Re: Glissandos into Note

On 14/04/2024 00:22, Wols Lists wrote: On 13/04/2024 10:34, Lukas-Fabian Moser via LilyPond user discussion wrote: Hi Ben, hi Greg, thanks for bringing this up - in fact I started this morning to dig up my old work, prompted by Greg's question. It seems I only developed the functions

Re: Glissandos into Note

On 13/04/2024 10:34, Lukas-Fabian Moser via LilyPond user discussion wrote: Hi Ben, hi Greg, thanks for bringing this up - in fact I started this morning to dig up my old work, prompted by Greg's question. It seems I only developed the functions a but further back then (unfortunately I

Re: Overriding default text of \f, \p, etc.

On 12/04/2024 08:21, YTG 1234 wrote: Hello List, I want to override the default text markup used with commands such as \f, \p, \mf, etc. However, trying to define f = #(make-dynamic-script ...) doesn't work because Lilypond interprets f as a note-name. Additionally, how would I be able to

Re: Installing 2.24.1

On 06/04/2024 22:46, Knute Snortum wrote: On Sat, Apr 6, 2024 at 2:23 PM Wol > wrote:  > The basic procedure is simple, assuming that you are using  > Frescobaldi: What if this assumption is wrong? I've NEVER used Frescobaldi (or rather, the

Re: Automatic annotation of slide positions/fingerings for brass instruments.

On 31/10/2023 01:36, Adam M. Griggs wrote: Your second recommendation is situational. I see you have a *.uk email address. I'm familiar with the British brass band context. I get it—almost everything is transposed for instruments pitched in Bb or Eb, and in the entire ensemble, only bass

Re: Automatic annotation of slide positions/fingerings for brass instruments.

On 29/08/2023 15:35, Adam M. Griggs wrote: Here's a little self-help reference I made a little while back. Maybe it will illustrate your point about different positions for different octaves more clearly than words can. Perhaps something in the tablature code can be adapted to this end.

Re: Nested tuplet ratio notation

ock: > > \override StandaloneRhythm.TupletNumber.font-series = #'bold > > Cheers, > Valentin > > Am Mittwoch, 2. August 2023, 08:04:31 CEST schrieb Lib Lists: > > Ooops, I clearly skipped that part, my bad! > > I now see why you did it, and you also added some space around the > >

Re: Nested tuplet ratio notation

Hi Valentin On Tue, 1 Aug 2023 at 16:08, Valentin Petzel wrote: > > Hi Lib, > > Am Dienstag, 1. August 2023, 11:21:31 CEST schrieb Lib Lists: > > Hi Valentin, > > I'm speechless, that's absolutely wonderful and useful, thank you so much! > > glad you like it

Re: Nested tuplet ratio notation

r stuff. > This function will automatically derive the numbers (e.g. 5:4) from the > tuplet. > > E.g the tuplet in this example turns into > > \override TupletNumber.text = #(tuplet-number::custom-text #{ 8 #} #f '(5 . > 4)) > > (duration is 8th, first note has not tuplet,

Re: Nested tuplet ratio notation

On Fri, 28 Jul 2023 at 14:50, Jean Abou Samra wrote: > > Le vendredi 28 juillet 2023 à 10:57 +0300, Lib Lists a écrit : > > The solution was to build the tuplet number text as a markup. I wonder if > there is a way to specify the alignment of the tuplet number with the tuplet &g

Re: Nested tuplet ratio notation

-scaled #'(3.3 . 2.8) \magnify #0.5 "5" } \override TupletBracket.padding = #0 \override TupletNumber.Y-offset = #1.5 \tuplet 5/4 { c8[ c c c c] } } } } On Tue, 25 Jul 2023 at 16:34, Lib Lists wrote: > > Hello, > I'm testing different ways to notate the top-staff rhythm

Nested tuplet ratio notation

Hello, I'm testing different ways to notate the top-staff rhythm in the example below (a 25:16 tuplet over two bars, or a quintuplet built on four notes of another quintuplet). I have a couple of problems: 1. I'd like to notate the first staff ratio as in the attached image, but I have no idea

