On 05/05/2024 08:17, jsmcwill...@gmail.com wrote:
I enclose a snippet illustrating two problems I am trying to resolve
in a piece containing a melody followed by a Trio section:
1. There is a key signature change before going into the Trio and I
cannot get the cautionary signature, which
From: jsmcwill...@gmail.com
Sent: den 5 maj 2024 09:15
To: lilypond-user@gnu.org
Subject: Cautionary Time Signature
Firstly, I have reregistered since the support forum does not recognise my
credentials!
I enclose a snippet illustrating two problems I am trying to resolve in a
piece
Firstly, I have reregistered since the support forum does not recognise my
credentials!
I enclose a snippet illustrating two problems I am trying to resolve in a
piece containing a melody followed by a Trio section:
1. There is a key signature change before going into the Trio and I
cannot
Not quite yet: I do not want the 3/4 to appear in the left hand where
for this part there is no actual meter change. But I think you put me
on the right track: the solution is that you need to add \omit
Staff.TimeSignature before the second 3/4. Then the only the first 3/4
is shown.
Thank you so
On Mon, Apr 22, 2024 at 3:32 AM Hajo Baess wrote:
> > Is there a reason you are writing...
>
> Yes there is.
[...]
> The question is only: will it work as well in my score. I still
> have to try and see, and I will report what will happen...
>
I think this does what you want:
\version
is4\trill cis2 d4 d4. c16 d e2 e4 f4 f4. g8 e2 e4
> > > f
> > > d d ~ d8 cis d4 d4
> > > }
> > > \time 3/4 \set Staff.timeSignatureFraction = 3/4
> > > \scaleDurations 1/1
> > > { d2 d4\fermata}
> > > \bar &quo
e2 e4 f
> > d d ~ d8 cis d4 d4
> > }
> > \time 3/4 \set Staff.timeSignatureFraction = 3/4
> > \scaleDurations 1/1
> > { d2 d4\fermata}
> > \bar "|."
> > }
>
> If you just type "\time 3/4" at the end for instance,
Durations 1/1
> {
> cis4\trill cis2 d4 d4. c16 d e2 e4 f4 f4. g8 e2 e4 f
> d d ~ d8 cis d4 d4
> }
> \time 3/4 \set Staff.timeSignatureFraction = 3/4
> \scaleDurations 1/1
> { d2 d4\fermata}
> \bar "|."
> }
I
On Sat, Apr 20, 2024 at 1:32 PM Hajo Baess wrote:
> What you suggest sounds all so common-sense, but LilyPond still does
> not get it...
> If I implant "\omit Score.TimeSignature" and "\undo \omit
> Score.TimeSignature" into my code instead of the previous commands, I
> get this - see
What you suggest sounds all so common-sense, but LilyPond still does
not get it...
If I implant "\omit Score.TimeSignature" and "\undo \omit
Score.TimeSignature" into my code instead of the previous commands, I
get this - see screenshot.
But if I do something really basic like:
\version "2.24.2"
On Sat, Apr 20, 2024 at 4:17 AM Hajo Baess wrote:
> If I do this, I get other unwanted results - see screenshot. The
> problem is that I am switching back and forth between scaled and non-
> scaled rhythm. And as you will notice, the 6/4 only appears in the
> piano staff and n o t in the top
it should) in the top part like in bars 195
and 197...
Is there no simple way to just toggle "\override
Score.TimeSignature.stencil = ##f " ?
Am Samstag, dem 20.04.2024 um 11:41 +0100 schrieb Mark Knoop:
> This line:
>
> \override Score.TimeSignature.stencil = ##f
>
> mean
This line:
\override Score.TimeSignature.stencil = ##f
means that the time signature will not be displayed (its stencil is set
to false). Either remove it, or if you need it for some other reason,
prefix with \once.
