Re: Faking a time signature

awing systems... Layout output to `/var/folders/jc/xrpy67_x6_vcjfzpzds_9_6mgn/T//lilypond-96yPDq'... Converting to `document.pdf'... Deleting `/var/folders/jc/xrpy67_x6_vcjfzpzds_9_6mgn/T//lilypond-96yPDq'... Success: compilation successfully completed Completed successfully in 0.7 ». > Le 14

Incomplete measure numbering in repeat

Hello folks, In this example (from Gabrieli, faked time signature), is the second alternative's first measure to be numbered 3, or 2? Thanks for your help! JM \version "2.19.44" \relative g' { \set Score.barNumberVisibility = #all-bar-numbers-visible \override

Re: Faking a time signature

Hello Andrew, Marte and Simon, Thanks for the solutions, sorry I missed that topic in december. Maybe such use of Staff.timeSignatureFraction is worth being mentioned in this context in the LPNR? (Score.measureLength is not as of 2.19.31). JM > Le 13 janv. 2017 à 17:13, Simon Albrecht

Faking a time signature

Hello folks, In a Canzon by Gabrieli, we have 4/2 time written as slashed C: I tried: \once \override Score.TimeSignature.stencil = ##f \numericTimeSignature\time 2/2 | % 1 \numericTimeSignature\time 4/2 | % 1 but this displays no time signature at all since both \time’s occur at the

Re: stringTuning question

Hello David, Thanks a lot, I overlooked that! JM > Le 8 janv. 2017 à 18:42, David Kastrup <d...@gnu.org> a écrit : > > Menu Jacques <imj-...@bluewin.ch> writes: > >> Hello folks, >> >> In the second score below, I replaced calls to ly:make-pitch, a

stringTuning question

Hello folks, In the second score below, I replaced calls to ly:make-pitch, as generated by musicxml2ly, by the more modern chord-like notation . Thought the two of them would be equivalent, but I get the following messages: Starting lilypond 2.19.44 [staffTuning problem.ly]...

Re: Arpeggio question

Hello Harm, > \once \set StaffGroup.connectArpeggios = ##t Excellent, thanks! JM > Le 24 déc. 2016 à 00:48, Thomas Morley <thomasmorle...@gmail.com> a écrit : > > Hi, > > 2016-12-24 0:30 GMT+01:00 Menu Jacques <imj-...@bluewin.ch>: >> >> Hello f

Arpeggio question

Hello folks, In the example below, I can’t get the 2 one-note chord in voice P_POne_S_One_V_One to display with an arpeggio alongside it. How can I get this fixed? Thanks for the help! JM % \version "2.19.44" P_POne_S_One_V_One = \relative { \clef "treble" \key a

Re: Strange \key behaviour

Hello David, Oooops, hould have read the log in more detail, sorry… Thanks for your answer! JM > Le 22 déc. 2016 à 13:00, David Kastrup <d...@gnu.org> a écrit : > > Menu Jacques <imj-...@bluewin.ch> writes: > >> Hello folks, >> >> I typed \key t

Strange \key behaviour

Hello folks, I typed \key twice inadvertently, as in: \version "2.19.44" { \key c \major \key b \major \time 4/4 \clef "treble" gis'2. fis4 gis4 gis4 ais4 | % 2 } and got the second \key being ignored it seems as a result: Typing \clef of \time twice in a row doesn’t get such a

Melismata question

Hello folks, The NR tells we can use « __ » to indicate a melismata after the end of a word, such as « chro, » in the sample below. But having that severeal times seems to have no effect. As a matter of style, is it best to have only one occurrence, or one per note after the one starting the

Alternative subtleties

Hello folks, I’ve always used \alternative with a list of bracketed elements, and just found that example in the Notation Reference: \version "2.19.44" forget = #(define-music-function (music) (ly:music?) #{ \accidentalStyle forget #music \accidentalStyle modern #}) {