Re: Metronome marking with non-integer value

> Interestingly, and this would have been the topic of my next message, the > resulting MIDI output is always correct whatever \tempo I put (it can be the > same \tempo for all staves). In the example below the top staff is always set > to 4 = 120 and the other staves correctly follow. I'm

Re: Metronome marking with non-integer value

\set Score.tempoWholesPerMinute = #(ly:make-moment (* 724/10 1/4)) > c > } > \layout { } > \midi { } > } > > If you do not what to do the conversion to rationals 72.4 → 724/10 yourself > you can use (inexact->exact ...), but keep in mind that this will include > rounding err

Metronome marking with non-integer value

Hello, I realised that Lilypond doesn't like it if the metronome value is a non-integer. In the example below, assigning 7 to the voiceAmount variable triggers a 'error: not an unsigned integer'. I tried to construct the metronome number marking as a markup, but without success. Any suggestions?

Re: clef bass_16

On Fri, 23 Jun 2023 at 12:24, Valentin Petzel wrote: > > To be more general the clef modifier specifies a shift in steps where we start > with 1 as unison. So as an octave is 7 steps n octaves will have a shift of > 7*n, but we will add a 1 as we start with 1 = unison, which gives 0+1 = 1, 7+1 >

Re: Vertical Spacing with Tuplets and Lyrics

On Wed, 21 Jun 2023 at 00:33, Jean Abou Samra wrote: > > Le mardi 20 juin 2023 à 23:44 +0300, Lib Lists a écrit : > > I think the problem is caused by Lilypond putting too many systems on the > page (have no idea why). > > The precise positioning of grobs such as tu

Re: Vertical Spacing with Tuplets and Lyrics

Maybe even better than writing explicitly the number of systems per page, \paper { page-breaking-system-system-spacing.padding = 2 } (https://lilypond.org/doc/v2.25/Documentation/notation/paper-variables-for-page-breaking) seems to work. On Tue, 20 Jun 2023 at 23:44, Lib Lists wrote: > >

Re: Vertical Spacing with Tuplets and Lyrics

On Tue, 20 Jun 2023 at 22:18, Mogens Lemvig Hansen wrote: > > It struck we as weird to put the lyrics inside the DrumStaff, so I tried > something closer to what I would have done for a choir: > > \score { > > << > > \new DrumStaff << > > \new DrumVoice { \voiceOne \CyBars } > >

Re: Grace note spacing & alignment in score

oing to submit a bug report about the collision issues, but it > appears that someone already did so about 10 years ago: > https://gitlab.com/lilypond/lilypond/-/issues/2630 > > Take care, > > Mike Seifert > > > On Jun 15, 2023, at 12:54 PM, Lib L

Re: Grace note spacing & alignment in score

Hi, Here is a hack, and among the various things to be fixed, the beam thickness of the fake grace notes needs to be checked more carefully against the 'real' grace notes. I calculated the starting point of the fake grace according to the percussion part, so it begins on the upbeat of the 3rd

Re: Compilation time (was: Generate \scaleDurations procedurally)

Dear Jean (and Valentin!), thank you so much! The page breaker was the problem, and after applying your fix the compilation time on my machine is around 3 minutes. I'll soon be able to finish the score, just need to fix the duration ratio and the layout. Again, thank you! Lib P.S. I just found an

Compilation time (was: Generate \scaleDurations procedurally)

Hello, When trying to compile the complete score of the piece below (88 staves and 120 quarter notes), I noticed it was taking many hours (I didn't finish the compilation). Trying with shorter versions, I got the following compilation times: - 2x quarter notes -> 16.7", - 4x quarter notes ->

Re: How to generate \scaleDurations values procedurally

On Mon, 12 Jun 2023 at 12:44, Jean Abou Samra wrote: > > [Adding back the list] Oops, thank you! > > Le lundi 12 juin 2023 à 12:23 +0200, Lib Lists a écrit : > > > On Mon, 12 Jun 2023 at 10:58, Jean Abou Samra > > <[j...@abou-samra.fr](mailto:j...@abou-samra.

