Bert,
Can't you just change the text in font.scm so that each font named
cm is instead named aex? Granted, this would eliminate all
use of cm fonts, but it seems to me that that's what you want for this
project.
Alternatively, it seems you could add a whole series of fonts in a
scheme
Here's an example of one way to do it. I used the manual repeat syntax
at
http://lilypond.org/doc/v2.2/Documentation/user/out-www/lilypond/Manual-
repeat-commands.html#Manual%20repeat%20commands
The partial measure syntax described at
I tried to duplicate your problem to see if I could find what was wrong,
but your lilypond files aren't there.
Perhaps you could post a link to a .tar or .zip file that included all
the lilypond files?
Carl Sorensen
___
lilypond-user mailing list
You have a syntax error, which is easily remedied.
Instead of c-5, you change to c_5 to force the markup below and c^5 to
force it above.
You never use c_-5.
Carl
Carl D. Sorensen
Department of Mechanical Engineering
Brigham Young University
435 CTB
Provo, UT 84602
801-422-6397FAX 801-422
On 2/20/09 3:40 PM, RandomLilyPondUser eupho...@gmail.com wrote:
I've already taken a look at that page - many times. I have the same
proportional code in my attachment (under score), have tried putting it
under many different headings, but it doesn't fix the spacing issue. Maybe
you
On 2/20/09 5:23 PM, RandomLilyPondUser eupho...@gmail.com wrote:
Sure, that works for a new project, but what about in the context of my drum
project I've attached a couple posts back?
I looked into your project, but the project was complex enough that I didn't
want to spend the time
On 2/21/09 7:15 PM, aliteralmind aliteralmind-lilyp...@yahoo.com wrote:
Here's an image of what I keep getting:
http://jeffyepstein.com/tmp/staves_bad.gif
I'm trying to get the clap staff above the voice staff. Can someone
please help me understand how to control the ordering of
Frederic,
I have made some comments in your message below. Thanks for taking on this
project.
This type of proposal probably should go to lilypond-devel, rather than
-user, so I'm cross-posting to -devel.
On 2/22/09 1:25 AM, Frédéric Bron frederic.b...@m4x.org wrote:
Hello,
I am in
On 2/24/09 2:46 AM, Trevor Daniels t.dani...@treda.co.uk wrote:
Carl, you wrote Tuesday, February 24, 2009 1:43 AM
On 2/23/09 12:52 PM, Maarten Deen md...@xs4all.nl wrote:
I have a piece of music in 3/4 which has bars like { d4. c8 b8.
a16 }
Lilypond groups the last three notes
On 2/24/09 5:09 PM, Chip c...@wiegand.org wrote:
trpta = {
\partial 8*1 e8-. |
e4 d8 c4 d8 |
e4 e8-. r r e |
e4 d8 c4 d8 |
e4 e8 r r fs |
g4 fs8 g4 e8 |
d2 d8 e |
\times 2/3 {f4 fs b} |
The measure above here is a 6/8 measure (f4 fs b), but you've multiplied it
by 2/3, so it's only
On 2/25/09 4:29 PM, Glen Hein glenh...@gmail.com wrote:
Ah ha!! The trick to getting the lilybook images to discard the whitespace
is to set the tagline to in the header. I fixed the rendering on my test
page. My next hurdle is to get scores with multiple output pages to work.
One
On 2/26/09 3:32 AM, Reinhold Kainhofer reinh...@kainhofer.com wrote:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
On Donnerstag, 26. Februar 2009 10:58:19 Mats Bengtsson wrote:
The obvious follow-up question is, why you get the additional number
even when the file name would
be unique
On 3/1/09 8:41 AM, Huub Stoffers huub.stoff...@gmail.com wrote:
Hello,
I'm fairly new to Lilypond, but I think I've studied the documentation
fairly well, particularly those parts related to the topic addressed below.
