Re: parameters in lyrics?

On 03.12.2015 18:04, David Nalesnik wrote: On Thu, Dec 3, 2015 at 10:54 AM, David Nalesnik > wrote: Hi, On Thu, Dec 3, 2015 at 10:35 AM, Urs Liska > wrote:

Re: Vertically centering a song text.

On 03.12.2015 17:19, David Wright wrote: On which basis, I'd also criticise it because, at the point of definition, skipFour = \repeat unfold 4 { \skip 8 } does *not* indicate that it's only going to be used in a Lyrics context, so the "8" *appears* to have an unwarranted significance at this

Re: LyricText center-on-word breaks lyricMelismaAlignment

On 03.12.2015 17:32, Thomas Morley wrote: #(define space-set (list->char-set (string->list "—.?-;,:“”‘’–— */()[]{}|<>!`~&…"))) I get an encoding problem with this. Could you resend as attachment? Yours, Simon ___ lilypond-user

Re: Vertically centering a song text.

On 04.12.2015 09:08, Robert Blackstone wrote: Good morning Bill, Thanks for your advice. Yours was the first and, as far as I can understand, only answer to my question and it gave me exactly what I needed. Unfortunately the rest of what is discussed in this thread escapes me, but I have a

Re: Marks and metronome marks per staff group

On 04.12.2015 00:42, thorne wrote: One person in that thread said he was going to file a bug report, so I thought maybe something had changed by now. Yes, we have a tracker issue now… So we’re waiting for someone to fix it :-/ Yours,

Re: Vertically centering a song text.

On 03.12.2015 07:32, David Kastrup wrote: tisimst writes: >\skip in the Lyrics context is necessary for skipping beats without >creating a melisma (which can be manually created with a single underscore >for each beat in the melisma). I'm not sure why it's

Re: 'bach accidental style

On 06.12.2015 16:47, Simon Albrecht wrote: From studying Bach’s Clavierübung III from a first edition facsimile [1] I am well aware of the conventions. Forgot the footnote: <http://imslp.org/wiki/File:PMLP03269-Bach_-_Dritter_Theil_der_Clavier_%C3%9Cbung,_bestehend_in_verschiedenen_Vorspiel

Re: 'bach accidental style

_example_! No, the whole point of this is to _not_ make any changes to the actual music, but having _one_ accidental style to do it automatically. Else I’d be using explicit accidentals, but that’s tedious and inflexible. Yours, Simon On 06.12.2015 16:12, Simon Albrecht wrote: On 06.12.2015

'bach accidental style

Hello, I would like to have a custom accidental style acting like manuscripts and first editions of Seb. Bach do: – do not remember accidentals* – unless a pitch is immediately repeated – or with chromatic steps: an accidental should always be printed if the previous note has the same pitch,

Re: 'bach accidental style

request was about the technical implementation, in case you didn’t notice. Yours, Simon ... On 06.12.2015 16:35, Simon Albrecht wrote: On 06.12.2015 16:28, BB wrote: May be like this? % \version "2.19.32" \relative { %\accidentalStyle baroque \accidentalStyle do

Re: 'bach accidental style

On 06.12.2015 15:31, Simon Albrecht wrote: Hello, I would like to have a custom accidental style acting like manuscripts and first editions of Seb. Bach do: and, in fact, was common at the time. I think the assumption of our docs that the default style were corresponding to 18th century usage

Re: 'bach accidental style

On 06.12.2015 15:59, BB wrote: I am not sure what you want to get. What I want is not one of the accidental styles already available, as may be read from the word ‘custom’. Let me give an example: this %% \version "2.19.32" \relative { \accidentalStyle baroque dis'4 cis dis fis dis

Re: problem adding \epsfile to markup

On 05.12.2015 11:56, Ryan Michael wrote: I have a local EPS file called "niolin.eps" which I am trying to add to my markup. I think i need to add a bounding box for it for it to work, but am not sure how to do that. I exported the EPS file directly from Adobe Illustrator. Here is the

Re: Why break doesn't work?

