On Tue 25 Sep 2018 at 14:34:37 (+0200), 70147pers...@telia.com wrote:
> On 2018-09-24 at 01:02, David Wright wrote:
> > That's adds a lot of complexity. I prefer a simpler approach:
> >
> > %%
> > \version "2.18.2"
> >
> > A = \relative g' { g2 g( g g) g g g g }
> > n = \lyricmode { "" }
> >
>
Hi Kaj,
Am 25.09.2018 um 14:34 schrieb 70147pers...@telia.com:
> Noeck: You suggested to print the stop character in white, the assumed
> paper colour. But what happens if you would print your score on a
> coloured paper, e.g. yellow.
Nothing happens, because a space has no colour. So that still
On 2018-09-24 at 01:02, David Wright wrote:
On Sun 23 Sep 2018 at 14:35:59 (-0700), Aaron Hill wrote:
On 2018-09-23 1:43 pm, Noeck wrote:
Txt = \lyricmode { Ah Ah __ \repeat unfold 2 { \skip 1 } Ah Ah }
Try using "" or any invisible markup instead of the skips.
That did not work here. But
On Sun 23 Sep 2018 at 14:35:59 (-0700), Aaron Hill wrote:
> On 2018-09-23 1:43 pm, Noeck wrote:
> > > > Txt = \lyricmode { Ah Ah __ \repeat unfold 2 { \skip 1 } Ah Ah }
> > > >
> > >
> > > Try using "" or any invisible markup instead of the skips.
> >
> > That did not work here. But this ugly
On 2018-09-23 1:43 pm, Noeck wrote:
Txt = \lyricmode { Ah Ah __ \repeat unfold 2 { \skip 1 } Ah Ah }
Try using "" or any invisible markup instead of the skips.
That did not work here. But this ugly hack does:
\lyricmode { Ah Ah __ \markup \with-color #white " " _ Ah Ah }
Actually, the
>> Txt = \lyricmode { Ah Ah __ \repeat unfold 2 { \skip 1 } Ah Ah }
>>
>
> Try using "" or any invisible markup instead of the skips.
That did not work here. But this ugly hack does:
\lyricmode { Ah Ah __ \markup \with-color #white " " _ Ah Ah }
Actually, the color does not matter. But only an
On 23.09.2018 22:34, 70147pers...@telia.com wrote:
Txt = \lyricmode { Ah Ah __ \repeat unfold 2 { \skip 1 } Ah Ah }
Try using "" or any invisible markup instead of the skips.
Best, Simon
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What to do to make the melisma line continue just for the time the slur
continues from the end of measure 1 through measure 2. During measure 3
the singer shall be silent, but this melisma line indicates something
else. I have failed in every effort to stop the line after the slur
ends
Hi, all.
In vocal scores i often put soprano and alto in one staff
and use soprano lyrics with a lot of skips, so soprano has lyrics only
if it differs from alto's lyrics.
Please, masters, take a look at this fragment -- melisma line in soprano voice
extends too far, over skips, rests and skips
often put soprano and alto in one staff
and use soprano lyrics with a lot of skips, so soprano has lyrics only
if it differs from alto's lyrics.
Please, masters, take a look at this fragment -- melisma line in soprano voice
extends too far, over skips, rests and skips again:
\version 2.11.42
Another solution, (and the one that I use), is to put the notes for which the
words are different into a different voice context, and then add lyrics to that
voice. It requires a bit more planning before you begin to typeset, but it
makes files a little easier to navigate, in my opinion, and I
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