l, or the behavior that controls it?
\set Staff.extraNatural = ##f
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
ange (from E to A) that only prints a D-natural?
say, something like
\set Staff.printOnlyNeededNaturals = ##t
I vote for that. Or that might suggest that printKeyCancellation might
need to be more than a boolean and have values for as many style
I'm sending this to Lilypond-user also:
Peter Chubb wrote:
Paul> [EMAIL PROTECTED] wrote:
I'm trying to typeset some optional notes a bit smaller. But Lily
seems to ignore the font change size in this context.
As you can see below part of the solution is to name the voice correctly.
Paul
printed, automaticaly
categorised version of the repository.
Let me know what you think!
I can't get past any second page. Does it require an account just to
view the snippets?
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Nicolas Sceaux wrote:
Paul Scott <[EMAIL PROTECTED]> writes:
I can't get past any second page. Does it require an account just to
view the snippets?
Works fine here.
It works now.
Thanks,
Paul
___
lilypond-user mailing list
li
ng to want to do, particularly given my programming background), I
decided to try a simple test case based on two measures of "Twinkle,
Twinkle."
This is the score for "Twinkle, Twinkle"that works OK:
Glad you discovered this. Some of us do this often. Did you have
J L wrote:
Is it true that LilyPond doesn't like music variables with a number in
the name? If I did:
voice1 = { somemusic }
and used that later, LilyPond would complain?
Yes. Some of us use roman numerals to get around this.
Paul
will have no effect music that appears
inside a |\transpose|.
It works fine for me too.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
; { % I use the keys of the instruments backwards
\relative c' {
bf2\ff bf | df df | c df | ef1 | bf2 bf | df df | c df | ef1 |
}
}
>>
}
I'm not sure if I got the octave where you wanted since I did this in a
hurry.
HTH,
Paul Scott
__
Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] writes:
As far as I understand, the point of \transposition is that you can make
a printed version of the music and a MIDI version of the same music
without having to make two separate \score{...} sections (one with
\transpose and one without). In other
nks are present, but
lilypond-snapshot-book 2.4.2 finds some of the wrong fonts, and is not
functional. I reported it, and I'm just waiting for something to
happen.
Can you give me an example? I think it works fine here on Debian/sid
but maybe I haven't run into the font proble
y but I haven't looked that up yet. Otherwise once
you use it in a score you will have to keep changing it for each new
tuplet group size.
HTH,
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinf
Mats Bengtsson wrote:
Paul Scott wrote:
Did you set this previously? It says group the tuplets in quarter (1
/ 4) note groups which is smaller than the grouping you are
indicating. The correct one for a 4 quarter note (one whole note)
grouping would be:
\set tupletSpannerDuration = #(ly:make
at in \markup.
instrument = \markup{ Trumpet in B\flat }
That worked for me.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
seem to work for simple examples
but not for complicated ones.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] writes:
Will Oram wrote:
The good news is that page breaks work again. However, that gigantic
10cm gap between header and system 1 is still there, squishing the
system into half a page length.
AFAICT and I have tried all variations of ragg
y !
Maybe just as dishonest but not so visually obvious is something I'm
temporarily doing until I learn a better way: Displace the markups by
an s64 or s128.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Page layout, firstpagenumber
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Jack Harris wrote:
Thanks for your reply. Question: Are you saying (1) make two
different documents and combine them, or (2) embed external commands
in my lilypond document to format the separate title page? FWIW, if
(1), then I understand what to do.
I meant (1).
I hope to learn more Lilypon
ddress which
is not subscribed to bug-lilypond. I notice this one is sent from a
different address than the one you usually use.
HTH,
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
I've also
tried
\header { composer = "C. Bakker \n W. Luikinga \n E.Ouwens"
}
and also \break instead of or \n.
Try this:
composer = \markup{ \column < "C. Bakker" "W. Luikinga" "E.Ouwens" > }
Paul Scott
reas those used in a parallel cable are feminine.
A direct connection can be made with either a serial or a parallel
cable. I've done both. Either way the send/receive lines must be
crossed over in the cable.
Paul Scott
___
lilypond-user mailing l
Mats Bengtsson wrote:
Did you try to search for \markup in the index of the LilyPond manual?
How would one search for the answer if they didn't know it? \markup was
the answer not the question :)
Paul
/Mats
Roman Stöckl-Schmidt wrote:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Paul
Mats Bengtsson wrote:
Paul Scott wrote:
Mats Bengtsson wrote:
Did you try to search for \markup in the index of the LilyPond manual?