Regards,
Mark
At 10:13 on 20 Apr 2024, Hajo Baess wrote:
> This time w i
This time w i t h screenshot attached - sorry about that... Delete
the previous one ;-)
Unfortunately this does not work - because I have tried exactly this
one, and there is no time signature. I attach a screenshot of the
passage. My piece is in 3/4, and in the top part in bar 185, I have
Unfortunately this does not work - because I have tried exactly this
one, and there is no time signature. I attach a screenshot of the
passage. My piece is in 3/4, and in the top part in bar 185, I have to
do some rhythmical scaling, whereas the other parts continue in 3/4. I
could as well have
On Fri, Apr 19, 2024 at 4:31 PM Hajo Baess wrote:
> Hello all,
>
> I look for a way to force LilyPond to show the same time signature
> again, although there is no change - just as a reminder. I could not
> find anything in the NR and in the Snippet Repository.
>
>
Unless
Hello all,
I look for a way to force LilyPond to show the same time signature
again, although there is no change - just as a reminder. I could not
find anything in the NR and in the Snippet Repository.
Grateful for any suggestion how to achieve this.
>> Please check the looong list of bugs related to `\articulate`
>> whether it has already been reported.
>
> Seems to be #3696, reported - by you - in 2013.
D'oh :-)
Werner
On Wed, Nov 22, 2023 at 12:09 PM Werner LEMBERG wrote:
>
> > This fails in 2.24.1 with messages about mid-measure time signature
> > change and failed barcheck:
> >
> > \include "articulate.ly"
> > \articulate
> > {
> > \ti
On Wed, 22 Nov 2023, Werner LEMBERG wrote:
> Please check the looong list of bugs related to `\articulate` whether
> it has already been reported.
Seems to be #3696, reported - by you - in 2013.
--
Matthew Skala
msk...@ansuz.sooke.bc.ca People before tribes.
> This fails in 2.24.1 with messages about mid-measure time signature
> change and failed barcheck:
>
> \include "articulate.ly"
> \articulate
> {
> \time 4/4
> c'1 |
> \time 3/2
> \grace d'8 c'1. |
> }
>
> Succeeds if \articulate is
This fails in 2.24.1 with messages about mid-measure time signature
change and failed barcheck:
\include "articulate.ly"
\articulate
{
\time 4/4
c'1 |
\time 3/2
\grace d'8 c'1. |
}
Succeeds if \articulate is not used. I can work around it by tagging MIDI
and non-MID
Have you seen petrucci-g
clefs in real music?
3) \override Staff.TimeSignature.style = #'single-digit
Didn't like this look (it's modern, not mensural). Instead I omit the
time signature altogether.
Hope I don't annoy you by adding other things but:
Not at all! Thanks.
1) there are two
," %2
> \bar "||"
> }
> \score {
> { \vexDUMa }
> \layout { \context { \Staff \consists "Ambitus_engraver" }}
> }
>
> My questions ...
>
> 1) How to get petrucci style note head in the tempo indication?
>
> 2) Where to get the G clef as used in Piae Cantiones?
>
> 3) How to get the time signature as used in Piae Cantiones?
>
> TIA,
> Jeff
>
>
>
>
ar "," %2
\bar "||"
}
\score {
{ \vexDUMa }
\layout { \context { \Staff \consists "Ambitus_engraver" }}
}
My questions ...
1) How to get petrucci style note head in the tempo indication?
2) Where to get the G clef as used in Piae Cantiones?
3) How to
On Wed, Sep 27, 2023 at 12:59 PM Knute Snortum wrote:
> On Tue, Sep 26, 2023 at 11:25 PM Michael Werner
> wrote:
>
>> Hi Knute,
>>
>> On Tue, Sep 26, 2023 at 3:27 PM Knute Snortum wrote:
>>
>>> TL;DR
>>> How do I engrave an alternating ti
On Tue, Sep 26, 2023 at 11:25 PM Michael Werner wrote:
> Hi Knute,
>
> On Tue, Sep 26, 2023 at 3:27 PM Knute Snortum wrote:
>
>> TL;DR
>> How do I engrave an alternating time signature and an initial cue clef?