LilyPond MusicXML export

Hello Folks, A newbie question : does there exist something simililar to \displayMusic, that would display the structure of \score blocks? This could be a starting point for such an export. And also : has it been considered/studied to perform a two-pass compilation of LP, with the first pass

Unpitched notes/sounds

Hello folks, MusicXML has the notion of an unpitched sound: E 5 I didn’t seem to find a way to write that in LP syntax in the documentations. How can one approach that? Maybe a markup above the note? Thanks for your help! JM

Embedded repeats

Hello folks, This sample is compiled and drawn alright (with a confusing look to it, though). Is this just unsupported, or are there use cases for such an embedding? \version "2.19.44" { \repeat volta 2 { c \repeat volta 2 { d \repeat volta 2 { e } } }

Re: set-global-staff-size

Hello Simon, Thanks! JM > Le 25 sept. 2016 à 18:52, Simon Albrecht <simon.albre...@mail.de> a écrit : > > On 25.09.2016 18:38, Menu Jacques wrote: >> Hello folks, >> >> The NR as of 2.19 is not restrictive regarding where a command such as: >> >>

set-global-staff-size

Hello folks, The NR as of 2.19 is not restrictive regarding where a command such as: #(set-global-staff-size 26) can be placed, but I remember someone on this list saying that it should be before the \paper block. What is the exact recommendation/limitation? Thanks for the help! JM

Re: \new and \context clarification

Hello Simon, Thanks for the clarification! JM > Le 23 sept. 2016 à 23:51, Simon Albrecht <simon.albre...@mail.de> a écrit : > > On 23.09.2016 17:43, Menu Jacques wrote: >> Hello folks, >> >> musicxml2ly as delivered with LP 2.19.35 produces score specification

\new and \context clarification

Hello folks, musicxml2ly as delivered with LP 2.19.35 produces scores specifications such as: % The score definition \score { << \new Staff << \context Staff << \context Voice = "PartPOneVoiceOne" { \PartPOneVoiceOne } \new Lyrics

Re: Dynamics inside a chord?

Thanks David. JM > Le 14 sept. 2016 à 14:49, David Kastrup <d...@gnu.org> a écrit : > > Menu Jacques <imj-...@bluewin.ch> writes: > >> Hello folks, >> >> Just for a try: >> >> \version "2.19.44" >> >> \rel

Dynamics inside a chord?

Hello folks, Just for a try: \version "2.19.44" \relative { } runs fine without any message, but also without displaying the \p mark: Starting lilypond 2.19.44 [Untitled]... Processing

Tools suggestions and question

Hello folks, A task I do rather often is to scan PDF files with PhotoScore Ultimate, export to MusicXML and convert to LP with musicxml2ly. Then I have to adapt what I get, among which tasks to shift the bar numbers by a given amount for sections of code in case of pick ups or irregular bars.

Re: LilyJAZZ font for markups

Hello Andrew, That’s a good solution, thanks! JM > Le 8 juil. 2016 à 13:18, Andrew Bernard a écrit : > > Hello JM, > > Why are you not using text spanners for your ritardando? > > For example: > > > \relative { > \override TextSpanner.font-name = "LilyJazz Text"

LilyJAZZ font for markups

Hello, Is there a global setting I could use to have « RIT » in lilyJAZZ text without specifying the font each time with: \override #'(font-name . "LilyJazz Text ») Thanks for the help! JM -- \version "2.19.44" % automatically converted by musicxml2ly from Brothers &

lilyjazz

Hello folks, I’ve seen several posts and web pages regarding lilyjazz, but there seems to be several versions with different file names and contents. Is there kind of a latest version? Thanks for your help! JM ___ lilypond-user mailing list

Keyboard voices choice

Hello folks, My piano experience is that of a beginner, and my question is : are there rules to choose which voices (from 1 to 4) to be used to engrave music when there are many notes assigned to one hand? How do we dispach the various notes into the voices? In complex cases, there seems to

