David Kastrup,
Thank you for your kind attention to my request.
I shall attempt both of your procedures.
Mark
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Friday, November 01, 2019 4:33 PM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: Notation
David,
It compiled perfect from Frescobaldi for me.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of David Menéndez Hurtado
Sent: Monday, November 11, 2019 8:17 AM
To: lilypond-user@gnu.org
Subject: Very weird output on any compilation
Karsten.
Perhaps:
\paper {
ragged-bottom = ##f
}
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Karsten Reincke
Sent: Saturday, November 09, 2019 10:32 AM
To: Phil Holmes ; Lilypond-User Mailing List
Cc:
Same with me 1:01 pm PST
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Aaron Hill
Sent: Friday, November 15, 2019 12:18 PM
To: lilypond-user@gnu.org
Subject: Re: Has LSR moved?
On 2019-11-15 11:39 am, David Sumbler
Paolo,
Why not place the entire chord in the treble?
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Paolo Pr
Sent: Sunday, December 08, 2019 4:28 PM
To: kieren_macmillan kieren_macmillan
Cc: lilypond-user
Subject: Re: Collision
Hello,
https://www.staffpad.net/
Mark
Andrew
My error in not stating purpose for posting the web site.
Perhaps someone in the Lilypond community had seen/tried it and could
comment.
Mark
Jacques,
You do not need to use chord notation and the \set command.
Fingering down indicated by the _ (underscore), e.g., a,4_3, and the up
fingering by the ^ (carat), e.g., e^1
The - (dash) is a neutral setting and Lilypond decides according to voice
number.
Mark
-Original Message-
Jacques,
Not to my knowledge/experience (I set 18th C Piano music).
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Jacques Menu
Sent: Thursday, December 05, 2019 2:34 AM
To: Thomas Morley
Cc: lilypond-user
Subject:
Reggie,
The piano staff need more "spacers."
In the treble and bass change both to "s1*3 s8."
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Reggie
Sent: Monday, October 28, 2019 3:32 AM
To: lilypond-user@gnu.org
Brian Barker,
Thank you for your replay!
Not really, the 12 measures occur in the middle of the piece.
Mark
-Original Message-
From: Brian Barker [mailto:b.m.bar...@btinternet.com]
Sent: Sunday, October 20, 2019 7:14 PM
To: lilypond-user@gnu.org
Cc: Mark Stephen Mrotek
Subject: Re
+carsonmark=ca.rr@gnu.org]
On Behalf Of Aaron Hill
Sent: Sunday, October 20, 2019 7:06 PM
To: lilypond-user@gnu.org
Subject: Re: note spacing
On 2019-10-20 6:50 pm, Mark Stephen Mrotek wrote:
> A setting of a treble (Hours-treble) 12 measures are spread over three
> lines
> - 4 mea
on Hill
Sent: Sunday, October 20, 2019 9:09 PM
To: lilypond-user@gnu.org
Subject: Re: note spacing
On 2019-10-20 8:28 pm, Mark Stephen Mrotek wrote:
> Thank you for your response and suggestions.
> The \paper command does not make any changes.
> A \break cannot be inserted on any of the measu
David,
Insigtful!
I shall change my proofing.
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of David Nalesnik
Sent: Saturday, November 30, 2019 7:46 AM
To: Jinsong Zhao
Cc: lilypond-user
Subject: Re: How to
Ming,
Perhaps
http://lilypond.org/doc/v2.19/Documentation/notation/context-modification-identifiers
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of MING TSANG
Sent: Tuesday, October 08, 2019 6:23 PM
To: Lilypond-usermailinglist
Knute:
Perhaps the second example under “Slurs” at
http://lilypond.org/doc/v2.19/Documentation/notation/expressive-marks-as-curves
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Knute Snortum
Sent: Sunday, October 13, 2019 3:18 PM
Robert,
Might it be the sostentuto pedal?
http://lilypond.org/doc/v2.19/Documentation/notation/piano
Mark
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Robert Blackstone
Sent: Saturday, December 21, 2019 3:33 AM
To: Robin Bannister
Cc:
Christopher,
No question is stupid – only some responses!
For 1) look here
http://lilypond.org/doc/v2.19/Documentation/learning/automatic-and-manual-beams
For 2) look here
http://lilypond.org/doc/v2.19/Documentation/notation/changing-spacing
Mark
From: lilypond-user
Paolo,
“I suspect it has been made, in the past, for an old fashioned style (not used
in professional engraving, though).”
