On Fri, 8 Jul 2016 21:19:26 -0500
David Nalesnik <david.nales...@gmail.com> wrote:
> Hi Tiresia,
>
> On Fri, Jul 8, 2016 at 3:59 PM, Tiresia Giuno <tires...@gmail.com>
> wrote:
> > Dear all,
> >
> > In a score for voice I would like to indicat
Dear all,
In a score for voice I would like to indicate the smooth transformation
of a vowel into another one: For example the transformation from "a" to
"e". Is there a way to end hyphen and/or extender with an arrow?
I have been looking into the Documentation and on line, but I haven't
found
On Tue, 30 Oct 2012 01:23:30 +0100
Reinhold Kainhofer reinh...@fam.tuwien.ac.at wrote:
On 2012-10-30 00:46, Tiresia GIUNO wrote:
is there any reason why Lyrics on the two staves in the attached
example is not correctly vertical aligned?
Yes, there is a reason. See e.g. Elaine Gould
On Tue, 30 Oct 2012 21:07:09 +0100
Reinhold Kainhofer reinh...@kainhofer.com wrote:
On Di., 30. Okt. 2012 19:35:42 CET, Tiresia GIUNO
tires...@googlemail.com wrote:
But shouldn't be: The syllable
should be ranged _right_ under the first notehead?
No, ranged left means that the left
Hi,
is there any reason why Lyrics on the two staves in the attached
example is not correctly vertical aligned?
Thanks for your help!
TGattachment: lyrics.png%{ lyrics %}
\version 2.16.0
\include english.ly
firstMusic = \relative c'' {
\time 3/2
g1. | f4. g8 a4 g2 fs4 | g1.
}
firstWords =
On Tue, 30 Oct 2012 01:02:09 +0100
Thomas Morley thomasmorle...@googlemail.com wrote:
2012/10/30 Tiresia GIUNO tires...@googlemail.com:
Hi,
is there any reason why Lyrics on the two staves in the attached
example is not correctly vertical aligned?
No idea.
But you could use
On Wed, 05 Sep 2012 12:30:16 +1000
Nick Payne nick.pa...@internode.on.net wrote:
On 04/09/12 17:54, David Bobroff wrote:
In this example I have a beam going across a rest larger than the
beam value.
\version 2.16.0
\relative {
{ d16-[ r r8 e16-] r r8 }
}
The 16th beam
On Wed, 5 Sep 2012 10:23:39 +0200
Federico Bruni fedel...@gmail.com wrote:
2012/9/5 Tiresia GIUNO tires...@googlemail.com:
So it must be the 8th rest that stop the 16th beam. I would expect
that setting the baseMoment to 1/16 would bring to the wished
result:
\set
On Wed, 5 Sep 2012 10:43:49 +0200
Federico Bruni fedel...@gmail.com wrote:
Then it may depend on the context: you may need to use Staff instead
of Timing. I've not looked at your example...
Nope.. If you find an answer, please let me know. This issue interests
me a lot.
On Mon, 03 Sep 2012 06:48:22 +0200 (CEST)
Werner LEMBERG w...@gnu.org wrote:
I found in the Regression Tests what I was looking for
(glissando-broken-multiple.ly). It solves some points in my scores,
that I was afraid not to code in LP. Really a wonderful job,
especially for
On Mon, 03 Sep 2012 10:06:05 +0200
David Kastrup d...@gnu.org wrote:
Tiresia GIUNO tires...@googlemail.com writes:
On Mon, 03 Sep 2012 06:48:22 +0200 (CEST)
Werner LEMBERG w...@gnu.org wrote:
I found in the Regression Tests what I was looking for
(glissando-broken-multiple.ly
On Mon, 03 Sep 2012 06:48:22 +0200 (CEST)
Werner LEMBERG w...@gnu.org wrote:
I found in the Regression Tests what I was looking for
(glissando-broken-multiple.ly). It solves some points in my scores,
that I was afraid not to code in LP. Really a wonderful job,
especially for
I appreciate so much that it is possible to connect with glissando non
consecutive pitches!
In the Changes Documentation, the last line, I can't understand the
sentence:
Glissandi can now span multiple lines.
It refers to that? If not, can anyone point me to the documentation of
the change?
Thomas Morley thomasmorle...@googlemail.com wrote:
2012/9/2 Tiresia GIUNO tires...@googlemail.com:
I appreciate so much that it is possible to connect with glissando
non consecutive pitches!
In the Changes Documentation, the last line, I can't understand the
sentence:
Glissandi can now
On Sat, 1 Sep 2012 02:23:55 -0700
Curt accou...@museworld.com wrote:
I'm working with a film score that needs giant time signatures. I
saw this snippet (http://lsr.dsi.unimi.it/LSR/Item?id=272) but the
convention I see more often is giant (tall, skinny) time signatures
that span multiple
On Fri, 24 Aug 2012 13:03:24 +0100
Trevor Daniels t.dani...@treda.co.uk wrote:
Phil Holmes wrote Friday, August 24, 2012 12:42 PM
From: Felipe Castro fef...@gmail.com
From: Han-Wen Nienhuys hanw...@gmail.com
extensor sounds good to me in Portuguese.
