ew Lyrics { \PrOne }
>>
}
Looks better to my eye.
Regards,
Mogens
Sent from Mail for Windows
From: Stu McKenzie
Sent: June 20, 2023 9:46 AM
To: LilyPond User List
Subject: Vertical Spacing with Tuplets and Lyrics
I have a drums score that includes tuplets in both voiceOne (cymbals) and
voic
Thou Goodest, that is complicated.
Yet, at the same time,
Duh! That is obviously how one can place the footnote mark where it needs to go.
Thank you, especially for the springs-and-rods; that would have caused me a lot
of grief.
Regards,
Mogens
From: Jean Abou Samra
Sent: August 3, 2022 5:50
e f g }
\addlyrics { \markup { \auto-footnote Sing "this doesn't" } an -- oth -- er
song. }
}
Thanks,
Mogens
\relative; once that
note has been corrected, the rest is mostly right. Using \absolute would, for
me, be a nightmare of wrong octaves.
Regards,
Mogens
From: Paul Scott
Sent: March 16, 2021 15:56
To: Kieren MacMillan
Cc: David Kastrup; lilypond-user@gnu.org
Subject: Re: why Kieren is a \relative
I believe it was David K who made this magic work:
\version "2.20.0"
mus.1 = { c d e }
\score {
\new Staff { \mus.1 }
}
Regards,
Mogens
From: Silvain Dupertuis
Sent: March 5, 2021 10:12
To: lilypond-user@gnu.org
Subject: Re: Workaround for (not-allowed) numbers in variable name
I should have searched the lsr for “double”; easy now that I know.
Thank you all.
Mogens
From: Klaus Blum
Sent: May 17, 2020 9:15
To: lilypond-user@gnu.org
Subject: Re: double dot articulation
Hi Mogens,
Am 17.05.2020 um 17:11 schrieb lilypond-user-requ...@gnu.org:
> How do I put two d
Hi List,
How do I put two dots (like .. ) over the note in
\version "2.20.0"
{ c''8:32-. }
(to indicate that the staccato applies to every note in the tremolo)?
Thanks,
Mogens
Hi,
The bendBefore code at
http://lilypond.1069038.n5.nabble.com/bends-before-notes-how-to-td22214.html
does not work for me (version 2.20.0).
error: GUILE signaled an error for the expression beginning here
\bend #
$argument
Does anyone have a solution?
Regards,
Mogens
voices –
but only the NullVoice is affected. This is of course wonderful for my case,
but I don’t understand why it works that way.
I need to become less scared of the Internals Reference.
Regards,
Mogens
From: Aaron Hill
Sent: December 2, 2019 21:41
To: lilypond-user@gnu.org
Subject: Re: Ddoubled
t;
music = \relative {
c' e \parenthesize g c
}
\score {
\new Staff <<
\new Voice { \music }
\new NullVoice { \music }
>>
}
Suggestions for removing the extra pair – other than by removing the NullVoice
altogether?
Regards,
Mogens
Hi,
In the example below, how do I move the “text” above the chords? I have tried
playing with outside-staff-priority but haven’t found the right incantation.
Regards,
Mogens
\version "2.18.2"
\score {
<<
\new ChordNames { c1 g }
\new Staff {
\tempo 4=100
I think you want \transpose
http://lilypond.org/doc/v2.18/Documentation/notation/changing-multiple-pitches#transpose
Regards,
Mogens
From: Tom van der Hoeven
Sent: Saturday, January 6, 2018 13:16
To: lilypond-user@gnu.org
Subject: Transposition
I have a piece of music written in different
d.
So what reference pitch do you put after \relative ? Or do you just do
it by trial and error?
Something like: when writing in treble clef, the first note should likely have
a single apostrophe. Errors are obvious and trivial to fix (and therefore not
distressing as a
or no formal musical training, I think \relative is the
best way to go – and I selfishly think that the documentation should be written
for people such as me.
Regards,
Mogens
From: Kieren MacMillan
Sent: December 15, 2017 7:28
To: Lilypond-User Mailing List
Cc: Mats Bengtsson
Subject: Re: Auto
obe’s free Acrobat (pdf) Reader happily prints booklets like that (at least
on Windows 10).
