Am 30.04.2015 um 22:15 schrieb tisimst:
On Thu, Apr 30, 2015 at 1:56 PM, David Nalesnik-2 [via Lilypond]
[hidden email] /user/SendEmail.jtp?type=nodenode=175743i=0 wrote:
You are probably thinking of the following snippet, which actually
adds tempoEquationText as well as several other
Am 28.04.2015 um 03:44 schrieb Paul Morris:
Calixte Faure wrote
Traditionally, vocal scores are written without beams, except for melisma.
But modern scores tend to keep beams everywhere and put slurs to indicate
melisma.
Is it possible to have both output with one source, without complicating
why the example uses
measureLength (which gives the same output, after all).
Yours, Simon
Am 06.05.2015 um 01:02 schrieb Simon Albrecht:
Indeed. I’ll make a bug report.
Yours, Simon
Am 06.05.2015 um 00:55 schrieb Tobias Braun:
http://lilypond.org/doc/v2.18/Documentation/notation/long
Indeed. I’ll make a bug report.
Yours, Simon
Am 06.05.2015 um 00:55 schrieb Tobias Braun:
http://lilypond.org/doc/v2.18/Documentation/notation/long-repeats.html
Search for Timing.measureLength there.
Am 06.05.2015 um 00:52 schrieb Simon Albrecht simon.albre...@mail.de:
Am 06.05.2015 um 00
Nice one again, Harm! :-)
I love how every ‘normal’ person would come up with some twenty lines of
‘ordinary’ code, whereas you deliver hundreds of lines of code with a
fancy solution…
Kudos!
And, finally, (!) good night :-)
Am 06.05.2015 um 01:08 schrieb Thomas Morley:
How about:
\version
Am 03.05.2015 um 14:45 schrieb MING TSANG:
Andrew, Thomas, Phil, Brian Martin:
Thank you all for taking time to answer my request. As few of you
suggest this may be a bug, how do I report this to bug list.
This is explained on http://lilypond.org/bug-reports.html. Which is
quite easy to find,
Am 03.05.2015 um 10:47 schrieb D'Arcy J.M. Cain:
On Sat, 2 May 2015 04:51:34 + (UTC)
Keith OHara k-ohara5...@oco.net wrote:
In this case, I think it is a bug fixed soon after version 2.16
https://code.google.com/p/lilypond/issues/detail?id=1700
Yes. My NetBSD box running 2.18.2 does not
Am 06.05.2015 um 01:21 schrieb Mark Stephen Mrotek:
Tobias:
My understanding, which is certainly limited, is that Lilypond reads the
first alternate ending and sees only three beats and assumes that the second
alternate starts (read not played) with the fourth beat. Again a case when a
human
Am 06.05.2015 um 16:59 schrieb Andrew Bernard:
Dear Friedrich,
That’s because you have unnecessary nesting of staves.
Using 2.19.19, do this instead:
\new StaffGroup
\new Staff
\set Staff.instrumentName = Chant
\new Voice = PartPOneVoiceNone { \PartPOneVoiceNone }
Why
And, an obvious point: If you modify measureLength, you’d have to modify
it again after the second alternative, else all following music (if
there were any) would go on with 3/4 time (without a printed change of
TimeSignature!).
Am 05.05.2015 um 23:56 schrieb Tobias Braun:
Yes, it does,
So sorry. I should’ve tested the code before posting…
You need to use \line { } instead of a simple string in . See attachment.
Am 06.05.2015 um 00:41 schrieb Tobias Braun:
I got it to work in \lyricmode now, but it still won't work in the
\markup section.
If I do it like you say below, I
Am 06.05.2015 um 00:46 schrieb Tobias Braun:
So modifying measureLength, as suggested by the documentation, isn't a good
idea after all? Shouldn't the documentation be updated accordingly then?
In which place? Please give a link.
~ Simon
___
23:35 schrieb Simon Albrecht simon.albre...@mail.de
mailto:simon.albre...@mail.de:
Hello Tobias,
I’m not sure what you tried previously, but this should do what you want:
\markup \override #'(word-space . 0) \tied-lyric #kö~niglichen
See http://lilypond.org/doc/v2.18/Documentation/notation
Well, in Lilypond we always try to represent the musical content
appropriately, and contrary to what Steven suggested, the measure length
doesn’t change here, only the second alternative ‘misses out one beat’
or starts at another measure position. So setting measurePosition is the
way to go
Hi Sam,
welcome to the list!
