2014-03-12 10:17 GMT+01:00 Urs Liska urs.li...@schoenberg-lieder.de:
Am 05.03.2014 19:38, schrieb Paul Morris:
Hi Urs,
You might take a look at these as examples, if you haven't already:
https://www.kickstarter.com/projects/opengoldberg/open-
goldberg-variations-setting-bach-free
Hi,
i was cc'ed, so despite my official absence i'll reply :-)
2014-03-01 12:01 GMT+01:00 Urs Liska u...@openlilylib.org:
Hello LilyPond users,
LilyPond's declared claim is automated engraving, and we're often
talking about how exceptionally good its default results are. But we're
also
2011/2/10 Ben Finney ben+lilyp...@benfinney.id.au:
Howdy all,
My reading of the notation reference suggests that LilyPond can
automatically place separate voices onto separate staves, by pitching
those voices differently.
How can this be done for separate rhythm voices? I want separate
2011/2/16 Disc Magnet discmag...@gmail.com:
This is the code:
\version 2.12.3
\score {
\new PianoStaff
\set PianoStaff.midiInstrument = acoustic grand
\tempo 4 = 120
\new Staff {
\relative c' {
c d c b
a c d c
2011/2/10 Trevor Daniels t.dani...@treda.co.uk:
Keith OHara wrote Thursday, February 10, 2011 3:19 AM
It is looking better now in 2.13.49.
This two-bar example contains several difficult music-engraving issues,
especially if I include the enharmonic spellings and key cancellation from
the
2011/2/12 Trevor Daniels t.dani...@treda.co.uk:
Jan Warchoł wrote Saturday, February 12, 2011 9:25 AM
I agree too, but in my opinion it's a less important problem than the
one marked in red in the attachment. (However, it was present in
2.12.3 too).
The natural on c is perhaps moved because
2011/2/7 rathcof...@comcast.net
I've been thinking about this for some time. Finally it dawned on me.
LilyPond processes text statements produces the music notation in a PDF
file.
Why not reverse the process and go from PDF (e.g., scanned in), back to text?
While I'd love to see LilyPond
2011/2/1 Tim McNamara tim...@bitstream.net
Jazz guitarist and Lilypond user here. I would call that a G(no 3rd)
I'd say that it's a Gsus chord. It means basically the same: a chord
with no third.
Usually the third is replaced by a fourth or a second:
Gsus2 = g a d,
Gsus4 = g c d,
So to me it
W dniu 31 stycznia 2011 17:06 użytkownik Carl Sorensen
c_soren...@byu.edu napisał:
On 1/31/11 3:04 AM, Jan Warchoł lemniskata.bernoulli...@gmail.com wrote:
2011/1/24 Phil Holmes m...@philholmes.net
If you use
#(set-accidental-style 'modern-cautionary)
then you get the parenthesised
That's interesting, thanks for the info.
I wish it would be able to import .ly files...
cheers,
Janek
2011/2/1 Johannes Feulner johannes.feul...@scorio.com
On http://www.scorio.com/ a fully web browser based scorewriter project
has started end of last year.
You can interactively enter and
2011/2/1 Phil Hézaine philippe.heza...@free.fr
Hi,
You'll find these 2 publications at:
http://superbonus.project.free.fr/spip.php?article48
Thanks!
Discussing about the license on the Free Art mailing list I was
forgetting to write the copyright header inside all my files! Ough!
2011/1/31 Christ van Willegen cvwille...@gmail.com
Hello Nils,
2011/1/30 Nils Gey den...@nilsgey.de:
do you know the name for the music theoretical voice progression which can
be seen in this picture?
The lower voice in the second cord is higher than the higher voice in the
first
Hi,
sorry for the delay - i was busy making new flags for Lily.
2011/1/24 Phil Holmes m...@philholmes.net
- Original Message - From: Jan Warchoł
lemniskata.bernoulli...@gmail.com
I don't agree. *Theoretically* accidental is not needed, but if it
would be omitted, how can you tell
Hi,
2011/1/31 Daisy A da...@abbott.me.uk:
Hi all,
Hope someone can help me. I have a lilypond file that's working perfectly on a
computer with Windows XP on it but when I drag it to the icon on Windows7 I
get
the following error:
error: cannot open for write: /mypath/myfile.mid: No such
2011/1/24 Seth Williamson hazelmo...@gmail.com:
However, as I look at LilyPond code generated by others, it's not obvious to
me (usually near the end of a document) what each closing curly brace refers
to.
