Re: Looking for advice on "looping" through all keys

Patrick Smith writes: > 2-week-old LilyPond newbie here. > > I've completed my first transcription of J. S. Bach Contrapuntus I for > brass quartet and I must say that LilyPond is totally amazing! > > I'm now working on creating a Book of Basic Routines for the brass

Re: Strange behaviour

Hi, Don - On Mon, Nov 13, 2017 at 1:58 AM, Don Gingrich wrote: > What I want is to effectively have two voices in the second bar -- The > first time through fits the d4 r4 r4 e8 e tune and the second uses d4 ( > a8) a4 d4 e8 e > > I'm copying a sheet that used

Re: midi volume single note

Changes in the MIDI volume take place only on starting a note, so crescendi and decrescendi cannot affect the volume of a single note. http://lilypond.org/doc/v2.18/Documentation/notation/creating-midi-files.html Regards Am 13.11.2017 um 08:38 schrieb Gianmaria Lari: > > \version "2.19.80" >

Re: Strange behaviour

On 11/13/2017 1:58 AM, Don Gingrich wrote: What I want is to effectively have two voices  in the second bar -- The first time through fits the d4 r4 r4 e8 e tune and the second uses d4 ( a8) a4 d4 e8 e melody = \relative c' {   \clef treble   \key d \major   \time 2/2   \repeat volta 2 {   

Re: Increasing spacing between staves

On Sun, 2017-11-12 at 10:20 -0700, Michael Rivers wrote: > When I run into this problem, I just print an invisible note > somewhere that forces more space between the staves. I believe I read > about that solution somewhere on this forum years ago. Thanks; that sounds an excellent idea. It's one

Re: midi volume single note

On 13 November 2017 at 11:21, Caagr98 wrote: > You can change `Voice.midiExpression` (0≤x≤1) in the middle of a note, > which changes dynamics/volume. I don't know whether you can do that to one > specific note without affecting other simultaneous ones, but you can just >

Re: midi volume single note

You can change `Voice.midiExpression` (0≤x≤1) in the middle of a note, which changes dynamics/volume. I don't know whether you can do that to one specific note without affecting other simultaneous ones, but you can just create a new voice for that. On 11/13/17 11:16, Gianmaria Lari wrote: > >

Re: midi volume single note

On 13 November 2017 at 10:57, bb wrote: > Changes in the MIDI volume take place only on starting a note, so > crescendi and decrescendi cannot affect the volume of a single note. > http://lilypond.org/doc/v2.18/Documentation/notation/ > creating-midi-files.html > >

Re: Increasing spacing between staves

Michael Rivers wrote > When I run into this problem, I just print an invisible note somewhere > that > forces more space between the staves. I believe I read about that solution > somewhere on this forum years ago. Hi Michael, I never even thought of that idea, actually that sounds pretty handy

Re: Looking for advice on "looping" through all keys

Hello Patrick, This is done by generating LP code outside of LilyPond itself with a bash script, may it be useful to you? http://lilypondblog.org/2013/09/automatic-generation-of-scales-in-various-modes-for-all-21-pitches/

Looking for advice on "looping" through all keys

2-week-old LilyPond newbie here. I've completed my first transcription of J. S. Bach Contrapuntus I for brass quartet and I must say that LilyPond is totally amazing! I'm now working on creating a Book of Basic Routines for the brass quartet. I'd like to have each scale routine printed in all

Re: "Guide notes"

On Tue 07 Nov 2017 at 18:02:09 (+0100), Malte Meyn wrote: > > > Am 07.11.2017 um 16:45 schrieb David Wright: > >Thanks for the replies. I did try specifying a chord, but the > >"pitch" parameter won't take it. > > That’s because I didn’t know that you wanted chords … Of course it’s > possible

Re: Increasing spacing between staves

Hi all, > Rather than inserting invisible music, I usually add the following as a > markup somewhere > ^\markup { \null \vspace #N } > and then adjust increase N to taste. Works very reliably for me. This (adjustment of vertical and horizontal spacing) is one of the areas where the

Re: double time signature problem

On Mon 13 Nov 2017 at 17:32:09 (+0100), David Kastrup wrote: > David Wright writes: > > > BTW does the German used here sound as archaic as Coverdale's > > translation (Lift up your heads, O ye gates, and be ye lift up, > > ye everlasting doors, and the King of glory

Re: How can I omit time signature from the very first measure, but then add it at the second one?

Thank you very much! It worked. :) -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Strange behaviour

Seems what you are looking for is here: http://lilypond.org/doc/v2.19/Documentation/notation/stanzas#stanzas-with-different-rhythms Where exactly is the documentation unclear about using multiple voices? This works for me: <<   \relative c' \new Voice = "vone" {     d2 d4 d     <<   \new

double time signature problem

Hi, list members, I try to typeset an old choral work with hemiolic measures. That leads me to a 3/4 Mesure sometimes changed to a 3/2 measure without special indication and immediately back again. So I wanted to follow a printed example with two time signatures at the beginning of the first

Re: Strange behaviour

David Wright writes: > On Mon 13 Nov 2017 at 07:13:10 (-0500), Ben wrote: >> On 11/13/2017 1:58 AM, Don Gingrich wrote: >> >What I want is to effectively have two voices  in the second bar -- The >> >first time through fits the d4 r4 r4 e8 e tune and the second uses d4

