g textMark \etc
melody = { b'4 4 \textMark "Hey!" 2 }
<< \withTextMarks \melody \\ \withoutTextMarks \melody >>
-- Aaron Hill
variable, which gets used three times. The same behavior occurs
without NoteNames:
\version "2.24.3"
melody = { b'4 4 \textMark Hey 2 }
<< \melody \\ \melody >>
-- Aaron Hill
tom engraver handles. This was done so that the user
could input lyric bar checks using the same symbol as for normal music
but get the unique behavior. Not sure if this transparent approach is
best, as it could be seen as surprising to some users.
-- Aaron Hill\version "2.25.13"
#(define-event
\addlyrics {
no high -- light
\myHighlight high --
\tweak font-family #'sans
\tweak font-series #'bold
light -- er
\undo \myHighlight none
\once \myHighlight once
done
}
-- Aaron Hill
are
coding mistakes and/or inefficiencies. My apologies.
-- Aaron Hill\version "2.24.3"
%%
%% Bow_pressure_engraver
#(define-event-class 'bow-pressure-event 'span-event)
#(define custom-music-descriptions `(
(BowPressureEvent .
On 2024-04-16 12:46 pm, Dimitri Sykias wrote:
Is it possible to make the text italic?
I tried \tweak text \italic “x” and it didn’t work.
You need to specify \markup:
\tweak text \markup \italic x
-- Aaron Hill
On 2024-04-16 4:03 am, Aaron Hill wrote:
On 2024-04-16 3:59 am, Aaron Hill wrote:
What you are looking for, however, can be done with
horizontal/analysis brackets:
\version "2.25.13"
\new Voice
\with { \consists Horizontal_bracket_engraver }
{
b'4
-\tweak layer 0
-\tweak
On 2024-04-16 3:59 am, Aaron Hill wrote:
What you are looking for, however, can be done with horizontal/analysis
brackets:
\version "2.25.13"
\new Voice
\with { \consists Horizontal_bracket_engraver }
{
b'4
-\tweak layer 0
-\tweak direction #UP
-\tweak bracket-flar
racketText.text
\markup \whiteout \pad-around #0.5 "9\""
-\startGroup 4 2\stopGroup
}
-- Aaron Hill
would probably want all of these pressure indicators to
vertically line up with each other, so I was thinking the Dynamics
context would be the eventual home.
-- Aaron Hill
her approach:
\version "2.25.13"
#(define anAList '((aVariable . aSymbol)))
aSymbol = { cis' }
{
#(module-ref (current-module) (cdr (assoc 'aVariable anAList)))
}
%%%%
-- Aaron Hill
ding other tricks? /s
-- Aaron Hill
circle f
\f
{ b'4 4 2\f }
-- Aaron Hill
y user's Downloads folder from which I had
been running LilyPond during testing.
12) Back in a normal command prompt from the Desktop folder...
13) Ran "test.ly" to verify file association and compilation.
No issues.
14) Double-clicked "test.ly" from my Desktop.
No issues.
-- Aaron Hill
unattached
SustainEvent. Is this a bug?
Does the empty chord construct help?
<>\sustainOff
(I'm away from my normal environment, so I cannot test this locally to
confirm.)
-- Aaron Hill
You need to adjust the majorSevenSymbol [1].
[1]:
https://lilypond.org/doc/v2.25/Documentation/notation/customizing-chord-names#chord-name-major7
-- Aaron Hill
ring #'("piccolo" "fluteI" "fluteII" "oboeI") { s4 }
}
NOTE: The modified \quoteDurring above produces a nested music
expression, as if you had written:
\quoteDuring "oboeI" \quoteDuring "fluteII" \quoteDuring "fluteI"
\quoteDuring "piccolo" { s4 }
-- Aaron Hill
independently.
-- Aaron Hill
'\''cello)'
Not sure why the double-quoted string would have failed, though.
-- Aaron Hill
.