Some notes:
– For future posts, it is useful if you include code examples as an
attachment, so they won’t get messed up somewhere on the way. That makes
it easier for others to help.
– On your first question: The problems cease to appear if you use the
commands
And I forgot:
Am 05.05.2015 um 22:26 schrieb Sam Bivens:
Second, is it possible to create nested multiple voices? What I mean
is to insert multiple voices within a single voice of a larger
multi-voice context.
No, a voice cannot contain another voice. But, as referenced, you can
create
Am 10.05.2015 um 18:03 schrieb Klaus Blum:
Aaaah, that's because the \header part was *inside* the \score part:
\score {
\header {
% title, composer, tagline
}
\choirPart
% etc.
}
If you change the structure like this...
or use \paper { print-all-headers = ##t } …
Hallo Helge,
it works if you replace %s32 in the example below with s1*0.
(There is a warning about \voiceXXX or \shiftOn[nn], which will be easy
to fix).
Yours, Simon
Am 09.05.2015 um 08:25 schrieb Helge:
Hi,
I have to write some scores where each piece starts with a long note
Hello everybody,
Am 05.05.2015 um 02:02 schrieb Adam Michael Wood:
I would like the copyright notice to appear just below the last system of
music, flush left.
(See for example, the copyright notices under hymns in almost every
hymnal.)
Is there a way to move the copyright notice this way?
Hello Tobias,
I’m not sure what you tried previously, but this should do what you want:
\markup \override #'(word-space . 0) \tied-lyric #kö~niglichen
See http://lilypond.org/doc/v2.18/Documentation/notation/music
Admittedly, it’s not as elegant as the one in the EG :-) – that would
require a
Am 11.05.2015 um 13:38 schrieb Gianmaria Lari:
Merci Pierre, ca marche tres bien!!!
Any idea why this is not part of the default Lilypond packages?
For a simple reason: nobody implemented it.
If you can give examples that this is standard notation, you might raise
an enhancement request on
Am 16.05.2015 um 16:38 schrieb Frauke Jurgensen:
Yes, some decades ago (i.e. when Apel was writing), it was common to
transcribe mensural music at a value reduction of 4:1 (i.e. 3/4 for
Circle); now, 3/2 is a more common transcription level, and most
specialist performers prefer to read either
Am 16.05.2015 um 17:20 schrieb Phil Holmes:
I've been doing something similar with madrigals from around 1590.
You will likely find tags useful, to identify where you need to use
different notation for modern and ancient music. If you can't see how
this works, please let me know: I don't have
Am 15.05.2015 um 02:57 schrieb Murray-Luke Peard:
This is the solution that worked for me. One problem I had was that if
the note goes over a bar line (as in the first example), the bar line
is drawn before you specify the bar type, and you get two bar lines
(see second example).
In the
Am 14.05.2015 um 23:46 schrieb Simon Albrecht:
Hello,
sometimes, if something is very difficult to achieve in Lilypond, it’s
just not a very good idea to do. This is one of those cases: Lily has
a knack of wanting to produce output complying to usual notation
standards, and it would
Hello,
sometimes, if something is very difficult to achieve in Lilypond, it’s
just not a very good idea to do. This is one of those cases: Lily has a
knack of wanting to produce output complying to usual notation
standards, and it would be perfectly normal to have the span bar span
the ossia
Hi,
just as a side-note: Research now agrees that contrary to common belief
renaissance _scores_ (1) had full barlines, with notes reaching beyond
these being split and connected using ties. I’ve not quite come to a
conclusion if I want to adopt this practice (as e.g. the new series of
Lasso
Hello Thomas,
Am 15.05.2015 um 21:00 schrieb Thomas Schuch:
Am 14.05.2015 um 23:46 schrieb Simon Albrecht:
Hello,
sometimes, if something is very difficult to achieve in Lilypond,
it’s just not a very good idea to do. This is one of those cases:
Lily has a knack of wanting to produce
Am 16.04.2015 um 20:03 schrieb Urs Liska:
Hi all,
disclaimerthis is more or less hypothetical and nothing to be
excited about/disclaimer.