Re: Fw: midi volume single note

"m.tarensk...@zonnet.nl" writes: > Verzonden vanaf mijn Huawei mobiele telefoon > > Oorspronkelijk bericht > Onderwerp: Re: midi volume single note > Van: m.tarensk...@zonnet.nl > Aan: Caagr98 > Cc: > > In MIDI "volume" affects all notes on the same

Re: Strange behaviour

Seems what you are looking for is here: http://lilypond.org/doc/v2.19/Documentation/notation/stanzas#stanzas-with-different-rhythms Where exactly is the documentation unclear about using multiple voices? This works for me: <<   \relative c' \new Voice = "vone" {     d2 d4 d     <<   \new

Re: Strange behaviour

On Mon 13 Nov 2017 at 07:13:10 (-0500), Ben wrote: > On 11/13/2017 1:58 AM, Don Gingrich wrote: > >What I want is to effectively have two voices  in the second bar -- The > >first time through fits the d4 r4 r4 e8 e tune and the second uses d4 ( > >a8) a4 d4 e8 e > > > >melody = \relative c' { > >

Re: double time signature problem

On Mon 13 Nov 2017 at 10:55:06 (+0100), Werner Arnhold wrote: > Hi, list members, > > I try to typeset an old choral work with hemiolic measures. That leads > me to a 3/4 Mesure sometimes changed to a 3/2 measure without special > indication and immediately back again. So I wanted to follow a

Re: double time signature problem

On Mon, 13 Nov 2017 at 16:33 David Kastrup wrote: > David Wright writes: > > > BTW does the German used here sound as archaic as Coverdale's > > translation (Lift up your heads, O ye gates, and be ye lift up, > > ye everlasting doors, and the King of

Re: double time signature problem

Another point, dwelling on the lyrics… On Mon 13 Nov 2017 at 10:55:06 (+0100), Werner Arnhold wrote: > The first attached file shows the state of the complete Work, see the > hemiolic measure at measure 5. > The minmal example ly-file shows the first 9 measures without text. When you add the

Re: Increasing spacing between staves

Michael, et al, On Mon, Nov 13, 2017 at 4:40 AM, SoundsFromSound wrote: > Michael Rivers wrote > > When I run into this problem, I just print an invisible note somewhere > > that > > forces more space between the staves. I believe I read about that > solution > >

Re: Increasing spacing between staves

tisimst wrote > Rather than inserting invisible music, I usually add the following as a > markup somewhere > > ^\markup { \null \vspace #N } > > and then adjust increase N to taste. Works very reliably for me. > > HTH, > Abraham Wow. This is so awesome, it works beautifully! Thank you Abraham!

Re: double time signature problem

You should try something like this, changing the TimeSignature stencil to a custom markup: --- {   \override Staff.TimeSignature.stencil = #(lambda (grob) (grob-interpret-markup grob #{ \markup {     \override #'(baseline-skip . 0)     \number \line {   \column { 3 4 }   \column { 3

Re: double time signature problem

David Wright writes: > BTW does the German used here sound as archaic as Coverdale's > translation (Lift up your heads, O ye gates, and be ye lift up, > ye everlasting doors, and the King of glory shall come in) Uh, The Messiah _was_ composed and performed in English.

Re: Scheme Help

Thanks, this looks very helpful. Yes, I want any note at line-begin to be visible, but if the note is a breve and not at line-begin I want to check whether there is a breath mark immediately before it, or whether the note immediately before it is not a breve, in which case the current breve needs

Re: double time signature problem

Am 13.11.2017 um 16:16 schrieb David Wright: On Mon 13 Nov 2017 at 10:55:06 (+0100), Werner Arnhold wrote: Hi, list members, I try to typeset an old choral work with hemiolic measures. That leads me to a 3/4 Mesure sometimes changed to a 3/2 measure without special indication and immediately

Re: midi volume single note

I was thinking of something like this: << { c'1 } { s8 \set Voice.midiExpression=#0.5 s2.. Voice.midiExpression=#1 } >> c'1 That is, simultaneously: a) play a note, b) wait a short while, reduce volume, wait until rest of the note is finished (2.. is 7/8 of a measure), then reset to

Fw: midi volume single note

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Re: Fw: midi volume single note

Note-off velocity you may forget, this is rarely used or supported in the MIDI world. Well, it is used and supported on my Roland FR-1b Midi accordion. The faster you let go of a button, the more of a "plop" it will produce. Actually, I think it is fairly important for getting a

How can I omit time signature from the very first measure, but then add it at the second one?

Trying to write a piece where the very first bar is completely devoid of any time signature indicators. Under the hood it's okay if the measure is a 4/4, I just don't want that to be visible on the PDF. The reason is, one of the musicians in the group will play an unmetered, improvised intro that

Re: How can I omit time signature from the very first measure, but then add it at the second one?

Vinny writes: > Trying to write a piece where the very first bar is completely devoid of any > time signature indicators. Under the hood it's okay if the measure is a 4/4, > I just don't want that to be visible on the PDF. The reason is, one of the > musicians in the