On 06.12.2015 02:12, Luca Danieli wrote: Thank you Brian for your help. I tried to add \bar "" \break and still didn't have any effect. Just to understand, so to behave correctly in possible future questions: what part of code should I post? All the 450 lines of my script? Of course not,

Re: proper beaming question

Hello Karol, well, NR 1.2.4 discusses (in the paragraph starting with ‘In engraving from…’) this very topic, but only for ‘time signatures with 3 in the numerator’. I think this is much a matter of style, and thus I, as a notorious traditionalist, would prefer the 19th century version. But I

Re: Grace note kicks tuplet number away

Hello Gilberto, it seems the feature announced in (at about 2/3, search for ‘knee-to-beam’) has been implemented without providing for this situation. So we should create a follow-up for

Re: NR 4.1.4 ragged bottom and vertical spacing

On 11.12.2015 13:28, Federico Bruni wrote: Hi all Can you please explain this paragraph taken from here? http://www.lilypond.org/doc/v2.19/Documentation/notation/flexible-vertical-spacing-paper-variables % If a page has a ragged bottom, the resulting distance is the largest of:

Clef-BarLine crash with changed break-align-orders

Hello, in a repeat structure I need the clef to be shown after the bar. But with the break-align-orders override applied, there is no working spacing between clef and bar: \version "2.19.32" { \repeat volta 2 { 1 } \alternative { { \clef alto 1 } { \once\override

Re: Clef-BarLine crash with changed break-align-orders

On 11.12.2015 18:55, Noeck wrote: Hi Simon, I think you need to spell the StaffBar and the Clef in lower case like this to have an effect: \once\override Score.BreakAlignment.break-align-orders = #(make-vector 3 '(staff-bar clef)) D’oh. Of course. Thanks a lot, Simon

Re: More Gounod :-)

On 11.12.2015 22:27, Alberto Simões wrote: hello, Just finished transcribing and validating the Funeral March of a Marionette, by Charles Gounod. It is in the common place: https://github.com/ambs/music/tree/master/Gounod/FuneralMarchOfAMarionette If any of you have some time and look

Re: parameters in lyrics?

Hello Graham, allow me to advertise a feature recently (though before 2.19.21, which you were using) introduced by David K.: Music functions may now directly be called as Scheme procedures, so #{ \italic #syllable #} may be replaced with the much more elegant (italic syllable) !!! Revised

Re: \breakDynamicSpan in a Dynamics context?

On 15.12.2015 21:06, Dominic wrote: I was reading the latest Steinberg 'Making Notes' blog, particularly this image , and it got me thinking about Lilypond dynamic alignment for piano scores. I would like

Re: [OT} Was "Re: Rounded beams"

On 17.12.2015 03:53, Kieren MacMillan wrote: Hi Andrew, Judging by the sheer number of these fonts and the number of professional type designers who devote sincere effort to making this style, there is a desire in people to overcome the stiff rigidity of the typical printed letterform. The

Re: converting svg glyph to path data for use in scheme

On 13.12.2015 13:04, Graham Breed wrote: From: "N. Andrew Walsh" Actually, coverting between the ratios and semitones has alread been done, as there's a simple set of log and mround functions that do it. Have a look in the OLL repository under notation-tools and

Re: lilypond linux does not like b flat !!!!

On 13.12.2015 19:11, Eby Mani wrote: Thanks David, after removing \language, everything working fine. Learned something new. I used template created by Frescobaldi, it would have inserted the \language part. Do you mean the Score Setup Wizard? It allows selecting pitch name language: in

Re: Moving a single note (optical spacing once more)

On 09.12.2015 17:07, Kieren MacMillan wrote: Hi Urs, It is surprising that LilyPond makes it that hard to move a single note that doesn't have any dependencies … Is this maybe a case where #'extra-offset is your [current] best option? It’s possible to wrap into a music function to deal with

Re: Strings as variable names

On 03.01.2016 21:34, Johan Vromans wrote: On Sun, 03 Jan 2016 21:16:27 +0100 David Kastrup wrote: Johan Vromans writes: Is this going to be taken seriously or can I spare the efforts? There is a tracker issue for it and some discussion. [..] Have you