After experimenting with various ways of adding chord names and
fret
On 3/9/09 9:50 PM, Chip c...@wiegand.org wrote:
\book { \score { \new Staff = trumpeta \with { \remove
Instrument_name_engraver } \trumpeta \header {piece=Trumpet 1} \layout {
indent = 0\mm} } }
Why do you use around a single staff? I don't know that it's giving
you any problems, but
Tomas,
You were very close. You were just missing a pair of brackets, which I've
indicated below.
On 3/14/09 10:10 AM, Tomas Valusek tvalu...@seznam.cz wrote:
Hello,
thanks for answer. I tried my best, but I don't understand what's wrong.
I have slightly modified last example in NR
On 3/15/09 9:44 AM, tao_lilypondu...@gmx.net tao_lilypondu...@gmx.net
wrote:
Hi lists,
I am trying to get glyphs from the emmentaler font as it is explained in the
manual by the functions ly:system-font-load and ly:font-get-glyph.
So far it seems to work to access the glyphs and checking
On 3/15/09 7:39 PM, Allan Spagnol Comar allan.co...@gmail.com wrote:
I had made the barre parts of the following script and post it on
lilypond wiki for guitar barres. It had worked fine from lilypond 2.6
to 2.10, last week I had try to use it on 2.12 and it did not print
nothing.
Three
On 3/16/09 11:52 AM, James E. Bailey derhindem...@googlemail.com wrote:
On 16.03.2009, at 16:43, Graham Percival wrote:
c) Can we just make the change so that more people aren't confused by
the issue. (I've answered another question related to this in the
last
week)
Yes, please
On 3/17/09 6:37 PM, Ari Torhamo ari.torh...@gmail.com wrote:
Hello,
I have been wrestling with a problem for a while. I'm using these two
lines
\override Voice.NoteHead #'transparent = ##t
\override Voice.Stem #'transparent = ##t
to make certain note heads and stems
On 3/18/09 4:17 PM, Alberto Simões al...@alfarrabio.di.uminho.pt wrote:
Hello
While the documentation explains that these vars need to be changed in
order to produce croll-staff stems:
% stems may overlap the other staff
\override Stem #'cross-staff = ##t
%
On 3/19/09 5:13 AM, Mats Bengtsson mats.bengts...@ee.kth.se wrote:
Trevor Daniels wrote:
Unfortunately, this will also subdivide 16th beams too. This is what
I meant by not quite possible. You would need to turn
subdivideBeams on and off as required.
Should we turn this into feature
On 3/19/09 8:34 AM, Mats Bengtsson mats.bengts...@ee.kth.se wrote:
Carl D. Sorensen wrote:
On 3/19/09 5:13 AM, Mats Bengtsson mats.bengts...@ee.kth.se wrote:
Should we turn this into feature request to make the automatic
subdivision of beams even more flexible, with separate rules
On 3/19/09 7:53 AM, Graham Percival gra...@percival-music.ca wrote:
On Wed, Mar 18, 2009 at 10:03:42PM -0700, Mark Polesky wrote:
I have! At one point I was frustrated by this very issue
and went through my score library with a ruler. Valentin
mentioned precise measurements, but to my
On 3/21/09 1:34 AM, Mark Polesky markpole...@yahoo.com wrote:
\version 2.12.2
%{
How can I change the following code so that
it returns 2 0.25 0.? That is: return
integers without decimal point, otherwise
round to as many decimal places as needed,
but not more than 4.
%}
On 3/21/09 1:48 PM, Marc Hohl m...@hohlart.de wrote:
[Sorry, the attached eps was too big; I converted it to png]
I have a wishlist of features for the tablature and guitar _notation_
feature request.
I don't know how far the work on the features has gone, so I post to the
list:
(1)
On 3/21/09 4:12 PM, Grammostola Rosea rosea.grammost...@gmail.com wrote:
Thanks.