Am I even SUPPOSED to be able to figure that out by looking at all the
closed curly
2011/1/23 Joseph Haig josephh...@gmail.com:
I have (I believe) found a bug in Lilypond, and I am fairly sure what
it is, but I would like to check with people who have better knowledge
of music theory than I before I submit it to the bug list. In the
following code:
{
\time 4/4
2011/1/23 Nils Gey den...@nilsgey.de:
Hey people,
Hi man! :)
I have vocal pieces which have all fermatas in all voices
so that I can print each voice alone.
But for a reduction to a 2-staff system I only want
the Soprano and Bass fermata visible
(top first and bottom of second staff) but
2011/1/23 Xavier Scheuer x.sche...@gmail.com:
On 23 January 2011 23:09, Joseph Haig josephh...@gmail.com wrote:
{
\time 4/4
aes'1( a')
aes'~ aes'
aes'( aes')
}
I believe that the first and third ties are displayed incorrectly.
Specifically, the first tie should have a
2011/1/22 David Raleigh Arnold d...@openguitar.com:
On Saturday 22 January 2011 12:52:54 James Lowe wrote:
Hello,
I don't often use multiple voices in a single staff, so am a bit
unfamiliar and am still finding my way.
However I cannot easily see how I can take two 'voices' each from a
2011/1/20 Marc Hohl m...@hohlart.de
Am 20.01.2011 09:20, schrieb jakob lund:
However, I am guessing that the desired output is actually
Tochter Zion, freue dich,
jauchze laut, Jerusalem.
Sieh, dein König kommt zu dir,
ja, er kommt, der Friedefürst.
Tochter Zion, freue dich,
2011/1/21 David Kastrup d...@gnu.org
Jan Warchoł lemniskata.bernoulli...@gmail.com writes:
The ś character that you used is used in polish language, for example.
That's just a bug of your mail reading software. He used the pilcrow
sign, namely ¶ and not ś.
Oh. Good to know.
Thanks,
Janek
) - vocal music - stanzas - Stanzas with
different rhythms.
cheers,
Janek
On Wed, 2011-01-19 at 14:00 +0100, Jan Warchoł wrote:
2011/1/19 Graham King lilyp...@tremagi.org.uk:
Thanks Ted, that works.
The one remaining problem is restoring the default behaviour of melimas
afterwards
2011/1/18 Carl Sorensen c_soren...@byu.edu
On 1/18/11 8:26 AM, Mike Solomon mike...@ufl.edu wrote:
Hey all,
The following snippet is giving me the attached output w/ the soprano line
shifted way up after the line break. Is there any way to get the soprano
correctly aligned (w/o
that's what we should do: release 2.14 and fix this issue
thoroughly soon after that.
cheers,
Janek
Is there a way to add this to the issue tracker.
On Jan 19, 2011, at 3:42 PM, Jan Warchoł wrote:
2011/1/18 Carl Sorensen c_soren...@byu.edu
On 1/18/11 8:26 AM, Mike Solomon mike...@ufl.edu wrote
Graham,
2011/1/19 Graham Percival gra...@percival-music.ca:
On Wed, Jan 19, 2011 at 10:28:38PM +0100, Jan Warchoł wrote:
2011/1/19 Mike Solomon mike...@ufl.edu:
It may be worth it to add this to the issue tracker and get this fixed in
one of the first 2.14 bug fixes (if not 2.14 itself
I'm using Adobe Reader on Windows XP SP3 machine.
Your pdf glitches17.82 displays wrong indeed (however the errors in
the display are different with different zoom).
Compiling the ly gives perfect output (in attachment).
cheers,
Janek
2011/1/18 Phil Holmes m...@philholmes.net
Compiling the
2011/1/14 Reinhold Kainhofer reinh...@kainhofer.com:
To be honest, I don't understand, why the Instrument_name_engraver is not
added to all staff group contexts by default. It is a very simple engraver, so
it would not induce much overhead.
