On Sun, 2024-03-24 at 21:55 +0100, Lukas-Fabian Moser wrote:
> Hi David,
>
> David Sumbler schrieb am So., 24. März 2024,
> 21:29:
> > I am running xubuntu 22.04. When I last used Lilypond (November
> > 2023) I was probably running a recent version of Ubuntu Unity. But
binaries?
> And when you say you can't compile, what do you get as error message?
> It is not clear at all.
>
> Kind regards,
> Xavier
> Am Sonntag, 24. März 2024, 17:13:03 CET schrieb David Sumbler:
> > I haven't used Lilypond for a while, but I have currently got
> > v.2.2
I include my code below - this is as far as I got before discovering
the problem. Jakob, I don't seeing the code will help: if there were a
significant problem with it, then normally Lilypond would report
warnings and errors upon compilation. But as I said, it reports
nothing!
And yes, Hans, I
I haven't used Lilypond for a while, but I have currently got v.2.24.1
I started a new, very small, project today, but I can't compile
anything. Thinking I must have forgotten even the basics of writing
Lilypond files, I tried a few of my previous project files which I have
successfully compiled
> Thank you all for your suggestions and time. I ended up using
> \transpose which was the easiest for me to understand, and worked
> great it seems.
>
> Cheers!
> tjk :)
It's worth noting that, at least in an orchestral context, horns are
conventionally written without a key signature. In
On Sun, 2023-05-14 at 13:31 +0200, Jean Abou Samra wrote:
> Le dimanche 14 mai 2023 à 12:15 +0100, David Sumbler a écrit :
> > It's a while since I used Lilypond. I have a bit of tweaking I
> > want to do to some scores, so thought I should download the latest
> > version.
It's a while since I used Lilypond. I have a bit of tweaking I want to
do to some scores, so thought I should download the latest version. In
the end, I decided to use v2.24.1, rather than 2.25.4, although I have
mostly used the "unstable" versions in the past.
Lilypond used to use a global
On Wed, 2022-07-20 at 16:52 +0100, David Sumbler wrote:
> On Tue, 2022-07-19 at 23:56 +0200, Jean Abou Samra wrote:
> > Le 19/07/2022 à 18:26, David Sumbler a écrit :
> > > My usual work pattern is to edit .ly files etc. in emacs, and
> > > then to
> > > u
On Mon, 2022-07-18 at 11:15 +0200, Jean Abou Samra wrote:
> Le 17/07/2022 à 17:03, David Sumbler a écrit :
> >
> > Is it the intention that the next "stable" version of Lilypond will
> > be
> > packaged in this new way? Will the shell script be done aw
On Fri, 2022-07-15 at 02:56 +0200, Jean Abou Samra wrote:
>
> > A more serious problem (for me) is that Emacs could no longer find
> > Lilypond mode. So I moved the new Lilypond to
> > /usr/local/lilypond/usr/. Emacs can now uses Lilypond mode, but
> > can't
> > compile a file - it produces
On Wed, 2022-07-13 at 23:00 +0200, Jean Abou Samra wrote:
> Le 13/07/2022 à 20:26, David Sumbler a écrit :
> > Thank you for that. Yes, I should have noticed that the contents
> > of
> > the tar file were not source code. As it is, though, I'm not
> > entirely
>
On Wed, 2022-07-13 at 23:00 +0200, Jean Abou Samra wrote:
> Hello,
>
> Please keep the list in CC so that everyone can chime
> in and benefit from the answers.
Sorry for my oversight. I would normally have done a group reply, but
it's so long since I used a mailing list like this that I just
The last version of Lilypond I installed was 2.23.5. For that I have a
shell script entitled lilypond-2.23.5-1.linux-64.sh , and similar
scripts for previous development and stable versions.
Having updated my OS to Ubuntu 22.04 I want to install the latest
version. But now when I click on the
re, which means that each
> Staff will get every Mark.