Re: \fromproperty as instrument name

Hello David and Harm, Thanks for your most useful help, and a nice day! JM > Le 19 avr. 2016 à 10:39, Thomas Morley <thomasmorle...@gmail.com> a écrit : > > 2016-04-19 9:58 GMT+02:00 David Kastrup <d...@gnu.org>: >> Menu Jacques <imj-...@bluewin.ch> writes:

\fromproperty as instrument name

Hello folks, I’d like to use the instrument name specified in the header as the actual instrument name: %% \version "2.19.39" \header { instrument = "Premier" } % The score definition \score { { \new Staff << \set Staff.instrumentName = \markup{\fill-line{\fromproperty

Re: Best support programs for Lilypond

t; > On Mon, 2016-03-14 at 11:08 +0100, Menu Jacques wrote: >> Hello, >> >>> Le 6 mars 2016 à 16:07, Richard Shann <rich...@rshann.plus.com> a écrit : >>> >>> It indeed should be able, but MusicXML isn't well adapted to the task: >>&g

Re: Best support programs for Lilypond

Hello, > Le 6 mars 2016 à 16:07, Richard Shann a écrit : > > It indeed should be able, but MusicXML isn't well adapted to the task: > note durations are indicated in multiple ways and there is a timer that > can move backwards to indicate notes that are to be sounded at

Re: Piece/instrument names choice

Hello Kieren, Thanks, I was missing such ideas! One last question: in the following, is there a way to force « CONCERTO » to show up before the beginning of the staff, as Staff.instrumentName would? Playing with X-offset as in: c''1 -\tweak self-alignment-X #-4 -\markup {\fontsize

Re: Piece/instrument names choice

mon Albrecht <simon.albre...@mail.de> a écrit : > > On 07.03.2016 14:39, Menu Jacques wrote: >> Hello folks, >> >> I’m re-scoring the bassoon parts of Spohr’s first clarinet concerto, whose >> originals are hard to read. >> >> They start with move

Re: Text Spanner problem at break

; a écrit : > > > > 2016-02-20 8:50 GMT+01:00 Menu Jacques <imj-...@bluewin.ch > <mailto:imj-...@bluewin.ch>>: > Hello folks, > > I’m trying to achieve the following, with « ritardando » split on two bars > (Louis Spohr, Concerto #1 for Clarinet): > > >

Re: Multi-rest with automatic bar number before and after it

$display-bar-num > R $dur > $display-bar-num > #})) > > { > c''1 > \multiROne 3 > b' > \multiRTwo 1*3 > a' > } > > > HTH, Simon > > On 18.02.2016 18:12, Menu Jacques wrote: >> Hello folks, >> >> With the foll

Multi-rest with automatic bar number before and after it

Hello folks, With the following definitions: myDisplayBarNummber = { \once\override Score.BarNumber.break-visibility = ##(#f #t #t) } multiROne = #(define-music-function (parser location barsNumber)(number?) #{ \myDisplayBarNummber R1*#barsNumber % <—-- not allowed

Re: guileV2 and Lilypond (was: Strings as variable names)

Hello Paul, Thanks a lot for the informatin and links, things are much clearer to me now. JM > Le 3 janv. 2016 à 20:51, Paul Morris <p...@paulwmorris.com> a écrit : > >> On Jan 3, 2016, at 11:14 AM, Menu Jacques <imj-...@bluewin.ch> wrote: >> >> A ne

guileV2 and Lilypond (was: Strings as variable names)

Hello folks, A happy new year 2016 to everybody! A newbie question: what are the expected benefits and challenges of moving from guile 1.8.x to guile 2.y? JM ___ lilypond-user mailing list lilypond-user@gnu.org

Strings as variable names

Hello folks, I’ve found that one can write the following: \version "2.19.33" "bella melodia" = \relative c' { r4- ef\upbow(f) r g | } \score { \"bella melodia" } but I couldn’t find such a possibility in the 2.19.31 Notation Reference, even though that may be useful. Does anyone know

\sourcefilename "foo"