>>
>> [snip]
>
> What about using a
Hi Knute,
On Tue, Sep 26, 2023 at 3:27 PM Knute Snortum wrote:
> TL;DR
> How do I engrave an alternating time signature and an initial cue clef?
>
> Scriabin has a prelude where he has written a time signature as
> alternating 5/8 and 4/8 time. After the initial one, no other ti
TL;DR
How do I engrave an alternating time signature and an initial cue clef?
Scriabin has a prelude where he has written a time signature as alternating
5/8 and 4/8 time. After the initial one, no other time signatures are
written. I have figured out a way to engrave this with help from a LSR
time signature change if
only in bass clef
In the following snippet, a change of time signature appears after an
acciaccatura if the time change happened in one staff without a grace note but
a grace note appears in some other staff. Is there a way to fix this without
making sure the time change
Well known bug.
Add \grace s8 to upper in same position as acciaccatura c8
HTH,
Paul
On 8/15/23 11:30 AM, Jin Choi wrote:
In the following snippet, a change of time signature appears after an
acciaccatura if the time change happened in one staff without a grace note but
a grace note
In the following snippet, a change of time signature appears after an
acciaccatura if the time change happened in one staff without a grace note but
a grace note appears in some other staff. Is there a way to fix this without
making sure the time change always appears in the staff
The criterion for a word to be included in the Oxford English Dictionary
is three proven printed examples. :-)
Andrew
On 5/06/2023 2:25 pm, Werner LEMBERG wrote
Understood. However, we *need* good real-world examples that are not
bound to certain notation programs so that we have a chance
> It's not unusual, just not Common Era period which lilypond
> principally focuses on.
Understood. However, we *need* good real-world examples that are not
bound to certain notation programs so that we have a chance to find a
generic implementation.
> One example has been given. Do you need
Re that merge request, I think it's important to frame it as an open
meter sign, not as a cancellation. As somebody pointed out, it can start
a piece and so it is not cancelling anything previous.
Andrew
Hello All,
It's not unusual, just not Common Era period which lilypond principally
focuses on.
It is not a _cancellation_ or a crossing out. It's as designator of open
meter. Dorico enables it because people use it and request it, not
because the Dorico team read it in Gould. Dorico targets
>
> -- Forwarded message --
> From: Mark Knoop
> To: lilypond-user@gnu.org
> Cc:
> Bcc:
> Date: Sun, 04 Jun 2023 16:33:41 +0100
> Subject: Re: Time signature cancellation
>
> At 14:59 on 04 Jun 2023, Damian leGassick wrote:
> > you just want a r
> you just want a recent real-world example? Birtwistle: Harrison’s
> Clocks.
Thanks!
Werner
clear, and so long as any LilyPond
implementation is able to be overridden (by the usual methods) I see no
harm in adding it.
>> On 4 Jun 2023, at 14:51, Werner LEMBERG wrote:
>>>> Has anyone here ever used or seen the X-shaped time-signature
>>>> cancellation sign
you just want a recent real-world example? Birtwistle: Harrison’s Clocks.
D
> On 4 Jun 2023, at 14:51, Werner LEMBERG wrote:
>
>
>>
>>> Has anyone here ever used or seen the X-shaped time-signature
>>> cancellation sign pictured at [1], or anything similar?
>> Has anyone here ever used or seen the X-shaped time-signature
>> cancellation sign pictured at [1], or anything similar?
>
> It's one standard for open meter.
>
> Here's the Dorico manual info: [...]
Thanks, but ideally we would like to see a real-world example that
It's one standard for open meter.
Here's the Dorico manual info:
Andrew
On 4/06/2023 10:49 pm, Dan Eble wrote:
Has anyone here ever used or seen the X-shaped time-signature cancellation sign
pictured at [1], or anything similar?