> Cheers,Valentin
> Am Dienstag, 21. Dezember 2021, 00:15:56 CET schrieb David Sumbler:
> > On Mon, 2021-12-20 at 18:20 +0100, Jean Abou Samra wrote:
> > > Le 20/12/2021 à 16:18, David Sumbler a écrit :
> > >
On Mon, 2021-12-20 at 18:20 +0100, Jean Abou Samra wrote:
> Le 20/12/2021 à 16:18, David Sumbler a écrit :
> > I set a piece a while ago using Lilypond 2.19.48. It consists of 2
> > staves, and I used \mark for some annotations that I wanted to
> > appear above or
I set a piece a while ago using Lilypond 2.19.48. It consists of 2
staves, and I used \mark for some annotations that I wanted to appear
above or on barlines - mostly the "crotchet - dotted crotchet" type of
thing. Sometimes these only applied to one of the staves, so I would
specify the mark in
oblem.
Thanks again for pointing me in the right direction!
David
On Sun, 2021-11-14 at 16:13 +0100, Jean Abou Samra wrote:
> Le 13/11/2021 à 20:41, David Sumbler a écrit :
> > I have just started on a new Lilypond project, having had little
> > interaction with Lilypond for severa
I have just started on a new Lilypond project, having had little
interaction with Lilypond for several months. I installed v.2.23.4.
Although I have so far only set 3 lines of music on 2 staves, the
message "programming error: cyclic dependency: calculation-in-progress
encountered for
I think the real question is "what do you call a single figure or
column of figures under a bass note". So far as I am aware, the term
"figured bass" means a bass line (not a single note) that has figuring
to indicate the harmonies.
If I want to talk about a number of such bass lines - e.g. the
I am sure this must have been answered many times, yet after an hour's
searching I can't find a solution.
How can one display the current values of internal variables? E.g., if
I want to know the current value of Staff.keepAliveInterfaces, how can
I get this to be displayed during compilation of
On Fri, 2021-04-30 at 16:41 +0200, David Kastrup wrote:
> David Sumbler writes:
> > On Fri, 2021-04-30 at 04:17 -0700, Aaron Hill wrote:
> > > A duration without pitch is encoded as a NoteEvent with the
> > > pitchproperty. expand-repeat-notes! is the internal proce
On Fri, 2021-04-30 at 04:17 -0700, Aaron Hill wrote:
> On 2021-04-30 3:39 am, David Sumbler wrote:
> > I want to be able to insert a note of the same pitch as the preceding
> > one. I don't mind what form the pitch information is in, so long as I
> > can use it to create
On Fri, 2021-04-30 at 12:15 +0200, David Kastrup wrote:
> David Sumbler writes:
> > In a \relative{ } passage, in order for Lilypond to work out
> > theabsolute pitch of a note, it must have a record of the absolute
> > pitchof the previous note, even if there have
In a \relative{ } passage, in order for Lilypond to work out the
absolute pitch of a note, it must have a record of the absolute pitch
of the previous note, even if there have been some intervening rests.
It seems probable that it has this information in all cases, whether
relative pitch notation
By default the percent repeat counter does not put a "1" over the bar
which is to be repeated; it starts with a "2" over the first actual
repetition.
This is what is normally required, but for clarity in one particular
instance I would like the repeat counter to put a "1" over the bar
which is
I have just spent several hours trying to find the reason that
metronome marks were affecting the spacing of notes in certain parts of
my score. At last I have found the offending line.
I am using the "MarkLine" context from the LSR, because I want markings
to appear at the top of the score
On Tue, 2020-09-15 at 11:57 +0100, David Sumbler wrote:
> I am having difficulty controlling the vertical postioning of rests
> in
> a DrumStaff which has several DrumVoices representing different
> instruments.
>
> The easy method of using a note-name followed by '\rest' does
I am having difficulty controlling the vertical postioning of rests in
a DrumStaff which has several DrumVoices representing different
instruments.
The easy method of using a note-name followed by '\rest' doesn't seem
to work in a DrumStaff. I have tried, for instance, 'sn8\rest', but
this
> > command from within emacs to see if it still segfaults (ctrl_C
> > ctrl_L
> > won't work with no init loaded). If it doesn't that might tell you
> > something. Also check if you have multiple versions of LilyPond
> > installed - maybe emacs is running a different one?