I agree. And this makes
On Fri, 24 Aug 2012 16:29:27 +0200
martinwguy martinw...@gmail.com wrote:
I *still* haven't got over a scanner being uno scanner in Italian as
scannare is to slay someone/thing by cutting their throat (!)
You made me laughing... I never thought that a scanner could do
something like that :-)
On Fri, 24 Aug 2012 16:37:24 +0200
martinwguy martinw...@gmail.com wrote:
On 24 August 2012 16:29, martinwguy martinw...@gmail.com wrote:
Rereading the thread, I'll go for spannatore. At least that way,
Italian readers know they are in front of a technical term with a
meaning of its own
On Thu, 23 Aug 2012 19:05:39 +0200
Federico Bruni fedel...@gmail.com wrote:
Dear italian users,
do you have any good idea about how to translate spanner?
I had this doubt in the past, see end of this page:
http://lists.linux.it/pipermail/tp/2011-February/021547.html
and I decided not to
On Thu, 23 Aug 2012 21:07:34 +0200
m...@mikesolomon.org m...@mikesolomon.org wrote:
Chipping in as this issue came up in a talk I gave in France a few
years ago.
It seems that it'd be good to standardize this in Romance languages
as much as possible. I believe that during the talk I
On Thu, 23 Aug 2012 07:35:51 +1200
wjm mooney...@aim.com wrote:
On 23/08/12 00:36, Phil Holmes wrote:
- Original Message - From: wjm mooney...@aim.com
To: davidandrewrog...@gmail.com; Lilypond-User List
lilypond-user@gnu.org
Sent: Wednesday, August 22, 2012 12:32 PM
Subject: Re:
On Thu, 16 Aug 2012 21:05:12 -0700
mkuus...@siba.fi wrote:
Hi,
Can any of you Lilypond people tell me why the \override Hairpin
#'minimum-length … does not actually seem to control the length of
the hairpin? Am I missing something here?
\version 2.14.2
\relative c'' {
\once
On Thu, 16 Aug 2012 14:47:59 -0700 (PDT)
eluze elu...@gmail.com wrote:
Tiresia Giuno wrote
I avoid using the Dynamics Context, because it places dynamics far
away from the staff (even if with LP 2.15 it looks much better)-
and hairpins are still slightly misaligned, see attached
Hi all,
I noticed that in LP 2.14.2, dynamics and hairpins attached to rests
(r or s) are slightly out of alignment when compared to dynamics and
hairpins attached to notes.
See attached ex. A
%% EXAMPLE A %%
musicOne = { a'4\ ~ a'\ ~ a'\ r4\! }
dynamics = { r4\ r\ r\ r\! }
On Thu, 16 Aug 2012 07:03:06 -0700 (PDT)
eluze elu...@gmail.com wrote:
Tiresia Giuno wrote
The attached examples are quite simple, in my score with more
complex music, such behavior leads to quite strange situations.
Am I right and if so, which would be the easiest solution
In the Notation Reference, the first Snippet Subdividing beams of the
Section 1.2.4 Beams, Setting automatic beam behavior
http://lilypond.org/doc/v2.14/Documentation/notation/beams#setting-automatic-beam-behavior
seems to me containing an error. This is the Snippet:
On Fri, 10 Aug 2012 09:57:24 +0200
Tiresia GIUNO tires...@gmail.com wrote:
In the Notation Reference, the first Snippet Subdividing beams of
the Section 1.2.4 Beams, Setting automatic beam behavior
http://lilypond.org/doc/v2.14/Documentation/notation/beams#setting-automatic-beam-behavior
Dear all,
I'm trying to code a score of mine in which the end point of a glissando
is notated with a grace note - see the attached EXAMPLE no. 1. This is
become a quite common notation in contemporary music, and it would be
great to find a solution for it.
The \afterGrace (Lilypond )command
Dear all,
in the attached files (.ly .png) the alteration of the first b' in the
second bar produces an incorrect length of the stems and an incorrect
position of the beam.
This behavior does not appear in the third bar, where the third chord
is modified. Is there any reason for that?
