2009/3/2 David Stocker dstoc...@thenotesetter.com:
Yes, but is there a way to tweak this behavior to suit different situations?
For stems:
\override Stem #'(details stem-shorten) = #'(1.0 0.5)
The numbers in the list signify unflagged flagged stems
respectively; negative values will lengthen
2009/3/4 Kieren MacMillan kieren_macmil...@sympatico.ca:
Hi all,
In LSR #444 (http://lsr.dsi.unimi.it/LSR/Snippet?id=444), it claims that
the snippet is obsoleted by version 2.11.50.
However, unless I'm mistaken, we don't have direct access to the parts of
MetronomeMark (e.g., the size of
2009/2/25 grisu_76 christian.hum...@univie.ac.at:
Hi James,
thanks for reply, you're right, without the center-align, it works; - as
for I am a newbee, I copied these lines form the notation reference manual
(I adapted the esample form the parenthesised dynamics).
If you're attaching the
2009/3/5 Stefan Thomas kontrapunktste...@googlemail.com:
Dear Lilypond-users,
I have the problem, in the below quoted example, that I can't reduce
the distance
between the TimeSig and the first Staff of the Score.
How can I do it? I tried it with
\override VerticalAxisGroup
2009/3/4 Joseph Wakeling joseph.wakel...@webdrake.net:
First, is it possible to get the staff/instrument name to display just
before the ossia staff? By default nothing is displayed, no matter
whether I use
\set Staff.instrumentName
or
\set Staff.shortInstrumentName
There's
2009/3/6 Stefan Thomas kontrapunktste...@googlemail.com:
Dear all,
I forgot to switch on
\override Score.VerticalAlignment #'max-stretch =
#ly:align-interface::calc-max-stretch
If I do so, the distance between topmost-Staff and TimeSig is too
large, in my opinion.
I've already explained
2009/3/19 Trevor Daniels t.dani...@treda.co.uk:
Yes, I see the same with 2.12.1 on Vista and viewed with Adobe Reader 8.1.3.
See attached. A minor bug, but a definite one for a program in which
beautifully typeset music is the main objective. Valentin?
NR 1.5.2 Multiple voices:
When using
2009/3/22 Maarten Deen md...@xs4all.nl:
Is this a bug or is there a syntax that will make it work?
Move the \addlyrics block outside the \staff block.
\score {
\new Staff = Zang {
\set Score.skipBars = ##t
\transpose c d { \znAchtendertig \outlineAchtendertig }
2009/3/22 Stefan Thomas kontrapunktste...@googlemail.com:
Dear Lilypond-users,
I've got a new problem, concerning the TimeSig-Context.
I don't understand, why the Time-Signature takes so much space in this
example, when the bar starts with a rest.
How can I change it?
You can make it take up
2009/3/23 Stefan Thomas kontrapunktste...@googlemail.com:
Dear Neil,
thanks for Your help, Your code worked.
It's really your code tidied up with the odd enhancement. ;)
I don't have any problems with the horizontal position of the
TimeSignatures, but I'm still not happy with the vertical
2009/3/22 Trevor Daniels t.dani...@treda.co.uk:
Neil Puttock wrote Sunday, March 22, 2009 12:44 PM
I can't see any other solution than to add yet another magic number in
note-collision.cc (there are already at least ten possible hard-coded
alterations for shift_amount in Note_collision
2009/3/23 Kees Serier a.ser...@hccnet.nl:
I changed the two e:m chords for the following: \repeat percent 2 {e:m}
What happens is that in the second measure, instead of the percent sign,
there is nothing (in the MIDI file no chord is played on that measure)
There's no engraver in the
2009/3/28 Anthony W. Youngman lilyp...@thewolery.demon.co.uk:
Not sure if this belongs here or on -devel ...
But I've just looked in the log file and found this in there. V 2.12.2 on
Windows (same on V 2.11.59 - I've just upgraded to make sure it isn't a
known/fixed thingy).
Bearing in mind
2009/3/26 Kees Serier a.ser...@hccnet.nl:
I have placed the \layout { ... } at several places in the ly files, and
replaced the two e:m chords with one
\repeat percent 2 {e:m}
But nothing happens, I get no errors, and still 2 Em chords.
Any ideas?