Doing it your way, you get predefined fret diagrams right? What if you
want to have customized fret boards, like chords on the 9th fret etc. ?
The term predefined fret diagrams just means that the fret
On 3/21/09 5:49 PM, patrick duka patrickd...@gmail.com wrote:
Hi,
I have a set of measures that I want to repeat several times at different
times of the score.
I want to put the letter A at the beginning of this set of measures, and B at
the end,
then I want A-B to repeat at some
On 3/22/09 10:20 AM, Marc Hohl m...@hohlart.de wrote:
Carl, thanks for your answer.
You're welcome.
How about
#(define (x-tab-format str context event)
(make-whiteout-markup
(make-vcenter-markup
(markup #:musicglyph noteheads.s2cross
x =
On 3/22/09 6:26 PM, MonAmiPierrot pierofaust...@hotmail.com wrote:
Peter Chubb-6 wrote:
Peter == Peter Chubb lily-u...@chubb.wattle.id.au writes:
Peter I embed Lily in a shell script for that kind of thing (I'm
Peter running on Unix):
Thanks Peter, but it seems I
On 3/22/09 6:26 PM, MonAmiPierrot pierofaust...@hotmail.com wrote:
Thanks Peter, but it seems I didn't explain myself:
what I need is sometihng like this (the syntax is invented: I don't know
scheme] directly IN lily files:
LilyVers = [Get lilypond version: 2.10 or 2.12]
IF LilyVers =
On 3/23/09 5:02 AM, Marc Hohl m...@hohlart.de wrote:
I assume that this will happen when tablature is updated. As far as I know,
nobody is yet planning to do the work on tablature. They are only planning
to put in the requests.
I'd be happy to have a Frog (even a new Frog, like
On 3/23/09 6:25 AM, James E. Bailey derhindem...@googlemail.com wrote:
Are you using Git? then use git-format-patch to generate the patch;
otherwise, use diff -u to obtain a diff with context lines.
--
Francisco Vila. Badajoz (Spain)
The incredible carnival of Badajoz
On 3/23/09 2:59 PM, Jay Hamilton jay...@linuxquestions.net wrote:
Mr. Bailey- would like me to go and reread a section of the LM, that is all
well and good but in the Manual for 2.10 section
7.3.9.4 Printing stanzas at the end- I used the information to create the
score. The score looks
On 3/23/09 7:07 PM, Tony Willoughby to...@pobox.com wrote:
Alright, I'd like to help. But, like David, I'm pretty much flat out at
work until the summer.
I'm a software engineer and am pretty handy with C, perl, assembly,
bash, expect, sed, awk. Linux stuff in general.
It never
On 3/24/09 9:13 AM, Jan Nieuwenhuizen janneke-l...@xs4all.nl wrote:
Op dinsdag 24-03-2009 om 09:55 uur [tijdzone -0500], schreef Jonathan
Kulp:
Check the third question/answer on this page:
http://lilypondwiki.tuxfamily.org/index.php?title=FAQ
Why do we have to send a mail to point
,
Carl
Trevor
- Original Message -
From: Carl D. Sorensen c_soren...@byu.edu
To: Jan Nieuwenhuizen janneke-l...@xs4all.nl; Jonathan Kulp
jonlancek...@gmail.com
Cc: Jeb maestro...@comcast.net; lilypond-user@gnu.org
Sent: Tuesday, March 24, 2009 6:53 PM
Subject: Re: How do you run
On 3/24/09 1:44 PM, Jan Nieuwenhuizen janneke-l...@xs4all.nl wrote:
Op dinsdag 24-03-2009 om 13:32 uur [tijdzone -0600], schreef Carl D.
Sorensen:
If Jan could point me in the right direction, I'd be happy to try a fix
myself; otherwise, I'll have to defer to somebody with more knowledge
as the website is rebuilt.