I realize that I don't have a real idea about the size of our
community, and particularly regarding the availability of music
typesetters who could offer
Hello Peter,
as a last resort there’s
http://lilypond.org/doc/v2.18/Documentation/notation/explicit-breaks,
but that means hard-coding, of course, which loses flexibility.
HTH, Simon
Am 17.04.2015 um 00:15 schrieb Peter Bašista:
Hi LilyPond users,
I would like to ask a question about the
Am 12.04.2015 um 02:32 schrieb Kieren MacMillan:
Hi David,
No promises, just something hacked together. This only moves time signatures belonging
to the same paper column as a criteron of vertical relatedness. Can't say if
that's a valid assumption.
Outstanding! Works great on all the
Am 07.04.2015 um 00:07 schrieb Pierre Perol-Schneider:
BTW, regarding the smiley up on the last rest, did you see this:
http://lsr.di.unimi.it/LSR/Item?id=904
What’s your reason to not code that one with smiley =
#(define-markup-function …)?
Just asking, it might be irrelevant to the output.
Am 06.04.2015 um 09:59 schrieb Anton Curl:
On 06/04/2015 00:23, Urs Liska wrote:
I don't know enough about your setup, but if you'd write
\hide MultiMeasureRest
it should make the rests invisible but still act as rests.
Maybe this helps?
Urs
___
Am 06.04.2015 um 15:50 schrieb N. Andrew Walsh:
oh, heavens! I'm sorry, I didn't mean I was trying to reproduce them
(and yes, that's what I meant about the score: it looks like that,
though with oval noteheads. Just figuring out what printing technology
they were using would be interesting to
Am 04.04.2015 um 12:37 schrieb Reedmace Star:
* 2015-04-03 10:25 +0200 Andrew Bernard andrew.bern...@gmail.com:
Can I make a simple abbreviation for input? For example \t instead of \tuplet?
Since your question already got answered directly, I hope I can add a
piece of advice without sounding
Am 04.04.2015 um 14:13 schrieb Johan Vromans:
On Sat, 04 Apr 2015 12:55:51 +0200 (CEST)
Werner LEMBERG w...@gnu.org wrote:
It depends. Especially \tuplet is awfully long, and it makes scores
with a lot of triplets extremely hard to read.
Maybe we can conceive of a good, intuitive and short
Am 05.04.2015 um 09:54 schrieb Johan Vromans:
On Sat, 04 Apr 2015 18:56:47 +0200
Simon Albrecht simon.albre...@mail.de wrote:
... it
should be in some way characteristic of a tuplet,
A tuplet is nothing more than a sequence of notes that do not have a
discrete duration like 1/4 or 1/8
Am 09.04.2015 um 17:30 schrieb Peter Toye:
Re: Problem with \break command Simon,
Thanks - it gets somewhere.
The
\set Timing.defaultBarType =
command with which Abraham came up gets rid of the gaps.
Yours, Simon
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Hello,
the problem seems to be that the Bar_engraver takes part in triggering
the clef on the new line, so without it no clef is printed. I tried to
come up with a workaround, omitting the bar lines, but it has a major
drawback: it still leaves some space for the omitted bar lines, which I
Hi Knute,
well this is one of those complicated cases where Lily is not yet smart
enough. I’d suggest to make the text ‘shorter’, the following may give
some ideas:
\version 2.19.20
\language english
octaveUp = {
\set Staff.ottavation = \markup \override #'(baseline-skip . 1.5)
\column
You can see them on
http://lilypond.1069038.n5.nabble.com/Creating-cut-away-or-scrapbook-scores-in-LilyPond-td177436.html.
~ Simon
Am 03.06.2015 um 21:41 schrieb Stephen MacNeil:
No i doesn't show
Stephen
On Wed, Jun 3, 2015 at 3:27 PM, Simon Albrecht simon.albre...@mail.de
Am 03.06.2015 um 21:19 schrieb Stephen MacNeil:
The example works on
What do you mean by ‘works’?
\version 2.18.2
so i guess it's a 2.19.22 issue
I tested it on lilybin and this works in 2.19.21 for your example
anyway. not sure of 2.19.22 as i don't have it
\version 2.19.21
aa={a4
Hello Arno,
Am 03.06.2015 um 16:26 schrieb Arno Waschk:
dear list,
(sorry for cross posting, i am not sure where to address correctly...)