Thanks,
--
Dan
[1]https://gitlab.com/lilypond/lilypond
also ;-)
I added calculation of the x-Position, so the first notehead is centered over
the dots of the bass clef automatically. The parameter x-off is optional
now.You can call the music function in front of the staff definitions. In
addition with the removal of the time-signature-engraver in the
Hi Jakob,
The Danish book of chorales to accompany the official hymnal uses a
peculiar "time signature" (which isn't really a time signature) for
some hymns.
It's a small note, in this case a 텞 but elsewhere its a compound
signature like 텞♩, to indicate the metre.
Maybe also use
Hi Juergen,
Works perfectly! Thank you very much.
I can guarantee you I would never have figured that out on my own!
If anyone has any idea what this kind of notation is called, do let me
know :)
Best wishes,
Jakob
On 11.05.2023 12.59, juergen.gr...@xyz.de wrote:
Hello,
what about this:
.fr-emoticon.fr-emoticon-img {
background-repeat: no-repeat !important;
font-size: inherit;
height: 1em;
width: 1em;
Hello all,
The Danish book of chorales to accompany the official hymnal uses a
peculiar "time signature" (which isn't really a time signature) for some
hymns.
It's a small note, in this case a 텞 but elsewhere its a compound
signature like 텞♩, to indicate the metre.
I've
> Thanks - my output included no such warning.
> (lyluatex) Compiling score tmp-ly/51d5af77a942f28ac1f5986a0ab47d35
> with LilyPond executable 'lilypond'.
>
> Module lyluatex Warning: The score doesn't contain any music:
> (lyluatex) this will probably cause bad output. on
AM Werner LEMBERG wrote:
>
> > I seem to have some sort of platform difference between my desktop
> > and laptop computers. I'm rendering a bare time signature and tempo
> > in a LaTeX table using lyluatex.
> >
> > The snippet: [...]
> >
> >
> I seem to have some sort of platform difference between my desktop
> and laptop computers. I'm rendering a bare time signature and tempo
> in a LaTeX table using lyluatex.
>
> The snippet: [...]
>
> {
> \new RhythmicStaff \with {\remove "Staff_symbol
I seem to have some sort of platform difference between my desktop and
laptop computers. I'm rendering a bare time signature and tempo in a LaTeX
table using lyluatex.
The snippet:
\lilypond[noindent, nofragment]
{ \new RhythmicStaff \with {\remove "Staff_symbol_engraver"}
{
> dynamicLengthOff = {
> \override DynamicText.extra-spacing-width = #'(+inf.0 . -inf.0)
> \override DynamicText.extra-spacing-height = #'(0 . 0)
> }
Nice idea, thanks!
Werner
>> The following example
>>
>> ```
>> <<
>>\new Staff { f'1 }
>>\new Staff { f'1 \tweak X-offset #-5 \pp }
>> \new StaffGroup <<
>>\new Staff { f'1 }
>>\new Staff { f'1 \tweak X-offset #-5 \pp }
>> ```
>&g
X-offset #-5 \pp }
>>>
> ```
>
> shows that I can't move the 'pp' to sit under the time signature if I
> use `StaffGroup`. How can I change this? Within full scores it is of
> great importance to retain this ability.
In analogy to
textLengthOff = {
\override TextScri
move the 'pp' to sit under the time signature if I
use `StaffGroup`. How can I change this? Within full scores it is of
great importance to retain this ability.
The definition of StaffGroup in engraver-init.ly contains
%% The default for DynamicText.extra-spacing-width causes dynamics to
[LilyPond version 2.23.9]
The following example
```
<<
\new Staff { f'1 }
\new Staff { f'1 \tweak X-offset #-5 \pp }
>>
\new StaffGroup <<
\new Staff { f'1 }
\new Staff { f'1 \tweak X-offset #-5 \pp }
>>
```
shows that I can't move the 'pp' to sit under the
Le 24/03/2022 à 13:13, Leo Correia de Verdier a écrit :
This is our beloved issue 34 again:
https://sourceforge.net/p/testlilyissues/issues/34/
Note that the issue tracker has moved. The new URL is
https://gitlab.com/lilypond/lilypond/-/issues/34
Jean
> On Mar 24, 2022, at 8:13 AM, Leo Correia de Verdier
> wrote:
>
> \time 4/4 s1 s1 s1
> \time 2/4 \grace s16*3 s2
> \time 4/4 s1
> \time 2/4\grace s16*3 s2
Works as advertised, thanks
R1
> \grace { d16 d d } d2
> R1
> \grace { d16 d d } d2 }
> >>
> }
> }
> >>
> }
>
> I don’t understand the differing behavior in mm 3-4 and mm 5-6. Is there a
> way to force the grace notes past (to the right of) the time signature?