Thanks,
Carl
Trevor
- Original Message -
From: Carl D. Sorensen c_soren...@byu.edu
To: Jan Nieuwenhuizen janneke-l...@xs4all.nl; Jonathan Kulp
jonlancek...@gmail.com
Cc: Jeb maestro...@comcast.net; lilypond-user@gnu.org
Sent: Tuesday, March 24, 2009 6:53 PM
On 3/25/09 12:12 AM, James E. Bailey derhindem...@googlemail.com wrote:
Am 25.03.2009 um 02:26 schrieb Frederick Dennis:
Dear All,
In the following extract from The Preces and Responses
by John Reading (d. 1692), the tenorTwoSnippet lyric to
has an over-long extender. Adding skips
On 3/25/09 12:07 PM, Chris Snyder csny...@adoromusicpub.com wrote:
Carl D. Sorensen wrote:
Can you give a bit more context? After paring down to just this, I'm having
a
little difficulty understand how this problem arises in the actual music.
The
extender is so long because there's
On 3/27/09 4:56 AM, Hajo Dezelski dl1...@googlemail.com wrote:
I was afraid of that - back to square one -
In the early 90s I had a quarrel with my former boss who wanted to
force me to TeX and later LaTex and I, working on a Mac, was a vivid
Wysiwyg advocator. I won.
Now - I have yet
On 3/27/09 7:24 AM, Jan Nieuwenhuizen janneke-l...@xs4all.nl wrote:
Op donderdag 26-03-2009 om 21:06 uur [tijdzone +0800], schreef Graham
Percival:
GIT from git.sv.gnu.org
git clone git://git.sv.gnu.org/lilypond.git
This does not set up easy pulling or pushing in the future, and
On 3/30/09 5:07 AM, Ossie Wilson Snr os...@exemail.com.au wrote:
Good evening David and Francisco
I tried the snippet in my Ly file but there was no change to the pdf file
output. There were no errors flagged in the Log file just a record of
straight-forward processing.
I then
On 3/30/09 5:07 AM, Ossie Wilson Snr os...@exemail.com.au wrote:
Ossie,
The snippet in question appears to be broken. I'll try to get you a fixed
version in a day or two.
Thanks,
Carl
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lilypond-user@gnu.org
On 3/30/09 4:58 PM, Ossie Wilson Snr os...@exemail.com.au wrote:
And yes, Win98 users are stuck at 2.8.
I do have computers with much faster chips and later versions, but I am still
waiting for a stable version to appear. I thought it would be 2.12 but now
there is talk of 2.14 in the
On 3/31/09 2:46 PM, Grammostola Rosea rosea.grammost...@gmail.com wrote:
Grammostola Rosea wrote:
Marc Hohl wrote:
Grammostola Rosea schrieb:
Btw it's time to make tablature with invisible Ties, Slurs, Dots,
Stems etc. default imo.
I don't know whether this should be the default,
On 4/1/09 1:09 AM, Marc Hohl m...@hohlart.de wrote:
Carl D. Sorensen schrieb:
Would it be easier to define two separate staff commands? In my files, I
define
noten = \relative c { c d e f }
and feed this into a Staff AND a TabStaff. So, why not create a compound
Staff (called
On 4/2/09 1:14 AM, Marc Hohl m...@hohlart.de wrote:
Oh, absolutely. But it's not necessary to add everything all at once.
While we're in a development cycle (2.13), we can add features a little bit
at a time, and hopefully be close to done by the time we release 2.14.
Just curious:
Martin Tarenskeen writes:
Questions:
1. How can I change the default MIDI velocity from 127 to a more modest
value, without adding dynamic marks in the printable score ?
How about this:
music = \relative c' {
c' d e f
}
\score {
\music
\layout{}
}
\score {
\new Score {
On 4/4/09 4:21 PM, Neil Puttock n.putt...@gmail.com wrote:
2009/4/3 Carl D. Sorensen c_soren...@byu.edu:
Anybody willing to take this on as a patch? It shouldn't be too hard, but I
imagine it'll take some time grepping through the source files.