Re: trying to attach lyrics to global variable in /score

< \new Voice \global \new Voice = "recorder" \recorder \new Lyrics \lyricsto "recorder" \verseOne >> \new Staff << \global \viola >> >> \layout { } \midi { } } And I still get this error: *cannot find Voice `recorder'* O

Re: Strings as variable names

On 04.01.2016 08:02, Johan Vromans wrote: On Sun, 3 Jan 2016 21:36:30 +0100 Simon Albrecht <simon.albre...@mail.de> wrote: No, for the simple reasons that a) noone mentioned on the list there was a tracker item and b) even though I know now, I have been unable to find it. May I kindly r

Re: trying to attach lyrics to global variable in /score

On 04.01.2016 03:29, David Wright wrote: ... but it does mean that you can't use \addlyrics, and dispense with naming the context when not required (ie simple cases). True, I deliberately left that one out, since it’s error-prone. Yours, Simon ___

Re: ly:one-line-breaking

On 06.01.2016 18:18, Mathieu Demange wrote: Hi all, Is there a way to make LilyPond also automatically adjust the paper height when using this? \paper { page-breaking = #ly:one-line-breaking } I do not think there is a vertical analogon to this. Seems like you are condemned to trial

Re: \addlyrics affects midi channel selection

On 06.01.2016 19:55, Patrick Karl wrote: The following snippet: \version "2.19.32" S = \relative c'' { c d e f } SLyrA = \lyricmode { tra la la la } T = \relative c'' { c d e f } \score { << \new Staff \S \addlyrics \SLyrB \new Staff \T >> \layout

Re: When to Use Pound Signs

On 06.01.2016 19:55, Tim Reeves wrote: > > Message: 6 > > Date: Tue, 5 Jan 2016 21:55:42 -0700 > > From: Colin Campbell > > To: lilypond-user@gnu.org > > Subject: Re: When to Use Pound Signs > > Message-ID: <568c9e4e.6060...@shaw.ca> > > > > On 16-01-05 09:47 PM, Andrew Bernard

Re: placing crescendo and decrescendo markings within span of a whole note

On 06.01.2016 22:05, Simon Albrecht wrote: On 06.01.2016 21:40, Ryan Michael wrote: i want a dis1 with < > (cresencendo / decrescendo) underneath it. How can I do that and size the crescendo and decresendo to my liking (say span the < to last 3 quarters of the whole note and the

Re: placing crescendo and decrescendo markings within span of a whole note

On 07.01.2016 00:08, David Kastrup wrote: Simon Albrecht <simon.albre...@mail.de> writes: On 06.01.2016 21:40, Ryan Michael wrote: i want a dis1 with < > (cresencendo / decrescendo) underneath it. How can I do that and size the crescendo and decresendo to my liking (say span t

Re: Bravura svg font

On 08.01.2016 00:31, Nathan Ho wrote: The least serious use is the recent Christmas font adaptation by Leigh Verlag :) In case others be interested: Nice and funny :-) Thanks, Abraham (and Mark)! Yours, Simon

Re: Segmentation Fault in music with cueDuring

On 30.12.2015 01:06, Patrick Karl wrote: On 12/29/15 5:53 PM, Simon Albrecht wrote: Hello Pat, this is definitely a bug, I’d say. I’ll write to the bug list. Two or three policy issues with this: 1. Don’t hijack existing threads, if your message has nothing at all to do with their subject

Re: Segmentation Fault in music with cueDuring

Hello Pat, this is definitely a bug, I’d say. I’ll write to the bug list. Two or three policy issues with this: 1. Don’t hijack existing threads, if your message has nothing at all to do with their subject. Just compose a new message to the list – sorry, but what’s so difficult about that? 2.