From a user's point of view, if he sets an instrument
2011/1/15 Phil Holmes em...@philholmes.net:
If I use the following:
{
\new Staff = Staff
\new Voice = xMelisStaff {
c''4 c''4 c''4 ~ c''4 | % 1
c''4 c''4 c''2 ~ | % 2
c''4 c''4 ~ c''2 | % 3
c''4 c''4 c''4 c''4
}
\new Lyrics \lyricsto xMelisStaff { La la la La la
Hi all,
2011/1/13 Graham Percival gra...@percival-music.ca
On Thu, Jan 13, 2011 at 10:41:22AM +0100, Werner LEMBERG wrote:
As far as I can see, there is not much more to do than just omit the
warning for parallel music when the output is sensible. The extra
angles for being allowed
2011/1/8 Michael Dykes thedoctor81...@gmail.com:
I have an attached file that works very well, except (since I am not too
terribly familiar with this template) I am not sure where how to insert
the commands for midi in all staves. If I can get that, then I will have
exactly what I need.
2011/1/5 Phil Holmes m...@philholmes.net:
- Original Message - From: Shane Brandes sh...@grayskies.net
To: lilypond-user@gnu.org
Sent: Wednesday, January 05, 2011 12:23 AM
Subject: Ottava horizontal shift
Hello all,
This is another perplexing thing. I am trying to figure out how
2010/12/31 Ludo Beckers lazy...@gmail.com:
Thanks Xavier, in a 2nd post I explained I made a mistake thinking (doh) I
was sending my question to the Denemo list.
So I have a .denemo file only, no .ly
I'm pretty new to this, so I know I can see the Lilypond compilation view,
but don't know yet
2010/12/28 jacquesv jw.verha...@gmail.com:
The problem is general.
Strange, noone replies...
Maybe it's an undiscovered fatal bug in LilyPond. Try making a bug
report (http://lilypond.org/bug-reports.html).
Unfortunately i can't help you anymore :(
Happy New Year!
Janek
Hi,
2010/12/29 Sven Axelsson sven.axels...@gmail.com:
Since having great success in getting an answer for my last question
to the list, here's another:
In a grace note sequence such as \grace { \small g32[ e8 d32] }, the
gap between the stem of the e8 and the beams of the 32 notes is very
Hi,
I have additional useful information :) Please add
\revert Score.SpacingSpanner #'packed-spacing
to your global variable, too. You'll notice that spacing of notes
sung to word Thee (right before Alleluia) improves dramatically!
cheers,
Janek
2010/12/27 Jan Warchoł lemniskata.bernoulli
Hi Jurgen,
the strange coloring interested me, but your snippet failed to produce
any output on my computer... Also it collapsed into a continous stream
of characters (see below) which renders it totally unreadable :(
Perhaps something is wrong with your e-mail client?
cheers,
Janek
2010/12/28
and no tie in
\voiceTwo, and Lilypind produces both ties anyway). So I dismissed this
approach and (with some help from this mailing list) use the solution found
in my snippet.
Regards
Jürgen
Am 28.12.2010 17:28, schrieb Jan Warchoł:
Do you mean using ties between 3rd and 4th measure? Doing so
2010/12/27 jw. Verhagen jw.verha...@gmail.com:
2010/12/22 Jan Warchoł lemniskata.bernoulli...@gmail.com
2010/12/21 jacquesv jw.verha...@gmail.com
I have the same problem.
The problem came after the update of Lilypond form 2.13.4 to 2.13.5.
Returning to Lilypond 2.13.4 the problem
Hi,
i found something that may be helpful to you: there are some strange
gaps in the output, for example after because He hath in first
system, or inside Alleluias (like in the third system). They became
obvious when there is no lyrics (try compiling the attached code).
I suppose they appear
normal. Dont
worry for that, you will find it in many editions also before
computer-engraving. I looked at theses Alleluias and they are totally
ok.
Greetings,
Francois
2010/12/27, Jan Warchoł lemniskata.bernoulli...@gmail.com:
Hi,
i found something that may be helpful to you: there are some
Hi,
2010/12/28 Peter Buhr pab...@sympatico.ca:
I want to change the size of the chord names, as in:
\override ChordNames #'font-size = #-1
but I can't find the grob name to do this.
It's
\override ChordName #'font-size = #-1
(without the s at the end)
Things like this can be found in
2010/12/22 Mike Solomon mike...@ufl.edu
1) svgdance.svg (best viewed in something that's not Internet Explorer -
click on the notes and/or accidentals and see what happens!)
Cool! Thanks for sharing :)
cheers,
Janek
PS i opened it in Google Chrome and only the d flat was animated - when i
2010/12/21 jacquesv jw.verha...@gmail.com
I have the same problem.