It won't work unless each chord is the
2009/3/28 Robin Bannister r...@dataway.ch:
Neil Puttock wrote:
it's possible to duplicate its code in Scheme:
Or its appearance in markup ;-)
simile = \markup {
\combine \translate #'(0.3 . 1.5) \draw-circle #0.2 #0 ##t \combine
\translate #'(1.7 . 0.5) \draw-circle #0.2 #0 ##t
2009/3/28 Grammostola Rosea rosea.grammost...@gmail.com:
Hi,
I want to get invisible slurs in tablature... how?
Simply \override Slur #'transparent in the same way as you've done for
the other objects in your TabStaff context.
Why aren't you using ties though
2009/3/28 Alberto Simões al...@alfarrabio.di.uminho.pt:
Hello.
I am having a strange behavior with Change Staff. It is not easy to
explain as it is quite strange. Basically, I am having a voice defined
to be drawn on the lower staff, and it is appearing in the upper staff.
[copying to
2009/3/28 Neil Puttock n.putt...@gmail.com:
I think you've uncovered a bug related to \change Staff here; if you
remove the \change Staff = lower, the file compiles fine. Until
it's fixed you'll have to place the cross-staff notes in one of the
lower voices.
Here's a snippet which may
2009/3/29 Francisco Vila paconet@gmail.com:
Hello,
Does
\version 2.13.0
{
c' \snappizzicato
}
work for you on latest released binary?
Fingers crossed it'll work when 2.13.1's released (the patch follows 2.13.0).
Regards,
Neil
2009/3/29 Johan Vromans jvrom...@squirrel.nl:
The following snippet:
\score {
\new Voice = HighVoice {
\relative c' {
c1 ~ | c1 | c1 | c1 |
}
}
\lyricsto HighVoice \lyrics {
aah __ _ _
}
}
This renders as:
o o
2009/3/29 Carl Sorensen c_soren...@byu.edu:
There were lots of warnings, which appeared to me to be the result of not
properly instantiating voices. So I went through your music and explicitly
instantiated the voices, as recommended in the NR section on polyphony.
OK, I've changed my mind;
2009/3/30 Nick Payne nick.pa...@internode.on.net:
The padding that is applied to fingering on the left when there is an
accidental is greater than when there is no accidental. From my measurements
it seems to default to 0.5 staff units from a note but 0.7 units from an
accidental, which looks
2009/3/30 Stefan Thomas kontrapunktste...@googlemail.com:
Dear community,
in the below quoted snippet the position of the tie isn't convincing,
in my opinion. It should be al little further apart from the
notes. Off couse I could type \override Tie #'staff-position all the
time, but I would
2009/3/29 Patrick McCarty pnor...@gmail.com:
Since the mf/ directory is changed so infrequently, it would be nice
if the fonts could be recompiled whenever mf/*.mf is changed.
That way we won't ever have this problem again.
Good idea?
Definitely.
Regards,
Neil
2009/3/31 Stefan Thomas kontrapunktste...@googlemail.com:
Thanks! Great!
But I would like to ask one more question.
If the distance between two notes is larger, I think the amount of the
curve should be a little larger too. Can this be changed, generally if
possible, too?
I haven't tested
2009/4/2 Nick Payne nick.pa...@internode.on.net:
I have a music function I use for barring indications in guitar scores, and
for a reason that I haven't been able to work out, if the TextSpanner used
for the barring indication wraps from the staff where it begins to the
following staff, and
2009/4/3 Nick Payne nick.pa...@internode.on.net:
If that's the case, then the only solution I can see is the rather ugly hack
of waiting until the score is complete so I can see where the line breaks
fall, and then taking any spanner that has this problem and putting
\stopTextSpan on the
2009/4/3 Stefan Thomas kontrapunktste...@googlemail.com:
Dear Neil,
I tried it with
\relative { c1 ~ c
\override Tie #'(details ratio 1.2) \override Tie #'(details heigth-limit 13)
c ~ c }
but without sucess!
Overrides need an equals sign, even if the properties are nested.