Re: Segmentation Fault in music with cueDuring

On 30.12.2015 01:38, Thomas Morley wrote: You'll see that only the chord's first note is quoted! Still, the in-chord tie makes the difference, without that tie, the chord is properly quoted. So I’m not sure whether your testing function is useful here. Yours, Simon

Re: Segmentation Fault in music with cueDuring

On 30.12.2015 00:53, Simon Albrecht wrote: this is definitely a bug, I’d say. I’ll write to the bug list. FWIW, I created a tracker issue directly: <https://sourceforge.net/p/testlilyissues/issues/4718/> How did you get that log output, i.e. how did you invoke LilyPond? Yours,

Re: trying to attach lyrics to global variable in /score

On 03.01.2016 20:40, Ryan Michael wrote: I have the following lilypond code: \score { \new StaffGroup << \new Staff << \global \recorder >> \new Lyrics \lyricsto "recorder" { \verseOne } \new Staff << \global \viola >> >> \layout { } \midi { } } \lyricsto

Re: How to reproduce this?

On 07.01.2016 23:00, Malte Meyn wrote: Am 07.01.2016 um 22:53 schrieb Malte Meyn: Am 07.01.2016 um 21:59 schrieb Simon Albrecht: \offset positions #'(.5 . .5) Beam I’ve never seen that function before and I don’t find it in the documentation. Since when does this exist? (it’s

Re: How to reproduce this?

On 07.01.2016 19:23, Pierre Perol-Schneider wrote: Oops, my fault, I forgot about the slur. So here it goes, \version "2.18.2" %\language "german" \layout { \context { \ChordNames \override ChordName.font-family = #'serif \override ChordName.font-size = #0 } } << \chords {

Re: placing crescendo and decrescendo markings within span of a whole note

On 06.01.2016 21:40, Ryan Michael wrote: i want a dis1 with < > (cresencendo / decrescendo) underneath it. How can I do that and size the crescendo and decresendo to my liking (say span the < to last 3 quarters of the whole note and the > to last a quarter) I have a very handy music

Re: Repeat 8va

On 08.01.2016 23:08, John Gourlay wrote: As an exercise in learning to use LilyPond I’m engraving “The Entertainer” by Scott Joplin. Without wanting to spoil your efforts and interest: I’ve only just updated the engraving on Mutopia. Since the pull request is still pending, you must retrieve

Re: Telemann's "Strich"

On 20.12.2015 12:44, Robert Blackstone wrote: Dear list, I’m working on a bilingual edition of Telemann’s Singe-, Spiel- und General-Baß-Übungen, a very nice little tutorial consisting almost entirely of songs with a figured bass line and a written-out realization. In the bass lines Telemann

Re: Telemann's "Strich"

On 21.12.2015 01:23, Ralf Mattes wrote: Am Montag, 21. Dezember 2015 01:10 CET, Simon Albrecht <simon.albre...@mail.de> schrieb: I definitely agree with Richard’s interpretation that these are figured bass extenders. The quote in your first example makes it really obvious: „Der

pretty-print and localAlterations

Hello, if I compile the following code: \version "2.19.32" #(use-modules (ice-9 pretty-print)) printKeysig = \applyContext #(lambda (context) (format #t "~a" (pretty-print (ly:context-property context 'localAlterations \relative { es'4 \printKeysig e' }

Re: How to transpose an entire piece of music?

On 22.12.2015 22:04, Bernhard Kleine wrote: -BEGIN PGP SIGNED MESSAGE- Hash: SHA256 I had a christmas carol "Zu Bethlehem geboren" with is in F-Dur. That piece has a bass voice going to "großem F" more than once. Since the other voice are not at all at their upper limit, I thought to

Re: Adjusting a slur after line break

On 20.12.2015 00:45, Chris Yate wrote: I can't get /alterBroken to work properly at all on control points. When I try the "tweak" version, that I assume would look like: r4. d,16-\alterBroken control-points #'(((0.0 . 0.0) (0 . 1.2) (0 . 1.2) (4 . 1)) ((0.0 . 0.0) (0 . 1.2) (0 . 1.2) (4 .