Shouldn't it be nothing more than setting break-visibility to
'end-of-line-invisible?
https://lilypond.org/doc/v2.25/Documentation/notation/using-break_002dvisibility
-- Aaron Hill
y-list?` with the
appropriate handling to redirect to another named context.
-- Aaron Hill
On 2024-03-24 3:45 am, Jonas Hahnfeld wrote:
On Sun, 2024-03-24 at 03:20 -0700, Aaron Hill wrote:
Based on the email thread you linked, perhaps I should nuke all my WSL
distros at this point and start from scratch with the latest Ubuntu
(22,
I gather). Not sure if Alma is an option for WSL
On 2024-03-24 1:23 am, Jonas Hahnfeld wrote:
On Sat, 2024-03-23 at 18:18 -0700, Aaron Hill wrote:
On 2024-03-23 6:25 am, Jonas Hahnfeld wrote:
> We are happy to announce the release of LilyPond 2.25.14. This is
> termed a development release, but these are usually reliable for
> te
-linux-gnu/libc.so.6:
version `GLIBC_2.28' not found (required by
/opt/lilypond/2.25.14/bin/lilypond)
Something changed from .13 to .14? I'm presuming my system is just
out-of-date, and this might be expected.
-- Aaron Hill
ntName = "II" } \notes
>>
>>
NOTE: If you do need to use a GrandStaff (or PianoStaff), you can remove
the Span_bar_engraver similar to what the ChoirStaff already does:
\new PianoStaff \with { \remove Span_bar_engraver } { . . . }
-- Aaron Hill
break how people expect it to work.
-- Aaron Hill
text { \Dynamics
\consists Pure_from_neighbor_engraver
\remove Bar_engraver
}
}
\score {
\new PianoStaff <<
\new Staff = "right" \right
\new Dynamics \dynamics
\new Staff = "left" { \clef bass \left }
>>
}
-- Aaron Hill
ument.ly:4:33 <0>: warning:
unterminated tie
\afterGrace c''4\trill { b16 c
~ } c4
Is there any way around this, as I need this for my current project?
\version "2.25.13"
\relative {
\afterGrace c''4\trill { b16 \set tieWaitForNote = ##t c~ } c4
}
-- Aaron Hill
4 2 }
\make-score "۲" "2" { b'4 4 2 }
\make-score "3" "3" { b'4 4 2 }
-- Aaron Hill
exceptions.
chExceptions = #(append
(sequential-music-to-chord-exceptions chExceptionMusic #t)
ignatzekExceptions)
theMusic = \chordmode {
\set chordNameExceptions = #chExceptions
cis1:5-
des1:5-
}
\layout {
ragged-right = ##t
}
\new ChordNames { \theMusic }
-- Aaron Hill
ifferent ways. Keep the fields as simple text,
so there is no need for an \as-string or \frompropertystring command.
-- Aaron Hill
en the editor field is defined without moving such
text to the field itself. Of course, consider your own real-world
scenario. Are you the editor for all of your scores? If so, there may
be no need to add complexity where it is otherwise wasted effort.)
-- Aaron Hill
re for these markup paper variables.
Copy-and-paste the default definitions and adjust to your needs. NOTE:
These are the sort of things that are best put into include files, so
you can reuse them and easily standardize your formatting across many
scores.
-- Aaron Hill
R \vcenter
\rotate #90
\score { { \clef treble \accLeft \noNH h'! 1 } }
}
-- Aaron Hill
ces
[2]:
https://lilypond.org/doc/v2.24/Documentation/learning/explicitly-instantiating-voices
-- Aaron Hill
/notation/automatic-beams
-- Aaron Hill
ents for text markup:
\paper {
#(add-text-replacements! '(("1↑" . "1")))
}
-- Aaron Hill
blind
guesses.
But the most likely cause for a context not being found is that it was
not kept alive.
Please review the information here [1] and see if that helps in your
situation.
[1]:
https://lilypond.org/doc/v2.24/Documentation/notation/keeping-contexts-alive
-- Aaron Hill
ics \lyricsto melody { a i u o }
\new Lyrics \lyricsto melody {
% a i u e u o
% ↑ │ ↑ │ We switch voices one syllable earlier.