>
> Thanks
>
>
>
>
>
>
behavior in mm 3-4 and mm 5-6. Is there a way
to force the grace notes past (to the right of) the time signature?
Thanks
s8*5
>\time 3/2 \tempo "Vivo" 2 = 152
>s1.
>\bar "|."
> }
>
> part = { c'1 | d'4. | e'4~ 4. | a'1. }
>
> \new Staff << \global \part >>
>
> \layout { ragged-right = ##f }
>
> %%%
4. | e'4~ 4. | a'1. }
>
> \new Staff << \global \part >>
>
> \layout { ragged-right = ##f }
>
> %%
>
> > 21 mars 2022 kl. 09:51 skrev Rip _Mus :
> >
> > Good morning,
> > I would need advice.
> > In a score with many time signa
art = { c'1 | d'4. | e'4~ 4. | a'1. }
\new Staff << \global \part >>
\layout { ragged-right = ##f }
%%
> 21 mars 2022 kl. 09:51 skrev Rip _Mus :
>
> Good morning,
> I would need advice.
> In a score with many time signature changes (where I therefore can
- Original Message -
> From: "Rip _Mus"
> To: "Lillypond Users Mailing List"
> Sent: Monday, March 21, 2022 8:51:16 AM
> Subject: Time signature guide
> Good morning,
> I would need advice.
> In a score with many time signature changes (where
Thanks Valentin!
That is exactly what I was looking for!
Thanks,
Calvin Ransom
-Original Message-
From: Valentin Petzel
Sent: February 28, 2022 3:06 AM
To: lilypond-user@gnu.org
Cc: Calvin Ransom
Subject: Re: Altering the appearance of a time signature.
Hello Calvin,
is this to your
e do I find a glyph for the time signature attached?
>
> Thanks
> Francesco Napoleoni
signature.asc
Description: This is a digitally signed message part.
Hi list
Where do I find a glyph for the time signature attached?
Thanks
Francesco Napoleoni
Hello Calvin,
is this to your liking?
Cheers,
Valentin
Am Montag, 28. Februar 2022, 09:34:01 CET schrieb Calvin Ransom:
> Hello everyone,
>
> Can you help me create a time signature that has spacing like the attached?
> I would like to have the numerator centred near
Hello everyone,
Can you help me create a time signature that has spacing like the attached? I
would like to have the numerator centred near the 4th line and the denominator
centred near the 2nd line with space in between the characters. I have figured
out how to adjust the font size but I have
a solution or at least clarification.
Slurs are attached to notes (and entered after the note, hence
"post-events"). \time 6/8 is new music occuring at the same time as
b4, but you can't meaningfully attach a slur to a time signature
change.
The solution is simple: Attacht the opening slur to
yes that did it thank you.
On 2021-12-24 13:38, Brian Barker wrote:
At 13:24 24/12/2021 -0700, you wrote:
\time 5/8
\tempo 4 = 86
d8 e fis4 e8
d e4 d8 c\time 6/8
(b4) d8 b a4 \bar "|."
The slur parentheses are postfixed to the appropriate elements. Instead
ends until there is
another slur over many measures.
Hope there is a solution or at least clarification.