Since this is about usage of the program, the user list is the right
place. The devel list serves to coordinate development of Lilypond.
i have a problem
Am 03.06.2015 um 19:12 schrieb Jayaratna:
Dear Peter and Pierre,
thank you so much, it works. The \null solution is better IMHO.
Now before keeping this snippet online we should move left both syllables
'the',
No, we shouldn’t, since it is perfectly all right to left-align a
syllable which
Hello,
Am 03.06.2015 um 21:35 schrieb Jayaratna:
No, we shouldn’t, since it is perfectly all right to left-align a
syllable which has a melisma.
Now the syllables 'the' are aligned left,
left-aligned :-)
but they should be moved further
left because the melisma sign that follows is barely
Am 03.06.2015 um 21:26 schrieb Stephen MacNeil:
have a sample of what it should look like?
There was one inline, didn’t you receive it?
~ Simon
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Am 06.06.2015 um 12:15 schrieb Trevor Daniels:
[…]
should be written
{
\time 4/4
\once \override Hairpin.to-barline = ##f
a\ b c' d'
or, with less typing,
{ a-\tweak to-barline ##f \ }
Yours, Simon
\key fis \major
eis'\f fis' gis' ais'
}
Forwarding to the bug-list.
Yours, Simon
Am 07.06.2015 um 02:52 schrieb Gilberto Agostinho:
Hi all,
I found a little problem with the \accidentalStyle dodecaphonic-no-repeat.
When there is a grace note between two identical pitches, the second one
does not receive an accidental as it's suppose
Hello,
just as a sidenote: unfortunately, you encounter
https://code.google.com/p/lilypond/issues/detail?id=649 in m.8. Use
\once\omit Accidental to work around.
Yours, Simon
Am 09.06.2015 um 23:02 schrieb musicus:
Hi Klaus,
unfortunately I have to use \startStaff \stopStaff, because I
Hi Nick,
I can’t confirm that on Ubuntu, it compiles just fine. Can you narrow
down the problem and provide a tiny example
http://lilypond.org/website/tiny-examples.html, please?
Thanks, Simon
Am 09.06.2015 um 23:22 schrieb Nick Payne:
On 10/06/2015 07:02, musicus wrote:
Hi Klaus,
Am 23.06.2015 um 18:33 schrieb Avner Dorman:
Hi All,
Is there a quicker way to write out repeated notes?
Yes, although unlike the one you proposed:
http://lilypond.org/doc/v2.18/Documentation/notation/short-repeats
HTH, Simon
Maybe something that conceptualizes the notes
as a fraction of
PS. The second one is a little tricky; here’s what you get for both:
{ b'4:16 \tuplet 5/4 b'4*5/4:16 }
Am 23.06.2015 um 20:57 schrieb Simon Albrecht:
Am 23.06.2015 um 18:33 schrieb Avner Dorman:
Hi All,
Is there a quicker way to write out repeated notes?
Yes, although unlike the one you
The most simple approach would probably be something like
\set stanza = \markup {
\translate #'(0 . -1) \left-brace #22
3.
}
(in the upper verse; adjust values to taste)
Yours, Simon
Am 23.06.2015 um 22:54 schrieb RomanticStrings:
I am curious how I might achieve this bracket between two
Am 20.06.2015 um 00:27 schrieb MarcM:
is this collision a bug or is it expected and require to add padding
manually?
You might call it a bug, but of course it’s not a bug of Lilypond but a
bug in the \startParenthesis and \stopParenthesis variables defined
here. As the code is rather simple,
Am 20.06.2015 um 00:39 schrieb Nick Payne:
On 20/06/2015 08:30, MarcM wrote:
i played with the kneed beam settings but could not find a way to
reproduce
this kneed beam from Bach.
Is that feasible?
http://lilypond.1069038.n5.nabble.com/file/n178005/kneed_beam_Bach.png
\version 2.19.21
{
Am 21.06.2015 um 16:41 schrieb Avner Dorman:
So I create the python snippet - how do I then call it in the score?
You don’t call it in the score, but on the source file: Python may be
used to aid in writing a source file, which is then processed by Lilypond.
HTH, Simon
Am 20.06.2015 um 12:15 schrieb Klaus Blum:
Simon Albrecht-2 wrote
{
b'8\stemDown a'' g'' b'\stemUp
}
– however, it doesn’t work… (Why?)
