Carl,
Thank you for your reply.
Yes, the tuplets are only in the right hand. The left hand is just eighth
notes.
Mark
From: Carl Peterson [mailto:carlopeter...@gmail.com]
Sent: Tuesday, August 13, 2013 9:06 AM
To: Mark Stephen Mrotek
Cc: Mailinglist lilypond-user
Subject: Re
To: Mark Stephen Mrotek
Cc: 'Andrew Bernard'; lilypond-user@gnu.org
Subject: Re: tuplet beams
Mark Stephen Mrotek carsonm...@ca.rr.com writes:
Andrew,
Thank you for your reply. I know that I could manually beam and that
would suitably work for a few measures. The piece, Chopin Black Key
Etude
Xavier:
Thank you for your reply, the suggestion, and the manual reference. I shall
experiment with them.
Mark
From: Xavier Scheuer [mailto:x.sche...@gmail.com]
Sent: Tuesday, August 13, 2013 12:57 PM
To: Mark Stephen Mrotek
Cc: lilypond-user Mailinglist
Subject: Re: Setting
Hello:
The attached snippet, commands.ly, is from
http://www.lilypond.org/doc/v2.16/Documentation/notation/multiple-voices.htm
l.
1. What is the purpose/effect of the first line?
2. What is the purpose/effect of the command \bar || before
voiceTwo?
Thank you.
Mark
Andrew:
Thank you for your reply and the explanation. Hopefully I shall never need
more than four voices.
Mark
From: Andrew Bernard [mailto:andrew.bern...@gmail.com]
Sent: Sunday, August 18, 2013 12:01 AM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: purpose
No mistake. It is exactly as it appears in the manual.
From: Pierre Perol-Schneider [mailto:pierre.schneider.pa...@gmail.com]
Sent: Sunday, August 18, 2013 12:48 AM
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re: purpose of commands
2013/8/18 Mark Stephen Mrotek carsonm
Stephen Mrotek wrote
No mistake. It is exactly as it appears in the manual.
not your mistake, rather the documenter's or developer's
Eluze
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/purpose-of-commands-tp149365p149372.ht
ml
Sent from the User mailing list archive
Trevor:
Thanks for helping me over the learning curve.
Mark
-Original Message-
From: Trevor Daniels [mailto:t.dani...@treda.co.uk]
Sent: Sunday, August 18, 2013 12:48 AM
To: Mark Stephen Mrotek; lilypond-user@gnu.org
Subject: Re: purpose of commands
Hi Mark
This snippet is rather
Phil Holmes,
Thanks for your work on the manual. I learn a lot from it and that which I
do not understand the other users help me!
Mark
-Original Message-
From: Phil Holmes [mailto:m...@philholmes.net]
Sent: Sunday, August 18, 2013 1:49 AM
To: Trevor Daniels; Mark Stephen Mrotek
Hello:
I want to beam a chord in the treble staff to a chord in the bass staff and
have the beam slanted between the two staves.
I have searched the manual for beams
http://www.lilypond.org/doc/v2.16/Documentation/notation/beams
and the mail archives and have not found the instructions.
: Re: search term for beams
Am 25.08.2013 18:58, schrieb Mark Stephen Mrotek:
Hello:
I want to beam a chord in the treble staff to a chord in the bass
staff and have the beam slanted between the two staves.
I have searched the manual for beams
http://www.lilypond.org/doc/v2.16/Documentation
Frédéric,
Exactly! Thank you.
Mark
-Original Message-
From: Frédéric Bron [mailto:frederic.b...@m4x.org]
Sent: Sunday, August 25, 2013 10:05 AM
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re: search term for beams
I want to beam a chord in the treble staff to a chord
Hello:
In the attached snip, the first beat of the second measure has a f4.
without a stem.
The error messages suggests using polyphonic voices. Since I am using \\
, I do not know what that means.
I have tried changing stem direction - \stemUp, \stemDown.