Re: How to generate \scaleDurations values procedurally

On Mon, 12 Jun 2023 at 00:08, Jean Abou Samra wrote: > > Le dimanche 11 juin 2023 à 23:55 +0200, Lib Lists a écrit : > > Hello, I'm (re)working on a series of pieces for player piano. I'd like to > find a way to generate all the \scaleDurations values so that I don't have to >

How to generate \scaleDurations values procedurally

Hello, I'm (re)working on a series of pieces for player piano. I'd like to find a way to generate all the \scaleDurations values so that I don't have to type them by hand. In the example below they follow a simple pattern (60/60k 60/59, 60/58, etc.). Unfortunately my knowledge of Scheme is very

Re: Proportional duration and cross-staff notation

gt; > \clef bass > > \stemUp b8[ c' \up c' b] > > \down b8[ \up c' b] > > \down c'[ \up c'] > > \down b8 \up c' b > >} > > > >>> > > > > \layout { > > \context { > >\Score > >proport

Re: Frescobaldi issue 16: .ly is missing by saving

Just checked on macOS Ventura 13.4 and Frescobaldi adds the .ly extension automatically. Cheers, Lib On Mon, 29 May 2023 at 22:52, Federico Bruni wrote: > > Hi all > > I'm wondering if we can close this old Frescobaldi issue: > https://github.com/frescobaldi/frescobaldi/issues/16 > > In some

Re: Changing distance between chord suffixes

Indeed chordNameSeparator is responsible for the space between suffixes. Solved as follows: \version "2.25.5" \chords{ des:maj7.5+ fis:7.5+.9+.11+ } \layout { \context { \ChordNames chordNameSeparator = #(make-hspace-markup 0.2) } } On Sat, 27 May 2023 at 17:59, Lib Li

Changing distance between chord suffixes

Hello, in the following example (see attached edited pdf) I'd like to reduce the distance between the suffixes. It looks like the distance between the root and the first suffix is smaller than the distances between the following suffixes. \version "2.25.5" \chords{ des:maj7.5+ fis:7.5+.9+.11+ }

Re: Changing accidental size and alignment in chord symbols

markup list. It's not yet perfect, as I'd wish the sharp sign to be still smaller, but satisfactory enough. See screenshot 'before' and 'after'. Cheers, Lib On Sat, 27 May 2023 at 12:49, Lib Lists wrote: > > Replying to myself, as it might help someone else to give me some hints. > I

Re: Changing accidental size and alignment in chord symbols

cidentals.sharp"))) However, I didn't manage to change the size of the accidentals. If anyone could point me in the right direction it would be great! Bear in mind, my knowledge of Scheme is primitive to say the least. Best regards, Lib On Fri, 26 May 2023 at 10:31, Lib Lists wrote: > > I

Changing accidental size and alignment in chord symbols

I'd like to change the size of the accidentals and their alignment in chord symbols. Here a MWE: \version "2.25.5" \chords { aes2 cis } Specifically, I'd like to have all the flats smaller, and the sharps smaller and horizontally center-aligned with the root note name. I checked the manual

Re: Changing half-diminished symbol size

On Fri, 26 May 2023 at 03:16, wrote: > > > I'd like to change the size of the half-diminished chord symbol, but I > > cannot find a way to do it. > > > > \version "2.25.5" > > \chords { > > \set majorSevenSymbol = \markup { \override #'(thickness . 2) > > \triangle ##f "7" } > > c4:maj7 a:min7.5-

Changing half-diminished symbol size

I'd like to change the size of the half-diminished chord symbol, but I cannot find a way to do it. \version "2.25.5" \chords { \set majorSevenSymbol = \markup { \override #'(thickness . 2) \triangle ##f "7" } c4:maj7 a:min7.5- } I'm aware there's not a halfDimishedSymbol, but I cannot

Re: Separate dynamics from notes

On 27/04/2023 13:57, Gianmaria Lari wrote: Thank you Leo for your answers and help. you’ll probably need to be a little more specific about the use case, perhaps also supply example code. Regarding my second question, let me try to be more clear I have a score. I want to write the

Re: Discourse

On 27/02/2023 09:58, Andrew Bernard wrote: Not sure where my brain has been holidaying lately - I had the idea you can't import mbox format lists into Discourse and even gave what I thought were reasons you can't. This it totally wrong. Discourse does have an import mechanism for loading

