I have been learning Lilypond over the past few weeks. I am entering a song
with piano that I wrote. Even though I am using the template for this I
keep getting fatal errors. It'll work for a while and then when I add more
notes I get a fatal error. I get syntax errors, barcheck errors,
Thank you for all your help! I actually got it so that there aren't any
errors popping up right now. Lyric bar check errors were happening due to
the fact that you can't put a bar check unless the lyric is on the
downbeat. I don't know why that is. But that seems to be how it works.
-Molly
If you can find it on worldcat.org you can get it through your library.
They can request from another library and have it mailed to your library.
Ask the circulation assistants about interlibrary loans.
-Molly
On Jan 30, 2014 12:01 PM, lilypond-user-requ...@gnu.org wrote:
Send lilypond-user
Hello,
I am making parts and have glockenspiel and the non-pitched percussion on
one part.
However I can't seem to get it to \RemoveEmptyStaves for the \DrumStaff.
This is what I tried.
\layout {
\context {
\Staff
\RemoveEmptyStaves
\DrumStaff
\RemoveEmptyStaves
}
}
Thanks!
Molly
Aug 2017 at 11:36:50 (-0400), Molly Preston wrote:
> > Hi again everyone,
> > I am trying the following for making 6 measures per line in the flute
> part.
> >
> > layoutContent = {
> >
> > s1 *6 \break
> > }
> >
> > \score {
> >
%m93-96
g,2.~ \ff | %m97
}
\score {
\new Staff <<
\new Voice {
\compressFullBarRests
\fluteMusic
}
\new Voice {
\layoutContent
}
>>
}
On Sun, Aug 6, 2017 at 1:52 PM, Thomas Morley <thomasmorle...@gmail.com>
wrote:
> 2017-08-06 18:27 GMT+02:00 Molly Preston <mollyprest
Hi again everyone,
I am trying the following for making 6 measures per line in the flute part.
layoutContent = {
s1 *6 \break
}
\score {
\new Staff <<
\new Voice {
\fluteMusic
}
\new Voice {
\repeat unfold 20 { \layoutContent }
}
>>
}
If i use the repeat unfold command I get
I'm unclear as to how to make more room between staves when it's in one
instrument in a part.
I tried
\layout {
\context
{ \Staff
\override VerticalAxisGroup.default-staff-staff-spacing.basic-distance = #10
}
}
However, I think this is just between two separate staves that aren't
Hello everyone.
I don't know anyone who has lilypond who can help me with writing up a
piano reduction, so I thought I would ask the list.
I have a project that is (technically) due next Monday. But I don't have
the time to mess with all the lilypond errors I'm getting from trying to
use
Hello everyone.
I don't know anyone who has lilypond who can help me with writing up a
piano reduction, so I thought I would ask the list.
I have a project that is (technically) due next Monday. But I don't have
the time to mess with all the lilypond errors I'm getting from trying to
use
are we talking about, and what texture (SATB, brass
> choir, etc)?
>
> Karen
>
>
> On Monday, May 15, 2017 5:17 PM, Molly Preston <mollypresto...@gmail.com>
> wrote:
>
>
> Hello everyone.
>
> I don't know anyone who has lilypond who can help me with writing
Scheuer wrote:
> On Thu, 15 Oct 2020 at 18:00, Molly Preston
> wrote:
> >
> > Hello. I am confused by the hierarchy of headings. I have read about it
> in the manuals and still find it confusing.
> >
> > I am trying to use \include to compile my sonata. The score
Hello. I am confused by the hierarchy of headings. I have read about it in
the manuals and still find it confusing.
I am trying to use \include to compile my sonata. The score block and
headings are in each file.
I basically just have this:
\include "Circle_mvt1.ly"
\pageBreak
\include
{
%system-system-spacing, #' basic-distance = #25
systems-per-page = 6
print-all-headers = ##f
}
\header {
title = "Circle"
subtitle = \markup { "I." }
composer = \markup {
\center-column {
"Molly Preston"
(2020)
}
}
tagline = ##f
What is the best way to handle crescendos and decrescendos when they need
to start on beat 4 of a whole note for example.
Lyrics that start in one voice also disappear when introducing <<...\\ ...>>
using spacers for crescendos and decrescendos over a whole note that start
on a different beat
.
> nonstaff-unrelatedstaff-spacing.padding = #2
> }
>
> \lyricsto "music" { Hel -- lo }
> >>
> %%%
>
> --
> Knute Snortum
>
> On Tue, Jun 8, 2021 at 4:35 PM Molly Preston
> wrote:
> >
> > What is the best way to handle cres
I don't want it through the end of the score. I just want it through the
end of the next measure.
-Molly
On Mon, Jun 7, 2021 at 6:04 PM Jean Abou Samra wrote:
>
> Le 07/06/2021 à 23:57, Molly Preston a écrit :
> > Hi again.
> >
> > I am trying to get a trill spanner
Hi again.
I am trying to get a trill spanner over a quarter note tied to a whole note
and through that measure.
\new Staff {
r2 r4 c' ~ \startTrillSpan|
<< { c'1 \< } \\ {s4 s s s \stopTrillSpan } >>
d'1\f |
}
I tried to use the spacer rests for this but it doesn't seem to do
What is the best way to make more room horizontally for lyrics? I have two
syllable words that look like they are one syllable words (ie no hyphen
visible) , and I am not sure the best way to space them or if there is some
special property I don't understand?