Hello folks, I found in the notation reference manual that one can use that to rename the input file: • At any point in a file, any of the following lexical instructions can be entered: • \version • \include • \sourcefilename • \sourcefileline • A single-line comment, introduced by

Re: \sourcefilename "foo"

Hello David, I had no expectations, just seemed strange that there was no other mention of it in the docs. Thanks for the explanation! JM > Le 26 déc. 2015 à 17:56, David Kastrup <d...@gnu.org> a écrit : > > Menu Jacques <imj-...@bluewin.ch> writes: > >> I f

Forcing bar number display at will

Hello folks, I find it convenient when I don’t have to play for a number of measures to decompose the multiple rests in portions corresponding to what the others play, and to have bar numbers showing up here and then to help catching up when I’ve got to blow again. What I don’t understand in

Re: Forcing bar number display at will

Hello Greg, Now that’s quality service, also suggesting that layout could factorize things out! JM > Le 26 déc. 2015 à 12:38, Greg <gre...@fastmail.co.uk> a écrit : > > On 26/12/2015 11:26, Menu Jacques wrote: >> Hello Greg, >> >> Yes, exactly, thanks for t

Re: Forcing bar number display at will

Hello Greg, Yes, exactly, thanks for the trick! JM > Le 26 déc. 2015 à 11:54, Greg <gre...@fastmail.co.uk> a écrit : > > On 26/12/2015 09:40, Menu Jacques wrote: >> Hello folks, >> >> I find it convenient when I don’t have to play for a number of measures to

Re: Strange Scheme problem

Hello Andrew, Many thanks, here is the final version I’ll use after your proposal, with more readable identifers: A nice day! JM %% \version "2.19.30" #(define (fileName) (let* ((args (program-arguments)) (args-len (length args))) (list-ref args (- args-len

Re: Strange Scheme problem

,On my mac, I just select the text in the log, right click to copy, and paste wherever, as per any application. Does that not work for you?AndrewOn 18/11/2015, 01:36, "Menu Jacques" <lilypond-user-bounces+andrew.bernard=gmail@gnu.org on behalf of imj-...@bluewin.ch> wrote:By the w

Re: Strange Scheme problem

Hi Andrew, The definitions I use actually is: #(define comml (object->string (command-line))) #(define loc (+ (string-rindex comml #\space ) 2)) #(define commllen(- (string-length comml) 2)) #(define filen (substring comml loc commllen)) #(define siz

Re: Strange Scheme problem

Hello David, I just copied/pasted that without analysis, as it happens. My 1€! JM > Le 18 nov. 2015 à 10:11, David Kastrup <d...@gnu.org> a écrit : > > Menu Jacques <imj-...@bluewin.ch> writes: > >> Hi Andrew, >> >> The definitions I use actually i

Re: Controlling markup vertical position

each time the problem arises. Problem solved! JM > Le 16 nov. 2015 à 22:44, Simon Albrecht <simon.albre...@mail.de> a écrit : > > On 16.11.2015 08:08, Menu Jacques wrote: >> Hello, >> >> As it turns out, using \tempo solves the issue: > > Well

Re: Strange Scheme problem

Hello Gilles, Oops, I’d thought I would never fall into using blanks in a directory name… thanks for the hint, it’s OK now! JM PS> Je me suis eu moi-même. > Le 17 nov. 2015 à 20:52, Gilles THIBAULT a écrit : > > >> Recently however, some of them got refused by

Re: Controlling markup vertical position

Hello, As it turns out, using \tempo solves the issue: Cello = \relative f { \clef "bass" \key f \major \time 4/4 \tempo "Bassi" g,2 \f \tempo "Vcl." des''4 \p ( c4 ) | % 18 } \relative { \Cello } JM > Le 15 nov. 2015 à 07:33, Menu Jac

Re: Controlling markup vertical position

\relative f { > \clef "bass" \key f \major \time 4/4 > \textLengthOn > g,2 \f > ^\markup{"Contrabassi"} > des''4 \p ^"Vcl." ( c4 ) | % 18 > } > > \relative { > \Cello > } > > > > Andrew >