\override Tie
2009/4/4 Nick Payne nick.pa...@internode.on.net:
When I look at the present entry for that in define-grobs.scm (LP 2.12.2), it
is:
(meta . ((class . Spanner)
(object-callbacks . ((normal-stems . ,ly:beam::calc-normal-stems)))
(interfaces . (staff-symbol-referencer-interface
2009/4/3 Francisco Vila paconet@gmail.com:
Looking further for a solution, we saw that the definition of textLengthOn
textLengthOn = {
\override TextScript #'extra-spacing-width = #'(0 . 0)
\override TextScript #'extra-spacing-height = #'(-inf.0 . +inf.0)
}
now the problem is to
2009/4/3 Carl D. Sorensen c_soren...@byu.edu:
Anybody willing to take this on as a patch? It shouldn't be too hard, but I
imagine it'll take some time grepping through the source files.
If we agree that it's just a case of changing the default velocity,
then this is ideally suited to a Frog;
2009/4/7 Kieren MacMillan kieren_macmil...@sympatico.ca:
Snippet?
Definitely!
Kieren.
This will make an excellent snippet if it's amended slightly. :)
I hope Mark didn't spend too long working out the stencil overrides,
as there's already the public function stencil-whiteout (used for the
2009/4/7 Stefan Thomas kontrapunktste...@googlemail.com:
Yes, this is exactly what I want
I think you'll have to fake the grace notes in this situation. You
probably won't get them to look perfectly grace-like, due to spacing
constraints and the action of the lyrics, though you might be able to
2009/4/7 Nick Payne njpa...@internode.on.net:
Is this a bug or not? The fingering indications for C and D don't sit just
above the noteheads as they do for the other notes. If I remove the slur
between those two notes, then the fingering is positioned at the desired
location. Why should a slur
2009/4/7 Martin Tarenskeen m.tarensk...@zonnet.nl:
On Mon, Apr 06, 2009 at 09:50:17AM +0200, Martin Tarenskeen wrote:
Patch attached for those who want to try.
I was wondering what the experts think of my suggested patches to
change Lilypond's MID output behaviour:
Current: default MIDI
2009/4/7 Mark Polesky markpole...@yahoo.com:
Neil,
don't worry about my time! :}
It seems my programming style is reinventing the wheel
but sometimes I think that's a good way to learn.
Indeed, I've done a lot of that myself. :)
By the way, one benefit of my approach is that you can
2009/4/9 Martin Tarenskeen m.tarensk...@zonnet.nl:
On Wed, Apr 08, 2009 at 12:42:53AM +0100, Neil Puttock wrote:
2009/4/8 Martin Tarenskeen m.tarensk...@zonnet.nl:
Do you have git installed? It would be preferable to have a patch
created with git format-patch.
I have attached such a patch
2009/4/9 Simon Bailey bina...@gmail.com:
here's the new patch-set. i'm sorry, but i can't work out how to get git to
give me one single patch for the three commits i made locally since checking
out.
insert the following line before the start of the @code{\score} block:
Simon, this line
2009/4/11 Graham Percival gra...@percival-music.ca:
On Fri, Apr 10, 2009 at 03:57:03PM +0200, Christ van Willegen wrote:
It seems that (parts of) Lily is in C++, which I've been using since
1995. So, I can read and (probably) bugfix in it. I guess I'll have to
learn other languages on the way
2009/4/13 James E. Bailey derhindem...@googlemail.com:
I don't understand custom key signatures. Why are the accidentals shown in
the second measure?
There's a bug in Accidental_engraver:
http://code.google.com/p/lilypond/issues/detail?id=733
Do I have to set the key signature for each
2009/4/13 Simon Bailey bina...@gmail.com:
On Apr 13, 2009, at 3:17 PM, Wei-Wei Guo wrote:
Combining your solutions, the following way is the better, but still to
long...
\markup{ \override #'(baseline-skip . 1) {\center-column {\number 2
\number 4}}}
define this as a variable, then you
2009/4/13 Nick Payne nick.pa...@internode.on.net:
Guitar stroke fingering is lower case, but with the orientation set to up,
the p is not correctly aligned with the other characters in a succession of
fingering indications, and with the orientation set to down, the i is
similarly misaligned.
