http://lilypond.org/doc/v2.19/Documentation/notation/modifying-shapes
--
Mark Knoop
center of the sheet, but is fragile. Also the "With a beat"
> text position is too high, it would be nice to have better
> control over it.
Take a look at the \translate markup command.
http://lilypond.org/doc/v2.18/Documentation/notation/align
--
Mark Knoop
s or put them in another location ?
-dno-aux-files will get rid of most, although not the ...-1.eps file.
--
Mark Knoop
At 20:27 on 23 Jan 2020, Daniel Rosen wrote:
> Does anyone have any ideas for a workaround for Issue #5538 “bendAfter
> broken by chords”?
> (https://sourceforge.net/p/testlilyissues/issues/5538/)
No, sorry. After reporting this bug I ended up using a TextSpanner instead.
--
Mark Knoop
oolean)
If true, the spanner will stop at the bar line just before it would otherwise
stop.
Thus:
\version "2.19.82"
\score {
\relative c' {
c2 -\tweak to-barline ##t \cresc c c c
R1*4 \!
}
}
--
Mark Knoop
___
lilypond-user mailing l
t ##t
\tweak Dots.transparent ##t
g'
} >>
}
%%%%%
--
Mark Knoop
___
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cis( dis )
c d e fis gis aes bes c'
\clef treble
bes des' ees' f' g' a' b' c'' d'' e'' fis''
}
%
--
Mark Knoop
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cil,
combining it with a spacer markup to push it to the left.
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At 17:18 on 03 Mar 2019, Reggie wrote:
> Mark Knoop-4 wrote
>> You can do this with a simple TextSpanner:
>>
>> \version "2.19.82"
>>
>> onStaffExtender = {
>> \override TextSpanner.style = #'line
>> \override TextSpanner.thi
fold 80 c'4
\new Staff {
c'1
\stopStaff
\once \onStaffExtender
<>\startTextSpan
s1*18
\startStaff
<>\stopTextSpan
c'1
}
>>
}
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At 13:17 on 03 Mar 2019, David Kastrup wrote:
> Mark Knoop writes:
>> Often in the music I'm engraving a single variable might be used and
>> transformed in multiple contexts and repetitions throughout the
>> piece. This can become difficult to keep track of, particularly if
<>\varname "motif"
\motif
}
>>
}
%{ output to text file:
Variable report
===
motif:
1 0/4: flute
2 0/4: viola
2 1/4: viola
2 2/4: viola
2 3/4: viola
3 0/4: flute
4 0/4: flute
5 0/4: flute
5 0/4: viola
%}
--
Mark Knoop
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ad were several years ago with registering the
textedit:// protocol during the changes from Gnome 2 to Gnome 3. But that was
unrelated to the gvim end of things.
--
Mark Knoop
___
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https://lists.gnu.org/mailman/listinfo/lilypond-user
nd
> flag to a custom stencil that I can then place inside the staff by
> overriding a MMR's stencil? Are there even tools to help me with that?
It seems overkill, but you could try getting the stencil from a \markup \score
block stripped of unnecessary engravers.
--
Mark Knoop
___
ust locally tell lilypond to
>octaviate when needed for a given instrument.
Take a look at <http://lsr.di.unimi.it/LSR/Item?id=773>. The
\correctOctaveOutOfRange function should do what you want.
--
Mark Knoop
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ecified in
>myVar.
>
>Now, suppose that I don't want to generate all the notes in myVar but
>only the first 8 quarter notes (the first 2 bars) . Is there any
>function that can do it? something like "\extractMusic \myVar 4*4".
There is indeed code available to do this.
htt
> \clef bass
> \stemUp
> \tuplet 3/2 {
>deh,4\glissando
>\glissandoSkipOn cis,16
>\glissandoSkipOff
>cis,16\glissando
>\glissandoSkipOn
> }
> \tuplet 3/2 {
>c,4
>\glissandoSkipOff
>\grace { \once \override Stem.transpar
time #timesig
\repeat unfold #numbars {
\repeat unfold #dotbeats { s4 \bar "|" }
s4 \bar "."
}
#}))
{
<<
{ % this is your global variable
\barSigs 3 5/4 % 3 bars of 5/4
\barSigs 1 3/4 % 1 bar of 3/4
}
{ % this is
viola, cello
\book {
\bookOutputName "score"
\score {
\new Score {
<<
\new Dynamics \global
\new Staff \violinone
\new Staff \violintwo
\new Staff \viola
\new Staff \cello
>>
}
}
}
\book {
\bookOutputName "vi
At 19:28 on 03 Nov 2018, David Nalesnik wrote:
>Oops, sorry about the empty response.