How would one search for the answer if they didn't know it? \markup
was the answer not the question :)
Since you already provided an excellent answer t
er
one? Again if not this is not a solution but the concept is great and
needs a solution.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
d:[EMAIL PROTECTED]>
* 5.14.2 Chords mode <cid:[EMAIL PROTECTED]>
* 5.14.3 Printing chord names <cid:[EMAIL PROTECTED]>
Appendix C Notation manual details
<cid:[EMAIL PROTECTED]>
* C.1 Chord name chart <cid:[EMAIL PROTECTED]>
in the manual?
Paul Scott
___
S L Raymond wrote:
Paul Scott wrote:
S L Raymond wrote:
I am having a hell of a time trying to figure out how to notate
certain chords in a lead sheet.
Specifically, Dm/sus/b5 and Fm(maj7).
The best I can render for the former is "Dm7sus/add 11" which is a
bit tedious.
I don't w
S L Raymond wrote:
Paul Scott wrote:
S L Raymond wrote:
f:maj7.3- actually works (even if it seems backwards from the way we
were thinking).
Sure, but jazz performers might be confused when reading a chart that
contains an 'Fmaj7b3' chord. Functionally, it shouldn't be trea
ng Lilypond 2.4.2, the Debian Woody version.
That would be Ferenc Wagner's version, right?
Can anybody tell me how to upgrade gracefully from this version to a
newer one?
He has upgraded it to 2.4.5 just a couple of days ago. apt-get update
apt-get install sho
I'm not sure if the error below is a problem but I think there has been
a fix on this list recently.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Paul Scott wrote:
Helder Gomes da Silva wrote:
He has upgraded it to 2.4.5 just a couple of days ago. apt-get
update apt-get install should do it.
I'm using
deb http://www.pedrokroeger.net/lilypond/ ./
in my sources.list configuration.
With apt-cache show I can only see version 2.4.2
Use
Ferenc Wagner wrote:
Paul Scott <[EMAIL PROTECTED]> writes:
Riccardo Orfei wrote:
Unfortunately, I am running Lilypond 2.4.2, the Debian Woody version.
That would be Ferenc Wagner's version, right?
Can anybody tell me how to upgrade gracefully from this version to
r message says exactly what the problem is and agrees with the
way \column works for me with 2.4.2. The example in the Text Markup of
the manual for 2.4.2 is:
\markup { \column < a c > }
HTH,
Paul Scott
___
lilypond-user mailing list
lily
nment-X to
different values but I get no change there either. I tried different
contexes before InstrumentName (Voice. Staff. Score.)... And I've tried
putting it before and after the \set Staff.instrument line... But I
can't figure out how to do this!
How about just changing the indent
\in
}
\layout
{
%linewidth = 9.5\in
indent = 0\in
}
I believe the right margin is the paper width - leftmargin - linewidth.
These both go in the \paper block. See the bug note at the bottom of
"7.5.11 Page layout" in the manual.
HTH,
Paul Scott
_
only a matter of entry. It is also
a matter of readability. But then again, I never tried. Perhaps
it would not be such a big issue after all...
I have and I wouldn't want to go back to absolute entry. At least until
we find out what Nicolas' editor does.
Paul Scott
re I get it
or what generates it.
TIA,
Paul Scott
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
Paul Scott wrote:
> I am new to the list and just starting to learn LilyPond. I know
> this has been discussed here before but I haven't seen a solution.
>
> ! LaTeX Error: File `geometry.sty' not found. is the familiar
> message. I don't have the file and
e4 c' b a d1 e4 d c a b1
}
}
TIA,
Paul Scott
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
Jule Slootbeek wrote:
> because you type f's in the notes, the \key commands only puts the
> required keysignature at the beginning of the piece.
>
> change your f's to fis and it'll be fine.
Ok. That doesn't seem logical to me and it's clearly more work but if
that's the way it works I can
Graham Percival wrote:
>On Sat, 28 Sep 2002 22:27:00 -0700
>Paul Scott <[EMAIL PROTECTED]> wrote:
>
>
>>Are there any powerful GUI front ends for Lilypond?
>>
>>
>Look in the manual, under "graphical interfaces". How hard can that be?
&g
Jan Nieuwenhuizen wrote:
>Paul Scott <[EMAIL PROTECTED]> writes:
>
>>>change your f's to fis and it'll be fine.