Re: Adjusting a slur after line break

On 20.12.2015 01:50, Chris Yate wrote: On 20 December 2015 at 00:41, Simon Albrecht <simon.albre...@mail.de <mailto:simon.albre...@mail.de>> wrote: On 20.12.2015 00 <tel:20.12.2015%2000>:45, Chris Yate wrote: I can't get /alterBroken to work properly

Re: Notation snippets

On 27.12.2015 16:32, Jayaratna wrote: Hope I can keep both versions on my system. Of course you can – I’ve about a dozen versions installed here. Just install them in another directory, e.g. using the --prefix option with the sh installer (don’t know what way you’re installing it). HTH,

Re: adding a markup ("sim.") to the end of a SustainPedalBracket

Hello Kieren, the bug is a consequence of issue 2504 . To fix it, just change line 89 of your attached file into (stencil-whiteout new-sim-stil 'outline thickness 1) Yours, Simon On 27.12.2015 23:32, Kieren MacMillan wrote: Argh! Here’s

Re: Strings as variable names

On 28.12.2015 20:28, Johan Vromans wrote: NR refers to http://www.lilypond.org/doc/v2.19/Documentation/learning/organizing-pieces-with-variables which does not mention the quoted syntax, and explicitly disallows dashes Ugh, that’s bad. Especially since it’s an important feature in interlocking

Re: lilypond-user Digest, Vol 157, Issue 92

MacMillan) 7. Re:Telemann's "Strich" (Simon Albrecht) 8. pretty-print and localAlterations (Simon Albrecht) -- Message: 1 Date: Sun, 20 Dec 2015 17:50:55 -0500 From: Kieren MacMillan <kieren_macmil...@s

Re: Digest quoting

On 21.12.2015 10:24, David Kastrup wrote: Simon Albrecht <simon.albre...@mail.de> writes: Pardon, did you want to include any text with this e-mail? Also please remember editing the subject line. Simon, how many copies of this weekly digest do you think we'll want fully quoted in th

Re: does not save file automatically after "run" lilypond "

On 30.12.2015 07:08, MING TSANG wrote: I saw a lot additional info that I did not see when running frescobaldi 2.18.1 and lilypond 2.19.34 The additional info is there by error and will be removed in 2.19.35. Yours, Simon ___ lilypond-user mailing

Re: Strings as variable names

On 28.12.2015 23:35, David Kastrup wrote: Simon Albrecht <simon.albre...@mail.de> writes: On 28.12.2015 20:28, Johan Vromans wrote: NR refers to http://www.lilypond.org/doc/v2.19/Documentation/learning/organizing-pieces-with-variables which does not mention the quoted syntax, and expl

Re: Why does \fromproperty fail in instrumentName?

On 24.11.2015 23:44, Thomas Morley wrote: Reinhold’s final code is http://lsr.di.unimi.it/LSR/Item?id=467 Thanks, I’ll try that. Yours, Simon ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: [Best Practices] splitting and combining choral parts

Hello Kieren, first of all: Looks like a nice piece! Second: offtopic nitpicks. There are some superfluous LyricExtenders there – I’d rather leave them out if they are very short. ( …) And note the mid-air bar-numbers, where they are

Re: [Best Practices] splitting and combining choral parts

On 25.11.2015 00:03, Michael Gerdau wrote: Last not least for vocal lines I always turn off autoBeam and manually put beams to groups that are sung on a single syllable. For my singers eyes that strongly helps to keep words and music in a proper flow. It’s rather a question of rhythmic

Re: [Best Practices] splitting and combining choral parts

On 24.11.2015 23:36, Kieren MacMillan wrote: And I like for long syllables to be increasingly left-aligned This is one of the many, many lyric-related problems in Lilypond. (See my numerous other posts and sponsorship offers on that topic.) I solve almost all of them post-hoc, using the

Re: Layout of a (piano) hand indicator

On 24.11.2015 18:49, Urs Liska wrote: Hi all, please consider the attached image, especially the "half-bracket" at the center. This is to indicate that this d' is to be played with the left hand. Is there anything I could improve to the proportions and placement of that sign? Any suggestions