% └─┘ └─┘
a \set associatedVoice = alt
i u e \unset associatedVoice
u o
}
>>
-- Aaron Hill
to mirror image
all symbols in the right-to-left systems.
Does anyone have more details about this?
-- Aaron Hill
1.
You will need to include whitespace between #endtone and the closing
brace that follows.
-- Aaron Hill
#RIGHT ##t
}
{ c''1^\circular-bow }
-- Aaron Hill
\lyricsto soprano { \keepWithTag soprano \words }
\new Lyrics
\lyricsto alto { \keepWithTag alto \words }
>>
-- Aaron Hill
= {
\key c \major
\time 4/4
\tempo \myTempoBase = \myTempo
}
I'd expect it to resolve to \tempo 4 = 80. The above code however fails
on 2.24.1.
Any ideas?
myTempoBase = ##{ 4 #}
That seems to work. Otherwise, myTempoBase is just a number and not a
duration.
-- Aaron
3 f'8\1 r8
}
\score {
\new StaffGroup <<
\new Staff \with { \omit StringNumber } { \clef "bass_8" \riff }
\new TabStaff \with { stringTunings = #bass-tuning } { \riff }
>>
}
(StaffGroup will also get you that nice bracket out front.)
-- Aaron Hill
a lefty
getting a true left-handed bass but still wanting an upside-down or
nearly upside-down layout.)
Are you able to provide a link to the source score? If it shows both
the tablature as well as standard notation, it should be pretty easy to
verify the intended tuning.
-- Aaron Hill
eader:opus
}
}
}
Just apply the changes to the \fill-line section as you need.
-- Aaron Hill
}
}
}
}
Oh, and in your original question you mentioned wanting to adjust font
size, so you can do that too:
\larger \fromproperty #'header:piece
-- Aaron Hill
eTitleMarkup in your \paper that applies the header
fields how you wish.
-- Aaron Hill
still be relevant.
[1]:
https://github.com/openlilylib/oll-core/blob/master/util/include-pattern.ily
-- Aaron Hill
to that one too! It may be something that
could go in Frescobaldi, if you use that editor.
What about LSR 82?
https://lsr.di.unimi.it/LSR/Item?id=82
-- Aaron Hill
NOTE: All of the above is documented in the first sections of the Usage
manual.
https://lilypond.org/doc/v2.24/Documentation/usage/command_002dline-usage
-- Aaron Hill
at appears to be a
style, and this has been known to cause problems. Adding a trailing
comma seems to help, e.g. use "Times New Roman," instead of "Times New
Roman".
-- Aaron Hill
uot;
measure, and one after.
For more information, see: NR 4.5.2 - New Spacing Section
https://lilypond.org/doc/v2.24/Documentation/notation/new-spacing-section
If you are talking about something else entirely, please see about
providing a brief example of what you have tried.
-- Aaron Hill
\consists Horizontal_bracket_engraver
}
}
}
You need to do your mods in separate \context sections. See above.
-- Aaron Hill
-transformations
On Wed, Jan 10, 2024 at 5:20 PM Aaron Hill via LilyPond user discussion
<
lilypond-user@gnu.org> wrote:
On 2024-01-10 1:26 pm, Butter Cream wrote:
> Hi, I have a piece of music written in the key of G major and I want
> the pitches to transpose to e minor. How do I do this
\modalTranspose to achieve what you want.
-- Aaron Hill
that the
relative-includes setting can be freely changed during input processing
as needed. So when you go to \include something, it is the current
setting that will affect where LilyPond will search for the file in
question.
-- Aaron Hill
ount = #1
\remove "Ledger_line_engraver"
% or %
\omit LedgerLineSpanner
}
}
-- Aaron Hill
However, this feels like more typing than just using the \rest
post-event, apart from being prefixed.