Slurs are attached to notes (and entered after the note, hence
"post-events"). \time 6/8 is new music occuring at the same time as b4,
but you can't meaningfully attach a slur to a t
h :
using 2.22 when I try to have a slur ~ across a barline and a time
signature change using fresco nothing happens.
please direct me to a place in the manual that explains how to have
this work.
thanks
j
--
Thank you Sound & Silence
Beginning May 1, 2021 a new address; 1814 Lake Washi
are not normally a problem, so I
suppose there is something strange in the code.
Best!
/Leo
> 24 dec. 2021 kl. 19:14 skrev jh :
>
> using 2.22 when I try to have a slur ~ across a barline and a time signature
> change using fresco nothing happens.
> please direct me to a place in the manual th
using 2.22 when I try to have a slur ~ across a barline and a time
signature change using fresco nothing happens.
please direct me to a place in the manual that explains how to have this
work.
thanks
j
--
Thank you Sound & Silence
Beginning May 1, 2021 a new address; 1814 Lake Washington
Carl Sorensen writes:
> On 11/24/21, 2:26 PM, "lilypond-user on behalf of David Johnson"
> johns...@electronsciences.com> wrote:
>
> I'm working on an arrangement that is in 12/8 time signature and having
> trouble understanding how to encode not
On 11/24/21, 2:26 PM, "lilypond-user on behalf of David Johnson"
wrote:
I'm working on an arrangement that is in 12/8 time signature and having
trouble understanding how to encode note lengths and the associated
chordmode timing.
Use a duration of 1. That is 6 qua
I'm working on an arrangement that is in 12/8 time signature and having
trouble understanding how to encode note lengths and the associated
chordmode timing.
Can anyone refer me to the proper place in documentation or even more
helpful, list some examplesof how to show 1 chord
On Wed, 10 Nov 2021 at 00:33, Paolo Prete wrote:
>
> Hello Xavier,
>
> I tried your tip but it seems to not produce any difference. See (tested
on 2.19.48):
>
> (snip)
>
Hello,
Well, you need to use it in combination with your space-alist =
#'((first-note fixed-space . 0))
Cheers,
Xavier
--
Hello Xavier,
I tried your tip but it seems to not produce any difference. See (tested on
2.19.48):
%
{
r1\break
\time 4/4 c''
\break
\once \override Score.TimeSignature.extra-spacing-width = #'(0.0 . 0.0)
\time 4/4 c''
\break
r
}
%
Cheers,
P
On Tue, Nov 9, 2021 at 9:34 AM Xavier
Thank you Valentin, it works perfectly.
On Mon, Nov 8, 2021 at 11:09 PM Valentin Petzel wrote:
> Hello Paolo,
>
> You could try to override the actual X-extent of the TimeSig, like
> \override Staff.TimeSignature.X-extent = #'(0 . 1.1)
>
> Cheers,
> Valentin
>
> Am Sonntag, 7. November 2021,
On Sun, 7 Nov 2021 at 18:56, Paolo Prete wrote:
>
> Hello,
>
> I'm trying to have a minimum space between a TimeSignature and the first
note after it (and, consequently, all the following notes). I tried:
>
> \once\override Score.TimeSignature.space-alist =
> #'((first-note fixed-space .
Hello Paolo,
You could try to override the actual X-extent of the TimeSig, like
\override Staff.TimeSignature.X-extent = #'(0 . 1.1)
Cheers,
Valentin
Am Sonntag, 7. November 2021, 18:49:20 CET schrieb Paolo Prete:
> Hello,
>
> I'm trying to have a minimum space between a TimeSignature and the
Hello,
I'm trying to have a minimum space between a TimeSignature and the first
note after it (and, consequently, all the following notes). I tried:
\once\override Score.TimeSignature.space-alist =
#'((first-note fixed-space . 0))
...but there's still a gap which I can't eliminate. How
Thank you!