>>>
>>>
>>Ok. That doesn't seem logical to me and it's clearly more work
>>
>>
>
>Want a
Jan Nieuwenhuizen wrote:
>Paul Scott <[EMAIL PROTECTED]> writes:
>
>
>
>>It would be quite logical if there were an equal probability of notes
>>in a composition being in or out of the current key.
>>
>>
>
>Maybe it's a language questi
Laura Conrad wrote:
>>>>>>"Paul" == Paul Scott <[EMAIL PROTECTED]> writes:
>>>>>>
>>>>>>
>
>>>> p.s. I am getting two copies of everything from this thread. The
>>>> first one of
The manual gives something like this for multi-measure rests. It works
if I don't try the 5 bar rest before '\mark "1"'. With that rest
included I get everything on one line. I tried various combinations of
turning Score.skipBars on and off with no success.
Any
the manual.
So far I put it in the first part and it, of course, appeared on the
score and on the first part and of course not on the other parts.
TIA,
Paul Scott
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinf
Graham Percival wrote:
On Fri, 25 Oct 2002 10:30:06 -0700
Paul Scott <[EMAIL PROTECTED]> wrote:
For a simple piece with score and parts how do I cause the tempo marking
to appear only at once above the top part in the score and and once at
the beginning of each part. This will be a
Mats Bengtsson wrote:
That has possibilities and might solve another problem. I'm going to
post a question or two about vertical spacing when I get a chance. My
tempo marking is too close to the notes right now.
The padding property is your friend, for example:
\property Voice.TextScri
does when you choose Command/2PS?
Thanks,
Paul Scott
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
Paul Scott wrote:
Mats Bengtsson wrote:
The recommended procedure to produce a PDF file of a
score is 'ly2dvi -p file.ly'. It will use vector fonts
instead of bitmapped fonts, so you don't get the fuzzy
note heads when the you view the file in Acrobat.
Do you know if that&#x
one verse but to two syllables in the next verse the first
verse will move the next syllable to the second quarter note and offset
incorrectly the whole first verse.
AFAICT double underscore doesn't do what I need.
TIA,
Paul Scott
___
Lilypond
How does one change the notehead to an X in the middle of a voice note line?
TIA,
Paul Scott
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
Paul Scott wrote:
Hi,
How does one cause the lyrics to skip a particular note value for one
set of lyrics only? The lyrics are written above each other as they
would be in standard sheet music for a popular song or a hymnal.
For example if the melody has two quarter notes which correspond
Graham Percival wrote:
On Fri, 01 Nov 2002 11:11:00 -0700
Paul Scott <[EMAIL PROTECTED]> wrote:
How does one change the notehead to an X in the middle of a voice note line?
Look at "tips-n-tricks" or "regression tests". One of them has a whole bunch
of noteh
istency point of view that it would make sense to
put one half note in one 2/4 bar but it doesn't make musical sense in
the case of tremolos from anything I have ever seen.
HTH,
Paul Scott
>
>
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
f-alignment-X = #-1
}
\relative c'' {
\numberEveryBar \barNumberDown
\repeat unfold 52 c2
\set Score.currentBarNumber = #100
\repeat unfold 48 c4
}
/Mats
Paul Scott wrote:
Hi,
12.2.1
When numbering all bars the default bar numbers seem to be at the end
of the previous bar which is
Paul Scott wrote:
Mats Bengtsson wrote:
I don't understand what you mean, can you provide an example?
Thanks for answering, Mats. With the following code the bar number
displaces the notes in each bar to the right. If I remove the two
self-alignment-X overrides the bar number doe
Kieren MacMillan wrote:
Hi Paul,
Thanks for answering, Mats. With the following code the bar number
displaces the notes in each bar to the right. If I remove the two
self-alignment-X overrides the bar number does not displace any music.
\layout
{
\context
{
\Score
\o
Kieren MacMillan wrote:
Hi Paul,
I just searched through the docs and I don't find the meaning of
X-extent.
What does it mean? What does the above do?
Google
X-extent site:lilypond.org/doc/v2.12
[Hint to everyone: using the 'site' Google-keyword is a great method
of searching the docs
Trevor Daniels wrote:
Paul Scott wrote Saturday, January 31, 2009 8:47 PM
Kieren MacMillan wrote:
The first property description on that page is:
"X-extent (pair of numbers) Hard coded extent in X direction."
I had no trouble finding X-extent in the docs. Reading that did
n if it is all rests?