I have tried shifting the
]
Sent: Tuesday, August 27, 2013 12:27 PM
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re: stemless note
2013/8/27 Mark Stephen Mrotek carsonm...@ca.rr.com:
Hello:
In the attached snip, the first beat of the second measure has a f4.
without a stem.
The error messages suggests using
1:00 PM
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re: stemless note
2013/8/27 Mark Stephen Mrotek carsonm...@ca.rr.com:
Mr. Morley:
Thank you for your response and suggestion.
This error is the only occurrence in the 118 measure piece. Can I
insert the \newVoice just here and revert
1:58 PM
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re: stemless note
2013/8/27 Mark Stephen Mrotek carsonm...@ca.rr.com:
Mr. Morley:
Thank you. Using your previous suggestion I created the attached
(StemCollision.ly) that prints the stem yet the head collides with the g1.
What would
Hello:
In a previous thread
(http://lists.gnu.org/archive/html/lilypond-user/2013-08/msg00673.html), a
Chopin Nocturne was discussed that has polymetrics starting on the second
page of the score. I have looked at the .ly file (attached) and have a
minimal understanding of the \set
Trevor:
Thank you for your reply and the references.
Mark
-Original Message-
From: Trevor Daniels [mailto:t.dani...@treda.co.uk]
Sent: Saturday, August 31, 2013 2:14 AM
To: Mark Stephen Mrotek; lilypond-user@gnu.org
Subject: Re: polymetics in piano
Mark Stephen Mrotek wrote Saturday
Hello!
In the attached snippet I want to indicate that the f4 at the end of the
first alternative should be tied upon repeat to the f at the beginning of
the repeated section.
Using ~ does not work as Lilypond considers it unterminated.
What should I do?
Thank you for your kind
Robert:
Thank you for your reply and the suggestion. I tried \laissezVibrer. It just
did not look long enough. I shall put it in the score.
Mark
From: Robert Schmaus [mailto:robert.schm...@web.de]
Sent: Tuesday, September 03, 2013 9:49 AM
To: Mark Stephen Mrotek
Cc: lilypond-user
Mr. Holmes,
I did reply to all. Your name was the only one to which I could reply!
Mark
From: Phil Holmes [mailto:m...@philholmes.net]
Sent: Tuesday, September 03, 2013 9:58 AM
To: Mark Stephen Mrotek; LilyPond User Group
Subject: Re: Tie over Repeat Bar
Please remember to reply
Gentlemen:
Thank you for your replies and the references. This shall be my first foray
into tweaking. I am sure that, as always, suggestions from the users shall
increase my knowledge.
Mark
___
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lilypond-user@gnu.org
To: lilypond-user@gnu.org
Subject: Re: Tie over Repeat Bar
On 04/09/13 03:03, Mark Stephen Mrotek wrote:
Robert:
Thank you for your reply and the suggestion. I tried \laissezVibrer. It just
did not look long enough. I shall put it in the score.
LV ties can be lengthened. If you want all LV
not complicated. A
person, as myself, with limited knowledge of computer programming can
produce legible and attractive scores.
Mark Stephen Mrotek
Bach, Four Duets, Clavier-Ubung III, BWV 803 - 806
Bach, Fuge, BWV 947
Bach, Inventio, BWV 777
Bach, Six Preludes, BWV 933 - 938
Bach
Ed:
In the manual
http://www.lilypond.org/doc/v2.16/Documentation/notation/beams#setting-autom
atic-beam-behavior
is a discussion on changing how automatic beaming works. Scroll down until
you see the phrases:
\set Timing.baseMoment = #(ly:make-moment 1 8)
\set Timing.beatStructure =
Hello:
A partial measure contains 1 and 1/16 beat. How is that notated in the
command \partial?
Thank you.