Re: Controlling markup vertical position

Hello Andrew, Didnt’ think of it, thanks, but then you’re on your own to avoid collisions, whereas \tempo takes care of that… JM > Le 16 nov. 2015 à 10:17, Andrew Bernard a écrit : > > Hi JM > > You could try using extra-offset: > > \version "2.19.30" > > Cello =

Re: Controlling markup vertical position

2015 à 12:25, Andrew Bernard <andrew.bern...@gmail.com> a écrit : > > Hi JM, > > This is a downside, but in general I find it can be managed pretty well. So > although the use of extra-offset may not be totally philosophically sound and > pure, it is quite pragmatic. >

Controlling markup vertical position

Hello folks, I’ve tried to obtain the following from Mozart: with: \version "2.19.30" Cello = \relative f { \clef "bass" \key f \major \time 4/4 g,2 \f -\tweak Y-offset #ly:self-alignment-interface::y-aligned-on-self -\tweak self-alignment-Y #2 % move vertically down

Re: Parallel CueVoice with "too early" a clef change

: > > On Mon 09 Nov 2015 at 17:00:51 (+0100), Menu Jacques wrote: >> Hello David, >> >> The docs say that the part that « receives » a Cue is usually made of rests, >> but not what happens if they contain actual notes. >> Removing the last eight in the Cue avoids

Re: Parallel CueVoice with "too early" a clef change

clef "bass" \cueClefUnset gis,8 \f ( [ a8 ] | % 90 } b8 [ cis8 d8 e8 ] \bar "||" \time 3/4 fis2 e8 [ d8 ] \bar "||" \time 2/4 d4 -\markup{\italic "céder à peine"} cis4 ) \bar "||" } { \Basson } > Le 8 nov. 2015 à

Re: Parallel CueVoice with "too early" a clef change

four eights won’t show up, and the remaining cue’d contents is shifted as much to the left. JM > Le 9 nov. 2015 à 17:55, David Wright <lily...@lionunicorn.co.uk> a écrit : > > On Mon 09 Nov 2015 at 17:00:51 (+0100), Menu Jacques wrote: >> Hello David, >> &g

Parallel CueVoice with "too early" a clef change

Hello folks, In the following, from Poulenc, I added a CueVoice to help the bassonnist (i.e. myself). The example is a bit long, sorry for that. The critial point is on the second beat of the bar at the « 1 » rehearsal mark: the clef change to « bass » for the bassoon takes effect also for the

Re: musicxml2ly evolution

/www.lilypond.org/doc/v2.19/Documentation/usage/invoking-musicxml2ly> > > > Knute Snortum > (via Gmail) > > On Thu, Oct 29, 2015 at 3:03 AM, Menu Jacques <imj-...@bluewin.ch > <mailto:imj-...@bluewin.ch>> wrote: > Hello folks, > > I’ve started look

Re: musicxml2ly evolution

Thanks Federico, I’ve sent them a mail. JM > Le 29 oct. 2015 à 18:10, Federico Bruni <f...@inventati.org> a écrit : > > Il giorno gio 29 ott 2015 alle 17:56, Menu Jacques <imj-...@bluewin.ch> ha > scritto: >> Sorry for not being more clear, it’s documentation abou

musicxml2ly evolution

Hello folks, I’ve started looking at the internals of musicxml2ly, to try and understand what it does. Is there documentation about this to be found somewhere? Thanks for the help! JM ___ lilypond-user mailing list lilypond-user@gnu.org

Beaming small problem

Hello folks, I’ve done various attempts, but to no avail: how can I get the beam from below for the 2nd to 4th eighthes, as in the attached PNG? Thanks for your help! JM \version "2.19.28" PartPOneVoiceOne = \relative fis, { \clef "bass" \key d \major \time 4/4 8 [ 8 8 8 ]