If we agree that it's just a case
On 4/5/09 10:01 AM, Wei-Wei Guo wwgu...@gmail.com wrote:
Dear all,
I'm writing a extension for Sphinx, with which I can write music learning
notes.
I need to show those clifs, keys, notes, and so on with out staff and other
things.
I'm not sure exactly what you want to show. You say
On 4/5/09 2:42 PM, Mats Bengtsson mats.bengts...@ee.kth.se wrote:
Carl D. Sorensen wrote:
Yes, it's probably a good idea. In scm/midi.scm, there is the following:
;; 90 == 90/127 == 0.71 is supposed to be the default value
;; urg: we should set this at start of track
(define-public
#(load myfile.scm)
HTH,
Carl
On 4/5/09 5:19 PM, Mark Polesky markpole...@yahoo.com wrote:
How do I include a scheme file from within a .ly file?
I see the source uses (define-module) and (use-modules).
I looked at the guile docs, but I couldn't figure it out.
Thanks
- Mark
On 4/5/09 4:59 PM, Valentin Villenave v.villen...@gmail.com wrote:
2009/4/5 Han-Wen Nienhuys hanw...@gmail.com:
Please come up with something different. I think the idea to
use (for example) as a place holder is much more sane.
As I suggested, if we forbid such standalone durations
On 4/9/09 4:23 AM, Simon Bailey bina...@gmail.com wrote:
here's the new patch-set. i'm sorry, but i can't work out how to get
git to give me one single patch for the three commits i made locally
since checking out.
Simon,
The way to get a single patch from multiple commits is to use
On 4/9/09 8:09 AM, Graham Percival gra...@percival-music.ca wrote:
On Thu, Apr 09, 2009 at 03:37:39PM +0200, Simon Bailey wrote:
carl,
On 9 Apr 2009, at 15:27, Carl D. Sorensen wrote:
The way to get a single patch from multiple commits is to use git
rebase.
git rebase -i origin
On 4/10/09 9:28 AM, Chip c...@wiegand.org wrote:
I have two trombone parts written in concert key - F Maj - and just
realized that the notes are one step too high. I don't recall how to
transpose a part without changing the key signature. If I recall
correctly it involved two /transposes,
On 4/10/09 5:54 PM, Reinhold Kainhofer reinh...@kainhofer.com wrote:
On Sonntag, 22. Februar 2009 09:25:57 Frédéric Bron wrote:
I am in charge of the question of (de)crescendo syntax issue in 2.12.2.
Okay, sorry if I'm working on the same issue as you now, but I simply got too
frustrated
On 4/11/09 9:27 AM, Gerard Neil xy...@devferret.org wrote:
So I've got two questions:
1. Can someone help me write a macro/function to make this simpler? It
would be nice to be able to write something like a^\multiFinger { 2 3
}, for example. I'm sure this is possible, but I've spent a
On 4/13/09 10:02 AM, Mark Polesky markpole...@yahoo.com wrote:
Kieren MacMillan wrote:
I now see that dashed slurs are simply dashed
lines (of invariant
thickness) which curve along
the path that a slur would take between
two notes.
What is standard engraving practice when it comes
On 4/15/09 10:51 AM, Miklos Vajna vmik...@frugalware.org wrote:
Hi,
Here is a sample:
\version 2.12.1
\score {
\chords {
e1:sus4 g e:m b:m
}
\relative c'
{
e8.
^\markup
Dear LilyPond users,
I've posted a patch for approval that implements variable thickness dashed
and part-dashed, part-solid slurs. I hope it will be fully implemented in
2.13.1.
As a preview, here's some slurs that were output by the new code.
Please let me know if these are acceptable, or if
, not the half half?
Carl D. Sorensen wrote:
Dear LilyPond users,
I've posted a patch for approval that implements variable thickness dashed
and part-dashed, part-solid slurs. I hope it will be fully implemented in
2.13.1.