I am running Ubuntu 18.04, Lilypond 2.21.4, emacs 25.2.2
Ever since I started my current Lilypond project, I have been
getting occasional segmentation faults when compiling. Until today I
thought it was something to do with errors or inconsistencies in my
Lilypond code, and I have been able to
On Wed, 2020-08-26 at 21:34 +0100, David Sumbler wrote:
> On Wed, 2020-08-26 at 19:51 +0200, Toine Schreurs wrote:
> > > I want each line to go to the centre of the invisible notehead,
> > > so
> > > that
> > > I get a continuous line. Of course, the fir
On Wed, 2020-08-26 at 19:51 +0200, Toine Schreurs wrote:
> > I want each line to go to the centre of the invisible notehead, so
> > that
> > I get a continuous line. Of course, the first and last lines only
> > want
> > to be full-length at one end, because there is an actual notehead
> > at
>
For harp ad lib. glissandi, I am trying to produce a continuous line
which zig-zags across 2 staves. I thought I could do this by placing
notes on alternate staves at the end of each "zig" or "zag", and then
putting glissandi between them. Then (I thought) I could make the
notes invisible, and
On Thu, 2020-08-20 at 20:06 +0200, David Kastrup wrote:
> David Sumbler writes:
>
> > I have just spent half a day trying to work out why one staff in my
> > orchestral score extends beyond the final barline.
> >
> > Eventually I found out that it is b
I have just spent half a day trying to work out why one staff in my
orchestral score extends beyond the final barline.
Eventually I found out that it is because \partCombine seems only
partially to understand tags.
The following example illustrates this:
%
\version
When working on a project in Lilypond I usually set things up to
generate midi files as well as printable output, mainly for note-
checking. But it is interesting to generate an ensemble midi file too.
I play these files with TiMidity, using the fluidr3_gm soundfont.
I know the (very) basics
Hi Rutger
Thanks again for sharing your brilliant work on staff management.
I downloaded pmp.ily, and I have got it working for my orchestral
score. Clearly it is more versatile and controllable than
\partCombine. But it is, of course, somewhat more complicated to use,
by its very nature and
ough it seems
obvious now you have suggested it.
In the actual clarinet parts where I first met the problem, this solves
the it.
However, I think that perhaps I should investigate your pmp.ily, as it
is highly likely that I shall need it at some point.
Thanks for your help.
David
> On 8
unwanted trill spanners.
David
On Thu, 2020-08-06 at 11:15 -0700, Mark Stephen Mrotek wrote:
> David,
>
> It compiled correctly under 2.20.
>
> Mark
>
> -Original Message-
> From: lilypond-user [mailto:
> lilypond-user-bounces+carsonmark=ca.rr....@gnu.org] O
Having implemented some of the methods shown in Vaughan's marvellous
tutorial at
https://lists.gnu.org/archive/html/lilypond-user/2020-06/msg00114.html
I have been making rapid progress in setting the orchestral piece which
is my latest project.
But suddenly I came across a problem which, try as
On Tue, 2020-08-04 at 08:21 -0600, Carl Sorensen wrote:
>
>
> On Tue, Aug 4, 2020 at 7:00 AM David Sumbler
> wrote:
> > My latest Lilypond project had been compiling satisfactorily. But
> > at a
> > certain point it began throwing out the following message:
&g
My latest Lilypond project had been compiling satisfactorily. But at a
certain point it began throwing out the following message:
%
Preprocessing graphical
objects.../usr/local/lilypond/usr/share/lilypond/current/ly/engraver-
init.ly:836:5: In procedure ly:stencil-extent in expression
On Sat, 2020-07-25 at 10:37 +0200, rhn...@vu.nl wrote:
> Did you see my (first attempt at a) tutorial on this topic?
>
>
https://lists.gnu.org/archive/html/lilypond-user/2020-06/msg00114.html
This is truly magnificent. Reading this tutorial, I learnt a lot about
things Lilypond can do which I
On Sat, 25 Jul 2020 at 18:01 +1000, Vaughan McAlley
wrote:
>
> On Sat, 25 Jul 2020 at 05:28, David Sumbler wrote:
> >
> > The only orchestral piece I have set in Lilypond until now was for 12
> > strings and a couple of other instruments. I had 2 versions of the
&
The only orchestral piece I have set in Lilypond until now was for 12
strings and a couple of other instruments. I had 2 versions of the
strings material, one of which kept all of the parts on separate staves
for the parts, and the other which combined them on to fewer staves
(where appropriate)
On Sat, 2020-07-11 at 11:00 +0200, Federico Bruni wrote:
>
> On Fri, 10 Jul, 2020 at 17:23, David Sumbler
> wrote:
> > I downloaded Lilypond version 2.21.2 today. When I ran the script
> > with
> > the --doc option, Lilypond installs but the docs can't be
>
I downloaded Lilypond version 2.21.2 today. When I ran the script with
the --doc option, Lilypond installs but the docs can't be downloaded.