The problem came after the update of Lilypond form 2.13.4 to 2.13.5.
Returning to Lilypond 2.13.4 the problem is over.
Now I cannot use Lilypond 2.13.5 or higher.
Doesn't Phil answer work for you also?
on 18 December 2010
hi,
2010/12/19 Ludo Beckers lazy...@gmail.com:
I guess I asked this question because I'm not sure whether or not I should
first learn Lilypond syntax and then see if I want/need to use tools besides
it.
I recommend doing so. I'm not a very skilled user yet, but it appears
certain to me that
Hi,
2010/12/18 Orm Finnendahl o.finnend...@inm.mh-freiburg.de:
the fingering of columns is placed outside the ottava bracket in the
following example:
\version 2.13.43
\new Staff { \relative c''' {
\override OttavaBracket #'outside-staff-priority = #20
\override OttavaBracket
Hi,
2010/12/18 Ludo Beckers lazy...@gmail.com:
Just wondering, has there ever been a poll about how many Lilypond users
work with a certain specific tool.
Is the majority in this group using denemo, frescobaldi, lilypondtool or
other tools?
I am a Windows user, so i can't use Frescobaldi.
I
{
\RemoveEmptyStaffContext
\override VerticalAxisGroup #'remove-first = ##t
}
\context {
\Voice
}
}
\midi { \context { \Staff \remove Dynamic_performer } }
}
From: James james.l...@datacore.com
To: Jan Warchoł lemniskata.bernoulli
2010/12/16 -Eluze elu...@gmail.com:
using Score.BarNumber might help!
Silly me :) of course i should have used Score.BarNumber.
So, Ming, here is the final solution: add
\once \override Score.BarNumber #'outside-staff-priority = ##f
before every bar number that should be below the slur.
You
2010/12/16 MING TSANG tsan...@rogers.com:
Hi, Janek:
Thank you for the solution. That means I need to tune up after the score
sheet is completed for the large score.
Is there a parameter that will put the bar number just above the staff / bar
line?
You can use
\override Score.BarNumber
2010/12/16 James james.l...@datacore.com:
Is it easy to display those nice lines around the bounding boxes by
adding a \paper { } variable?
I can only find
\paper { annotate-spacing = ##t }
Which gives the arrows/values.
you have to use this:
#(ly:set-option 'debug-skylines #t)
(in
2010/12/15 Michael Ellis michael.f.el...@gmail.com
Jan Warchol wrote I don't know how it could be done, and i strongly
recommend not doing
this. Separating different types of content is in my opinion very
beneficial
I agree that separating content is useful. As you point out, it allows one
You need to create a tiny example of your problem (see
http://lilypond.org/tiny-examples.html), or else the chance of getting help
is (very) small.
In my case the file failed to compile at all (i'm running latest development
version, 2.13.43) so i don't even know if i can help you (i don't have
Hi,
please send all messages also to the mailing list (use reply to all)
- that way everyone, not only me, can participate in solving your
problem.
2010/12/13 Sepand Shahab sepandsha...@alum.calarts.edu:
Hi,
Thanks very much for the responses, and sorry for my incomplete posting.
the .png
Hi,
2010/12/14 Michael Ellis michael.f.el...@gmail.com:
Is there a clean way to enter a phrase followed by the corresponding notes
in a \relative block? The example given in the docs,
{
\time 3/4
\relative c' { c2 e4 g2. }
\addlyrics { play the game }
}
is fine for a small
- Original Message - From: craigbakalian
craigbakal...@verizon.net
To: Phil Holmes m...@philholmes.net
Cc: lilypond-user@gnu.org
Sent: Tuesday, December 14, 2010 6:54 PM
Subject: Re: More about min-systems-per-page
It is my music. There is no need of copyright? But, there is
2010/12/14 Valentin Villenave valen...@villenave.net:
BTW: A French guy has made a special font for jazz-like chord names:
http://sites.google.com/site/jpgzic
Thought I'd share it with you guys :)
Thanks, it's really jazzy and looks like an interesting alternative
for default sans :)
2010/12/10 James james.l...@datacore.com:
Hello
On 10/12/2010 07:43, Jan Warchoł wrote:
Seriously though, have you considered changing the default font for
chords?