Mark
___
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lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
-user
Subject: Re: Anacrusis
On Sat, Sep 7, 2013 at 11:35 PM, Carl Peterson carlopeter...@gmail.com
wrote:
On Sat, Sep 7, 2013 at 11:28 PM, Mark Stephen Mrotek carsonm...@ca.rr.com
wrote:
Hello:
A partial measure contains 1 and 1/16 beat. How is that notated in the
command \partial
07, 2013 9:41 PM
To: lilypond-user@gnu.org
Subject: Re: Anacrusis
On 08/09/13 13:28, Mark Stephen Mrotek wrote:
Hello:
A partial measure contains 1 and 1/16 beat. How is that notated in the
command \partial?
Use Timing.measurePosition instead:
\version 2.17.25
\relative c'' {
\set
Jim:
Thank you for your reply and the second way to accomplish the partial
measure.
Mark
-Original Message-
From: Jim Long [mailto:lilyp...@umpquanet.com]
Sent: Saturday, September 07, 2013 11:30 PM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: Anacrusis
On Sat, Sep
Mr. Payne:
Read the documentation. It is an addition to 2.17 that is not in 2.16.2
which is the one that I regularly use.
Mark
From: Nick Payne [mailto:nick.pa...@internode.on.net]
Sent: Saturday, September 07, 2013 10:56 PM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject
Hello:
At the end of the second alternative ending in the attached snippet an
unwanted bar appears and disrupts the meter.
I have experimented with placing
\set Timing.measurePosition = #(ly:make-moment 3/8)
after the second alternative. Using it restores the meter. It does not
remove the
Mr. Bailey,
Thank you for your reply and the detailed corrections. I will study both of
them to increase my knowledge.
Mark
From: bina...@gmail.com [mailto:bina...@gmail.com] On Behalf Of Simon Bailey
Sent: Sunday, September 08, 2013 11:30 AM
To: Mark Stephen Mrotek
Cc: lilypond-user
you have done to help me, a learner.
Mark
From: bina...@gmail.com [mailto:bina...@gmail.com] On Behalf Of Simon Bailey
Sent: Sunday, September 08, 2013 11:30 AM
To: Mark Stephen Mrotek
Cc: lilypond-user Mailinglist
Subject: Re: Extra Bar
hi,
On Sun, Sep 8, 2013 at 8:11 PM, Mark
on the same horizontal line?
This issue is more aesthetic than practical.
Thank you for your kind attention.
Mark Stephen Mrotek
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lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Mr. Holmes,
Thank you for your reply and the instructions. I shall follow them.
Mark
-Original Message-
From: Phil Holmes [mailto:m...@philholmes.net]
Sent: Monday, October 07, 2013 7:01 AM
To: Mark Stephen Mrotek; lilypond-user@gnu.org
Subject: Re: Piano pedal - horizontal alignment
Subject: Re: cadenza and bars
At 09:17 on 08 Oct 2013, Mark Stephen Mrotek wrote:
Hello,
In the attached snippette
1. A bar should not be at the beginning of the cadenza, i.e.,
after the bes bes' 2.,
2. A bar should be at the end of the cadenza before the
beginning of a new measure, g8
(see red below).
Mark Stephen Mrotek
\new Staff = main \relative c'' {
c4 b d cd
{ c4 b d c }
\new Staff \with {
\remove Time_signature_engraver
alignAboveContext = #main
fontSize = #-3
\override StaffSymbol #'staff-space = #(magstep -3
the key signature (with.ly).
Be assured that I made this suggestion after encounter and resolving an
issue in my encoding.
Mark Stephen Mrotek
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf
the original and the ossia would be for the same instrument. I cannot
think of an example (my experience is with the piano) in which the ossia is in
a different key than the rest of the composition.
Mark Stephen Mrotek
From: Ralph Palmer [mailto:palmer.r.vio...@gmail.com]
Sent: Thursday
Mrotek
From: Wim van Dommelen [mailto:m...@wimvd.nl]
Sent: Friday, October 11, 2013 7:51 AM
To: Mark Stephen Mrotek
Cc: 'Ralph Palmer'; 'lilypond-user Mailinglist'
Subject: Re: Ossia - Documentation Recommendation
One other example is a piece for clarinet. For example in a symphonic
orchestra
Mr. Bailey,
My recommendation was based on an attempt to utilize the snippet as
presented. It did not do what I needed. I then added the \key command were I
recommend and it did work. This seems to be a whole lot of kerfuflle over a
simple, honest, recommendation.