To
On Tue, 12 Jun 2012 15:24:49 -0700 (PDT)
-Eluze elu...@gmail.com wrote:
Tiresia Giuno wrote:
in the attached files (.ly .png) the alteration of the first b'
in the second bar produces an incorrect length of the stems and an
incorrect position of the beam.
agreed, but version
On Fri, 27 Apr 2012 10:07:42 +0200
Jonas Olson jol...@kth.se wrote:
Even though I do understand the nature of the valveless horn, I do not
see why one omits the key signature today. Just tradition doesn't
really explain it. Could someone clarify this? Here's how I
understand it so far:
On
On Tue, 24 Apr 2012 15:56:10 -0400
Peter Wannemacher pe...@mainegeek2go.com wrote:
-Original Message-
From: lilypond-user-bounces+peter=mainegeek2go@gnu.org
[mailto:lilypond-user-
bounces+peter=mainegeek2go@gnu.org] On Behalf Of Helge Kruse
Sent: Tuesday, April 24, 2012
On Sat, 10 Mar 2012 09:30:23 +0100
Siska Ádám sa...@sadam.hu wrote:
while \glissando is a simple solution, it gives a very narrow line --
which I didn't find how I could make thicker -- and there's
absolutely no control over the shape of the line (so one can't make a
non-linear glissando
On Sun, 19 Feb 2012 07:09:48 -0600
David Nalesnik david.nales...@gmail.com wrote:
Hi Tiresia,
I just tried the file in 2.14.2, and it works just fine.
I can't say for sure what is causing your error without seeing your
file, but it could be that you've left out part of the function
On Mon, 20 Feb 2012 16:48:57 -0600
David Nalesnik david.nales...@gmail.com wrote:
Hi Tiresia,
On Mon, Feb 20, 2012 at 7:29 AM, David Nalesnik
david.nales...@gmail.comwrote:
I expanded the function to deal with line breaks. Notice that the
override has changed: instead of overriding
On Sat, 18 Feb 2012 18:54:15 -0600
David Nalesnik david.nales...@gmail.com wrote:
Hi Tiresia,
On Sat, Feb 18, 2012 at 3:53 PM, Tiresia GIUNO
tires...@googlemail.comwrote:
\override Hairpin #'circled-tip = ##t
I find the circles a bit too small. Is there a way to customize
Dear List,
as in Notation Reference I generate 'dal niente al niente' hairpins
with:
\override Hairpin #'circled-tip = ##t
I find the circles a bit too small. Is there a way to customize the size
of the circles?
Thanks for your help
TG
___
Hi all,
I'm typesetting in Lilypond a piece of mine for clarinet, that uses
some percussive sounds like tongue rams and key clicks.
The symbol for tongue ram in modern music is often a simple triangle
with an angle towards the bottom - just like the letter 'v'. See the
attached image.
Following
On Thu, 16 Feb 2012 19:40:16 +0100
Thomas Morley thomasmorle...@googlemail.com wrote:
2012/2/16 David Nalesnik david.nales...@gmail.com:
I can't say what the difference is between the glyphs, but they do
have the same orientation in the Feta notation charts.
Thank you both! I
On Sat, 15 Oct 2011 12:55:01 +0200
Federico Bruni fedel...@gmail.com wrote:
Hi all,
lilypond 2.14.2 is now available in Debian testing.
Not yet on Ubuntu, as far as I can see on packages.ubuntu.com
Unfortunately, I get segfault error even if I use a very simple file.
Any Debian user here
On Thu, 28 Apr 2011 15:04:20 +
stefano cucuzzella stefano.cucuzze...@hotmail.com wrote:
Hello,
how could you put a Trillspan under a Music line? For example if the
bottom voice from a polyphony have a trill.
\version 2.12.2
\relative {
\time 3/8
{ d' e8^\markup {arco} s8 s4 s4 s4
On Sat, 26 Mar 2011 15:58:55 +0100
Federico Bruni fedel...@gmail.com wrote:
Hi,
I put Don (debian maintainer) in CC
Il giorno ven, 25/03/2011 alle 08.01 +0100, Tiresia Giuno ha scritto:
I think I found out where the problem is. I don't get any noteheads,
clef, dynamics if I use
Hi all,
is there a way to get a double pitched Trill in LilyPond?
I tried the following code, but it displays only one note (the first
one) of the notes in parentheses
\version 2.12.3
\include english.ly
\relative c' { \pitchedTrill f g2 \startTrillSpan gf af
On Thu, 24 Mar 2011 18:45:44 +0100
Federico Bruni fedel...@gmail.com wrote:
2011/3/24 Tiresia Giuno tires...@gmail.com
I'm running LilyPond 2.12.3 on Debian Squeeze. I can compile my
files with no problems but if I change the font size I get an
almost empty PDF file. It does
On Thu, 24 Mar 2011 18:45:44 +0100
Federico Bruni fedel...@gmail.com wrote:
2011/3/24 Tiresia Giuno tires...@gmail.com
I'm running LilyPond 2.12.3 on Debian Squeeze. I can compile my
files with no problems but if I change the font size I get an
almost empty PDF file. It does
On Thu, 24 Mar 2011 16:49:24 +
James Lowe james.l...@datacore.com wrote:
Hello,
)-Original Message-
)From: lilypond-user-bounces+james.lowe=datacore@gnu.org
)[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On
)Behalf Of Tiresia Giuno
)Sent: 24 March 2011
Hello,
not sure this is the right place to ask the following question, but I
hope that someone knows more about this issue.
I'm running LilyPond 2.12.3 on Debian Squeeze. I can compile my files
with no problems but if I change the font size I get an almost empty PDF
file. It does not happen with
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