Hi Simon,
just put \stemDown and \stemUp *before* the note:
Silly me… it was too late at night :-)
Best regards, Simon
Hello Ivan,
Am 22.06.2015 um 12:35 schrieb Ivan Arreghini:
Good day to all of you! I'd need a little help for a spacing problem
with Lilypond.
Is it possible
(Virtually everything is _possible_ in LilyPond – only some things are
more difficult than others :-) )
the setting the vertical
Am 25.06.2015 um 11:25 schrieb Gergely K.:
On Thu, Jun 25, 2015 at 5:51 AM, Helge Kruse helge.kr...@gmx.net
mailto:helge.kr...@gmx.net wrote:
Conductor will say bar number.
Nope. From my experience I would say she says everytime something
different:
- from 3 measures before
Am 25.06.2015 um 19:24 schrieb David Kastrup:
Simon Albrecht simon.albre...@mail.de writes:
Hello everyone,
is it just me who has been having a kind of ‘snowballing’ problem on
the -user and -devel lists for the last two days or so? Most of the
mails arrive two up to six (!) times, and I’ve
Hello everyone,
is it just me who has been having a kind of ‘snowballing’ problem on the
-user and -devel lists for the last two days or so? Most of the mails
arrive two up to six (!) times, and I’ve no clue why. A bug in mailman?
Best regards,
Simon
Am 25.06.2015 um 19:05 schrieb Wols Lists:
On 25/06/15 17:50, Simon Albrecht wrote:
Hello everyone,
is it just me who has been having a kind of ‘snowballing’ problem on the
-user and -devel lists for the last two days or so? Most of the mails
arrive two up to six (!) times, and I’ve no clue
Am 25.06.2015 um 00:34 schrieb PMA:
Hi List.
I have in piano staff a 6/8 bar of single 8ths, with the
first three in bass clef and the second three in treble.
I'd like all six notes under _one_ slur (whether snaky-
shaped or not).
Is this somehow feasible?
Yes, as long as the notes are in one
Am 22.06.2015 um 23:43 schrieb Thomas Morley:
2015-06-22 23:29 GMT+02:00 Michael Rivers michaeljriv...@gmail.com:
Yes, exactly. Thank you!
I have run into another problem in the meantime: fermatas over barlines
appear at the end of lines, but the rehearsal marks appear at the beginning.
Do you
There is no compilable example to test with, but perhaps set-paper-size
(without -default) might do it?
By the way: IIRC, the evenHeaderMarkup and evenFooterMarkup definitions
may be omitted here and the values will be inherited from the
corresponding odd… variables.
HTH, Simon
Am 26.06.2015
Am 27.06.2015 um 15:57 schrieb Sam Frybyte:
I'm using 2.18.2 and have 1 measure then 1 measure of \new Staff {\clef
treble ) below (though I'd like it above both existing staves that's
less important) then ten measures and 3 measures of a \new Staff etc both
I'd like to label with an
Am 10.06.2015 um 21:25 schrieb Gilberto Agostinho:
Hi David,
David Kastrup wrote
It _is_ actually set to another value, namely 9/40. Hardwired in
remap_grace_duration defined in lily/audio-item.cc .
So basically no.
Thanks for the reply. So this means that my option right now would be to
Hello,
just a sidenote:
Am 11.06.2015 um 17:26 schrieb Andrew Bernard:
% Turn off tuplet bracket and number.
tupletOff = #(define-music-function (parser location) ()
#{
\once \override TupletBracket.bracket-visibility = ##f
\once \override
Am 16.06.2015 um 06:11 schrieb Keith OHara:
Simon Albrecht simon.albrecht at mail.de writes:
Am 15.06.2015 um 16:50 schrieb Knute Snortum:
I haven't had any replies to this. How can I ask the question better?
Probably that’s because there is no way to automate this. At least I’d
be very
Am 16.06.2015 um 14:39 schrieb musicus:
Attached another example, where changing the shift direction could be
helpful...
I don’t think so:
\version 2.19.20
{
\time 3/2
\key d \minor
{ \voiceOne g''2 e'' d''8 cis'' d''4 }
\\
{ \voiceFour d''2 bes' b' }
\\
{
Am 17.06.2015 um 00:12 schrieb Steven Weber:
Is there any way to guarantee that the order of items processed
through after-line-breaking is the exact order they are in the score?