Re: ‘Kerning’ a clef

On 23.11.2015 20:01, Kieren MacMillan wrote: Hi Simon, I’d like the clef to take less space, especially to the right, and at best to overlap with the following note. How can I achieve that? \version "2.19.31" { a'8 \tweak Clef.space-alist.next-note #'(extra-space . 0) \tweak

Re: [WAS] Staff ends before \clef, \time and \key

On 23.11.2015 10:36, Pierre Perol-Schneider wrote: Hi, See: http://lilypond.1069038.n5.nabble.com/Staff-ends-before-clef-time-and-key-td174133.html#a174182 Reminder: %% Here works fine: \version "2.18.2" { \key e\major \time 3/4 % mes.98 s2. \bar "||" \key e \minor } %% Bug

Re: [WAS] Staff ends before \clef, \time and \key

-extent to work here… Yours, Simon On 23.11.2015 20:52, Pierre Perol-Schneider wrote: 'cause of a DS to the former key sig. 2015-11-23 20:45 GMT+01:00 Simon Albrecht <simon.albre...@mail.de <mailto:simon.albre...@mail.de>>: On 23.11.2015 10:36, Pierre Perol-Schneider

Re: Table of Contents: 2 problems

On 24.11.2015 14:30, David Sumbler wrote: the snippet does not have a "version" statement. The LSR currently supports 2.18. Yours, Simon ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Layout of a (piano) hand indicator

= #'(left) } } { <c''-\hook #DOWN ##f> <d''-\hook #UP ##t> } %% It’s not quite elegant with its hard-coded values, but it’s easy to use. Thanks for the ideas, Simon On 24.11.2015 23:44, Urs Liska wrote: Am 24.11.2015 um 22:39 schrieb Simon Albrecht: On 24.11.2015 18:49, Ur

Re: aligning melisma and non-melisma lyrics across staves in the same system

David, On 26.11.2015 06:40, David Wright wrote: 1) If there's a lyric extender on a lyric which is being attached to a non-melisma note, ignore it. This would often save having four sets of SATB lyrics differing only in each ones placement of extenders. This is issue 4509

Re: Strange Scheme problem

On 18.11.2015 09:43, Menu Jacques wrote: Hello Andrew, You make me discover that I have to copy with a right click in the log window, instead of merely using the usual keyboard shortcut, thanks! BTW, that could be an enhancement to Frescobaldi. If you like, you can open up an issue in the

Re: Programming error with removeEmptyStaves

On 15.11.2015 17:04, Jean-Charles Malahieude wrote: How could I find the culprit in a 5 staves score which looks all right? Perhaps you can reproduce it with fewer bars of music? You might try showFirstLength/showLastLength, or just delete some music. Generally: save a copy of the main input

Re: Fwd: Slash chords

On 20.11.2015 10:56, Urs Liska wrote: Dear Luca, this is a question you should ask on the lilypond-user mailing list. I have forwarded it there but I strongly suggest you subscribe at https://lists.gnu.org/mailman/listinfo/lilypond-user to automatically receive any replies. Best Urs Am

Re: Settings for automatic beam slope

Hello, I made a test suite, which shows quite peculiar results: – The problem typically appears with at least 7 (‘II’ series) or 9 (‘I’ series) notes under one beam, but sometimes also with 3 notes (ex. II and IIc) – In each example, the problem occurs only for one of the voices. I couldn’t

Re: Lilypond+Emacs

On 20.11.2015 16:40, Amir Teymuri wrote: Hello Lilypond communiy, i am new to lilypond, i am trying to set up the lilypond mode in emacs, till now unsuccessfuly! This is what i have tried so far: 1. downloaded the lilypond extecutable sh file from the homepage and installed it by doing

Re: Aw: Re: Lilypond+Emacs

a LilyPond at the top of minibuffer (as majormode), but there are no autocompletions (although there are auto-indentations), is this now the correct lilypond mode? thanks *Gesendet:* Freitag, 20. November 2015 um 17:14 Uhr *Von:* "Simon Albrecht" <simon.albre...@mail.de> *An:* "