As a preview, here's some slurs that were output by the new code
On 4/17/09 11:46 AM, Diosnel Herrnsdorf herrnsd...@gmail.com wrote:
Howdy!
I'm working on a piece that calls for a custom text span (v2.12.1). After
setting up the following (I'm copying from the online manual):
\override TextSpanner #'(bound-details left text) = #slargandosi poco a
On 4/18/09 9:22 AM, Marc Hohl m...@hohlart.de wrote:
Carl D. Sorensen schrieb:
People who care strongly about tablature (of which I am *not* one) should be
the people who make the decision about what the default should be. In fact,
I don't think there's anybody on the core development
On 4/19/09 1:16 AM, Graham Percival gra...@percival-music.ca wrote:
On Fri, Apr 17, 2009 at 07:31:26AM -0600, Carl D. Sorensen wrote:
I think it's been a great learning process for everybody involved,
but I personally would work on either personal stuff (I want it!),
popular-requested
On 4/17/09 11:02 AM, Reinhold Kainhofer reinh...@kainhofer.com wrote:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Freitag, 17. April 2009 schrieb Frédéric Bron:
Hmm, no you are right. It seems that when using a music-function, the scheme
expression is:
(make-music
On 4/20/09 3:11 PM, Reinhold Kainhofer reinh...@kainhofer.com wrote:
Is there any way to position a dynamic sign at an explicit staff-relative (not
note-relative) vertical position?
Here's a hack that uses staff-padding together with a change in the Y-extent
that makes it work.
However,
On 4/20/09 4:32 PM, Neil Puttock n.putt...@gmail.com wrote:
2009/4/20 Reinhold Kainhofer reinh...@kainhofer.com:
Is there any way to position a dynamic sign at an explicit staff-relative
(not
note-relative) vertical position?
Since the dynamic's X-parent is the notehead, you can
On 4/22/09 5:09 AM, Shayne Picard shay...@gmail.com wrote:
How can I play a file in midi?
See Notation Reference Section 3.5 in the LilyPond documentation.
Thanks,
Carl
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On 4/22/09 9:13 AM, Mischa Falkenburg
because_producti...@myfairpoint.net wrote:
Hello All,
I'm using version 2.12.1, and my piece utilizes a GrandStaff with 6 Staffs.
The .pdf file generated shows all the pages, except for the final page,
with a big space between two GrandStaffs.
I
On 4/23/09 9:31 AM, Graham Percival gra...@percival-music.ca wrote:
On Thu, Apr 23, 2009 at 09:56:05AM -0500, Jonathan Kulp wrote:
Graham Percival wrote:
I will admit that outputting the version number appears in the
Text list, rather than the titles. In fact, both snippets should
On 4/23/09 12:04 PM, Jonathan Kulp jonlancek...@gmail.com wrote:
Graham Percival wrote:
On Thu, Apr 23, 2009 at 10:31:22AM -0600, Carl D. Sorensen wrote:
And we really (IMO) need to be doing it as part of moving to a 2.12 LSR.
We should also be evaluating:
A) Does it run in 2.12?
B
On 4/24/09 1:51 PM, Toine Schreurs a.m.m.schre...@chem.uu.nl wrote:
1. You would need (the nonexisting) RemoveEmptyDrumStaffContext. But
inspection of engraver-init.ly points to the solution:
SNIP
Toine,
Thanks for a great, clear answer. You're making a great contribution to
LilyPond by
On 4/24/09 4:22 PM, Peter Chubb lily.u...@chubb.wattle.id.au wrote:
I'd really appreciate an appendix or something that gives Lily syntax
as BNF, or as a syntax diagram. The syntax is very complex, and I've
been caught out a number of times by things not being as I expected
them to be
On 4/25/09 9:37 AM, Neil Puttock n.putt...@gmail.com wrote:
2009/4/23 Jonathan Kulp jonlancek...@gmail.com:
Graham Percival wrote:
1. Log in to LSR as an editor. (I remember the discussion now;
this isn't your fault)