TIA,
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Hi Kieren,
Oops!
Thanks!
Paul
Kieren MacMillan wrote:
Hi Paul,
Is there currently a way to cause the first staff of every system to
exist even if it is all rests?
There are several hints/suggestions in the list archive and/or LSR.
Kieren.
_
x27;t consistently produce
attractive results. What are any of you doing to solve this?
Thanks,
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
ort of both chords
and lyrics.
What's most interesting is that the few that I looked at say they were
engraved by Lilypond. In my few minutes there I didn't see if we could
get the Lily source.
Paul Scott
___
lilypond-user mailing
On Apr 3, 2009, at 3:49 PM, Anthony W. Youngman wrote:
In message
<7ca3d5a30904031519ya3b89hb87cf8f81a544...@mail.gmail.com>, Neil
Puttock writes
2009/4/3 Anthony W. Youngman :
In message , Anthony W.
Youngman
writes
Ow!
Sorry, reading this was painful (I play the trombone, as many
ninth.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
t either.
OTOH if tools like JEdit, etc. could develop into a full GUI for those
who need that a lot more people would be served and it would certainly
compete with Finale.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://
code?
Much or all of the non C++ code is already on your machine. On my system
cd /usr/local/lilypond/usr/share/lilypond/current/
and
grep TimeScaledMusic */*
Showed me that the code was in
scm/define-music-display-methods.scm
Paul Scott
___
lil
text{ \Score tempoWholesPerMinute = #(ly:make-moment 120 4) }
}
}
Thanks,
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Mark Polesky wrote:
Paul Scott wrote:
2.13.1
I have read all of NR 3.5
Should the following work to unfold the above repeats for a MIDI
file?
I'm assuming you read this page:
http://lilypond.org/doc/v2.13/Documentation/user/lilypond/Repeats-in-MIDI
I said I read all o
make a few simple
changes to your code to get back to my structure and no longer have
working code. I have attached that code.
unfold-repeatspaul.ly
Description: Binary data
I will also make some comments on your thoughts below.
On Jun 6, 2009, at 1:19 PM, Mark Polesky wrote:
Paul Scott
games. Other than that, it should die an
unmerciful death and never be mentioned in the same sentence as
"web" or "home page". :)
(I mostly agree). Not that I'm recommending it but an animated gif
could be less offensive than Flas
efore and after the cadenza.
Put this at the end of the \score block:
\layout {
\context { \RemoveEmptyStaffContext }
HTH,
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
e ghost notes are in parentheses.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
e ghost notes are in parentheses.
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
missing something or are the docs behind?
Thanks,
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Sorry for the noise. I didn't think the first version of this email
had succeeded.
Paul
Paul Scott wrote:
Hans Aberg wrote:
On 21 Jul 2009, at 20:20, Carl Sorensen wrote:
... a question come up about the name for some notation.
In rock (and maybe jazz) guitar, there is a note desc
James E. Bailey wrote:
On 23.07.2009, at 04:20, Paul Scott wrote:
Hi,
I'm resurrecting a laptop whose hard drive died. I'm trying to set
up Emacs lilypond-mode.
AU 2.2.1 tells me to do a 'make install' in the elisp directory. I
don't see a makefile and '
at the
beginning of each line.)
This has been discussed here before. This is the way LilyPond works.
Lily's way is consistent with many printed scores even though your way
is sometimes done.
Paul Scott
___
lilypond-user mailing l
David Stocker wrote:
To clarify, replace everything between the " " with the exact syntax
and spelling of your site-lisp directory. I just realized that bold
and italic may show up on some people's system as * * and extra / /
Thanks!
I'll try this later today on my laptop. (running Debian si
James E. Bailey wrote:
On 23.07.2009, at 07:16, Paul Scott wrote:
James E. Bailey wrote:
On 23.07.2009, at 04:20, Paul Scott wrote:
Hi,
I'm resurrecting a laptop whose hard drive died. I'm trying to set
up Emacs lilypond-mode.
AU 2.2.1 tells me to do a 'make instal
David Stocker wrote:
Paul,
Are you using Linux or Windows XP?
After you install LilyPond, you'll have all the files you need for
lilypond-mode to work right there in your installation directory.
You'll just need to tell Emacs where to locate them.
In your .emacs.d directory you'll need a fi
Tim McNamara wrote:
On Jul 24, 2009, at 1:51 AM, Paul Scott wrote:
David Stocker wrote:
Paul,
Are you using Linux or Windows XP?