I also tried with version 2.20.1, with the same result.
I get the following output:
No ./Downloads/lilypond-2.21.2-1.documentation.tar.bz2 found,
On Wed, 2020-06-03 at 18:19 +0200, David Kastrup wrote:
> David Sumbler writes:
>
> > I have never used 'showLastLength' or 'showFirstLength' until
> > today.
> >
> > I inserted a line such as
> > showLastLength = R1*5
> > exactly as show
I have never used 'showLastLength' or 'showFirstLength' until today.
I inserted a line such as
showLastLength = R1*5
exactly as shown in NR3.4.2, immediately before the first (and only)
\score { } section.
But every time I try to compile the file I get:
syntax error, unexpected
Has the Lilypond Snippets Repository moved?
The address I have bookmarked, http://lsr.di.unimi.it/LSR/Search ,
gives me a "Not Found" error.
David
://lilypond.org/doc/v2.19/Documentation/notation/controlling-midi-dynamics.html#setting-midi-volumein
> selected snippets at "Replacing default MIDI instrument
> equalization"is overly complicated. Why define the alist empty to
> append to it later?And why not just use assoc-g
ximumVolume = 1.0
>\set Score.dynamicAbsoluteVolumeFunction = #my-dynamic-absolute-
> volume-function
>a'8\pp b' cis'' d'' e''-.\ff d''-. cis''-. b'-. a'
> }
> \midi { }
> \layout { }
> }
>
> You understand t
\version "2.19.82"
#(define my-instrument-equalizer-alist '())
#(set! my-instrument-equalizer-alist
(append
'(
("trumpet" . (0.01 . 0.99)))
my-instrument-equalizer-alist))
#(define (my-instrument-equalizer s)
(let ((entry
Firstly let me apologise for my stupidity: I am quite aware of the
problem with gracenotes after barlines. But in this case, with a
normal barline, there wasn't a problem until I started experimenting
with SpacingSpanner.strict-grace-spacing. When the problem did arise,
it just didn't occur to
flicting with overriding the SpacingSpanner.
> Perhaps if you manage to isolate the problem and make a short example
> showing the bizarre results you described someone in this list will
> be able to figure out what is happening and how to fix the poly-mark-
> engraver.
> Anyways
Hi Stefano,
I have now re-read the Horizontal Spacing section, and I am a bit wiser
than I was.
When I tried it, the fix you suggested worked perfectly for the snippet
in my email. But I had great difficulty when I applied it to my actual
score: I kept getting numerous warnings:
the mean time, does anyone know of a way of getting the septuplet to
look right?
David
On Wed, 2019-05-15 at 16:45 +0100, David Sumbler wrote:
> %%
> \version "2.19.82"
>
> \paper { line-width = 150\mm }
> #(set-gl
%%
\version "2.19.82"
\paper { line-width = 150\mm }
#(set-global-staff-size 16)
<<
{
\new Staff \time 5/4
r2 \tuplet 7/4 { g'16 a' b' c'' d'' e'' f'' } g''8 r r4 |
}
{
\new Staff
\tuplet 3/2 4 { \repeat
Thank you all for your help in this matter.
Today I have point-and-click working as it should, with AppArmor
apparently doing what it is supposed to do.
What made the difference was the following:
The Usage Manual 4.1.1 says that the lines
# For Textedit links
On Sun, 2019-02-10 at 20:14 +1100, Andrew Bernard wrote:
> Hello All,
>
> Didn't this come up in 2015 on the list here:
>
>
https://lists.gnu.org/archive/html/lilypond-user/2015-06/msg00168.html
>
> Is it that the Ubuntu lilypond is broken (still)?