Re: Trill spanner minimum length problem

Hello David, Excellent, thanks, and a nice w-e! JM > Le 10 oct. 2015 à 18:02, David Nalesnik <david.nales...@gmail.com> a écrit : > > Hi Jacques, > > On Sat, Oct 10, 2015 at 10:58 AM, Menu Jacques <imj-...@bluewin.ch > <mailto:imj-...@bluewin.ch>> wro

Trill spanner minimum length problem

Hello folks, In a Poulenc score, I have the trill displayed in the attached PNG, but narrower due to LP’s setting of the line breaks, which makes the prall quite short: I tried to set a minimum length with the following, but to no avail: the result is the same whatever the value I supply:

Re: Offset fermata problem

et Score.proportionalNotationDuration > e16 > -\markup{\dynamic "ff" \italic "librement"} > ^\markup{\bold "solo"} [ f16 g16 f16 ] > } > > } > > > Cheers, > Pierre > > 2015-10-05 17:25 GMT+02:00 Menu Ja

Offset fermata problem

Hello folks, I’d like to obtain the following from Poulenc, in which the fermata is in-between a2 and r4: I tried with: \version "2.19.28" \score { \relative c'' { \key f \major \time 2/2 | % 147 << {a2 r4} {s2 s16 \fermata s8.} >> e16 -\markup{\dynamic "ff"

Re: Child quote

Hello Nathan, Thanks for this kind idea, I’ll integrate it in the score. Did I tell you that my grand-son’s first name is Nathan too? A nice day! JM > Le 29 sept. 2015 à 03:06, Nathan Ho <when.possi...@gmail.com> a écrit : > > On Mon, Sep 28, 2015 at 8:28 AM, Menu Jacques <

Re: Child quote

quot;|." } paroles = \lyricmode { Ber -- ger, pour me voir, Tu m'as fait tant trop beau Pour é -- tril -- ler ce soir Ou ta vache ou ton veau! } \score { << \new Voice = melodie \musique \new Lyrics \lyricsto melodie \paroles >> \layout { } \midi {

Child quote

Hello folks, My grand-son, 6 years and a half old, discovered what he named a rainbow in the first LP score I’ve done for him. The goal is for him to copy it by hand on empty staves. The rainbow is actually a fermata… JM ___ lilypond-user mailing

Poor man's ossia, continued

Hello folks, Trying to define a function using the solution provided by this list, I bump into the following: - I have to use \relative before \poorMansOssia, otherwise the music in the "ossia" is taken into account to determine the following note’s octave; - there’s a missing

Poor man' ossia

Hello folks, In the example below, I’d like to indicate that someone else is playing two 16th notes while this player plays the 8th on the first beat of the second bar, to help going a tempo altogether on the the second beat. Trouble is that the two 16th are too much on the right and the stems

Alterations display control

Hello folks, Is there a way to force a flat sign for all ees’s and bes’s in the following example, without using ! for each of them? Choosing a c \major key would do it, but the actual key information would then be lost. Thanks for the help! JM \version 2.19.22 \relative { \clef bass

Re: Alterations display control

Hello David, Sorry for omitting I’d like to avoid the parentheses, you hit the point. JM Le 30 juil. 2015 à 10:19, David Kastrup d...@gnu.org a écrit : Menu Jacques imj-...@bluewin.ch writes: Hello folks, Is there a way to force a flat sign for all ees’s and bes’s in the following

Re: Alterations display control

Thanks David, \accidentalStyle Score.teaching \override AccidentalCautionary.parenthesized = ##f does what I need. A nice day! JM Le 30 juil. 2015 à 11:07, David Kastrup d...@gnu.org a écrit : Menu Jacques imj-...@bluewin.ch writes: Hello David, Sorry for omitting I’d like

CueVoice related display problem

Hello folks, How can I get the rests parallel to the CueVoice to be as in the attached PNG image, i.e right below the staff? Also, the flute stems are too short. Thanks a lot! JM %%% \version 2.19.22 \relative { \clef alto \key d \major \time 2/4 a16 ( [ cis16 a16 cis16 ) ]