Mark Stephen Mrotek
Mr. Bailey,
Noted. Thank you.
Mark
-Original Message-
From: bina...@gmail.com [mailto:bina...@gmail.com] On Behalf Of Simon Bailey
Sent: Sunday, October 13, 2013 5:15 AM
To: Mark Stephen Mrotek
Cc: Wim van Dommelen; lilypond-user Mailinglist
Subject: Re: Ossia - Documentation
Hello,
Where in the manual (2.16.2) are instructions for coding a cadenza for two
hands (piano)?
Thank you,
Mark Stephen Mrotek
___
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lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
, October 18, 2013 9:28 AM
To: Mark Stephen Mrotek
Cc: lilypond-user Mailinglist
Subject: Re: cadenza for two hands
On Fri, Oct 18, 2013 at 6:23 PM, Mark Stephen Mrotek carsonm...@ca.rr.com
wrote:
Where in the manual (2.16.2) are instructions for coding a cadenza for
two hands (piano)?
does
Peter,
Does this help?
\version 2.16.2
global = {
\key c \major
\numericTimeSignature
\time 6/8
}
violin = \relative c'' {
\global
c8 [ c c ] c [ c c ] |
c [ c ] c [ c ] c [ c ] |
}
\score {
\new Staff \violin
\layout { }
}
Mark
Hello,
The attached snippet is from http://lsr.dsi.unimi.it/LSR/Snippet?id=445.
It was copied (select all, copy) into Frescobaldi 2.0.11 using Lilypond
2.16.2. The octaves do not appear.
What adjustment must be done?
Thank you.
Mark
%LSR This function was contributed by Jay
Mr. Bailey,
Thank you for your reply and the alternative snippet. Should the correct
one replace the one I found?
Mark
-Original Message-
From: bina...@gmail.com [mailto:bina...@gmail.com] On Behalf Of Simon Bailey
Sent: Tuesday, October 22, 2013 3:58 PM
To: Mark Stephen Mrotek
Cc
Hello,
What should be done to get rid of the unnecessary bar in the second ending?
Thank you.
Mark
\version 2.16.2
global = {
\key es \major
\numericTimeSignature
\time 3/4
\override TupletBracket #'bracket-visibility = ##f
\override TupletNumber #'stencil = ##f
}
right =
.
Mark
-Original Message-
From: Thomas Morley [mailto:thomasmorle...@gmail.com]
Sent: Friday, October 25, 2013 4:15 PM
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re: Extra Bar
2013/10/26 Mark Stephen Mrotek carsonm...@ca.rr.com:
Hello,
What should be done to get rid
Jelle,
I have encountered this a few times and with the help of others have used
this:
http://www.lilypond.org/doc/v2.16/Documentation/internals/breakalignment
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
Mr. McClure,
https://owl.english.purdue.edu/owl/resource/560/10/ states:
Computer Software/Downloaded Software
Software that is downloaded from a Web site should provide the software's
version and year when available.
Hayes, B., Tesar, B., Zuraw, K. (2003). OTSoft: Optimality Theory Software
Mr. McClure,
My understanding is that Lilypond is the result of the collaboration of many
programmers. I suggest that you contact Mr. David Kastrup for how to ascribe
authorship.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
Hello,
Using the instructions at
http://lilypond.org/doc/v2.16/Documentation/notation/expressive-marks-attach
ed-to-notes
I can get an accidental either above or below the turn (see attached).
What command should be added (and in what order) to get an accidental both
above and below the
the priorities directly
(not tested)
hth
Eluze
Am 31.10.2013 23:00, schrieb Mark Stephen Mrotek:
Hello,
Using the instructions at
http://lilypond.org/doc/v2.16/Documentation/notation/expressive-marks-attach
ed-to-notes
I can get an accidental either above or below the turn (see attached
Mr. Rivers,
Attached is my solution. Might not be the best, yet may give some ideas.