After you install LilyPond, you'll have all the files you need for
lilypond-mode to work right there in your installation directory.
You'll just ne
David Stocker wrote:
After you install LilyPond, you'll have all the files you need for
lilypond-mode to work right there in your installation directory.
You'll just need to tell Emacs where to locate them.
In your .emacs.d directory you'll need a file called "init.el" It may
already be pre
Tim McNamara wrote:
On Jul 24, 2009, at 11:47 AM, Paul Scott wrote:
I am still concerned why AU 2.2.1 doesn't seem to make sense.
Sorry to be pig-ignorant here, but what the frak is AU 2.2.1?
Obviously it's some kind of abbreviation for documentation, but
unfortunately I'
David Stocker wrote:
Paul Scott wrote:
Doing that to the best of my ability I get:
File mode specification error: (file-error "Cannot open load file"
"lilypond-mode")
This is how I interpreted your instructions:
(setq load-path (append (list (expand-file-name
&quo
Graham Percival wrote:
On Fri, Jul 24, 2009 at 02:05:01PM -0500, Tim McNamara wrote:
On Jul 24, 2009, at 11:47 AM, Paul Scott wrote:
I am still concerned why AU 2.2.1 doesn't seem to make sense.
Sorry to be pig-ignorant here, but what the frak is AU 2.2.1?
The
James E. Bailey wrote:
I don't know exactly how your music is set up, but \mark may be what you
want.
Or s4*0\markup{ Fine }
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
. The
following code is close but says "Solo" where I would want it to say
"a2" in the score. I would want Solo or "1." where the 2nd voice has rests.
Can this be done? This should be a common need.
TIA for any ideas,
Paul Scott
\version "2.17.3"
timing
2.17.6
I found several threads about this but the discussion doesn't give me any ideas
as to what to change.
../common22.ily:83:12: error: bad grob property path
\override
Staff #'fontSize = #-2
TIA for an answer,
On Mon, Nov 12, 2012 at 08:19:51PM +0100, Janek Warchoł wrote:
> On Mon, Nov 12, 2012 at 7:43 PM, Paul Scott wrote:
> > 2.17.6
> >
> > ../common22.ily:83:12: error: bad grob property path
> > \override
> > Staff #'fontSize = #-2
>
> Yo
how it works.
I can't prove it but I believe had conflicts between quoting and tags in a
large score. I didn't have time to diagnose it so I just removed a lot of
useful cues which would have cluttered the score without tags to remove them
from the score.
Paul Scott
>
> Al
;." is more logical.
> >Zounds. Tell you what: I'd consider that an actual improvement.
> No – I still would prefer if LilyPond draws the final bar line
> without having
> to explicitely tell her.
All musical sections do not end with \bar "|." so you do need to
exp
On 03/07/2013 10:54 AM, Marc Hohl wrote:
Am 07.03.2013 18:52, schrieb Paul Scott:
[...]
All musical sections do not end with \bar "|." so you do need to
explicitly tell her.
You, of course can create your own template to do that.
How can I write a template for telling lilypond
it a bad rule. I think I would
adapt to this syntax easily.
+1
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
l!
It meant that the quote before the \ didn't get closed until some time
later (or never).
Paul Scott
>
> Thanks for the hint.
>
> Take care.
> On Mar 16, 2013, at 9:06 PM, Mark Stephen Mrotek wrote:
>
> > Sarah:
> >
> > When I compiled the file I go
oblem?
Paul Scott
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
On Wed, Mar 20, 2013 at 08:37:38AM -, Trevor Daniels wrote:
>
> Paul Scott wrote Wednesday, March 20, 2013 7:56 AM
>
>
> >I get segmentation faults with 2.17.14 on a medium to large set of files
> > which compile fine with 2.17.13. I have gotten these err
related to
work on \tuplet .
Thanks,
Paul
On Wed, Mar 20, 2013 at 10:03:23AM +0100, David Kastrup wrote:
> Paul Scott writes:
>
> > I get segmentation faults with 2.17.14 on a medium to large set of files
> > which compile fine with 2.17.13. I have gotten these errors w
On Wed, Mar 20, 2013 at 10:27:27AM +0100, David Kastrup wrote:
> Paul Scott writes:
>
> > I appreciate that possibility. I have said the same thing to a number
> > of programming classes I have taught including the assembly language
> > class I was teaching tonight.
>
501 - 600 of 1241 matches
Mail list logo