I’m doing some fun things with bar lines, and I’m having issues
because my scheme code isn’t getting them in the
Am 14.06.2015 um 15:04 schrieb musicus:
Yes, I want to leave the first g4 with no stem. (a specialty with
string instruments: If you have to play the same pitch with two
different strings simultaneously, there are two identical noteheads
with one stem between)
No need for acrobatics here:
{
Am 14.06.2015 um 12:19 schrieb Trevor Daniels:
David Kastrup wrote Sunday, June 14, 2015 10:05 AM
Trevor Daniels t.dani...@treda.co.uk writes:
Simon, you wrote Sunday, June 14, 2015 12:20 AM
And I just noticed that, with outside-staff-priority being
unset for both (or rather, all three),
Am 14.06.2015 um 01:29 schrieb Gianmaria Lari:
First, I'm not a politician and I'm not here to win a war :) My suggestion is
just a suggestion that have to be analyzed and in case it brings more
benefits than disavantages it should be considered; if an expert explains me
it is not advantageous I
being
unset for both (or rather, all three), avoid-slur doesn’t have the
desired effect, they will just collide (see attachment). But that would
be a different issue.
Good night,
Simon
Am 13.06.2015 um 23:45 schrieb Trevor Daniels:
Simon Albrecht wrote Saturday, June 13, 2015 8:53 PM
Am
Hello,
I need help with the attached situation: the dim. should go inside the
slur, but the avoid-slur tweak is ignored and it appears above. How to
fix that?
Thanks in advance,
Simon
\version 2.19.20
\score {
\new Voice {
{ f''1( }
{ s2 s
-\tweak
Am 13.06.2015 um 02:57 schrieb David Kastrup:
Simon Albrecht simon.albre...@mail.de writes:
Hello,
I need help with the attached situation: the dim. should go inside
the slur, but the avoid-slur tweak is ignored and it appears
above. How to fix that?
Thanks in advance,
Simon
I have no idea
Hello,
some remarks:
1. Are you aware that it’s illegal what you’re doing? All of the works
of Shostakovich are under copyright (almost?) everywhere on the world,
see the note on http://imslp.org/wiki/Category:Shostakovich,_Dmitry.
So there is little point in typesetting his music, unless you
Am 14.06.2015 um 15:32 schrieb musicus:
This helps indeed a lot.
On the other hand I'd be interested how to avoid stem merging...
NoteHeads are controllable with \mergeDifferentlyHeadedOn etc.
Is there any similar function to do the same with stems?
There’s no such thing like stem merging.
Am 14.06.2015 um 23:00 schrieb musicus:
so \voiceXxx should work, or not?
Why doesn't the stem of \voiceOne g go up as intended?
I didn’t figure the exact reason, but generally it’s because of the
nested \\ . The following works perfectly fine:
\version 2.19.17
{
\clef bass \time 3/4
Tiny example?
sja
Am 12.06.2015 um 17:15 schrieb Daniel Rosen:
DR
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Am 13.06.2015 um 11:59 schrieb Damian leGassick:
I do know about the accidental style - I'm revising a file that I started back
in 2007 (when I was just starting with Lilypond)
And in the EU, Webern will enter public domain on 1st January 2016 :-)
Best regards, Simon
Am 13.06.2015 um 15:17 schrieb Trevor Daniels:
Simon Albrecht wrote Saturday, June 13, 2015 2:00 PM
Weird, but it works and is definitely preferable over extra-offset.
Does anybody have an explanation? I couldn’t find the table with default
values for outside-staff-priority. They don’t seem
Am 13.06.2015 um 15:50 schrieb David Kastrup:
Simon Albrecht simon.albre...@mail.de writes:
Am 13.06.2015 um 11:59 schrieb Damian leGassick:
I do know about the accidental style - I'm revising a file that I
started back in 2007 (when I was just starting with Lilypond)
And in the EU, Webern
Am 15.06.2015 um 16:37 schrieb Trevor:
Not that it'll help your particular workflow, but somebody might be
interested to learn that LilyBin http://lilybin.com/ now does
point-and-click.
Bravo! Thank you :-)
Simon
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Am 15.06.2015 um 16:50 schrieb Knute Snortum:
I haven't had any replies to this. How can I ask the question better?
Probably that’s because there is no way to automate this. At least I’d
be very surprised if there were one. It’s so much of a standard to shift
columns in the directions they
Am 15.06.2015 um 20:45 schrieb Knute Snortum:
Thanks for your reply. This score is from 1916 so maybe it didn't
adhere to the standard or maybe it wasn't well established then.