Mark
\version 2.16.2
global = {
\key bes \major
\time 4/4
}
right = \relative c'' {
\global
r32 aes, c fis c'8
\change Staff = left
\stemUp
d,,32 [ ees f g ]
\change Staff = right
Hello,
In the attached example I want the beams in the upper staff second measure
to be parallel (angled) to the beams in the lower staff second measure, as
they are at the end of the first measure.
Thanks for your help.
Mark
\version 2.16.2
global = {
\key a \major
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re: Angled Beams
Hi Mark,
On Mon, Nov 11, 2013 at 11:16 AM, Mark Stephen Mrotek carsonm...@ca.rr.com
wrote:
Hello,
In the attached example I want the beams in the upper staff second measure to
be parallel (angled) to the beams
To: lilypond-user@gnu.org
Subject: Re: Angled Beams
Mark Stephen Mrotek carsonm...@ca.rr.com writes:
David,
Thank you for your response and directions. When inserted Ignoring
non-music expression
\override Beam.damping =
#3
I am using 2.16.2
9:43 AM
To: lilypond-user@gnu.org
Subject: Re: Angled Beams
Mark Stephen Mrotek carsonm...@ca.rr.com writes:
David,
Thank you for your response and directions. When inserted Ignoring
non-music expression
\override Beam.damping =
#3
I am using 2.16.2
Agostinho
Sent: Monday, November 11, 2013 10:32 AM
To: lilypond-user@gnu.org
Subject: RE: Angled Beams
Mark Stephen Mrotek wrote
The command was inserted. I do not see a change. My error?
On my 2.17.95 it does show a difference. You can also try the command \once
\override Beam #'positions = #'(10
Of
Gilberto Agostinho
Sent: Monday, November 11, 2013 10:45 AM
To: lilypond-user@gnu.org
Subject: RE: Angled Beams
Mark Stephen Mrotek wrote
Yes! Thank you for the direction/instruction. Now I shall look it up
in the manual and play with the parameters.
I am glad it worked out. The Beam #'positions
Mr. Nalesnik,
That you for the information.
Mark
From: David Nalesnik [mailto:david.nales...@gmail.com]
Sent: Monday, November 11, 2013 11:24 AM
To: Mark Stephen Mrotek
Cc: Gilberto Agostinho; lilypond-user
Subject: Re: Angled Beams
Hi Mark and Gilberto,
carsonm...@ca.rr.com
Mr. O'Hara:
My use of the ragged bottom is very particular. I use Lilypond to set piano
scores for viewing on a tablet (easy page turning!). In a set of variations,
some (if not all) of the variations might not be long enough to fill the
page, and two consecutive variations would be too much.
Joram,
In 2.16.2 it is at
http://www.lilypond.org/doc/v2.16/Documentation/learning/voices-contain-musi
c
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Noeck
Sent: Sunday, November
/v2.16/Documentation/learning/moving-objects
Mark
-Original Message-
From: Noeck [mailto:noeck.marb...@gmx.de]
Sent: Sunday, November 17, 2013 3:04 PM
To: Mark Stephen Mrotek; lilypond-user@gnu.org
Subject: Re: How to structure piano music?
http://www.lilypond.org/doc/v2.16
Ian,
Code ran without errors for me under 2.16.2.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Ian
Barclay
Sent: Tuesday, November 19, 2013 10:30 AM
To: lilypond-user@gnu.org
Subject: Re:
frustrated me.