Re: Discourse

On 25/02/2023 13:34, Jean Abou Samra wrote: Le samedi 25 février 2023 à 16:56 +0330, Omid Mo'menzadeh a écrit : Hi all, Speaking up as one of the silent majority on this topic, now that it's mentioned, as I think I have two cents to add. I personally wouldn't be against Discourse, as I find

Re: Discourse

On 24/02/2023 10:39, Frank Steinmetzger wrote: It’s actually not the printing dialog, but a print version of the website. The Print dialog opens on top of that. You can see this when you cancel the print dialog - the popup is still there. Apparently, the print version is constructed so

Re: Discourse

On 22/02/2023 12:39, Andrew Bernard wrote: My offer is open. For the main Discourse server I run, amusingly the majority of people use the email interface, no matter how much I encourage them to use the nice web interface. [It's a forum devoted to harpsichord.] The point is that it runs the

Re: Policy for posts from non-members

On 22/02/2023 06:05, Werner LEMBERG wrote: And joining is actually pretty serious friction for some people - the more lists I join, the more likely I am to abandon attempts to help if I'm required to register. I second that concern. Being the maintainer of the FreeType mailing lists, I face

Re: German notation

On 30/01/2023 12:37, Werner LEMBERG wrote: Strange transposition rules also exist for horns, where in the violin clef you transpose down, and in the bass clef you transpose up. Violin clef? Sorry, bad translation from German: I meant horn parts notated with a treble clef. That's fine :-)

Re: German notation

On 29/01/2023 20:39, Werner LEMBERG wrote: Strange transposition rules also exist for horns, where in the violin clef you transpose down, and in the bass clef you transpose up. Violin clef? A quick search tells me the violin plays in the treble clef, which I doubt is what you mean? I'm

Re: Duet part, rehearsal marks for both parts?

On 16/10/2022 00:02, Kenneth Wolcott wrote: Maybe I just should have kept my mouth shut  Nah. You just have to talk to the penguin. Talking to ANYTHING often helps you work your way through a problem, you just talked to the list (I sometimes do the same), and DON'T feel a fool for it.

Re: another 'wrong type argument' error

On 10/10/2022 06:43, Jean Abou Samra wrote: The problem isn’t LilyPond’s or its dependencies’ support for older macOS, which is better than even the system support. The real problem is Apple preventing you from upgrading your computer past a certain macOS version. Which is probably down to

Re: function to recognise voice crossings?

On 16/09/2022 12:53, Eef Weenink wrote: To check this, I transpose the double bass voice down an octave and manually check the boths voices. Wonder if there is a function in lilypond to do this fastly. Like the coloured noteheads when checking a voice against the ambitus of an instrument.

Re: Displaying bar numbers for repeats

On 28/08/2022 04:46, David Wright wrote: On Sun 28 Aug 2022 at 10:33:30 (+1000), Andrew Bernard wrote: I suppose there is a way to do this but the concept is strange. I have never seen any edition do this. Why? Speaking as an organist if I came across this I would have to spend time working out

Re: Prototype Frescobaldi in the browser

On 08/08/2022 08:49, Andrew Bernard wrote: Was just asking, not condemning the idea. Still interested to hear the OP. Sorry. But when people make assumptions about other people, it does tend to push my buttons ... My wife is disabled, my in-laws are elderly, and all too often I'm providing

Re: Prototype Frescobaldi in the browser

On 08/08/2022 06:30, Andrew Bernard wrote: How many people need that? Doesn't everybody have a laptop? WHY SHOULD THEY? You're making the classic - false - assumption that "everyone else is just like me". A lot of people ONLY have chromebooks, tablets, or (gasp) even just a mobile phone.