Re: CueVoice related display problem

Hello David, Thanks for your help! I’ll look more into \cueDuring, but this solution is already fine. JM Le 21 juil. 2015 à 19:19, David Kastrup d...@gnu.org a écrit : Menu Jacques imj-...@bluewin.ch writes: Hello folks, How can I get the rests parallel to the CueVoice

= sign in time signature

Hello folks, Is there a way to obtain the following, i.e 3/4 = 9/8, from Jacques Ibert’s « Deux mouvements »? Thanks! JM ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: = sign in time signature

Hello Peter, Great, thanks! JM Le 10 juil. 2015 à 12:11, Peter Bjuhr peterbj...@gmail.com a écrit : On 2015-07-10 11:47, Menu Jacques wrote: Hello folks, Is there a way to obtain the following, i.e 3/4 = 9/8, from Jacques Ibert’s « Deux mouvements »? Pièce jointe.png Thanks

\cueClefUnset problem

Hello folks, In the following code, I get the bass clef twice before the 6/8 time signature. The problem only arises when the parallel music containing the new CueVoice is directly followed by a \clef command. Uncommenting the \once\omit Staff.Clef » command before \clef bass removes two

Equivalent of the automatic insertion of '\bar !'

Hello folks, I’d like the vertical dashed line to be created automatically between the third and fourth beat of each bar in this example, without having to resort to '\bar !’ explicitly each time : \relative { \time 5/4 c'4 c c \bar ! c c | c'4 c c \bar ! c c | } Couldn’t find the way

Re: Equivalent of the automatic insertion of '\bar !'

} and inserting it into one of the \voices in parallel. I don’t think there is a more specific solution for that already – would be worth a thought though, something like \set defaultHalfBarLine = ! (?). Yours, Simon Am 09.07.2015 um 22:22 schrieb Menu Jacques: Hello folks, I’d like the vertical

Weird error message

Hello folks, I’m bumpinp into a problem with the following example : \version 2.19.21 symbols = { \time 3/4 c4-.\5-3 d\4-0 ( e\4-2 ) f4-.\4-3 \f g\3-0 a\3-2 ^\fermata } \score { \new Staff { \clef G_8 \symbols } \new TabStaff { \symbols } } ﲮ

Problem to pass regular music as argument to a particular Scheme function

Hello folks, Someone recently supplied on this list a way to draw large, colored brackets to emphasize repeats, with fixed X offsets though. I tried to go one step further by defining functions in order to be able to specify the X offset at will. \displayMusic showed me what to put in their

Re: Problem to pass regular music as argument to a particular Scheme function

a écrit : On Mon, May 4, 2015 at 3:56 AM, Menu Jacques imj-...@bluewin.ch mailto:imj-...@bluewin.ch wrote: Hello folks, Someone recently supplied on this list a way to draw large, colored brackets to emphasize repeats, with fixed X offsets though. I tried to go one step further

Re: Slurred staccato in a tremolo (Menu Jacques)

://lsr.di.unimi.it/LSR/Item?id=772 Cheers, Klaus Le 8 mars 2015 à 19:31, Cynthia Karl pck...@mac.com a écrit : Message: 2 Date: Sun, 8 Mar 2015 18:37:15 +0100 From: Menu Jacques imj-...@bluewin.ch Subject: Slurred staccato in a tremolo Is there a way to get the slur above the tremolo

Re: Slurred staccato in a tremolo (Menu Jacques)

Hello Pat, I tried: { \time 3/4 \clef bass \repeat tremolo 6 e8 -\markup {\draw-dotted-line #'(5.1 . 2.3)} | } but the slur doesn’t show up. JM Le 8 mars 2015 à 21:34, Cynthia Karl pck...@mac.com a écrit : On Mar 8, 2015, at 2:42 PM, Menu Jacques imj-...@bluewin.ch wrote: Hello