>
> FWIW though, on my pristine Ubuntu
On Sat, 2019-02-09 at 11:05 +0100, Federico Bruni wrote:
> Il giorno ven 8 feb 2019 alle 18:16, David Sumbler <
> da...@aeolia.co.uk>
> ha scritto:
> > I put off trying to get point-and-click for several years (!) until
> > now, because the instructions in the
I put off trying to get point-and-click for several years (!) until
now, because the instructions in the Usage Manual seemed rather
cryptic. But point-and-click would be massively useful, so I thought I
would try to set it up. I followed the instructions to the best of my
limited ability and,
Wow! Two lovely solutions to my little query - both much better and
neater than my adjusting the spacing of notes by using invisible
meaningless markups with \textLengthOn.
-Original Message-
From: Lukas-Fabian Moser
Date: Tue, 29 Jan 2019 20:15:48 +0100
> > How can one force additional
I have various clunky workarounds for this problem, but I am still
wondering whether there isn't a neater way.
How can one force additional space between 2 successive musical moments
in a score, without affecting the spacing algorithm to the left and
right? This is occasionally desirable, for
-Original Message-
From: Kieren MacMillan
To: da...@aeolia.co.uk
CC: Lilypond-User Mailing List
Subject: Re: Altering page numbers
Date: Sat, 12 Jan 2019 10:38:55 -0500
Hi David,
> Judging from all the searching I have done I think that the answer to
> the following question is "no":
Judging from all the searching I have done I think that the answer to
the following question is "no": is there a way to override automatic
page-numbering after the first page?
I have several pages of introductory and performance notes in the score
I am currently working on, followed by about 150
-Original Message-
From: David Kastrup
To: David Sumbler
CC: lilypond-user@gnu.org
Subject: Re: Automatic narrowing in Emacs?
Date: Wed, 02 Jan 2019 15:14:29 +0100
David Sumbler writes:
> I now realise that in these cases the buffer has been "narrowed".
> This is
This may be slightly off-topic, but it concerns a problem I have
encountered in Emacs when editing Lilypond files and at no other time.
I always use Emacs for creating and editing my Lilypond files. Some of
these get quite large. When editing a very long file (typically over
2,000 lines) I have
-Original Message-
From: Joseph Srednicki
To: lilypond-user@gnu.org
Subject: Whole measure rest in 9/4 time
Date: Sat, 29 Dec 2018 22:57:19 + (UTC)
Hello:
I am working on an organ piece by Vierne that is in 9/4 time.
The whole measure rest in 9/4 time is much narrower that what
-Original Message-
From: David Sumbler
Reply-To: da...@aeolia.co.uk
To: Thomas Morley
CC: lilypond-user
Subject: Re: Line-breaking with non-aligned barlines - again!
Date: Mon, 10 Dec 2018 22:58:58 +
-Original Message-
From: Thomas Morley
To: David Sumbler
CC: lilypond
-Original Message-
From: Thomas Morley
To: David Sumbler
CC: lilypond-user
Subject: Re: Line-breaking with non-aligned barlines - again!
Date: Mon, 10 Dec 2018 22:00:51 +0100
Am Mo., 10. Dez. 2018 um 18:25 Uhr schrieb David Sumbler <
da...@aeolia.co.uk>:
>
> To recap:
&g
To recap:
3 days ago I wrote (with this subject line) that I have a passage to
set where one instrument (harpsichord) plays 8 bars in 4/4 time,
consisting mainly of semiquavers (sixteenths). It has to be played
in strict time at its own tempo (4 = 108), which is quicker than the
-Original Message-
From: Mark Stephen Mrotek
To: da...@aeolia.co.uk, lilypond-user@gnu.org
Subject: RE: Line-breaking with non-aligned barlines - again!
Date: Fri, 7 Dec 2018 10:17:43 -0800
David,
How about marking the part "ad libitum?"
Or perhaps making it bar-less as in a cadenza?
A few weeks back I wrote asking about a problem with a passage where
one instrument is playing at a different speed from the rest, and with
barlines that do not align with those in the other instruments.
