David,
Thanks for the clarification.
Mark
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Thursday, September 14, 2017 11:58 PM
To: Mark Stephen Mrotek
Cc: 'Marco B.' ; lilypond-user@gnu.org
Subject: Re: Acciaccatura at the
Hi Gianmaria,
On Fri, Sep 15, 2017 at 7:16 AM, Gianmaria Lari wrote:
> Harp scores sometimes specify a bracket below or above the notes to indicate
> how to place your hand. In the attachment you can see an example.
>
> I have found online this code that works pretty
Harp scores sometimes specify a bracket below or above the notes to
indicate how to place your hand. In the attachment you can see an example.
I have found online this code that works pretty well:
[https://music.stackexchange.com/questions/48731/lilypond-
finger-placement-brackets]
\version
Am 15.09.2017 um 15:59 schrieb Lukas-Fabian Moser:
Is it possible to force Lilypond into using strictly "relative" accidentals?
What I mean by this: A raised 4th in d-major (g-sharp) gets a sharp
sign. A raised 4th in f-major (b-natural) gets a natural sign. I want
this to get a sharp sign
Hello all,
(I hope this message gets delivered...)
Recently I've noticed that when I send mail from Thunderbird, my replies
don't actually appear to make it to the mailing list / original poster. But,
if I view the LilyPond archive on Nabble, some of my posts *are* showing up
(however, as "*not
Lukas-Fabian Moser wrote
> Is it possible to force Lilypond into using strictly "relative"
> accidentals?
>
> What I mean by this: A raised 4th in d-major (g-sharp) gets a sharp sign.
> A
> raised 4th in f-major (b-natural) gets a natural sign. I want this to get
> a
> sharp sign as well; I even
Is it possible to force Lilypond into using strictly "relative" accidentals?
What I mean by this: A raised 4th in d-major (g-sharp) gets a sharp sign. A
raised 4th in f-major (b-natural) gets a natural sign. I want this to get a
sharp sign as well; I even want "beses" to be printed with a single
On 9/15/2017 10:32 AM, SoundsFromSound wrote:
> but at the same time never really know for sure if anyone is actually getting
> my replies.
Same here. I thought it was just my Microsoft Hotmail/Outlook being
flaky. Switching list subscriptions to Gmail is on my to-do list. But
now if a Gmail
Karlin High wrote
> Also using Thunderbird... I've been clicking the Options -> Delivery
> Status Notification menu before sending messages. Sometimes I get a
> "lilypond-user post acknowledgement" message, sometimes
>
> In other cases, I've used the "Reply All" option per instructions. My
>
On 9/15/2017 1:32 PM, Karlin High wrote:
On 9/15/2017 12:14 PM, SoundsFromSound wrote:
Thanks for that Delivery Status suggestion, I think I will make sure that is
enabled from now on!
I have never found a way to have it on by default, so it needs done for
each message you want it.
--
Karlin
Alistair Millar wrote
> When I use the following divisi, I get the error message: "(De)crescendo
> with
> unspecified starting volume in MIDI." A \f is set a couple of bars before
> the
> divisi bar.
>
> <<
> {r8\< c'4-.\> c8-.\!}
> \\
> {g4-. c,-.}
>>>
>
> How do I overcome this? Thanks
>
>
"Mark Stephen Mrotek" writes:
> Marco,
>
>
>
> To make the staves line up, place a “dummy” acciaccatura, in the “other”
> voice.
>
> It would be \acciaccatura s32.
From the manual:
Please make sure that you use the ‘\grace’ command for the spacer
part, even
When I use the following divisi, I get the error message: "(De)crescendo with
unspecified starting volume in MIDI." A \f is set a couple of bars before the
divisi bar.
<<
{r8\< c'4-.\> c8-.\!}
\\
{g4-. c,-.}
>>
How do I overcome this? Thanks
Hello All,
I need to create a metric modulation tempo indicationwhere the quarter note of
a septuplet equals an eighth note in the next measure where the new tempo (in
parentheses) is 4 = 63.
I'm not sure how to add the bracket for the septuplet quarter note, and also
put the new tempo in
>
> Is it possible to force Lilypond into using strictly "relative"
>> accidentals?
>>
>> What I mean by this: A raised 4th in d-major (g-sharp) gets a sharp sign.
>> A raised 4th in f-major (b-natural) gets a natural sign. I want this to get
>> a sharp sign as well; I even want "beses" to be
Hi Brian,
> I need to create a metric modulation tempo indication
> where the quarter note of a septuplet equals an eighth note in the next
> measure where the new tempo (in parentheses) is 4 = 63.
> I'm not sure how to add the bracket for the septuplet quarter note, and also
> put the new
Hi list,
If I have a note and a curve like this:
b8-\tweak control-points #'((0.5 . 4) (1 . 6) (2 . 6) (2.5 . 4)) ( <> )
How can I make the curve into a macro, so that I can write "b8 \curve"
or "\curve b8"?
--
Fear is the path to the dark side.
Fear leads to anger,
Anger leads
Thank you very much
Il giorno ven 15 set 2017 alle ore 15:09 Mark Stephen Mrotek <
carsonm...@ca.rr.com> ha scritto:
> David,
>
> Thanks for the clarification.
>
> Mark
>
> -Original Message-
> From: David Kastrup [mailto:d...@gnu.org]
> Sent: Thursday, September 14, 2017 11:58 PM
> To:
On 9/15/2017 4:45 PM, Brian kozaczek wrote:
Hello All,
I need to create a metric modulation tempo indication
where the quarter note of a septuplet equals an eighth note in the
next measure where the new tempo (in parentheses) is 4 = 63.
I'm not sure how to add the bracket for the septuplet
Hi,
> If I have a note and a curve like this:
> b8-\tweak control-points #'((0.5 . 4) (1 . 6) (2 . 6) (2.5 . 4)) ( <> )
> How can I make the curve into a macro, so that I can write "b8 \curve"
> or "\curve b8"?
\version "2.19.65"
curve = -\tweak control-points #'((0.5 . 4) (1 . 6) (2 . 6) (2.5
Hi Kieren,
Thanks for the reply. It works. One thing about this implementation
is I'll need to remember to close the slur, while logically the
closing should also be part of the macro. I'm quite puzzled by the
fact that the closing cannot be in the macro…
But anyway, if this is a limitation
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