>
>Sure, yes, I just want to make sure that I release it under the right
>license (I suppose it must be GPLed) and include whatever I must
>relative to LilyPond coverage by the GPL . I just jumped the gun,
epeat unfold 24 e''4
\new Staff \with {
\editionID la
} \repeat unfold 24 e''4
>>
%%%
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p {\tiny
> Strike } |
>}
Use \tweak instead of \override, viz:
{
\numericTimeSignature
\time 3/8
g'4.\cut -\tweak staff-padding #5 ^\markup {\tiny Cut } |
g'4.\strike -\tweak staff-padding #5 ^\markup {\tiny Strike } |
}
--
Mark Knoop
__
(enclosed within {}). Or, at least, if in the above
example, melody is defined as:
melody = { c' \tag #'append d' \tag #'push f'2 }
then it doesn't work.
--
Mark Knoop
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= #(lambda (grob)
(ly:stencil-combine-at-edge
(ly:bar-line::print grob)
X RIGHT
(grob-interpret-markup grob #{
\markup
\whiteout
\vcenter
\pad-around #2
"res
At 09:05 on 06 Dec 2017, Mark Knoop wrote:
>At 09:41 on 06 Dec 2017, Knut Petersen wrote:
>>Hi everybody!
>>
>>Some years ago I published example code how to integrate lilypond code
>>in latex documents. The attached file is an extended update, it might
>>be used w
the 3rd of these should be
xelatex.
Interestingly, only pdflatex produces all four bars/systems of fragment 1. When
run with lualatex and xelatex only the first system is shown. Any idea why this
might be?
--
Mark Knoop
___
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gt; \abs-fontsize #12 { g dis b, g, dis, }
> }
> \set TabStaff.stringTunings = #MTbass-five
> \roottoroot-one
> }
> >>
> \layout { }
> \midi { }
>}
>
>
>___
>lilypond-user mailing list
>lilypond-user@gnu.org
&g
0 e f g a
>
>
>something like
>
>\tempo 4=100 a b c d
>\tempo 4=currentTempo*1.1 e f g a
baseTempo = 100
\relative c' {
\tempo 4 = #baseTempo
a b c d
\tempo 4 = #(inexact->exact (round (* baseTempo 1.1)))
e f g a
}
--
Mark Knoop
__
}
>
>You can fiddle Y-offset also.
>
>As to how to beam across to a minim, that is tricky indeed, if you are
>going to go the whole hog with this score.
Beaming to a minim, just add:
\once \override NoteHead.duration-log = #1
--
Mark Knoop
de DynamicText.extra-offset = #'(0 . 8.5)
> s2\p
>}
>
>lowerStuff = {
> \clef bass
> c1
>}
>
>\new PianoStaff <<
> \new Staff = “upper” \upperStuff
> \new Dynamics = “dyn” \centredDynamics
> \new Staff = “lower” \lowerStuff
>>>
>%%% SNIPPET EN
ics
\set Dynamics.pedalSustainStyle = #'bracket
% or specify no context
\set pedalSustainStyle = #'bracket
> s1\sustainOn
> s1\sustainOff\sustainOn
> s1\sustainOff
>}
>
> >>
>}
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Mark Knoop
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space
>> between *all* notes, regardless of where it is placed. Trying to use
>> it with \once it doesn't have any effect (using 2.19.52).
>>
>> Any suggestion would be welcome.
>>
>> Urs
>>
>>
>>
>>
&
computer between 4 and 5 minutes to compile.
>
>Cheers,
>Vaughan
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^^
>Yes. The output from 'aptitude search guile-1.8-libs' is:
>
>i A guile-1.8-libs
>p guile-1.8-libs:i386
This may be your problem. Try installing the 64-bit libs.
--
Mark Knoop
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l
report for this.
>Any ideas?
Very weird, and certainly a bug. This works as expected also:
\version "2.19.47"
\layout { #(layout-set-staff-size 19.0001) }
{ <c'' e'' g''> }
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Mark Knoop
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lilypond-u
s
>> dealing with all the time: manually handling the combination and
>> temporary splitting of voices in a staff - and especially fixing
>> things if the line breaking happens to change. He said it would be a
>> dramatic advantage if LilyPond could do that automatically.
>
it out on my real-world choral example, so that I
>could report back on its sufficiency and usability. I’ll see what I
>can figure out without actually compiling the score.
I'd be happy to try it on one of your scores if you send me the source.
--
Mark Knoop
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