Re: arbitrary repeat counter

On 06/06/2022 14:10, David Kastrup wrote: Ah. So now if you do a relative repeat, the contents of the braces are converted to absolute before the unfold? That's neat. It never used to be like that, Han Wen wrote that "reset octave" thingy for me yonks ago (2.4?) because I ran in to that very

Re: arbitrary repeat counter

On 06/06/2022 11:46, Jean Abou Samra wrote: Le 06/06/2022 à 12:17, Wols Lists a écrit : On 01/06/2022 18:03, Simon Bailey wrote: Here's a weird one. Using this definition in the c,-octave, I get a really weird output. Each note in the music drops down an octave. In the c-octave, it works

Re: arbitrary repeat counter

On 01/06/2022 18:03, Simon Bailey wrote: Here's a weird one. Using this definition in the c,-octave, I get a really weird output. Each note in the music drops down an octave. In the c-octave, it works normally. Using the untagged version of \repeatCounting doesn't show this issue in either

Re: Problem with Repeats and Alternatives

On 21/04/2022 12:01, David Kastrup wrote: John Helly writes: Aloha. I've not used LP for a while but in coming back to it I've been struggling with repeats and find that this 'preferred syntax' does not seem to work in that it produces: Starting lilypond 2.20.0 [test2.ly]... Try matching

Re: can someone point me to complete documentation for the partial command argument syntax?

On 19/03/2022 20:01, David Kastrup wrote: Sam Roberts writes: I tried so hard to be accurate, but I missed something: On Sat, Mar 19, 2022 at 12:38 PM Sam Roberts wrote: After experimentation, I found this worked: \time 3/4 \partial 1 c4 | It "works" in that pdf output looks ok, c4 is

Re: Key change with clef after the bar line?

On 01/03/2022 22:51, Alasdair wrote: However, what happens is that the natural sign is printed on top of the double bar line.  So either I need to not print the natural (which would be my preference), or somehow push the entire new key signature (one natural and two flats) after the clef sign.

Re: Windows laptop

On 13/02/2022 17:36, David Zelinsky wrote: Wols Lists writes: Oh - and the other route to consider, there always used to be Ubuntu Virtualbox or Vmware images of lilypond. Virtualbox is a freebie, and I think you can get free Vmware. Why would you need that? Just run lilypond natively

Re: Windows laptop

On 12/02/2022 08:31, Jeremiah Reilly wrote: I have a current Mac setup with my audio, video, and graphics software. Terms like Celeron, Intel i3, S-Mode, Windows 10, Windows 11—these terms mean *nothing* to me, except that S-Mode seems to indicate that the user is locked into the Windows

Re: Setting relative pitch as a global declaration?

On 09/02/2022 08:00, Wols Lists wrote: On 09/02/2022 07:16, Alasdair McAndrew wrote: I'm sorry about all these damn-fool queries of mine; I promise to go back under my rock soon.  Anyway: In the current 18th century suite I'm typesetting (for two treble instruments without bass

Re: Setting relative pitch as a global declaration?

On 09/02/2022 07:16, Alasdair McAndrew wrote: I'm sorry about all these damn-fool queries of mine; I promise to go back under my rock soon.  Anyway: In the current 18th century suite I'm typesetting (for two treble instruments without bass), there is a separate variable (containing the notes)

Re: Lilypond's English Horn MIDI instrument is non-transposing?

On 13/01/2022 21:40, James B. Wilkinson wrote: If I make it with the English horn part correctly transposed, the MIDI sounds terrible. If I make it with the English horn part untransposed, it sounds fine. My conclusion is that the midiInstrument "english horn" reads its part in C rather than

Re: Lilypond's English Horn MIDI instrument is non-transposing?

On 15/01/2022 03:01, James B. Wilkinson wrote: 1) why do I need  "\transpose f c \tenor" instead of "\transpose f c' \tenor"? If I use c' it goes an octave too high. \transpose f c' is transposing UP a fifth, it will play a fifth higher than written. \transpose f c takes it down a fourth. I

Re: Transposing pitches in the lilypond file itself?