Oh yes, but only to make it smaller, I prefer mine '12% smaller' than
default, but the 'sans' font I think, is how chord
Hi,
2010/12/13 MING TSANG tsan...@rogers.com:
(1) Where do I code the \set midiInstrument = ?
(2) I want to set each voice (S, A, T, B) with different midi -instrument.
How can I code it?
Take a look at this example:
\new ChoirStaff
\new Staff = soprano {
\new
Hi all,
2010/12/10 Marco Correia marco.v.corr...@gmail.com:
Thanks!
I can't believe that this is seen as a low priority enhancement...! This
completely renders lilypond unusable for the task I need it, which is to serve
as a printer for computer generated music. The output is not ugly - it
Hi,
2010/12/11 Jon W w...@music.mcgill.ca:
Hi. I wrote a program in C that finds the solutions, if any exist, to a
compositional problem specified in the command line. One of the output
formats is lilypond. Some of the solutions involve clusters that lilypond
does not display very well
I'm
Hi,
2010/12/10 Sepand Shahab sepandsha...@alum.calarts.edu
Dear list members,
I'm having a problem with tuplets displaying correctly in certain situations
but
not in others. for example, the following works fine on its own:
\time 4/4
c32 c c16
\times 8/7 {c16 c c c c c32 c c16}
\times
2010/12/10 James Lowe james.l...@datacore.com
Hmm..that video was only slightly more annoying than a bouncing ball over
lyrics...for those that want to 'show me the money'...it all starts with
LilyPond at about 2:11.
Although he obviously doesn't like the 'sans' Font for Chords
I don't
2010/12/7 Br. Athanasius Pelletier athp...@gmail.com
If you click on the link below you will see what I want to accomplish.
http://bayimg.com/JaBeOaADd
A scanned original to compare - that's good!
Well, it looks like the score i posted in my previous mail has the correct
structure. There are
Hi,
2010/12/5 Br. Athanasius Pelletier athp...@gmail.com
I am formatting Peace Prayer of St. Francis.
I am doing ok with verses one and two which share the same music but verses
three and four each have different music and I am not sure how to make them
work.
\version 2.13.35
[lots of
2010/12/4 Nick Payne nick.pa...@internode.on.net:
Lilypond makes this easy:
\set fontSize = #-2
It affects beam size, stem width and height, note head size, accidental
size, and markup font size, nothing else, probably making it the ideal
solution for you :)
No, that doesn't shorten the
2010/12/6 jakob lund jakob.be...@gmail.com
if you create more staves inside , they run in parallel for the
length of the piece, rather than starting after one another. Maybe you
need something like this? (you still have to fix the alignment
properly)
\score {
\new Staff { \oneTwo
2010/11/25 Steve Yegge steve.ye...@gmail.com
I bit the bullet and went through all 100-odd guitar music publications
I've
collected over the years, from publishers around the world on every
continent,
across multiple genres (although admittedly mostly classical and South
American). The set
2010/11/21 Marc Mouries m...@mouries.net:
thanks Ted, that could do it. The tricky part though is that Bach uses a
half-bar every other measure.
I ttried this but got 2 issues:
1) 5.0 is not the normal height of the bar line. Would you know what it is?
I suppose it's 4.0 (5 lines in a staff
Hi,
2010/11/17 Paul Thompson pat...@sbcglobal.net
I am setting a document up in 4/4, and all is well (thanks, Xavier, for your
help).
In 2 cases, measures get set up as if they are 3/4, and only 3 beats are set
into the measure.
How can I determine what is causing this issue? Measures
2010/11/14 David Kastrup d...@gnu.org
Valentin Villenave valen...@villenave.net writes:
On Sun, Nov 14, 2010 at 12:38 PM, David Kastrup d...@gnu.org wrote:
Means a tie, as indicated by the user.
Oh. So, setting tieWaitForNote would disable the automatic-slurs
feature?
They would be
Hi,
2010/11/11 Carlo Stemberger carlo.stember...@gmail.com:
Hi,
how can I obtain the correct syllabification?
http://img132.imageshack.us/img132/5413/schermataminuitchretien.png
https://github.com/Stemby/open-
scores/blob/master/AdamCantiqueDeNoel/minuit_chretiens.ly
(see lines 95--97
2010/11/9 David Kastrup d...@gnu.org:
Xavier Scheuer x.sche...@gmail.com writes:
BTW as a musician, I would not know how to play such scores where some
players have more notes (beats) to play than other in the same
measure...