2009/4/14 Nick Payne nick.pa...@internode.on.net:
I asked at the beginning of the month about this problem I had come across
with the end of TextSpanners vanishing at the start of lines. However, from
reading the bug report referenced above, it seems that rather than being
considered a bug
2009/4/18 Frédéric Bron frederic.b...@m4x.org:
\once \override Score.MetronomeMark #'outside-staff-priority = #1500
\once \override Score.RehearsalMark #'outside-staff-priority = #1000
This time the trick do not work, why? I want the bar number to be
below a text spanner:
{ \override
2009/4/20 Reinhold Kainhofer reinh...@kainhofer.com:
Is there any way to position a dynamic sign at an explicit staff-relative (not
note-relative) vertical position?
Since the dynamic's X-parent is the notehead, you can normalize its
position by retrieving the notehead's Y-offset:
2009/4/20 Neil Puttock n.putt...@gmail.com:
2009/4/20 Reinhold Kainhofer reinh...@kainhofer.com:
Is there any way to position a dynamic sign at an explicit staff-relative
(not
note-relative) vertical position?
Since the dynamic's X-parent is the notehead, you can normalize its
position
2009/4/21 Nick Payne nick.pa...@internode.on.net:
Fingering indications on grace notes doesn't shrink to be proportional to
the reduced size of the grace note, and the full size indication looks
excessively large alongside the note. It's easy enough to override - using
\override Fingering
2009/4/23 Nick Payne nick.pa...@internode.on.net:
I was trying to move a TextSpanner with \tweak and couldn't figure out why
it wouldn't move. I eventually noticed that I had accidentally typed
-\tweak #'extra-ofset
instead of
-\tweak #'extra-offset
but this did not generate any warning.
2009/4/22 Carl Sorensen c_soren...@byu.edu:
The IR tells you that TextSpanners are created by Dynamic_engraver,
New_dynamic_engraver, and Text_spanner_engraver.
Hmm, it just goes to show that you can't always rely on what the IR
says: only the Text_spanner_engraver creates them. :)
I'll
2009/4/23 Jonathan Kulp jonlancek...@gmail.com:
Graham Percival wrote:
1. Log in to LSR as an editor. (I remember the discussion now;
this isn't your fault)
2. Find the tags section for each snippet.
3. Click on the drop-down menus, and select the relevant tags.
4. There is no #4.
2009/4/25 Graham Percival gra...@percival-music.ca:
On Sat, Apr 25, 2009 at 11:22:56AM -0600, Carl D. Sorensen wrote:
On 4/25/09 9:37 AM, Neil Puttock n.putt...@gmail.com wrote:
2009/4/23 Jonathan Kulp jonlancek...@gmail.com:
Graham Percival wrote:
1. Log in to LSR as an editor. (I
2009/4/25 Neil Puttock n.putt...@gmail.com:
Perhaps the point I was trying to make got lost in my slightly
facetious reply: if we're talking about LSR snippets which are in the
docs, the LSR editor must be mindful of the fact that editing such
examples in LSR may have no effect, since
2009/4/26 Graham Percival gra...@percival-music.ca:
This is easily solved; the python script that copies from
input/new/ to input/lsr/ should add a This snippet only works in
2.13; that way, the LSR editor can easily see such snippets from
browsing the docs.
We already have a comment which
2009/4/26 Chip c...@wiegand.org:
When I conclude my addition to the LSR, do I click on the Save button or the
OK button? Does it make a difference? I just want to make sure I don't loose
my work, but that it gets properly inserted into the LSR.
The only difference between the two options is
2009/4/25 Marc Hohl m...@hohlart.de:
Hello tablature users*,
Like Carl, I'm not a tablature user, so I can only comment on matters of coding.
Some suggestions and thoughts follow below:
% some publications use the triangled note head
% for palm mute, so here we go:
palmMuteOn = { \set
2009/4/26 Chip c...@wiegand.org:
Hmm, did run into an apparent error - after I click on the Save button I get
a pop-up box that says No output from Lilypond, did I do something wrong?
Probably not. :)
It normally means your snippet is incompatible with the version of
LilyPond being run on LSR
2009/4/25 Nick Payne nick.pa...@internode.on.net:
This reduction seems about right to me, comparing the sizes on the normal and
grace notes:
Thanks, I've made the changes in git.
Regards,
Neil
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lilypond-user@gnu.org
2009/4/27 Carl D. Sorensen c_soren...@byu.edu:
Neil,
Thanks for your input. I think it's all really good.
On 4/26/09 1:49 PM, Neil Puttock n.putt...@gmail.com wrote:
2009/4/25 Marc Hohl m...@hohlart.de:
Hello tablature users*,
Like Carl, I'm not a tablature user, so I can only comment
2009/4/27 Marc Hohl m...@hohlart.de:
Thank you for your suggestions! As I am no expert in scheme, some things can
surely be done more elegant. I corrected my file as you suggested above.
Glad to help. :)
You're doing fine with Scheme so far.
Ok, #:column changed to #:center-column, I simply
2009/4/27 Marc Hohl m...@hohlart.de:
No, I didn't get this mail. I played around with your suggestions and the
improvements given by Neil and have now:
#(define-markup-command (customTabClef layout props tuning) (pair?)
(define (square x) (* x x))
(let* ((num-strings (min (max (length
2009/4/28 Jonathan Kulp jonlancek...@gmail.com:
If you'd like to have a go with a few, try fixing the
changing-the-font-to-smallcaps, which doesn't even work in 2.10 in the
snippet currently in LSR. The font doesn't change at all.
There's nothing you can do about this, since it requires a
2009/4/28 Graham Percival gra...@percival-music.ca:
On Sun, Apr 26, 2009 at 04:16:33PM +0100, Neil Puttock wrote:
2009/4/26 Graham Percival gra...@percival-music.ca:
This is easily solved; the python script that copies from
input/new/ to input/lsr/ should add a This snippet only works
2009/4/30 Carl D. Sorensen c_soren...@byu.edu:
On 4/30/09 1:36 AM, Marc Hohl m...@hohlart.de wrote:
I tried to cons these values, and I succeded (or at least it seemed to
me) for the
supported-clefs list, but not with the c0-pitch-alist
(see attached files and lilypond's error messages).
2009/4/25 Werner LEMBERG w...@gnu.org:
Great! Please commit something along this.
Done.
I've changed it slightly so it matches the behaviour of \override,
setting the property even if there's no match.
Regards,
Neil
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lilypond-user mailing list
2009/5/2 Marc Hohl m...@hohlart.de:
Ok, so I inserted the following lines in my scm/parser-clef.scm:
;; a function to add new clefs at runtime
(define-public (add-new-clef clef-name clef-glyph clef-position octaviation
c0-position)
Append the entries for a clef symbol to supported clefs
2009/5/2 Marc Hohl m...@hohlart.de:
I have made some observations concerning \glissando:
1) accidentals are not recognised properly; I know this is in the bug list
and there are workarounds,
see http://lists.gnu.org/archive/html/bug-lilypond/2005-08/msg00235.html
This isn't at all
2009/5/3 Kieren MacMillan kieren_macmil...@sympatico.ca:
There's likely a way to make a Scheme function which automatically
\translate-s the text the correct amount, but I don't have time to
investigate it.
Since the instrument name conveniently makes up the negative part of
the score
2009/5/9 Marc Hohl m...@hohlart.de:
I tried to receive the informations needed by overriding the Glissando
#'stencil with
a function which simply displays the values obtained by the ly:spanner-bound
call
before calling ly:line-spanner::print, but I get only #Grob NoteHead on
the terminal.
2009/5/8 -Eluze elu...@gmail.com:
in this snippet the right hand finger indication is not placed above the note
and below the slur as excpected, even if there is plenty of space - any
hints?
\version 2.12.2
{
\override Slur #'outside-staff-priority = #5000
\set strokeFingerOrientations
2009/5/9 bosmutus bosmu...@live.com:
I have a series of dotted rhythms (16. 32, etc.) and the slur above them
doesn't avoid the dots on the 16th notes. What is the best way to fix this?
Try tweaking the slur's height-limit:
\once \override Slur #'height-limit = #2.5
Regards,
Neil
2009/5/7 Mario Moles mario-mo...@libero.it:
Perdonatemi ma non so l'inglese. Provo comunque a spiegarmi.
Vorrei sapere se c'è un modo per fissare una distanza tra \markup e nota
in modo da non aggiustare nota per nota la distanza. Io uso i \markup
perchè mi servono le lettere con ^
2009/5/9 Mario Moles mario-mo...@libero.it:
Grazie mille! Ora non mi resta che mettere tutto a posto!
Grazie ancora!
You're welcome. :)
I can't bear to see somebody having to use 'extra-offset when there's
(usually) a much better solution. ;)
Regards,
Neil
2009/5/9 -Eluze elu...@gmail.com:
but i am sure i have seen so many *uppercase* LEFTs RIGHTs UPs DOWNs CENTERs
or others recently, so i did not care… maybe there was a # preposed, but i
am sure i also saw *\override Stem #'neutral-direction = #up* so i am
wondering how to memorise this - are
2009/5/9 bosmutus bosmu...@live.com:
That changed the slur, but not enough to avoid the collision. Any other
suggestions?
Did you experiment with the value? It might need to be increased, but
it's dependent on things like the staff-size and how tightly packed
the notes are.
You could also try
2009/5/10 Frédéric Bron frederic.b...@m4x.org:
1. The issue is the vertical alignment of Stringendo and Lebhaft.
Why are they not on the same line?
Two things:
If you move the Metronome_mark_engraver and Mark_engraver from the
Score context to another context, you also need to move the
2009/5/10 Marc Hohl m...@hohlart.de:
I came up with the following definition:
#(define (glissando::calc-extra-dy grob)
(let* ((original (ly:grob-original grob))
(left-bound (ly:spanner-bound original LEFT))
(right-bound (ly:spanner-bound original RIGHT))
2009/5/10 Marc Hohl m...@hohlart.de:
And here's my solution for tablature:
#(define (glissando::calc-tab-extra-dy grob)
(let* ((original (ly:grob-original grob))
(left-bound (ly:spanner-bound original LEFT))
(right-bound (ly:spanner-bound original RIGHT))
2009/5/10 Mario Moles mario-mo...@libero.it:
Caro Neil esiste anche un modo per abbreviare questo?:
\override StrokeFinger #'text = #(lambda (grob)
(markup #:center-column (#:lower 2.5 ^ (stroke-finger::calc-text
grob
You could use identifiers, but here's a better solution, using your
2009/5/11 Marc Hohl m...@hohlart.de:
(if (and (= left-staff-position right-staff-position)
( (ly:pitch-semitones right-pitch) (ly:pitch-semitones
left-pitch)))
-1
1 )))
This will apply an extra-dy of 1 for glissandos which aren't on the
same
2009/5/11 David Jarvie li...@astrojar.org.uk:
R2*4 |
\mark #108
R2*8 ^\markup{ \hspace #13 \raise #0 \bold Pocch. animato } |
There's a very good reason why the elements in this example overlap:
the \hspace #13 markup is invisible, but still counts as part of the
skyline for the rest markup
2009/5/13 Marc Hohl m...@hohlart.de:
How can I achieve this?
Remember how you got the bounds of a glissando?
In the case of the broken tie, the right bound will be the notehead
you want to make transparent, so you can retrieve the TabNoteHead grob
using ly:spanner-bound.
Is this even the
2009/5/12 Tim Rowe digi...@gmail.com:
Can anybody work out why the g is in a volta bracket labelled 1.-2.
-- that seems odd, as neither the note nor the word should be there on
the second pass.
In your lyrics definition, you're missing curly brackets around the
alternatives:
\alternative
{
2009/5/14 Carl D. Sorensen c_soren...@byu.edu:
Not right now. I will investigate to see if it is easily done.
I think the only way, short of introducing a new event class which
includes both types of rest, would be to remove the listener for rests
and instead add one for rythmic-event. You
2009/5/14 Marc Hohl m...@hohlart.de:
Neil Puttock schrieb:
This will apply an extra-dy of 1 for glissandos which aren't on the
same staff-position.
No, it doesn't; at least in my test files. I have attached an example where
the
default and the corrected behaviour are compared, please
2009/5/15 Marc Hohl m...@hohlart.de:
I still don't get it - when I use extra-dy = 0, I get glissando lines
parallel to the staff lines,
so a value of zero can't be right. I have attached the pdf output, the
upmost tab lie is the
standard behaviour, the middle line is extra-dy = 0, and the
2009/5/15 Patrick McCarty pnor...@gmail.com:
On Fri, May 15, 2009 at 3:50 PM, Patrick McCarty pnor...@gmail.com wrote:
On Fri, May 15, 2009 at 3:13 PM, Reinhold Kainhofer
Is there any pre-defined list of all available event types that can be used?