Oh, this kind of standards are definitely older than 1916. Would you
mind sending an example (or link)? I imagine
Hello Thomas,
I’m not familiar with this function, but I can help about the last two
items:
Am 10.06.2015 um 14:48 schrieb Thomas Schuch:
3. Beams
If the colored area stops in the middle of a beam, the second part of
the beam gets colored, while the NoteHeads and Stems remain black as
Am 12.06.2015 um 16:27 schrieb David Kastrup:
Klaus Blum benbigno...@gmx.de writes:
Hi Gianmaria,
you could start like this:
% --
\version 2.18.2
pat =
#(define-music-function (parser location note) (ly:pitch?)
#{
\transpose
Hello Damian,
Am 12.06.2015 um 11:15 schrieb Damian leGassick:
\version 2.18.2
{
\time 3/4
r4 \repeat tremolo 4 { e'''!64 c'''! } r4.
r4 \repeat tremolo 8 { e'''!64 c'''! } r4
}
You might be interested in \accidentalStyle dodecaphonic – unless of
course you already know it…
Cheers,
12:47 PM
*To:* Simon Albrecht; Daniel Rosen; lilypond-user Mailing List
(lilypond-user@gnu.org)
*Subject:* Re: \remove Time_signature_engraver + \override
TextScript.self-alignment-X = error
Simon, Daniel, et al,
Here you are...
FYI, I have to force breaks to avoid getting breaks in mid
, 2015 at 1:43 PM Simon Albrecht simon.albre...@mail.de
mailto:simon.albre...@mail.de wrote:
Am 15.06.2015 um 20:45 schrieb Knute Snortum:
Thanks for your reply. This score is from 1916 so maybe it didn't
adhere to the standard or maybe it wasn't well established then.
Oh
Am 15.06.2015 um 01:43 schrieb musicus:
Ok, this sounds indeed very interesting.
I understand your explenation regarding nesting of in following way:
{layerOne}
\\
{layerOne}
\\
{layerTwo}
which leads to the problem:
\version 2.19.17
{a' a' a' a'}
\\
{
b
Am 28.05.2015 um 23:03 schrieb Dr. Bernhard Kleine:
Your suggestions worked smoothly. Thank you very much.
Now I would like to know how to force a pageBreak before something,
e.g after a Solo and before a Tutti, that the Tutti starts the new page.
How to code that?
Well, use the \pageBreak
Am 28.05.2015 um 22:45 schrieb David Nalesnik:
Hi Simon,
On Thu, May 28, 2015 at 2:28 AM, Simon Albrecht
simon.albre...@mail.de mailto:simon.albre...@mail.de wrote:
This sounds like a usecase for \afterGrace. I cooked up a music
function for that, which works quite fine. Does
And another policy reminder: always edit the digest subject lines, so
threads remain coherent.
Thanks, Simon
Am 28.05.2015 um 14:54 schrieb Peter Gentry:
-Original Message-
Date: Thu, 28 May 2015 07:17:42 -0500
From: David Nalesnik david.nales...@gmail.com
To: Peter Gentry
Hello,
Am 29.05.2015 um 11:42 schrieb Haipeng Hu:
Hello,
I'm now composing an orchestral work, in which there are plenty of
meter changes such as 5/4 and 6/4. Since I'm blind,
It’s so impressive that you are able to do this – write lilypond code,
read scm files etc. – without eyesight.
Am 29.05.2015 um 15:28 schrieb N. Andrew Walsh:
Quick question: I'm in the middle of transcribing a mass, which I've
split into separate files for the separate movements. Is there a way
to set the measure numbering continuous across them? I've found a
couple discussions of this as being an
Am 31.05.2015 um 18:25 schrieb Jacques Menu:
Hello Peter,
Maybe tags would be an easy solution, specifying variants according to
the uses of the music, i.e. inside an instrument part or inside a full
score.
What do you think?
Probably tags contradict hardcore content/presentation
Am 01.06.2015 um 10:11 schrieb Urs Liska:
Sorry for cross-posting, but I think it's possible to get answers from
both sides:
When discussing LilyPond clefs that can't be represented in MusicXML
the question arose whether
LilyPond's varC clef shape is equivalent to what is called
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