On Sun, Aug 8, 2021 at 4:06 PM Carl Sorensen wrote:
>
>
>
> On 8/8/21, 5:01 PM, "lilypond-user on behalf of Kenneth Wolcott"
> kennethwolc...@gmail.com> wrote:
>
> Hello again,
>
> An update to my earlier question. I'm engraving a piece now that
> uses 5/4 and 6/4
On 8/8/21, 5:01 PM, "lilypond-user on behalf of Kenneth Wolcott"
wrote:
Hello again,
An update to my earlier question. I'm engraving a piece now that
uses 5/4 and 6/4 time signatures. I have a full measure rest for one
of each time signatures. I'd like to have a
Hello again,
An update to my earlier question. I'm engraving a piece now that
uses 5/4 and 6/4 time signatures. I have a full measure rest for one
of each time signatures. I'd like to have a single rest note for
those measures, not "r1 r4" and not "r1 r2". How to do that?
What about
Kenneth Wolcott writes:
> Well, that was stupid of me :-(
>
> I replaced, in the current engraving, "r2." with "R2.".
>
> It works as I had desired.
LilyPond still needs you to specify the duration, yes, even though the
appearance is almost always the same (there are exceptions like 3/1
meter
e signatures of 2/4, 3/4, 4/4, 6/4
> 3/8 6/8, etc.
>
> I would like single full-measure rests to have the same appearance
> independent of the time signature.
>
> Apparently other music scoring software applications have this ability.
>
> I thought at first that I could
Hi,
I have many engravings for various time signatures of 2/4, 3/4, 4/4, 6/4
3/8 6/8, etc.
I would like single full-measure rests to have the same appearance
independent of the time signature.
Apparently other music scoring software applications have this ability.
I thought at first
a' b'4
>\time 6/8
>| a'8 g' fis' gis'4. \bar "|."
> }
>
>
> Let us say that I want to have several measures with the "0/0" time
> signature, while other instruments are playing in metered 3/2. At some point,
> I want to retur
On 2021-07-21 2:56 am, N. Andrew Walsh wrote:
[ . . . ] Is there a way to force (re-)displaying a time
signature in one Staff, without invoking the \time command and
displaying
it for all voices?
One option would be to use \time again, but then manually omit the
signature where you do
{
\once \timeStencil \markup \compound-meter #'(0 0)
\time 3/2
| a'2 b'4. a'8 g'4 g'
\time 5/4
| a'4 b'4. c''8 b' a' b'4
\time 6/8
| a'8 g' fis' gis'4. \bar "|."
}
Let us say that I want to have several measures with the "0/0" time
signature, while
>> THIS IS GOLD!
> I think it is spelt "Gould".
> David Kastrup
=)
Kieren MacMillan, composer (he/him/his)
‣ website: www.kierenmacmillan.info
‣ email: kie...@kierenmacmillan.info
> A custom engraver could automate that:
Thank you so much Aaron! This is very helpful and instructive.
Nuno
Kieren MacMillan writes:
> Aaron,
>
>> So it just the case that you want hairpins to extend over time
> signatures? A custom engraver could automate that:
>
> THIS IS GOLD!
I think it is spelt "Gould".
--
David Kastrup
Aaron,
> So it just the case that you want hairpins to extend over time signatures? A
> custom engraver could automate that:
THIS IS GOLD!
Thanks,
Kieren.
Kieren MacMillan, composer (he/him/his)
‣ website: www.kierenmacmillan.info
‣ email:
On 2021-03-01 2:39 pm, N Trocado wrote:
Thank you for your answer.
I do use /once when appropriate, and defining a variable indeed helps
with the typing.
But I was hoping for a way of establishing that all hairpins that
cross time signature changes extend beyond the barline, and if
lilypond took
Thank you for your answer.
I do use /once when appropriate, and defining a variable indeed helps with the
typing.
But I was hoping for a way of establishing that all hairpins that cross time
signature changes extend beyond the barline, and if lilypond took care of this
automatically it would
On 2021-03-01 9:52 am, N Trocado wrote:
I like to have hairpins cut through barlines, extending to the note
that ends them on the first beat of the next bar, whenever there's a
time signature change. Stopping short of the barline in this case, as
is the default, leaves a bit too much space
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