On 12/01/2022 04:26, Alasdair McAndrew wrote: I'm not quite sure how to search online for this, hence my asking here. I'm doing a little bit of arranging of some baroque pieces for specific instruments, which usually requires some transposition.  I can transpose within the lilypond file so

Re: Feedback wanted: syntax highlighting in the LilyPond documentation

On 04/01/2022 16:23, Aaron Hill wrote: On 2022-01-04 7:29 am, Erika Pirnes wrote: Would it be terribly difficult to have a color setting on the documentation page, so that people can choose between black and color? It is fairly straightforward with CSS and a little JavaScript: Is that on

Re: Feedback wanted: syntax highlighting in the LilyPond documentation

On 04/01/2022 15:14, J Martin Rushton wrote: OK, I'll admit I only skimmed it, hence "I've saved the paper to read later"! I've got Doob's "A Gentle Introduction to TeX" and Oetiker's "The Not So Short Introduction to LaTeX2e" both of which keep to the fixed width convention. Again, I'll be

Re: Feedback wanted: syntax highlighting in the LilyPond documentation

On 02/01/2022 16:32, Jean Abou Samra wrote: I am colorblind (which BTW means that it's hard to distinguish certain colors, not that everything is gray). Sorry if I gave a wrong impression. I didn't mean that everything actually looked gray, just that it was the extreme imaginary case

Re: Feedback wanted: syntax highlighting in the LilyPond documentation

On 02/01/2022 09:34, Marc Lanoiselée via LilyPond user discussion wrote: It will be necessary to keep an uncolored version for men (in principle women do not have this problem) who do not see well certain colors. In principle (and practice) women DO suffer this problem. It's caused by a

Re: Multiple grid lines in the same score

verrides to have them printed > in some color. > > Cheers, > Valentin > > Am Sonntag, 2. Jänner 2022, 10:31:25 CET schrieb Lib Lists: > > Hi Valentin, > > thank you so much! The example you attached looks perfect. > > However, it doesn't seem to work under Lilypond 2.22.1

Re: Multiple grid lines in the same score

alentin > > Am Samstag, 1. Jänner 2022, 21:17:52 CET schrieb Lib Lists: > > Hi Valentin, > > wow, thanks, if you have the time that would be great! > > > > To clarify what I mean, here attached is an example made with > > Inkscape. I suspect that a dashed li

Re: Multiple grid lines in the same score

, 1 Jan 2022 at 18:15, Valentin Petzel wrote: > > Hello Lib, I think I can implement something for that, give me a day or two. > > Cheers, > Valentin > > Am Samstag, 1. Jänner 2022, 15:56:18 CET schrieb Lib Lists: > > Hello everybody, and happy new year! > > >

Re: point-and-click default

On 30/12/2021 17:22, David Zelinsky wrote: In evince on my Ubuntu system, clicking on the note elicits an error, because evince does not know what to do with a "textedit:..." link. Section 4.1 of the Usage Manual (under 4. External Programs) explains how to make it work. Nor does my Windows

Multiple grid lines in the same score

Hello everybody, and happy new year! In the example below I would like to add another set of grid lines to show the triplet subdivisions in the lower staff. Moreover, I'd like to colour the two grid lines differently. I couldn't find any example and I'm not sure whether this is actually possible.

Re: How to change the alignment of the dashed line in \cresc

and right.Y. But having the line centered > but the cresc raised will look a bit weird. Maybe experiment by setting the Y > values to something between 0 and -1. > > Cheers, > Valentin > > 30.11.2021 13:37:43 Lib Lists : > > > Hi Valentin, > > thank you so

Re: How to change the alignment of the dashed line in \cresc

ils.right.Y = #-1 > \override DynamicTextSpanner.bound-details.left.stencil-offset = #'(-0.75 . > 0) > c'1\cresc > d' > e'\ff > } > > Cheers, > Valentin > > Am Dienstag, 30. November 2021, 12:35:25 CET schrieb Lib Lists: > > Hello, > > I'm trying to change t

How to change the alignment of the dashed line in \cresc

Hello, I'm trying to change the vertical alignment of the dashed line so that it is at the same level with the bottom of the text 'cresc.', instead of being at the centre. I checked the documentation for the DynamicTextSpanner but couldn't find the right property to change. \version "2.22.1" {

Re: Problems with trill spanner length

The solution was simple, I just had to place a '-' before \tweak. { \pitchedTrill ees1 -\tweak to-barline ##t \startTrillSpan e \time 3/4 f2. \stopTrillSpan } Cheers, Lib On Tue, 30 Nov 2021 at 10:24, Lib Lists wrote: > > Hi, > > thank you so much. Both seem to work w