They don't.
Are we supposed to wait the last one that has the
2010/11/9 Christ van Willegen cvwille...@gmail.com
Why don't Horn players get a second date? (...)
please, don't post such vulgar jokes here.
In my opinion it's a shame for the project.
Jan
___
lilypond-user mailing list
lilypond-user@gnu.org
2010/11/10 Valentin Villenave valen...@villenave.net
On Tue, Nov 9, 2010 at 11:07 PM, Jan Warchoł
lemniskata.bernoulli...@gmail.com wrote:
please, don't post such vulgar jokes here.
In my opinion it's a shame for the project.
Then I'm very ashamed to say I found it to be rather hilarious
2010/11/3 Keith E OHara k-ohara5...@oco.net
On Tue, 02 Nov 2010 09:19:32 -0700, Jan Warchoł
lemniskata.bernoulli...@gmail.com wrote:
As for me the attached settings work quite well. In particular your Lyric
spacing settings didn't produce good results when lyrics were centered
between two
changes in it. You should be able to do the rest by yourself.
I am sorry, but am somewhat confused as to where this should go. Thanks for
all your time patience.
You are welcome :)
Good luck,
Janek
On Mon, Nov 1, 2010 at 7:22 PM, Jan Warchoł
lemniskata.bernoulli...@gmail.com wrote:
2010
Hi,
sorry it took so long... Looks like it's not possible to achieve some
results that i wanted only with changing default values for spacing
algorithm.
As for me the attached settings work quite well. In particular your Lyric
spacing settings didn't produce good results when lyrics were centered
2010/11/1 Michael Dykes thedoctor81...@gmail.com
I have a score for some of my Liturgical Music I am working on, need the
bass to have a C (2nd space-bass clef) quarter note, *and *two eighth note
C's (the first 2nd space, and the second, middle C) to show to options for
the bass which then
2010/11/1 Michael Dykes thedoctor81...@gmail.com
On Mon, Nov 1, 2010 at 3:57 AM, Jan Warchoł
lemniskata.bernoulli...@gmail.com wrote:
2010/11/1 Michael Dykes thedoctor81...@gmail.com
I have a score for some of my Liturgical Music I am working on, need the
bass to have a C (2nd space-bass
2010/10/25 Mike Solomon mike...@ufl.edu
Hey lilyponders,
I forget if I sent this out or not - sorry in advance for any double
postings! A score I wrote using the graphics notation package that I
developed for Lilypond will have its UK premiere on the 4th of December in
Canterbury and its
2010/10/21 Javier Ruiz-Alma jav...@ruiz-alma.com
Hello Dear Gurus,
Lilypond is correctly engraving this score in .pdf, which has some
sections of single-staff polyphony. However, the MIDI playback on my PC
plays one voice only. I'm ignorant to where the problem is. Is
my lilypond
Hi,
2010/10/19 Valentin Villenave valen...@villenave.net
On Tue, Oct 19, 2010 at 11:43 AM, Jan Warchoł
lemniskata.bernoulli...@gmail.com wrote:
(...) Lily places all related dynamics at the same vertical position
level
Er, it seems that we're already doing that
Not exactly
2010/10/20 Valentin Villenave valen...@villenave.net
2010/10/20 James james.l...@datacore.com.
(...)
\version 2.13.35
RH = \relative c'' {
\repeat unfold 30 { a8 a a a }
}
LH = {
\clef bass
\repeat unfold 30 { a8 a a a }
}
\score {
\new PianoStaff
\chords {
2010/10/19 Keith E OHara k-ohara5...@oco.net
The defaults are :
Staves within a group are spaced 9 staff-lines apart (from centerline to
centerline).
After the last staff in a group, the next staff is placed 10.5 staff-lines
below (centerline-to-centerline).
After a staff that is not in a
2010/10/19 Cordilow arv...@gmail.com
In most music I see out there, I've noticed that related dynamics (and
often
markup) are usually parallel (such that if you drew a horizontal line, it
would meet both at the same vertical position). In fact, I'm hard pressed
to
think of a situation where
2010/10/19 James james.l...@datacore.com
On 19/10/2010 10:01, Jan Warchoł wrote:
However, in my opinion (and i'm an amateur, judging only by my personal
taste about readability) there should be more space after (...)
While all these suggestions are perfectly reasonable, let's not forget
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