Looking though my Paderewski Edition of Chopin’s Piano works I find all the
pedaling indications horizontally aligned. See an excerpt from Nocturne #12.
This is
Dario,
Perhaps this link can give you some ideas.
https://www.howtogeek.com/39/how-to-insert-music-symbols-in-a-word-document/
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Dario Marrini
Sent: Saturday, April 11, 2020 11:28
Anders,
Thanks for teaching a old dog some new tricks!
Mark
From: Anders Eriksson [mailto:lilyp...@andis59.se]
Sent: Sunday, March 15, 2020 12:24 PM
To: Mark Stephen Mrotek ; lilypond-user@gnu.org
Subject: Re: Convert-ly adds line breaks
On 2020-03-15 20:18, Mark Stephen Mrotek
Mark,
The same happened when I used convert.ly.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Mark Mathias
Sent: Sunday, March 15, 2020 3:26 AM
To: lilypond-usermailinglist
Subject: Convert-ly adds line breaks
Running
To: lilypond-user@gnu.org
Subject: Re: Convert-ly adds line breaks
On 2020-03-15 18:48, Mark Stephen Mrotek wrote:
Mark,
The same happened when I used convert.ly.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Mark Mathias
Sent
Fr. Samuel.
1) The bar instructions are in printer's (curly) double quotes.
2) The timing = ##f may be incorrectly written/located. See:
http://lilypond.org/doc/v2.19/Documentation/learning/gregorian-transcription-template.
Mark
-Original Message-
From: lilypond-user
Gentlemen,
Perhaps “R1”?
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Carl Sorensen
Sent: Tuesday, April 14, 2020 10:25 AM
To: Bernhard Kleine ; lilypond-user mailinglist
Subject: Re: h1\rest instead of R1 will not be centered
The natural a minor scale does not contain any sharps.
The harmonic a minor scale has the f sharp.
The melodic a minor scale has the g sharp and the f sharp.
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of antlists
Lilypond doesn't know. Somewhere along the line human knowledge/input is
required.
Mark
-Original Message-
From: antlists [mailto:antli...@youngman.org.uk]
Sent: Monday, May 18, 2020 4:33 PM
To: Mark Stephen Mrotek ; lilypond-user@gnu.org
Subject: Re: Suggestion to make sharps
Gentlepersons,
Without the "h" would we have Liszt's Fantasy and Fugue on BACH or Schumann's
Six Fugues on BACH?
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of David Wright
Sent: Thursday, May 14, 2020 11:46 AM
To:
Jacques,
Look at
http://lsr.di.unimi.it/LSR/Search?q=merge+rests
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Jacques Menu
Sent: Tuesday, May 19, 2020 12:32 AM
To: lilypond-user
Subject: Re: Rests vertical
Jacques,
Most welcome.
Mark
-Original Message-
From: Jacques Menu [mailto:imj-muz...@bluewin.ch]
Sent: Tuesday, May 19, 2020 8:00 AM
To: Mark Stephen Mrotek
Cc: Jacques Menu ; lilypond-user
Subject: Re: Rests vertical position problem
Hello Mark,
Thanks a lot, I looked
Very Welcome, Roland,
.
The 3-voice that I could readily find is WTC I – 3. It is attached.
Be free to ask and questions or request clarifications.
Mark
From: R.H. [mailto:roland.huettm...@gmail.com]
Sent: Saturday, May 23, 2020 11:34 AM
To: Mark Stephen Mrotek
Cc: lilypond-user
Roland,
I doubt is anyone can provide a “better” way since that valuation is entirely
based on how the way works for you.
When I set the 3-part fugues I use two staves. The soprano and alto in the
upper and the bass in the lower. If the alto moves into the region of the bass
that is
Jean,
They are the individual movements.
M
From: Jean Abou Samra [mailto:j...@abou-samra.fr]
Sent: Friday, October 16, 2020 12:45 PM
To: Mark Stephen Mrotek ; lily...@lionunicorn.co.uk;
'Lilypond-User Mailing List'
Subject: Re: headers, and what include doesn't do
Le 16/10/2020
Jean,
I have sent all four files to you.
Mark
From: Jean Abou Samra [mailto:j...@abou-samra.fr]
Sent: Friday, October 16, 2020 1:12 PM
To: Mark Stephen Mrotek ; lily...@lionunicorn.co.uk;
'Lilypond-User Mailing List'
Subject: Re: headers, and what include doesn't do
Le 16/10
Jean,
With respect, I disagree.