Now I have a similar passage, but it has thrown up another difficulty,
which I can't so far
-Original Message-
From: David Kastrup
To: David Sumbler
CC: lilypond-user@gnu.org
Subject: Re: alist problem
Date: Wed, 05 Dec 2018 15:37:21 +0100
David Sumbler writes:
> IR 2.19.82 shows the following amongst the settings for TrillSpanner:
>
> bound-details (list):
IR 2.19.82 shows the following amongst the settings for TrillSpanner:
bound-details (list):
'((left (text #
"scripts.trill")
(Y . 0)
(stencil-offset -0.5 . -1)
(padding . 0.5)
(attach-dir . 0))
(left-broken (end-on-note . #t))
(right (Y . 0)))
If
-Original Message-
From: msk...@ansuz.sooke.bc.ca
To: David Sumbler
CC: David Kastrup , lilypond-user
Subject: Re: Not Nice Review of the LilyPond
Date: Sun, 2 Dec 2018 14:17:11 -0500 (EST)
On Sun, 2 Dec 2018, David Sumbler wrote:
> > But MusiXTeX can do "if" stat
-Original Message-
From: David Kastrup
To: msk...@ansuz.sooke.bc.ca
CC: lilypond-user
Subject: Re: Not Nice Review of the LilyPond
Date: Sun, 02 Dec 2018 17:00:33 +0100
msk...@ansuz.sooke.bc.ca writes:
> On Sun, 2 Dec 2018, David Kastrup wrote:
> > is hard. At least LilyPond is a
-Original Message-
From: Thomas Morley
To: Phil Holmes
CC: David Sumbler , Pedro Pessoa <
pedrops...@gmail.com>, lilypond-user
Subject: Re: Spacing issue after Mark and TextScript
Date: Sun, 25 Nov 2018 17:38:31 +0100
Am So., 25. Nov. 2018 um 16:09 Uhr schrieb Phil Holm
-Original Message-
From: Thomas Morley
To: David Sumbler
CC: pedrops...@gmail.com, lilypond-user
Subject: Re: Spacing issue after Mark and TextScript
Date: Sat, 24 Nov 2018 22:28:06 +0100
Am Fr., 23. Nov. 2018 um 15:28 Uhr schrieb David Sumbler <
da...@aeolia.co
-Original Message-
From: David Sumbler
Reply
-To: da...@aeolia.co.uk
To: lilypond-user@gnu.org
Subject: Spacing issue after Mark and TextScript
Date: Wed, 21 Nov 2018 12:24:29 +
%%%
\version "2.19.81"
#(set-global-staff-size 12)
indent = #0
{ \textLength
%%%
\version "2.19.81"
#(set-global-staff-size 12)
indent = #0
{ \textLengthOn
\time 5/4
r2 r4.
\override Score.RehearsalMark.self-alignment-X = #-1
\override Score.RehearsalMark.font-size = #5
\mark \markup {"After the thirty-third encore, the Emperor arose."}
\hide
-Original Message-
From: Kieren MacMillan
To: David Kastrup
CC: Lilypond-User Mailing List
Subject: Re: controlling the tie "gap" [and a possible bug?]
Date: Fri, 16 Nov 2018 17:11:17 -0500
Hi David,
> No, it doesn't. The image shows the same kind of symptomas the
> code does but is
-Original Message-
From: David Linn
To: da...@aeolia.co.uk
CC: lilypond-user@gnu.org
Subject: Re: emails innummerable
Date: Mon, 5 Nov 2018 20:23:03 -0600
The digest sender looks not at the number of messages in the queue but
rather at the combined size of all of the messages in the
-Original Message-
From: Thomas Morley
To: David Sumbler
CC: lilypond-user
Subject: Re: Incomplete tie at line break
Date: Mon, 5 Nov 2018 23:17:43 +0100
Am Mo., 5. Nov. 2018 um 13:24 Uhr schrieb David Sumbler <
da...@aeolia.co.uk>:
>
> My subject line only partial
My subject line only partially describes the problem.