Re: Fwd: Slash chords

trying it out). I've tried to look in the source (for 2.18.2) and I found that in chord-ignatzek-names.scm, around line 210, it calls a routine names make-line-markup, which might be near where the modification needs to happen. But I have no idea how to override the behav

Re: Gounod - Le Rendez Vous

On 22.11.2015 22:41, Alberto Simões wrote: Hi all, Final version here: https://github.com/ambs/music/blob/master/Gounod/LeRendezVous/suite.pdf Will submit it to IMSLP later to the end of the week, in case anybody spots any critical issue. The last measure of the Introduction actually has

Re: missing stem

Hello Bogi, On 23.11.2015 00:50, Bogi Lützen wrote: Please help me with this little problem. This is just one of my efforts, but in all of them I miss the stem on the first g'2: \version "2.18.0" { <<{c''1^~|\stemUp c''2 c''4 c''| c''1}{\stemDown g'2 a' |g'

Re: Table of Contents: 2 problems

On 21.11.2015 14:50, David Sumbler wrote: Thank you for this suggestion. But unfortunately using \override-lines #'(line-width . 100) effectively alters the width of the right margin without altering the left margin. I want the text centred horizontally on the page, so this does not produce

Re: Gounod - Le Rendez Vous

On 21.11.2015 20:21, Alberto Simões wrote: On 20/11/15 11:30, Alberto Simões wrote: Hey On 20/11/2015 05:49, Abraham Lee wrote: That being said, since there appears to be arguments for doing it both ways, I'd recommend that you pick one way and be consistent throughout the entire work.

Re: Gounod - Le Rendez Vous

On 22.11.2015 14:52, tisimst wrote: One other thing I noticed in Valse 2, m. 42-43 - remove staccato from tied end notes. They just don't make sense. I would guess the one in the source engraving (m. 42) is a typo as it is omitted in the next measure. It is definitely not. There is perfect

Re: question about overrides within repeats

On 22.11.2015 21:44, David Kastrup wrote: Thomas Morley writes: Though, why it is that arbitrary? Look at this variation and the attached image: \version "2.19.29" #(define test-nmbrs (let ((nmbrs (circular-list 1 2 3 4))) (lambda (grob) (let ((n

Re: outside-staff-priority?

On 23.11.2015 23:05, Ralph Palmer wrote: On Mon, Nov 23, 2015 at 4:56 PM, Stephen MacNeil > wrote: \override Score.MetronomeMark.padding = #5 \tempo "Mod. fast Bulgar" 4 = 110-115 My thanks to both Stephen and to Malte

Re: No blot in custom bar line

On 23.11.2015 23:02, David Nalesnik wrote: Hi Simon, On Mon, Nov 23, 2015 at 3:40 PM, Simon Albrecht <simon.albre...@mail.de <mailto:simon.albre...@mail.de>> wrote: Hello, I’ve defined a custom bar line, following the examples in scm/bar-line.scm. Now I would h

‘Kerning’ a clef

Hello, have a look at the attached image. I’d like the clef to take less space, especially to the right, and at best to overlap with the following note. How can I achieve that? extra-spacing-width obviously can only increase spacing, and the following doesn’t work either: %

Re: ‘Kerning’ a clef

On 23.11.2015 19:58, David Kastrup wrote: Simon Albrecht <simon.albre...@mail.de> writes: have a look at the attached image. I’d like the clef to take less space, especially to the right, and at best to overlap with the following note. How can I achieve that? extra-spacing-width obvious

No blot in custom bar line

Hello, I’ve defined a custom bar line, following the examples in scm/bar-line.scm. Now I would have expected the whole ‘blot’ business to give me round edges, at least with \override Staff.BarLine.rounded = ##t, but it doesn’t. Why? Also, it’s a bit of a nuisance that calc-blot isn’t publicly

Why does \fromproperty fail in instrumentName?

Hello everybody, help is appreciated with the following minimal example: \version "2.19.31" \header { test = "test" } \new Staff \with { instrumentName = \markup\fromproperty #'header:test } { 4 } TIA, Simon ___

Re: Why does \fromproperty fail in instrumentName?