Regards,
Mogens
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ch seems clear to me.
Regards,
Mogens
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Hi Kieren,
Thanks – also for reminding me that \layout can happen at the top level.
Regards,
Mogens
From: Kieren MacMillan
Sent: Wednesday, January 25, 2017 9:06
To: mog...@kayju.com
Cc: Lilypond-User Mailing List
Subject: Re: Prohibit page breaks within score
Hi Mogens,
To discourage page
{
score-system-spacing #'stretchability = #1
score-markup-spacing #'stretchability = #1
}
to encourage stretching, but that does not discourage page breaks within scores
sufficiently.
Regards,
Mogens
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lilypond-user
' f' f' f'
g' g' g' g'
}
\new Staff {
\stopStaff s1 \startStaff
a'4 a' b' b'
\stopStaff s1 \startStaff
c''4 c'' d'' d''
}
>>
\layout { ragged-right = ##t }
Regards,
Mogens
ossia.ly
Description: Binary data
___
lily
Hi Francois,
I prefer to simply repeat the music:
http://yen-hansen.ca/hymns/mlh03.pdf
Improved readability that often doesn't even cost extra paper.
Regards,
Mogens
On 2015-01-05, at 6:03, Alicuota618 alicuota...@gmail.com wrote:
Hello,
Considering a choir-setting with many stanzas
See
http://www.youtube.com/watch?v=HMcrb-sKh5wfeature=youtube_gdata_player
Regards,
Mogens
On 2014-05-03, at 17:26, Urs Liska u...@openlilylib.org wrote:
Am 04.05.2014 01:49, schrieb Pierre Perol-Schneider:
2014-05-04 1:38 GMT+02:00 Martin Tarenskeen m.tarensk...@zonnet.nl:
On Sat, 3
Hi,
With the first version of voiceB below I get “ warning: ignoring too many
clashing note columns”
The second version works as expected. The difference seems to be whether the
quoted music begins with a rest.
Bug?
\version 2.18.0
voiceA = \relative c'' { e4 d r b a b }
\addQuote A {
\quoteDuring qsoprano { s2 s2 }
d4 d
}
\score{
\mixture
\midi {}
\layout {}
}
Regards,
Mogens
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of \quoteDuring for the notes. The lyrics consist of
fa -- la -- lah's and ting -- e -- lings rather than real words, so they
need to follow the part they came from, so a \quoteDuring mechanism would
save me a lot of error prone copy-and-paste.
Regards,
Mogens
attachment: quoteDuring
Dear List,
How do I add a footnote to lyrics printed with the music?
The code below does, of course, not work, but I hope it explains what I
want.
\version 2.16.0
\score {
{ a' b' c'' d'' }
\addlyrics { One two three \footnote The note four }
}
Regards,
Mogens
I am not a native English speaker, but aren't the segments of a bridge between
the vertical supports called spans? If that's right, one could find the
Italian word for such segments and lift the lilypond word from there.
Regards,
Mogens
On 2012-08-24, at 5:19 AM, Felipe Castro fef
.
Just some thoughts, sadly no solution. Why don't we find some billionaire who
can just hire David to do what David does best?
Regards,
Mogens
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.
Regards,
Mogens
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Hi all,
Responses so far indicate that I wasn't clear. Again,
I would like to have larger rehearsal marks.
With explicit markup, it is easy,
\mark \markup { \huge F }
but how do I do it with the default marks,
\mark \default
?
-Original Message-
From: Mogens Lemvig Hansen
Sent
Thank you!
Now I see the link at the bottom of the docs on Rehearsal marks to
RehearsalMarks in the Internals Reference, and that page in turn lists
font-size as a parameter.
Why is it always so obvious after the fact. Sigh.
Thanks again,
Mogens
-Original Message-
From: James
,
Mogens
-Original Message-
From: Frank Steinmetzger
Sent: Wednesday, March 28, 2012 7:51 AM
To: lilypond-user@gnu.org
Subject: How to get Glissando in front of a note
Hello list,
I am trying to produce glissando marks as seen in original.png. My idea was
to
use hidden grace notes
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