Re: Problems with trill spanner length

> \time 3/4 > d2 > -\tweak bound-details.right.padding #1 > -\tweak springs-and-rods #ly:spanner::set-spacing-rods > -\tweak minimum-length #8 > \startTrillSpan d4\startTrillSpan \stopTrillSpan > } > > HTH, > Dimitris > > On Mon, Nov 29, 2021 at 6:24 PM Lib Lists

Problems with trill spanner length

Hi, I have two problems related to the trill spanner length. \version "2.22.1" { ees1\startTrillSpan \time 3/4 d2\startTrillSpan d4\startTrillSpan \stopTrillSpan } First bar: according to Gould (p. 136) the trill line should stop at the barline. Is there a way to achieve this? Second bar:

Re: specifically: how to do "p-f" dynamics (first time, second time); generally: how to find this in the manuals

I have a little include area for all my standard stuff - I redefine the header block, for example. But one of those files in there contains a bunch of definitions for all the odd dynamics. So every time I need to add a new one, I've got all the others there as examples ... :-) Cheers, Wol On

Re: Cadenza -- I'm missing something

On 16/08/21 07:06, Mark Probert wrote: > > Hi. > > I don't understand why I am seeing the behaviour I have with the > snippet below. I would expect to see the section marked "G Phrygian" to > have the aes bes and ees marked, but they are not (obviously you are > meant to read them from the

Rainbow Bells

I've got a set of Rainbow Bells - https://www.amazon.co.uk/Percussion-Workshop-CB8-Coloured-Combi/dp/B007902JRG/ref=sr_1_4?dchild=1=rainbow+bells+cb8=1627984472=8-4 I've modified the coloured-noteheads code to be an approximate match, and I'm quite pleased with it, but does anybody just happen to

Re: AW: Custom Format

On 02/04/21 11:57, David Kastrup wrote: >> Apart from the organ (which I was shocked to discover, in its MODERN >> > form, first appeared about 600BC!!!), > Herr Gottlieb Silbermann would like to have a word with you. Because he > invested an awful lot of work to get organs to the state we call

Re: Point & Click with Atom

On 01/11/20 02:13, David Wright wrote: > If one > deals only with graphical applications, there is almost no scope > for a shell to make an appearance at all, so it seems strange, to > some, to involve the shell at login time. AIUI, the problem is made worse by the fact that - if you

Re: Note range of a score

On 08/10/20 01:47, Andrew Bernard wrote: > Thanks Aaron - that's perfect! > > Never had need of that before. A great function. This requirement is actually quite common for teaching material. It's been a long time ago, but I remember seeing plenty of pieces for wind where right at the start

Re: macro for \once\override

On 29/08/20 05:45, Werner LEMBERG wrote: > \once \override FretBoard.size = #'1.0 > \once \override FretBoard.fret-diagram-details.barre-type = #'straight > \once \override FretBoard.fret-diagram-details.dot-color = #'black > \once \override

Re: Naming RFC: Properties, property sets, presets

On 13/07/20 10:29, Urs Liska wrote: > Am Montag, den 13.07.2020, 19:02 +1000 schrieb Andrew Bernard: >> Property subset is good. >> > > In a way, yes, namely by keeping within the semantic domain. > However, while a property set actually defines the available properties > (along with predicates

Re: Naming RFC: Properties, property sets, presets

On 13/07/20 03:16, Andrew Bernard wrote: > Hi Urs, > > Great work. I have an issue with 'preset'. If you look at software > synths, for example, they can store and load 'presets' but these are > _all_ the parameters for a patch. I don't ever think the word preset > means a subset of a set of

Re: Orchestral strings, how to organise score and parts for divisi, solos, desks etc.

On Sun, 7 Jun 2020 at 10:26, Rutger Hofman wrote: > > Well, it turned out to keep that tutorial short. Still, I think it will > have its use, since questions about temp staves/divisi turn up at > regular intervals. > > My first attempt is here: > >

Re: Orchestral strings, how to organise score and parts for divisi, solos, desks etc.

at least for me. I couldn't find such an example in the otherwise awesome documentation, and I was thinking to contribute myself once I'll be more familiar. Thank you! Lib > > On 5/28/20 10:33 AM, Lib Lists wrote: > > On Wed, 27 May 2020 at 18:10, Valentin Villenave >

Re: Orchestral strings, how to organise score and parts for divisi, solos, desks etc.

