I’m unsure what of this is relevant today, but maybe you can find help or inspiration in this thread:Re: Extending staff lines through key changelists.gnu.org2 nov. 2023 kl. 12:58 skrev David Kastrup :Peter Mayes writes:Ideally what I want is the first version, but with the stave extendingjust
Peter Mayes writes:
> Ideally what I want is the first version, but with the stave extending
> just enough to go through the key signature.
Could you live with the following?
{
\key c\minor
c'1
\key c\major
\once\override Score.BreakAlignment.break-align-orders =
#(grob-transformer
Peter Mayes wrote:
I have since learned about silent notes, and I get almost what I want if
I add a silent note after the advisory key change. But then the bar
lengths are altered. To put the two result together:
Ideally what I want is the first version, but with the stave extending
just
Thanks for the response.
The \turn placement is exactly what I needed.
I may not have been clear enough on the second question. The four
movements are engraved in four separate \score blocks. The change of key
signature is the very last thing at the end of the first movement. There
are no
1) Use \after. See
https://lilypond.org/doc/v2.24/Documentation/notation/expressive-marks-attached-to-notes,
and scroll down to Delayed Turns. I also used a tweak to move the turn up.
2) Just add notes after the key change and it should display correctly
\version "2.24.2"
\relative c'' {
I have two beginner questions about the following fragment - the end of
the first movement of Cimarosa's oboe concerto - which I am trying to
reproduce from the printed score, partly for learning Lilypond, and
partly so I can print it enlarged on A3 paper.
My coding:
