elieve accidentals are always too large when compared to text.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Trent Johnston wrote:
- Original Message -
From: "Paul Scott" <[EMAIL PROTECTED]>
It looks like (even in 2.9.10) that figured bass is broken. In addition
to preceeding
< 7 _- > with < 6 > you can also get < 7 _- > to work by putting it at
the begi
Han-Wen Nienhuys wrote:
Trevor Bača schreef:
(I second this, especially since I've been reading pages continuously
through much more with the newer manual ...)
On 6/29/06, Paul Scott <[EMAIL PROTECTED]> wrote:
Has anyone considered putting the navigation links at the bottom of ou
y free code to do what I had originally suggested (at least for
the HTML version).
Anyway, thanks for the suggestions.
You're welcome for the part I played in this,
Have fun,
Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
eXinfo manual? I have at times been able to do "info lilypond" but
not currently.
Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Graham Percival wrote:
Paul Scott wrote:
Ignorant question: What is the relationship between the HTML manual
and the TeXinfo manual? I have at times been able to do "info
lilypond" but not currently.
The Texinfo manual is a manual about texinfo. That's what Karl added
With 2.9.10 (GUB) the triplet bracket in the attached example goes the
wrong way. Any ideas?
TIA,
Paul Scott
\version "2.9.10"
\relative c' { ees16[ g \times 2/3 { r16 dis cis] } c4 d e f f e d }___
lilypond-user mailing list
lilypo
override:
\override staff.TimeSignature #'break-visibility = #'(#f #f #f)
but couldn't get that to compile without an error either.
Staff must be capitalized. Lilypond is case sensitive.
HTH,
Paul Scott
___
lilypond-user mailing
t is. More
information on running Lilypond on MS Windows can be found by searching
the lilypond-user list archives.
HTH,
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Jon Wild wrote:
On Sun, 23 Jul 2006, Paul Scott wrote:
Could someone tell me what's wrong with the following file:
==
\paper {
ragged-right = ##t
notime = ##t
}
\score {
{1 1 1}
}
==
"notime" is not having an effect - I couldn't really fi
e is
subscribed but you will will get two copies when people reply to most of
your posts.
Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
s, then removed the
directories, but isn't there an easier way?
(As root if you installed it as root) do:
uninstall-lilypond
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
glyph naming.
Skipping glyph.
continuing, cross fingers
This may just be a lack of understanding of emacs but does anyone know
what's wrong or know what question to ask me?
TIA,
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
ng for uninstall-lilypond with locate or find.
HTH,
Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Kieren MacMillan wrote:
Hi, Paul:
does anyone know what's wrong or know what question to ask me?
What format have you saved the document in? (e.g., UTF-8)
Kieren.
AFAIK (which isn't very far in this case) emacs uses UTF-8 by default.
When I enter the copyright symbol (with ucs-i
Nicolas Sceaux wrote:
Paul Scott <[EMAIL PROTECTED]> writes:
AFAIK (which isn't very far in this case) emacs uses UTF-8 by default.
If you tell it to do so (AFAIK). I have the following in my .emacs:
(prefer-coding-system 'utf-8)
To change an individual buffer to
1)
at the top of each .ly file, where "21" is a global font size which can
be fractional.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Dave Phillips wrote:
Paul Scott wrote:
#(set-global-staff-size 21)
at the top of each .ly file, where "21" is a global font size which
can be fractional.
Very cool, thanks for the tip.
Since you seem to know about the global settings: The default text
font spacing for my 2
Dave Phillips wrote:
Paul Scott wrote:
Dave Phillips wrote:
Since you seem to know about the global settings: The default text
font spacing for my 2.8.4 LP is twice as wide as it used to be (this
is on a home-built LP under Linux, Debian Etch). What happened ?
I'm not aware of any r
ets.
If I've made myself clear, does anyone know how to create the mark I
need ? In pseudo-LP code it's something like this:
{c'8 c'} = {\times 2/3 {c'4 c'8}}
All of the components are available to construct that. If you haven't
gotten a better answer
Dave Phillips wrote:
Paul Scott wrote:
Dave Phillips wrote:
Paul Scott wrote:
I'm not aware of any recent spacing changes. Could you produce a
very short example which shows this behavior with the two different
versions?
See the LP notice at the bottom of this page:
there isn't a way to do the triplet bracket I would consider
cosponsoring this feature with you.
Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
you don't want the triangle notation you will
have to read the Chord Names section.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
this, each with its own layout block:
Just put the single \layout block before the \book block
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
c.) Did it observe the
/layout block for you? That would be weird! I am using the latest
stable version, 2.8.something.
At least ragged-right belongs in the \paper block (or at least works for
me there).
More in a minute.
Paul
___
lilypond-user ma
Paul Scott wrote:
Jon Wild wrote:
On Wed, 26 Jul 2006, Kieren MacMillan wrote:
That works fine for me...?
It works for me, in that it compiles and produces an output - just
not the output I wanted, since all the /layout instructions are
ignored. (The "ragged-right" and no time
I got the
error "syntax error, unexpected MUSIC_IDENTIFIER"
Can you give us a small non-working example?
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Jon Wild wrote:
On Wed, 26 Jul 2006, Paul Scott wrote:
Where should I insert the line
#(set-accidental-style 'no-reset)
in my .ly file, in order to have accidentals be remembered across
barlines?
I tried outside the /book block, inside the /book block but outside
the /score block
Jon Wild wrote:
On Wed, 26 Jul 2006, Paul Scott wrote:
Where should I insert the line
#(set-accidental-style 'no-reset)
in my .ly file, in order to have accidentals be remembered across
barlines?
I tried outside the /book block, inside the /book block but
outside the /score block
le.) Could someone
demonstrate how I'd make this tweak?
I haven't used this in a recent version but this is what I used last:
\set Staff.extraNatural = ##f
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.
What is everybody's opinion as to whether the triangle means major chord
or means major seventh chord. I even saw documentation saying it meant
(major) 6/9.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gn
x27;short-verbose' forms maj9, m9-5 (instead of m7/b5/9 -
strange order...), and the inconsistent o7 for the 'dim' chord.
The alternative setup to Ignatzek - how many of you have ever used it? Or seen
it in use?
I think it's clear that many of us would like this notation.
It's not documented very well but if
you read this section you will find it:
7.2.2 Chords mode
I don't even see the dot part of the notation directly defined.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http:
Ed Ardzinski wrote:
try a:7+9
That + actually raises the seventh giving Amaj7/9 (written with the
triangle. Joe wanted a flat (not sharp) ninth.
a:7.9- does work.
Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org
s so valuable I think it
should be in the tree.
Thanks for reading this,
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
{
\times 2/3 {
d16 [
e r16
} r8 ]
}
/Henrik
Any progress on this? I also reported it several weeks ago.
Thanks,
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
#x27;((volta \markup \smaller{ 1. To
interlude } ))
c c
\set Score.repeatCommands = #'((volta #f))
\set Score.repeatCommands = #'((volta \markup{ 2. Fine } ))
c c
\set Score.repeatCommands = #'((volta #f))
c
}
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
ks. I need a tremolo to
take up an half note, and it should be fuse notes (1/32 notes).
Actually it's:
\repeat "tremolo" 8 { c32 d32 }
and I think it would be good if those numbers were documented a little
better.
I think it means repeat two 32nd n
mands property
accept \markup? (the snippet below will execute as-is if you have an Arial
font, otherwise change the font name)
There is even a problem without \markup. See my post with subject:
\markup in manual volta endings
two days ago but
ished) (also written
with a small circle with a slash)
Cdim7 = C, Eb, Gb, Bbb (also called fully diminished) (also written
with a small circle)
In any case, this chord is important.
It certainly is and it is written dim7 not m.dim7.
Paul Scott
_
Andre Schnoor wrote:
Paul Scott wrote:
Andre Schnoor wrote:
Er, no. These are three distinctive chords:
Xdim = 1, b3, b5
Xm.dim7= 1, b3, b5, b7
Xdim7= 1, 3, b5, b7
One may argue that "m.dim7" is a weird exception in that is uses
that fancy dot. Alternativel
Good catch! I saw the almost French 6th but didn't move the whole step
to the right place to get the half diminshed.
Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
(#number .
#letter) where if the letter was present it would be incremented instead
of the number?
Thanks,
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
de B comes after A that same incrementer *might* be usable.
Thanks, Mats. I'll have a look at that when I find some more time.
Paul
/Mats
Paul Scott wrote:
Some show music uses more than just numbers for bar identification
for certain bars. For example an introduction might be &quo
topia were compiled with earlier versions
of LilyPond and won't compile with the latest versions. You can find
threads on that in the archives.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
ature would be
very useful for the score but the parts don't usually get labelled on
every line.
Excuse me if you were already aware of this.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
his has worked with any necessary padding for the markup and or
dynamics set in the individual instrument parts even though I have an
example of this which *may* not working in 2.9.15.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.
typeset there.
>
> Anyone done this before?
You don't say what version you are using. For 2.9.x and 2.8.x this is
documented under
Manual repeat commands.
HTH,
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
David A. Greene wrote:
> Paul Scott wrote:
>> David A. Greene wrote:
>>> Is it possible to typeset volta-style alternatives without generating
>>> a repeat bar? I'm typesetting an SATB score and would like it
I don't understand?
>
It's related to extender lines. You need to reset with a spacer:
http://lists.gnu.org/archive/html/lilypond-user/2006-07/msg00052.html
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Thanks for Lilypond.
Is it possible to have two notes that have different note values
occupying the same position in one stave?
Thanks,
Paul Bakker
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond
es and which are the variables.
I still guess and use trial and error when I do anything other than
simple lyrics. Examples are great when they are obvious but the lyrics
and voice examples are not obvious to me.
Thanks,
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
s 2/3 { r16 dis cis] } c4 d e f f e d }
I would consider sponsoring a fix if necessary as this bug keeps me from
delivering an arrangement unless I change the beaming.
Thanks,
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http:
7;ve had to do this and I don't remember needing the source
to set up lilypond-mode.
TIA,
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
)) >
#nmark.ly:4:8>))((display-methods #) (name .
MarkEvent) (types general-music mark-event event)) >
I'll send this to the bug list if I haven't missed something in the
latest manual.
Paul Scott
___
lilypond-user ma
Geoff Horton wrote:
http://www.geoffhorton.com/lilymacs.html is how I did it.
Geoff
Thanks! Works great! I've bookmarked your page.
Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
= #-2
Does anyone agree that the default font size for chord names is too big
and worse that the accidentals in chord names are too big for the text?
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinf
Victor Eijkhout wrote:
If I put "\mark \default" in each part, then I get an annoying warnnig message
about duplicate marks when
I include the parts in a score document. What's the easiest way around this?
Can you give the version number of LilyPond you are using and a small
ains:
\include "notes.ly"
score {
<<
\new Staff = "x" { << \global \parta >> }
\new Staff = "y" { \partb }
>>
}
HTH,
Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
b b b
\revert NoteHead #'style
\bar ":|"
}
I've used that a number of times. Unfortunately it's a mess when you
need to transpose the part!
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Trevor Daniels wrote:
I've never tried it, but could you use a drum voice to avoid
transposition problems?
I hope someone answers that. It's been a while and several versions
since I've done that. A solution really needs to exist possibly as a
variation of \repeat.
Paul
r later versions see:
7.2.3 Printing chord names
Which show how to put the volta brackets over the chords:
harmonies = \chordmode {
c1:m c:m \break c:m c:m d
}
<<
\new ChordNames {
\set chordChanges = ##t
\harmonies }
\new Staff \transpose c c' \har
faults are always serious errors. Please send the offending input.
I also got some segfaults from 2.11.2 but I needed to get the part done
and didn't stop to report it since I was able to make a change and keep
going. It might have had to do with empty lyrics. I'll try
me is a bad thing. We could make \tuplet accept 3:2 2/3 and 3.
Is it relevant that ':' and '/' actually both mean divide?
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
r).
You *could* keep \times and *add* the keyword \tuplet with the
syntax \tuplet m:n {sequence-of-notes},
Actually, I would prefer this too.
Yes! \times is shorter than \tuplet to type.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
instead of adding them.
You are thinking too mathematically IMHO.
I support Eriks idea:
. it is much easier to write 2 3 instead of 2/3
much?? It's about the same on my keyboard. 2/3 is even easier with the
numeric keypad.
Paul
ault%% supposse this is "boxed B"
I believe that Score.markFormatter only works from \mark \default for
the others you need:
\mark \markup{ \box A1 }
, etc.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
syntax).
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
e would be a command line
option that invoked the preprocessor of our choice. OTOH anyone capable
of setting up the preprocessor commands could probably write the simple
script to cause the preprocessor to be invoked followed by a call to Lily.
Paul Scott
when used to enclose something , are called
brokets.
In over 40 years with computers I have never seen or heard that term. I
use the term I learned "angle brackets." I don't recommend using
"brokets" without defining it.
Paul Scott
_
at".
or "pickup" (common American name)
This is the
\partial
command. If you need, say, a quarter-note anacrusis, you type "quarter
note" - "asterisk" - "one" after the commad, in this way:
\part
Manuel wrote:
Paul, are
anacrusis
upbeat
pickup
all commonly understood terms in english speaking countries?
Yes. There are probably some musicians who are not familiar with anacrusis.
Paul
___
lilypond-user mailing list
lilypond-user
ue up to 3 or so).
Could that anything to do with why my Scheme definitions containing:
#{ \once \override TextScript #'padding = #$padding #}
seem to have stopped working?
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
ual
files: xyzscore.ly, xyzvln1.ly, etc. The notes file can include other
files if you think the "notes" file is too big. This has been discussed
here before.
Have fun,
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
Manuel wrote:
Paul, I have now changed this part. What do you think?
That all seems great! You might consider adding to the following the
explanation about the reversal of the numbers from the way we normally
think, e.g. 16*5 instead of 5*16 (or 5/16).
(insert graphic here)
There is no
Ezequiel Sierra wrote:
Take a look at this file and see the line that has \break \break it
dosent work not even with one break
If you back this up and try removing things one at a time you will
either discover your problem or arrive at a short version so we can help
more easily.
Paul Scott
move spaces
from the filename before the update would process.
Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
sure isn't full.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
The next hymn I am transcribing has optional melismas offset with brackets
on the staff.
What is the simplest way to insert "[" and "]" around the notes? Ideally
something like \bar "[" would be great.
Paul
___
lilyp
Parentheses will work. I've seen it both ways.
Paul
-Original Message-
From: Geoff Horton [mailto:[EMAIL PROTECTED]
Sent: Friday, December 29, 2006 3:13 PM
To: Paul Harouff
Cc: lilypond-user@gnu.org
Subject: Re: Another Chant Notation Question
Does it have to be brackets? Parent
It's easy to break pages inside a Score block, but I need to break the page
before a Markup block before the score.
Paul
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
ple of what is not working for you as you did
above. Maybe the clef problem is similar to the time problem.
HTH,
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
sking here
but it would be nice to just have a link.
Thanks,
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Mats Bengtsson wrote:
Paul Scott wrote:
Graham Percival wrote:
(snip)
Umm, the normal place?
http://lilypond.org/download/binaries/
It would be useful to have that link on the web site just like there
is a link for older stable versions. I've found it before by asking
here but it
t others can benefit from your questions. You will sometimes get two
copies of emails back to you.
It took me a while to reply because just replying doesn't get a copy to
the list and I don't check this email address very often.
HTH,
Paul
___
;t
find any install command.
Does Mac no longer use carriage for end of line since OSX. That seem to
be the case from the command line.
I have had limited experience with a Mac so I could use any other
pointers to relevant documentation.
TIA,
Paul Scott
Han-Wen Nienhuys wrote:
Paul Scott escreveu:
Does Mac no longer use carriage for end of line since OSX. That seem to
be the case from the command line.
I have had limited experience with a Mac so I could use any other
pointers to relevant documentation.
TIA,
on the 1st run, lilypond
Valentin Villenave wrote:
2007/1/25, Paul Scott <[EMAIL PROTECTED]>:
Can someone point me to documention as to which version of Lily I should
on a Mac G3 (Pismo) running OS 10.4.7? The darwin choices here:
http://lilypond.org/vc/gub.darcs/READ-ME don't necessarily match what I
have
Mats Bengtsson wrote:
Paul Scott wrote:
on the 1st run, lilypond indexes all the font files, and that can
take a
long time.
Does convert-ly (Compile/Update Syntax) invoke the same indexing?
No!
Ok. I was confused because a screen comes up and doesn't seem to
indicate completi
ng from .ps
to .pdf) w/ 2.11.15-2 on OS 10.4.8 and did not have it with 2.11.15-1
Paul Scott
Regards,
Stan
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
width . 90) \justify \BVtwo
}
\score {
}
\markup { \hspace #5.0 \fontsize #2 \italic \with-color #red \override
#'(line-width . 90) \justify \BVthree
}
Can anyone tell me a workaround that will do the same thing?
Paul
___
lilypond-user mailin
e a way to create global variables of text and reference them in the
\markup blocks?
Paul
-Original Message-
From: Mats Bengtsson [mailto:[EMAIL PROTECTED]
Sent: Monday, February 05, 2007 2:49 AM
To: Paul Harouff
Cc: lilypond-user@gnu.org
Subject: Re: How to use global variables with \M
David Rogers wrote:
On Thu, 25 Jan 2007 02:25:06 -0700, Paul Scott wrote:
Does Mac no longer use carriage for end of line since OSX. That seem
to be the case from the command line.
You are exactly correct. The vast majority of new files you will create, with
just about any OS X app
tem-padding
my between-system-padding is set a small 1...
I am having the same problem. I can make a small change and get a
segfault and then change it a little differently and get output. I get
those messages either way.
Paul Scott
___
lilypo
reat!
Would you like to share the sponsorship if it's not too much? If it's
more than we want to share maybe some others would like to join us.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
.20"
clm= \relative c'' { \repeat tremolo 8 { e16( cis) } }
clma = \relative c' { \repeat tremolo 8 { e16( g) } }
{
\clm \clma << \clm \\ \clma >>
}
TIA,
Paul Scott
tremdiv.pdf
Description: Adobe PDF document
On the highlighted line in the basic editor, change the (i-1) to (i) and the
next time you type Ctrl-M the edit window will work.
My problem is Lilypond 2.11.20 is not recognizing either
-b eps or --backend=eps so the code fragment won't compile.
Paul
-Original Message-
From: [
27; e'
% end ly snippet
}
Paul
-Original Message-
From: Graham Percival [mailto:[EMAIL PROTECTED]
Sent: Sunday, March 04, 2007 6:05 PM
To: Paul Harouff
Cc: 'Johan Vromans'; lilypond-user@gnu.org
Subject: Re: -b eps option (was RE: OOolilypond and openoffice 2.1)
Paul H
What would it cost to get a better caesura (railroad tracks)? I will
consider sponsoring it. Here are examples of caesuras attached.
It should be a pair of parallel lines not two distorted commas.
I sent this once but one of the attachments was rejected.
Thanks,
Paul Scott
t or modern computer rendered rental versions.
They are just two slanted parallel lines. The examples I attached,
which are from the web (I don't where they came from originally), are
far better than the two distorted commas. I have never seen anything
like that in printed mu
401 - 500 of 2283 matches
Mail list logo