Slurred staccato in a tremolo

Hello folks, Is there a way to get the slur above the tremolo in the sample below, as found in the attached manuscript image? Thanks for you help! JM \version 2.19.15 { \time 3/4 \clef bass \repeat tremolo 6 { e8 -. } | } ___

Controlling systems spacing with \vspace

Hello Folks, I’ve been struggling with this for some time, got help from this list, and finally came up with the following (probably partial) observation: \vspace is taken into account only in \column* blocks, and needs to have some space ( ) before and/or after it. Hence this kind of

Re: Strange d.g. notation

pierre.schneider.pa...@gmail.com a écrit : Hi Jacques, da gamba ? For a specific tessitura ? Cheers, Pierre 2015-02-16 18:00 GMT+01:00 Menu Jacques imj-...@bluewin.ch mailto:imj-...@bluewin.ch: Hello folks, In the viola score of a Telemann quartet in G minor, I find this notation

Re: Strange d.g. notation

the same work. JM Le 16 févr. 2015 à 23:04, David Nalesnik david.nales...@gmail.com a écrit : On Mon, Feb 16, 2015 at 3:56 PM, Menu Jacques imj-...@bluewin.ch mailto:imj-...@bluewin.ch wrote: Hello David and Pierre, The instrument name is actually Viola da gamba (Viola) », so you’re

Re: CueDuringWithClef problems

with Staff.quotedCueEventTypes hth, Kevin On Mon, Feb 16, 2015 at 7:16 AM, Menu Jacques imj-...@bluewin.ch mailto:imj-...@bluewin.ch wrote: Hello folks, I can’t get the slurs in « Largo_Flute » nor R2 in the argument to \cueDuringWithClef to be displayed in the following example. Here

CueDuringWithClef problems

Hello folks, I can’t get the slurs in « Largo_Flute » nor R2 in the argument to \cueDuringWithClef to be displayed in the following example. Here is the log contents: Starting lilypond 2.19.15 [CueVoiceExample.ly]... Traitement de «

Encapsulating tweak and markup in a variable

Hello folks, In order to produce home-make fingerings, I use the code below, a solution supplied by users of this list: %% \version 2.19.15 Introduction = \relative g, { \markLengthOn \clef bass \key bes \major \time 2/4 | % 1 \tempo Moderato 4 = 108 g2 \mf -\tweak

Re: Metronome vertival position after vertical space

:51 GMT+01:00 Menu Jacques imj-...@bluewin.ch mailto:imj-...@bluewin.ch: Hello folks, Following the answer to a question I got recentlty from this list, I’ve come to: %% \version 2.19.15 { c1 \break \tempo\markup{ \column{ \vspace #2

Metronome vertival position after vertical space

Hello folks, Following the answer to a question I got recentlty from this list, I’ve come to: %% \version 2.19.15 { c1 \break \tempo\markup{ \column{ \vspace #2 Presto } } 2 = 130 c1 } %% How can I align the metronome indication with

How to stack segno and rehearsal mark vertically?

Hello folks, I’d like to obtain this at bar 103, with only the upper voice : and the best I’ve been able to achive is this : using the following code : \version 2.19.15 { \set Score.markFormatter = #format-mark-box-alphabet \clef bass \key bes \major \time

Re: How to stack segno and rehearsal mark vertically?

://lsr.di.unimi.it/LSR/Item?id=735 should be adaptable to what you want. -- Phil Holmes - Original Message - From: Menu Jacques mailto:imj-...@bluewin.ch To: lilypond-user Mailinglist mailto:lilypond-user@gnu.org Cc: Menu Jacques mailto:imj-...@bluewin.ch Sent: Friday, December 26, 2014 4

Intra-part vertical spacing

Hello folks,How can get more space before 2. Somewhere and 3. America in the attached code? Using multiple scores would impose setting bar number manually, as well as the rehearsal marks to have them start at the desired lettre in each subsequent score.Thanks for your help!

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