Yes, the tree of all event types is listed
2009/5/15 Marc Hohl m...@hohlart.de:
Upto now, I have achieved to make tablature fret numbers invisible which are
tied to another note.
But I don't know how to add parentheses to the numbers that are tied but
show up after a line break
(for example the first note in measure 5, see
2009/5/16 Marc Hohl m...@hohlart.de:
Second, glissandos between different strings is - if not impossible to play
- very seldom to find, so
Good point; I hadn't considered that. :)
I would prefer the 0.75-version.
Yep, it's much more pleasing, and makes the code simpler.
Regards,
Neil
2009/5/16 Marc Hohl m...@hohlart.de:
Neil Puttock schrieb:
So can I use it as a callback for 'stencil? (see below)
Not for the broken spanners, since they haven't been created when the
stencil callback is evaluated.
Hm, I didn't get any errors, and invisible ties are exactly the feature I
2009/5/16 Marc Hohl m...@hohlart.de:
Another idea: is it possible to parenthesize _all_ tied notes
(perhaps with some applyOutput-trickery)
and use the after-line-breaking function to override
ParenthesesItem #'transparent = ##t
(and of course TabNoteHead #'transparent = ##t)
for all notes
2009/5/18 Mark Polesky markpole...@yahoo.com:
Helge Kruse wrote:
I want to add
markups... circled T and the
half-moon... How do I add such special markups?
See the 2 attached files.
Nice curve. :)
Here's a slightly simplified version:
#(define-markup-command (fingernail layout props) ()
2009/5/17 Marc Hohl m...@hohlart.de:
But there is another voice played on the guitar, so I decided to declare my
bit as \voiceOne.
One tie is gone, but this seems to be okay (or should there still be four
ties? - second line).
There are still four ties, but two are printed in overstrike; you
2009/5/19 Carl D. Sorensen c_soren...@byu.edu:
On 5/18/09 4:09 PM, Neil Puttock n.putt...@gmail.com wrote:
Here's a slightly simplified version:
#(define-markup-command (fingernail layout props) ()
(ly:make-stencil
(list 'bezier-sandwich
'(list 1.6 1.5 0.4 1.5 0 0 2 0
2009/5/22 Marc Hohl m...@hohlart.de:
Please have a look at it and reply any corrections/improvements/changes
/etc.
before I will send patches to Carl.
Well done Marc, this is very promising.
I still have a few reservations concerning some details (mostly
minor), which I'll comment on below.
2009/5/26 Trevor Bača trevorb...@gmail.com:
A. Does anyone have a way of implementing adjustEOLMeterBarlineExtraOffset
without recourse to extra-offset?
I don't think it's possible given the way break-aligned grobs are positioned.
B. Does anyone have a semantic way of saying align the last
2009/5/24 Jay Anderson horndud...@gmail.com:
What are the issues with Neil's patch? I've been playing around with
it and it seems to do what I want. Well, it's a similar patch really
(see attached).
With your amended patch, it's no longer possible to align tempo marks
to note columns; they
2009/5/23 Marc Hohl m...@hohlart.de:
Neil Puttock schrieb:
Since none of this works properly (I suspect it will require more than
Scheme hacking to get everything working), I don't think it's suitable
for inclusion.
Hm, I guess you're right - but as a compromise, how about letting
2009/6/3 Jonathan Kulp jonlancek...@gmail.com:
Did you ever sort this out, Chip? If not please attach a source file and
I'll give it a go.
If it's `Template for multiple instruments, prints a score and parts'
in the list of pending snippets there are too many \book blocks. I
suggest
2009/6/6 Stefan Thomas kontrapunktste...@googlemail.com:
Dear community,
how can I define webern-style accidentals for all staves in a score in the
layout-block?
I tried it with
\version 2.13.0
\layout { \context { \Staff #(set-accidental-style 'dodecaphonic) } }
When you invoke
2009/6/5 Francisco Vila paconet@gmail.com:
This minimal LaTeX file spits the error when I try to process it
through lilypond-book:
\documentclass{article}
\usepackage{tikz}
\begin{document}
Hello
\end{document}
The temporary logfile this generates to determine the textwidth
includes
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