-- Aaron Hill
On 2023-12-16 5:27 am, Aaron Hill wrote:
On 2023-12-16 5:20 am, Sebastian Käppler wrote:
Hello Aaron,
thanks for your response. I tried use-modules and got "
no code for module (scm display-lily)".
If that is of interest, I use Frescobaldi on Windows with lilypond
2.24.1.
Oh, wh
scheme...
Odd. A function like note-name->lily-string is exported from
define-music-display-methods.scm.
Have you tried adding an explicit...
(use-modules (scm display-lily))
...in your source file?
-- Aaron Hill
On 2023-12-12 1:04 pm, David Kastrup wrote:
Aaron Hill writes:
#(define (add-midi-to-score score)
(define (has-midi? score)
(any (lambda (x) (ly:output-def-lookup x 'is-midi))
Wouldn't that need to be (ly:output-def-lookup x 'is-midi #f) ?
The default is to return '() which I
On 2023-12-12 12:06 pm, Stefano Antonelli wrote:
On Tue, 2023-12-12 at 02:31 -0800, Aaron Hill wrote:
Would this not work?
#(define (add-midi-to-score score)
#{ \score { $score \midi {} } #})
toplevel-score-handler =
#(lambda (score)
(collect-scores-for-book (add-midi-to-score
.
Would this not work?
#(define (add-midi-to-score score)
#{ \score { $score \midi {} } #})
toplevel-score-handler =
#(lambda (score)
(collect-scores-for-book (add-midi-to-score score)))
-- Aaron Hill
d ly2video before, so I am
commenting mainly as an outside observer to this use case.
-- Aaron Hill
{
nor -- mal text
\override LyricText.font-shape = #'italic
i -- tal -- ic text
\revert LyricText.font-shape
nor -- mal text a -- gain
}
-- Aaron Hill
quarter to beat three, which leads to all the other alignment errors.
-- Aaron Hill
https://lilypond.org/doc/v2.25/Documentation/notation/ornament-scripts
-- Aaron Hill
-4? I know about
ragged-right, but I don't like the look of the ragged edge and would
rather have the power to specify just how wide I want each line to be.
Perhaps something like \pseudoIndents from LSR 1098 [1] would be
helpful.
[1]: https://lsr.di.unimi.it/LSR/Item?id=1098
-- Aaron Hill
You can run
"where lilypond" to verify not only that it is being found but also the
locations of all matches if there are multiple.
(* By "classic", I mean the old-school cmd.exe shell. If you are
running an alternate shell such as PowerShell, then you will need to
consult its documentation.)
-- Aaron Hill
otally: 0
Loads into a sequencer as expected, so the MIDI file itself seems fine.
-- Aaron Hill
/file-format-specifications/standard-midi-files/smf-lyric-meta-event-definition
-- Aaron Hill
any great effort and I don't
(currently) have a use case. It just seemed the next step in the
development of computer music.
You could look into Vocaloid. Its origins are with Japanese phonetics,
but I have heard folks use it for other languages.
-- Aaron Hill
} \null }
-- Aaron Hill
On 2023-04-10 2:35 pm, Ya Gloops wrote:
...Bacon ipsum...
Ah, I see you are an individual of culture. :)
-- Aaron Hill
o the note:
s2 -\tweak Y-offset #1 \ff
Of course, I think the line spanner helps clarify the passage, so I
would keep it and leave the \ff position alone.
-- Aaron Hill
he code :
as'\(\! b\cresc\> g\! es\< g\! f\> es\! b\< es\! f2\) f-> f-> f->\ff
Probably the easiest option is to use markup for the "cresc." text:
%%%%
b\>_\markup \italic "cresc."
-- Aaron Hill
mmand-line. Java likewise has always shipped with two frontends:
java.exe and javaw.exe. So, LilyPond would not be doing anything
unusual by shipping two executables.
-- Aaron Hill
On 2023-04-03 3:19 am, Richard Shann wrote:
On Sun, 2023-04-02 at 11:54 -0700, Aaron Hill wrote:
I have never looked at Denemo or its source code, so what I am going
to
say might not be so trivially applicable.