See my attached code for a Mozart Sonata.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Jean Abou Samra
Sent: Friday, October 16, 2020 6:51 AM
To: lily...@lionunicorn.co.uk; Lilypond-User Mailing List
Jean,
My pleasure.
All four files are attached.
Mark
From: Jean Abou Samra [mailto:j...@abou-samra.fr]
Sent: Friday, October 16, 2020 1:23 PM
To: Mark Stephen Mrotek ; 'Lilypond-User Mailing List'
Subject: Re: headers, and what include doesn't do
Hi Mark,
Le 16/10/2020 à 21:51
Claire,
Some suggestions.
Use only two voices, one in each staff.
The treble clef in the lower staff is a result of the “grace note bug.” A
spacer grace note must be put in the lower staff aligned to the one in the
upper staff.
If cross staff stems is necessary you can create a second
Claire,
Shall try somethings this morning and get back to you.
Mark
From: Claire Meyer [mailto:claire.meyer.bourhis.lilyp...@gmail.com]
Sent: Thursday, August 27, 2020 9:40 AM
To: Mark Stephen Mrotek
Cc: Lilypond-User Mailing List
Subject: Re: Problem with cross-staff colliding
Hello,
In the attached snippet the stems should connect.
I have been following
http://lilypond.org/doc/v2.19/Documentation/notation/common-notation-for-key
boards#cross_002dstaff-stems
yet I must be missing something.
Mark
\version "2.19.49"
\score {
\layout{
indent = #0
Elaine,
I have my codes for 6, 12, and 13.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Flaming Hakama by Elaine
Sent: Friday, August 14, 2020 12:00 PM
To: Lilypond-User Mailing List
Subject: kind of OT: bach inventions
I
Andrew,
I code only piano scores. My experience is that the "grace issue" only arises
at the beginning of a system (either partial or whole measure).
Graces that occur in subsequent measures do not require the "spacer grace" in
the other voice.
M
-Original Message-
From: lilypond-user
Kenneth,
Use _._> after each pitch.
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Kenneth Wolcott
Sent: Monday, September 21, 2020 1:46 PM
To: lilypond-user@gnu.org
Subject: How do I engrave this articulation? a
Roland,
I have set several of the Bach Fugues. Attached (and below) is the template I
use. It is for four voices.
Mark
\version "2.19.49"
\header {
}
\new PianoStaff <<
\new Staff = "upper" <<
\time 4/4
\key f \minor
\new Voice = "soprano"
{ \voiceOne
Tom,
I do not know of a canonical way, yet here is code the create “thumb brackets.”
Mark
https://lists.gnu.org/archive/html/lilypond-user/2015-11/txt6sGQp9BPp7.txt
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Tom Sgouros
Sent:
Tom,
Welcome.
Mark
From: Tom Sgouros [mailto:tomf...@as220.org]
Sent: Wednesday, September 16, 2020 9:08 AM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: left-hand marking
Thank you. Had to hunt for "thumbBracket.ily", but this has the output I want,
Mike,
When I remove the “\break” the empty staff disappears.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Mike Dean
Sent: Saturday, October 24, 2020 5:05 PM
To: lilypond-user@gnu.org
Subject: I ought to have a bar line here...
On Sat, Oct 24, 2020 at 5:51 PM Mark Stephen Mrotek mailto:carsonm...@ca.rr.com> > wrote:
Mike,
When I remove the “\break” the empty staff disappears.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark
<mailto:lilypond-user-bounces%2Bcarsonmark> =ca.rr
David,
It compiled correctly under 2.20.
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of David Sumbler
Sent: Thursday, August 6, 2020 10:12 AM
To: lilypond-user@gnu.org
Subject: "Ghost" trills
Having implemented some
Ken,
Can you provide a small, working example of your code?
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Kenneth Wolcott
Sent: Sunday, August 9, 2020 2:55 PM
To: lilypond-user@gnu.org
Subject: Attempting to tie
Kenneth,
Exactly where do you want to insert the "rit."?
After the "cresc."?
If so, does this work?
\version "2.20.0"
\relative c'' {
c1_\markup {\italic "cresc. rit."} | d | b | c
}
Mark
-Original Message-
From: lilypond-user
David,
Would you, or someone else, direct me to "\voices" in the manual.
I might be using incorrect search terms.
Thank you,
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
David Zelinsky
Sent: Tuesday, June 30, 2020
David,
Thank you.
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
David Zelinsky
Sent: Tuesday, June 30, 2020 7:32 PM
To: lilypond-user@gnu.org
Subject: Re: ties between voices
"Mark Stephen Mrotek" writes
Paolo,
A quick examination of pieces in my collection showed that the following
editions did not use brackets for the pedal, rather Ped. * was used.