Mark Stephen Mrotek
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
David Kastrup
Sent: Monday, December 02, 2013 7:16 AM
To: Phil Burfitt
Cc: lilypond-user@gnu.org
Subject: Re
Richard,
This may help:
http://www.lilypond.org/doc/v2.16/Documentation/notation/beams#setting-autom
atic-beam-behavior
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Richard Shann
Mr. McClure,
On two previous mailings I have extoled the values of Lilypond for the new
user (loaded mine this last March), or what might be called its out of the
box capabilities. Since installation I have transcribed 20+ piano scores
for my own study and use. All of them are crisper than the
Mr. Wakeling,
Thank you for the reply and the explanation. Seems to me to be a simple
solution for some of the objections.
Mark
-Original Message-
From: Joseph Rushton Wakeling [mailto:joseph.wakel...@webdrake.net]
Sent: Saturday, December 07, 2013 7:45 AM
To: Mark Stephen Mrotek
.
That hot link goes to a page that has a section titled Easier editing
environments. A hot link takes one to a list including Frescobaldi.
I cannot conceive of anything more straight forward.
Mark Stephen Mrotek
___
lilypond-user mailing
Mr. Harkins,
Two or three hops are not too much for anyone that reads and follows directions.
Mark Stephen Mrotek
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of James
Harkins
Sent
Mr. Harkins,
Perhaps my faith is not so much an problem as is your cynicism.
Mark
From: James Harkins [mailto:jamshar...@gmail.com]
Sent: Sunday, December 08, 2013 8:03 PM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: RE: A thought on Windows Experience
On Dec 9
Mr. Peterson,
Thank you for your reply and conciliatory suggestion.
Mark
From: Carl Peterson [mailto:carlopeter...@gmail.com]
Sent: Sunday, December 08, 2013 8:27 PM
To: jamshar...@dewdrop-world.net
Cc: Mark Stephen Mrotek; Mailinglist lilypond-user
Subject: RE: A thought on Windows
Hello:
In the attached snippet, what do I do to
1. Lower the turn and accidental, i.e. move it closed to the staff,
and
2. Avoid collision with the slur?
The code was taken from
http://lilypond.org/doc/v2.16/Documentation/notation/expressive-marks-attach
ed-to-notes
To: Mark Stephen Mrotek
Cc: LilyPond User Group
Subject: Re: delayed turn - vertical height
before the turn
\override TextScript #'extra-offset = #'(4.4 . 0)
adjust the numbers as needed.
On Tue, Dec 10, 2013 at 7:12 PM, Mark Stephen Mrotek carsonm...@ca.rr.com
wrote:
Hello:
In the attached
Shane Brandes,
Please allow me to tap your expertise once again.
In most cases the command you gave worked. Two identical ( as far as I can
see ) codes are not producing identical engravings.
My error?
Thank you.
Mark
\version 2.16.2
global = {
\key g \minor
Mr. Kastrup,
Thank you for your input and providing another learning experience.
Mark
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Thursday, December 12, 2013 6:57 AM
To: Mark Stephen Mrotek
Cc: 'Shane Brandes'; lilypond-user@gnu.org
Subject: Re: Turns
Mark
Tom,
My knowledge is that it indicates an up bow.
See: http://andrewhugill.com/manuals/violin/bowing.html
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Tom
van der Hoeven
Sent: Sunday, December
Hello,
The key change in the upper staff can be properly aligned (after the g) if
I use \bar '' '' and \break. This disrupts Lilypond's auto-spacing.
Is another solution possible?
Thank you.
Mark
\version 2.16.2
global = {
\key c \major
\numericTimeSignature
\time 4/2
PM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: mid-measure key change
If this is something you're composing, general practice would suggest you
move it to the beginning or end of the bar. That said, you could make time
signatures and bar lines temporarily invisible
, December 15, 2013 8:25 PM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org; bug-lilyp...@gnu.org
Subject: Re: mid-measure key change
Mark Stephen Mrotek carsonm...@ca.rr.com writes:
Hello,
The key change in the upper staff can be properly aligned (after the
g) if I use \bar '' '' and \break
OHara
Sent: Sunday, December 15, 2013 11:40 PM
To: lilypond-user@gnu.org
Subject: Re: mid-measure key change
Mark Stephen Mrotek carsonmark at ca.rr.com writes:
The key change in the upper staff can be properly aligned (after the
“g”)
if I use \bar '' '' and \break. This disrupts Lilypond’s auto
Gentlemen,
In context, Schubert Impromptu D. 899, the command lines
\once\override Score.BarLine #'transparent = ##t
\once\override Score.SpanBar #'transparent = ##t
\bar|
Inserted the key change correctly. Lilypond maintained spacing and broke the
line after the key change.