2. Find the tags section for each snippet.
3. Click on the
On 4/25/09 1:31 PM, Neil Puttock n.putt...@gmail.com wrote:
Perhaps the point I was trying to make got lost in my slightly
facetious reply: if we're talking about LSR snippets which are in the
docs, the LSR editor must be mindful of the fact that editing such
examples in LSR may have no
On 4/25/09 12:52 PM, Pekka Siponen pekka.sipo...@bastu.net wrote:
Here are some thoughts about the default chords in LilyPond:
1. The suffixes should not be scaled (see attachment). The weight of the
smaller character gets too light if it is simply scaled down from the
original font.
Looks great, Marc! *Very* nicely done.
On 4/25/09 4:06 AM, Marc Hohl m...@hohlart.de wrote:
Hello tablature users*,
SNIP
3) some more tunings are defined:
guitar-seven-string-tuning
guitar-drop-d-tuning
bass-four-string-tuning
bass-drop-d-tuning
On 4/25/09 2:36 PM, Pekka Siponen pekka.sipo...@bastu.net wrote:
Indeed it (suffix position) is a personal preference, and not correct
most likely. I find that there is no standard for chord names, they have
been around only for a short time historically, and mostly everything is
based on
On 4/25/09 3:38 PM, -Eluze elu...@gmail.com wrote:
Carl D. Sorensen wrote:
You use the Internals Reference. You find the object you want engraved
under 3.1 All layout objects: 3.1.111 TextSpanner.
The IR tells you that TextSpanners are created by Dynamic_engraver
On 4/25/09 5:38 PM, Nick Payne nick.pa...@internode.on.net wrote:
I'm putting together a book of pieces, and using a particular font for
headers, footers, titles, subtitles, etc. The one place where I haven't
figured out how to get that font used is for the header text for the table
of
On 4/25/09 5:38 PM, Nick Payne nick.pa...@internode.on.net wrote:
I'm putting together a book of pieces, and using a particular font for
headers, footers, titles, subtitles, etc. The one place where I haven't
figured out how to get that font used is for the header text for the table
of
Neil,
Thanks for your input. I think it's all really good.
On 4/26/09 1:49 PM, Neil Puttock n.putt...@gmail.com wrote:
2009/4/25 Marc Hohl m...@hohlart.de:
Hello tablature users*,
Like Carl, I'm not a tablature user, so I can only comment on matters of
coding.
Some suggestions and
On 4/27/09 3:38 AM, Marc Hohl m...@hohlart.de wrote:
Neil Puttock schrieb:
2009/4/25 Marc Hohl m...@hohlart.de:
(font-size (- (* num-strings 1.5) 7))
(base-skip (cond ((= 4 num-strings) 1.55)
((= 5 num-strings) 1.84)
On 4/27/09 12:47 PM, Marc Hohl m...@hohlart.de wrote:
Carl D. Sorensen schrieb:
On 4/27/09 3:38 AM, Marc Hohl m...@hohlart.de wrote:
No, I didn't get this mail. I played around with your suggestions and the
improvements given by Neil and have now:
#(define-markup-command
On 4/28/09 4:42 PM, Jonathan Kulp jonlancek...@gmail.com wrote:
Carl D. Sorensen wrote:
Thanks for the offer, Chip. I've just finished a preliminary run
through all of the snippets. I downloaded the tarball of the entire
repo and ran them through the convert-ly script, then did
On 4/29/09 3:12 AM, Marc Hohl m...@hohlart.de wrote:
Neil Puttock schrieb:
2009/4/27 Carl D. Sorensen c_soren...@byu.edu:
Neil,
Thanks for your input. I think it's all really good.