I find that a tie is not shown after a line-break if the following
conditions are all true:
1. There is a line-break (as stated)
2. There is a new time signature
3. There is a MetronomeMark
4. The staff concerned has \consists
-Original Message-
From: Jay Hamilton
To: Jean-Julien Fleck ,
lilypond-user@gnu.org, d...@linns.org
Subject: Re: emails innummerable
Date: Sun, 04 Nov 2018 17:57:57 -0700
> Merci
> but I just checked (and changed my name and address) and it was set
> (as
> far as I could understand )
-Original Message-
From: Thomas Morley
To: David Sumbler
CC: lilypond-user
Subject: Re: Line-breaking with non-aligned barlines
Date: Mon, 29 Oct 2018 22:25:42 +0100
Am Mo., 29. Okt. 2018 um 12:10 Uhr schrieb David Sumbler <
da...@aeolia.co.uk>:
>
>
> -O
-Original Message-
From: Thomas Morley
To: David Sumbler
CC: lilypond-user
Subject: Re: Line-breaking with non-aligned barlines
Date: Sun, 28 Oct 2018 02:01:04 +0200
Am Fr., 26. Okt. 2018 um 23:52 Uhr schrieb David Sumbler <
da...@aeolia.co.uk>:
> But as things are the b
-Original Message-
From: Thomas Morley
To: David Sumbler
CC: lilypond-user
Subject: Re: Line-breaking with non-aligned barlines
Date: Fri, 26 Oct 2018 18:56:15 +0200
> Hi,
>
> you likely know lily breaks only at matching BarLines.
> So you have to insert a \bar "
Below I have shown a compile-able 93 lines (sorry it can't be made much
shorter) from the files for a much longer piece.
In this particular passage the harpsichord plays 4 bars in strict tempo
whilst the flute plays 4 bars rubato. (The 2 lines do not fit and are
meant to sound terrible
ct!
David
-Original Message-----
From: David Sumbler
Reply-To: da...@aeolia.co.uk
To: lilypond-user@gnu.org
Subject: shortInstrumentName vertical spacing
Date: Fri, 12 Oct 2018 17:02:14 +0100
In string parts, I often use more than one stave where a section is
divisi. I write, for insta
In string parts, I often use more than one stave where a section is
divisi. I write, for instance,
\set Staff.shortInstrumentName = "2."
when one player (or sub-section) is required, or
\set Staff.shortInstrumentName = \markup \column { "3." "4." }
if two players need to play this line. The
-Original Message-
From: Thomas Morley
To: Noeck , David Sumbler
CC: lilypond-user
Subject: {SPAM 01.0} Re: Weird parentheses
Date: Mon, 24 Sep 2018 23:12:04 +0200
2018-09-24 9:04 GMT+02:00 Noeck :
> Dear David,
>
> I might be wrong, but I think it is some font problem.
Mo
\version "2.19.81"
\language "english"
#(define ((time-parenthesized-time up down upp1 downp1 upp2 downp2)
grob)
(grob-interpret-markup grob
(markup #:override '(baseline-skip . 0) #:number
(#:line (
(#:center-column (up down))
-Original Message-
From: Malte Meyn
Am 17.09.18 um 23:38 schrieb David Sumbler:
> What is the simplest way of preventing the accidental from being
> printed?
\once \omit Accidental
-Original Message-
From: Aaron Hill
You could change the accidental style tempo
%%
\version "2.19.82"
\language "english"
\score {
\new Staff \with { \accidentalStyle modern } {
\relative {
\time 9/8
e''8 fs gs a b c d e fs | g8 fs e d c b a g fs |
} } }
%%
In the above example, a cautionary natural is given to the
On Fri, 2018-06-15 at 21:08 +0200, Simon Albrecht wrote:
> On 15.06.2018 20:11, David Sumbler wrote:
> >
> > I had seen the usable-duration-log variable in the Internals
> > Reference,
> > and its default value of '(-3 -2 -1 0) . But I have no idea what
> > the
On Fri, 2018-06-15 at 19:36 +0200, Simon Albrecht wrote:
> On 15.06.2018 19:08, David Sumbler wrote:
> >
> > In a piece which is in 21/8 time (7 dotted crotchets) I find that
> > LilyPond sets whole-bar rests as breve rests. I should like them
> > to
> > appear
In a piece which is in 21/8 time (7 dotted crotchets) I find that
LilyPond sets whole-bar rests as breve rests. I should like them to
appear as semibreve rests, as they would if the bars were shorter.
I have tried modifying the stencil using the method shown in NR5.5.3.
But as it stands this is
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