Urs Liska,
No problem with Beethoven #19.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Urs
Liska
Sent: Tuesday, December 17, 2013 2:33 PM
To: lilypond-user
Subject: Setting to
Bombcar,
I don't know why it does not work, yet a see in one line \stanzaII and
later it is \stanzaVI. Perhaps this is the cause.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Stephen Mrotek wrote
As an example of the inconsistency, one measure was repeated 9 times -
see turn.ly and turn.pdf. The turn should be between the c8. and the
d16 . All turns should be under the slur.
What should I change?
please always reduce your code to minimal!
the following code
20.12.2013 03:27, schrieb Mark Stephen Mrotek:
Why is it that the code presented in the manual ( and copied in my
exampled
) does not produce in my work the same as is in the manual?
Not seeing into the original issue I'd ask nevertheless: Are you sure that
you use the manual version
:36 AM
To: lilypond-user@gnu.org
Subject: RE: delayed turn
Mark Stephen Mrotek wrote
The length of the code was to demonstrate the inconsistencies, i.e.,
nine separate instances produce randomly two different results.
you can write \repeat unfold 9 {...} so the reader is sure
Simon,
Again, thanks for your kind attention.
Yes, I have plans - not today - to reinstall Lilypond and see if that
remedies the code.
Mark
From: bina...@gmail.com [mailto:bina...@gmail.com] On Behalf Of Simon Bailey
Sent: Friday, December 20, 2013 2:13 AM
To: Mark Stephen Mrotek
turn
Mark Stephen Mrotek wrote
It is here,
http://lists.gnu.org/archive/html/lilypond-user/2013-12/txtHVW62yOy_y.txt
this is a archive/mailing list!
Eluze
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/delayed-turn-tp156135p156185.html
Sent from the User mailing list
-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Eluze
Sent: Friday, December 20, 2013 8:43 AM
To: lilypond-user@gnu.org
Subject: RE: delayed turn
Mark Stephen Mrotek wrote
Thank you. Please see attached.
BadTurns.ly (881 bytes)
lt
Mr. Brandes
Bulmer MT has accented small caps as part of the font family.
http://www.fonts.com/font/adobe/bulmer/complete-family-pack
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Xavier Noria,
Look at
http://www.lilypond.org/doc/v2.16/Documentation/notation/short-repeats
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Xavier
Noria
Sent: Saturday, December 21, 2013 6:25 PM
Mr. Kastrup,
Please help me with my understanding of this issue.
Why is
http://www.lilypond.org/doc/v2.16/Documentation/notation/short-repeats
not an acceptable solution?
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
Ed,
The second measure have 5 beats. Eliminate one of them and the extra
measure disappears.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Ed
Faulk
Sent: Wednesday, December 25,
Hello,
Does 2.18 install over the previous version (2.16.2 for me), or must the
previous version be uninstalled first?
http://www.lilypond.org/doc/v2.17/Documentation/usage/invoking-convert_002dl
y
gives instructions for converting files.
My command prompt comes up as
C:\users\Owner.
A is missing from the version number.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
i...@soundand.com
Sent: Saturday, January 04, 2014 10:33 AM
To: Lilypond User
Subject: Header
Gentlemen,
If each pitch name is enclosed in , the octaves are formed.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Daniel Rosen
Sent: Sunday, January 05, 2014 8:52 AM
To:
Rafael,
The order of prefatory symbols can be altered using the command listed here:
http://www.lilypond.org/doc/v2.17/Documentation/internals/break_002dalignment_002dinterface
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
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