Paragon, Fryderyka Chopin Institute, Breitkopf & Hartel, and Edwin F. Kalmus.
Mark
From: lilypond-user
20 3:26 PM
To: Mark Stephen Mrotek
Cc: jasm...@gmail.com; lilypond-user@gnu.org
Subject: Re: trouble with alignment for a guitar piece
For the doubled b (the first notes) you’ll want
\once \override NoteColumn.force-hshift = #1
before the b in voice 2
> 28 juni 2020 kl. 23:34 skrev Mark S
Jasmuth,
See the attached.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of jasm...@gmail.com
Sent: Sunday, June 28, 2020 12:04 PM
To: lilypond-user@gnu.org
Subject: trouble with alignment for a guitar piece
Hi lilypond folks,
Pierre,
Yet the voice shift command has a “\once”.
Mark
From: Pierre Perol-Schneider [mailto:pierre.schneider.pa...@gmail.com]
Sent: Monday, June 29, 2020 12:21 AM
To: Mark Stephen Mrotek
Cc: Leo Correia de Verdier ;
jasm...@gmail.com; lilypond-user
Subject: Re: trouble
thing at the same
time."
From: Peter Toye [mailto:lilyp...@ptoye.com]
Sent: Sunday, June 14, 2020 3:22 AM
To: Mark Stephen Mrotek ; 'David Kastrup'
Cc: lilypond-user@gnu.org
Subject: Re: Free rhythm in part of a bar
Mark,
Thanks. That looks fine, but still gives a barcheck error
C:/U
ilto:lilyp...@ptoye.com]
Sent: Tuesday, June 16, 2020 2:25 AM
To: Mark Stephen Mrotek ; 'David Kastrup'
Cc: lilypond-user@gnu.org
Subject: Re: Free rhythm in part of a bar
Mark,
I'm not quite sure what you mean here. A spacer takes the same musical time
as a rest. So replacing 'r2' by 's2' s
Ken,
Look at
http://lilypond.org/doc/v2.19/Documentation/notation/writing-parts#instrument-names
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Kenneth Wolcott
Sent: Sunday, June 21, 2020 5:34 PM
To: Jacques Menu
Jonathan,
I get "unterminated slur".
Place a " ) " after the last c.
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Jonathan Danner
Sent: Saturday, June 20, 2020 1:57 PM
To: lilypond-user@gnu.org
Subject: Error
Robert,
When I set piano four part I let Lilypond do all the work.
I have taken the liberty of recoding the section using four-part voicing.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Robert Blackstone
Sent: Wednesday, June 3,
Hello,
What is the command that resets the next pitch to be on the first beat of a
measure?
Thank you for your kind attention.
Mark
11, 2020 11:32 AM
To: Mark Stephen Mrotek ; 'Lilypond-User Mailing List'
Subject: Re: command request
On 6/11/2020 12:53 PM, Mark Stephen Mrotek wrote:
> What is the command that resets the next pitch to be on the first beat
> of a measure?
How about \partial ?
<http://lilypond.org/
David,
Thanks for your reply.
I found my error, \cadenzaOn was inserted after the first beat of a measure.
Mark
-Original Message-
From: David Rogers [mailto:davidandrewrog...@gmail.com]
Sent: Thursday, June 11, 2020 3:44 PM
To: Mark Stephen Mrotek
Cc: 'Karlin High' ; 'Lilypond-User
Peter,
>From trial and error I learned, if a cadenza is started mid-measure (say on
the second of four beats), then Lilypond want to start the nest meterd part
on the third beat.
The solution is to star the cadenza on the first beat of the measure.
As to the bass it can be "fudged" with a
Peter,
Below is a modification of my original suggestion that allows for the bass
to be aligned with notes after the cadenze.
Mark
\version "2.19.83"
\score {
<<
\new Staff {
\time 4/4
{
c'4 4 4 4 |
\cadenzaOn 4 4 8 8 8 8 8 8 8 8 8 8 \cadenzaOff c'4 c' \bar "|"
John,
This is a known issue.
To compensate place a spacer grace in each of the other voices/staves.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of John Burt
Sent: Friday, July 24, 2020 11:31 AM
To: lilypond-user
Subject: Strange
Helge,
Welcome!
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Helge Kruse
Sent: Sunday, July 26, 2020 11:02 PM
To: Thomas Morley
Cc: lilypond-user@gnu.org
Subject: Re: Position of fingering
Hi Mark,
Thanks, this
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