But in the Win32 API, you can
call CreateProcess and use the process flag
ut if you
just want to fire off a child process and not have the scripting host
stick around, change that to False.
-- Aaron Hill
the
padding in the spot where you do not need it? Not knowing what you are
trying to tackle, this might be a non-trivial amount of work. But I
think it might be best option given that it does not rely on the
uncertain behavior of internal arithmetic.
-- Aaron Hill
le, I needed the red rectangle to snugly fit with
the scores on both sides, so I apologize that it was not very clear how
the vertical extent had been altered to achieve that.
Also, do use \general-align to avoid futzing with \vspace in your
markup.
-- Aaron Hill
indent = 0 } }
-- Aaron Hill
\with-dimension #X #empty-interval ...
(Assumes you are using 2.24 that supports the axis-specific command.)
-- Aaron Hill
override, you should consider \tweak:
{ c''1-- \tweak outside-staff-priority 12345 ~ c'' }
If this is something you need to do a lot, you can define a cheeky
shorthand:
veryOutside = \tweak outside-staff-priority 8675309 \etc
{ c''1-- \veryOutside ~ c'' }
-- Aaron Hill
2 -\tweak font-size 3 -> -. 4 -+ -> }
{
%% Example of applying one tweak:
\tweakArticulations accent color #red \asdf
%% Example of chaining multiple tweaks:
\tweakArticulations stopped color #green
\tweakArticulations stopped padding 2 \asdf
}
-- Aaron Hill
nu.org/archive/html/lilypond-user/2021-09/msg00484.html
The "elegant" solution intrigues me, but the link to the thread appears
to
be down.
The link seems to be working here. You can review the same content here
[1].
[1]: https://www.mail-archive.com/lilypond-user@gnu.org/msg146125
shorthand is often very convenient, it can be helpful to be
able to translate between the verbose longhand form.
Consider:
'((volta #f) end-repeat (volta "2."))
Written out, this is equivalent to:
(list (list (quote volta) #f) (quote end-repeat) (list (quote volta)
"2."))
-- Aaron Hill
On 2023-03-11 11:04 pm, Paul Scott wrote:
On 3/11/23 11:40 PM, Aaron Hill wrote:
On 2023-03-11 10:34 pm, Paul Scott wrote:
This still gives the warning and I don't want any repeats there.
As the warning is indicating, you are trying to start a new volta
bracket when one already exists
f) (volta ,voltaCont))
f4 g a b
\set Score.repeatCommands = #'((volta #f))
}
(Quasi-quoting can help keep things more concise.)
-- Aaron Hill
presentation.
-- Aaron Hill
is a pretty normal use case.
But you should be able to manually add "/print" to the end of the URL
and navigate to the page without the pop-up block.
-- Aaron Hill
.
-- Aaron Hill
"\transparent q" to the end of the markup,
it should ensure lines without descenders will have the same height as
those with them.
-- Aaron Hill
to the note
heads? Does Gould offer advice on this?
-- Aaron Hill
up { \normal-text \italic "q" } #})
s1-#(make-dynamic-script #{
\markup { \normal-text \italic "x" } #})
s1-#(make-dynamic-script #{
\markup { \normal-text \italic "b" } #})
} >>
-- Aaron Hill
ists all of the paper sizes [1] that are
built-in.
[1]:
https://lilypond.org/doc/v2.24/Documentation/notation/predefined-paper-sizes
-- Aaron Hill
On 2023-02-03 7:42 am, Aaron Hill wrote:
On 2023-02-03 7:27 am, Paulo Matos wrote:
Hi,
I would like to define command aliases for \SustainOn, \SustainOff and
the combination \SustainOn\SustainOff and tried the obvious:
pup = \SustainOn
pdown = \SustainOff
...
This didn't work. I guess I miss
sustainOff
pupdown = -\sustainOn \sustainOff
{ b'4\pup 2 4\pupdown 2. 4\pdown }
-- Aaron Hill
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