On Wed, 27 May 2020 at 18:10, Valentin Villenave wrote: > > On 5/27/20, Lib Lists wrote: > > merge the stems so > > that the final result looks like one voice. > > In that case, what you want clearly is \partcombine (\partCombine since 2.21). > > If you have more

Re: Orchestral strings, how to organise score and parts for divisi, solos, desks etc.

On Tue, 26 May 2020 at 20:49, Valentin Villenave wrote: > > On 5/26/20, Lib Lists wrote: > > For example, I'd start with the concertmaster's part, then duplicate > > it and edit it to generate the music the second soloist, then the > > other soloists, then desks, divisi

Re: Orchestral strings, how to organise score and parts for divisi, solos, desks etc.

May 2020 at 19:38, Xavier Scheuer wrote: > > On Tue, 26 May 2020 at 18:12, Lib Lists wrote: > > > > [...] > > > > However, I know that \partcombine doesn't accept more than two voices, > > so I guess I cannot (hypothetically) combine all the voices togethe

Orchestral strings, how to organise score and parts for divisi, solos, desks etc.

Hello everybody, a long-time user here, never been a power user though, but I'm back to Lilypond after quite many years. I'm considering the possibility of notating a future orchestral project using Lilypond. As I never used it for anything bigger than chamber music, I'm learning how to organise a

Re: Identify included files

On 25/05/20 19:25, Fr. Samuel Springuel wrote: > I think this is where you’ve missed something. When using DK’s code as the > init file (or my later version, which make the output more make-friendly), > LilyPond **does not actually typeset the music.** All it does is read > through the files

Re: Identify included files

On 24/05/20 21:28, Fr. Samuel Springuel wrote: > It’s not quite as straight-forward as you seem to think: > > 1) You haven’t accounted for the possibility of multiple folders with varying > levels of hierarchy. The changed file might be in ../ relative to one file, > ../../ relative to

Re: registering a composition

On 24/05/20 14:18, Valentin Villenave wrote: > On 5/24/20, David Kastrup wrote: >> You are working from the premise that everybody except you is an idiot. > > Guys, stop bickering and veering off-topic. The original purpose of > this thread was to help Francesco gain some insight into the

Re: registering a composition

On 24/05/20 12:52, David Kastrup wrote: > antlists writes: > >> So you don't understand the difference between the story, and the book? > > You are working from the premise that everybody except you is an idiot. > That does not make a backdrop for a discussion but monologueing. I am > not

Re: registering a composition

On 24/05/20 01:08, Carl Sorensen wrote: > Actually, GNU allows charging for the software. From the Preamble to the GNU > GPL: > > "When we speak of free software, we are referring to freedom, not price. Our > General Public Licenses are designed to make sure that you have the freedom > to

Re: Identify included files

On 22/05/20 02:08, David Wright wrote: > On Thu 21 May 2020 at 17:54:38 (+0100), antlists wrote: >> On 21/05/2020 16:36, David Wright wrote: >>> On Thu 21 May 2020 at 13:57:00 (+0100), antlists wrote: > >> I have tried accidentally >> to do things like "lilypond voiceTrombone.ily" and it blew up

Re: Fonts for text

On 26/04/20 09:20, Noeck wrote: > > > Am 26.04.20 um 09:13 schrieb Thomas Morley: >> In "Times New Roman" the "Roman" is taken as font-family of font >> "Times New", which does not exists, thus a fall-back font is used. > > What? :) > > (Well, I think I know some background why, but that is

Re: notes in text

On 23/04/20 18:42, bobr...@centrum.is wrote: > I'm looking for a way to include some free standing notes in a line of text. > Specifically, I want a pair of beamed 16th, a '=' sign, and then three beamed > 16th notes, indicating that two 16ths equal three 16ths. I'd also like to > use it in a

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