On 24.11.2015 13:16, Jacques Menu wrote: Hello Simon, Succeeds with 2.19.32. Huh. Not for me (Ubuntu 14.04, 64bit). ~ Simon JM Le 24 nov. 2015 à 13:10, Simon Albrecht <simon.albre...@mail.de> a écrit : Hello everybody, help is appreciated with the following minimal e

Re: startGraceMusic

On 13.01.2016 07:27, Andrew Bernard wrote: There are startGraceMusic and stopGraceMusic functions that are helpful for adjusting the appearance of grace notes. Are there startAfterGraceMusic etc functions for \afterGrace? Currently I have to manually adjust afterGrace notes to be the same as

Re: Outliner markup command

On 12.01.2016 15:37, Pierre Perol-Schneider wrote: \header { title = \markup\outliner #3 #'"orange" #'"yellow" { Some Music } } Nice idea! You needn’t quote the strings, and #"orange" is at least a little less convoluted. Yours, Simon ___

Re: slurs across bar lines with glissandi and hidden noteheads

On 12.01.2016 22:12, Ryan Michael wrote: I would like to make a slur from the g4 of the first bar to the cis2 of the next bar Slurs in Lilypond use postfix syntax, so you need to type { g4( cis2) } instead of { ( g4 cis2 ) }. HTH, Simon ___

Re: slurs across bar lines with glissandi and hidden noteheads

On 12.01.2016 22:40, Blöchl Bernhard wrote: cis8glissando does not work, do not forget the "\"! \relative c'' { \once \hide NoteHead a\glissando c } The original post contained the backslash – it must have been lost on the way to you. Yours, Simon Am 12.01.2016 22:12, schrieb Ryan

Re: slurs across bar lines with glissandi and hidden noteheads

Two more remarks: On 12.01.2016 22:12, Ryan Michael wrote: I do the following: %51% \tuplet 3/2{ r8-\markup{\italic "gesprochen"} d'8 dis8} \tuplet 3/2{ r16 cis cis a r16 cis} \tuplet 3/2{ cis a r16 a cis8\glissando} \once \hide NoteHead (g4\glissando %52% cis,2 ) r4 r8

Re: Outliner markup command

On 13.01.2016 00:09, Thomas Morley wrote: Though, there might be a bug in `stencil-whiteout-outline', Paul cc-ed. Here you are. Look at: \markup \stencil #(stencil-whiteout-outline (make-filled-box-stencil '(-1 . 1) '(-1 . 1)) 0.5 red 16 1) \markup \stencil

Re: Thickness of tick style barlines

On 04.06.2016 12:51, Thomas Morley wrote: Otoh, it may be worth considering making `calc-blot` public. It's a simple c/p from bar-line.scm and I was annoyed by the need to do so before. I agree. Defining custom bar lines is not so far-fetched a use case, and this seems an odd necessity.

Re: Small flageolet

On 11.06.2016 10:48, Andrew Bernard wrote: Answering my own question, I found the solution in LSR 631 - put the note in a chord construct. But then the question becomes, why should one have to do that? Why can’t a single note have multiple articulations of the same type on it. Is this a

Re: Is there a fairly uncomplicated way of stretching out the word crescendo...

On 03.06.2016 03:25, tisimst wrote: There has been some EXCELLENT work to make this (more) automated Done by David Nalesnik (and Paul Morris). Try searching the -user archive for ‘text-spanner-inner-text’. At least that’s the filename I have here. HTH, Simon

Re: how to override of TextScript.stencil into a tweak

On 03.06.2016 09:27, Ryan Michael wrote: I would only like to add the stencil boxer to the letter "B" above the staff. Just guessing: Perhaps the "B" should be a rehearsal mark anyway instead of a text script? See .

Re: slur corehack

On 25.05.2016 02:15, Flaming Hakama by Elaine wrote: I would say that, on the contrary, \tweak and \override are not documented. At least, not well enough to be useful for use with slurs. In the case of slurs, searching for "lilypond slurs tweak", the documentation that comes up describes how

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