On 4/26/09 1:49 PM, Neil Puttock n.putt...@gmail.com wrote:
2009/4/25 Marc Hohl m
On 4/30/09 1:36 AM, Marc Hohl m...@hohlart.de wrote:
[snip]
I have reworked my tablature.ly according to all suggestions and
improvements by Neil and Carl.
The modern tab clef seems to be scaling properly, I played a bit with
some values for staff-space,
and it looks now as it should
Christian,
This kind of question is better asked on lilypond-user.
Thanks,
Carel
On 4/30/09 12:57 PM, grisu_76 christian.hum...@univie.ac.at wrote:
As for I get some helpful hints for solving the spacing-problem in
pickup-bars starting with a grace note, now I struggle with the
On 5/2/09 5:50 AM, Daniel Hulme s...@istic.org wrote:
On Wed, Apr 29, 2009 at 09:54:09PM +0800, Graham Percival wrote:
Is it worth defining our own function
replaceOnly(\\octave, ...)
which does
re.sub(\\octave[?a-z,A-Z], ...)
or whatever the regex was?
\\octave\b would work fine.
Jonathan,
On 5/2/09 2:23 PM, Jonathan Townes edmundtow...@gmail.com wrote:
Hello all,
Does anyone have suggestions for tweaking the position of accidental in
chord names. For example, the flat sign in in the chord name Ab? I
find in the default Lilypond setting the flat symbol is too big
On 5/5/09 9:03 PM, Victor Eijkhout vic...@eijkhout.net wrote:
This looks really bad:
harpchords = \relative c' { \time 15/8
s2^C s2^G/B s2^Am s4. | s2^Cmaj7/B s2^Em/G s2^F s4. |
s2^G s2^F/A s2^G/B s4. | s2^Dm/A s2^Dm/F s2 s4. |
\repeat volta 2 {
s2^C s2^G/B s2^Am
On 5/12/09 4:44 AM, Tim Rowe digi...@gmail.com wrote:
Now on to my next exercise -- working out how to print capo chords in
parentheses after the regular chord, so I get:
(capo 3) C (A) G7 (E7)
The nearest I can find is at
On 5/12/09 10:35 AM, Stjepan Brbot stjepan.br...@zg.t-com.hr wrote:
Kieren MacMillan wrote:
Hi Stjepan,
I'd like to get the following chord D7/F#. How to define this F#
as bass in
chord? I can use d:7/fis but I get fis, not wanted F# as bass.
If you're using english.ly, you
On 5/12/09 12:41 PM, James E. Bailey derhindem...@googlemail.com wrote:
I will be the first one to admit that I don't work with chords frequently. I'm
also trying to understand them. I understand that I can enter c:7 and lilypond
will recognise that I want to display c7, and display it
On 5/12/09 1:51 PM, Tim Rowe digi...@gmail.com wrote:
I can get them all except for the last; when I try to remove the 9th
(c:m11^7^9) lilypond gets stuck :-(
If you read the notation reference carefully, you'll see that only the
*first* pitch to be removed is preceded by ^. (6 examples
On 5/14/09 8:07 AM, Tim McNamara tim...@bitstream.net wrote:
into the \chords feels clunky and intrusive to me. I'd prefer to
minimize putting formatting code in the music content as much as
possible. Being able to write something like nc1 (or r1) and have it
interpreted by LilyPond as
On 5/14/09 9:03 AM, Gilles Sadowski gil...@harfang.homelinux.org wrote:
Hi.
This solution to the N.C. problem (use r to indicate N.C.)
^^^
Will R also work?
Not right now. I will investigate to see if it is
On 5/14/09 3:24 PM, Holger Hellebro hol...@gmail.com wrote:
Hi
I'm a new Lilypond user and I'm really enjoying the program so far. However I
am having difficulties typesetting a certain trill. You can see in the
attached picture what I want to achieve. I run into two difficulties:
1.
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