-Molly
\version "2.20.0"
\score { <<
\new Staff {
\new Voice
dis'2. cis'4 ~
cis'4 e'4 dis'2
}
\addlyrics {leop -- ard crys -- tal}
<<
\new PianoStaff
\new Staff = "upper"
{
\shape #'((0 . 0.5) (0 . 0.5) (0 . 0.5) (0 . 5)) PhrasingSlur
d'8 \(
\change Staff = "lower"
, May 26, 2021 at 2:41 PM David Nalesnik
wrote:
> Hi Molly,
>
> On Wed, May 26, 2021 at 12:22 PM Molly Preston
> wrote:
> >
> > \version "2.20.0"
> >
> >
> > \score { <<
> >
> > \new Staff {
> > \new Voice
> >
gt; Am Montag, 29. November 2021, 20:53:09 CET schrieb Molly Preston:
> > Hi everyone!
> > I'm wondering if anyone has a solution for this. I can't find one in the
> > manuals.
> > Is there a way to get it to not print that 8va on the second line, but
> just
> > con
Hi everyone!
I'm wondering if anyone has a solution for this. I can't find one in the
manuals.
Is there a way to get it to not print that 8va on the second line, but just
continue it with a dashed line?
\version "2.22.1"
\score {
\new Staff {
\set Staff.ottavationMarkups = #ottavation-ordinals
Someone helped with fixing the 8va so it didn't repeat 8va after the line
break. However, it is producing a solid line where the 8va is, but only in
this one place:
\version "2.22.1"
upper = {
#(define (my-callback grob)
(let* (
; have we been split?
(orig
Thank you this helped a lot! I couldn't find it under Tempo or Markup and
didn't notice MeteonomeMark.
And I mistakenly forgot code for page turns under the paper block.
-Molly
On Wed, Dec 15, 2021, 14:47 Jean Abou Samra wrote:
> Le 15/12/2021 à 19:08, Molly Preston a écrit :
> >
When changing clefs in the left hand the treble clef is placed on the right
side of the bar line. It seems to be related to the grace notes happening
in the right hand. Does anyone have a fix for this?
<<
\new Staff {
\time 7/8
\clef bass
ees8 ( d des d fis)-. d ( fis -. ) |
15:44 schrieb Molly Preston:
> > When changing clefs in the left hand the treble clef is placed on the
> > right side of the bar line. It seems to be related to the grace notes
> > happening in the right hand. Does anyone have a fix for this?
>
> That's LilyPond's m
Hi again.
I have a similar problem to the 8va showing up after line breaks. I made a
text spanner that's a rit.-
It shows up on the line after a break. I tried to modify the scheme code
slightly like this:
\version "2.22.1"
\new Staff
\absolute {
#(define (text-callback
Hi Jean!
Thank you so much! That worked. I will have to keep this in mind. It's
interesting that the OttavaSpanner doesn't have something similar. Why is
that?
-Molly
On Mon, Dec 13, 2021 at 2:37 AM Jean Abou Samra wrote:
> Le 13/12/2021 à 04:03, Molly Preston a écrit :
> >
Hi again!
Does anyone have issues with \allowPageTurn? I put in two page turns in my
score, but it doesn't seem to be making them. What circumstances might
create this problem?
Second question is:
How do you move up a \tempo marking"
\override TextScript.Y-offset = #2
Hello.
I am wondering if there is any way of changing the horizontal spacing. I
would like the first two measures to have more room than the third measure.
The cross-staff beaming I think needs more room and I am not sure how to do
this other than moving the third measure to the next line.
I
Is there any way of changing the angle of tremolo markings?
\version "2.22.1"
\repeat tremolo 16 { 32 e'' 32 }
I am wondering if there is a way to get the tremolo marking to be angled
instead of straight?
-Molly
Sorry for the second email. I just wanted to say I realized what to do
right after I sent you all the email. I simply added two new staves and
removed the bar engraver, clef engraver, and time signature engraver.
-Molly
Hi. I was wondering if anyone knows how to add empty staves to a score in
the middle. I realize this may not be possible and my best option is to use
the following wherever I want to add staves:
<<
\new Staff {
\once \omit Staff.TimeSignature
s1*5
}
>>
I have two voices
Hello!
I was wondering if there is a way to make a breath mark that is like a
comma and in bold. I'm attaching a PNG file to show a small example, but I
would like it much bigger.
I didn't see it under breath marks and caesuras or glyphs.
-Molly
Hi.
In ForScore, lilypond articulations and crescendos show up as hyperlinks.
They are showing up as blue bubbles. I know you can turn it off in
Forscore, is there a way through lilypond to not have them show up that
way?
-Molly
Ahhh smart. I will have to make a note in a template so I remember!
On Mon, Dec 5, 2022, 12:23 Ralph Palmer wrote:
> On Mon, Dec 5, 2022 at 8:39 AM Molly Preston
> wrote:
>
>> Hi.
>>
>> In ForScore, lilypond articulations and crescendos show up as hyperlinks.
>
FDocumentation%2Fusage%2Fconfiguring-the-system-for-point-and-click%23enabling-point-and-click=7327048=366c354d271462c9>
>>
>> Regards,
>> Fernando
>>
>> El lun, 5 dic 2022 a las 10:40, Molly Preston ()
>> escribió:
>>
>>> Hi.
>>>
>>&
pel.edu.br/labcomp/
>
> Sent with Proton Mail <https://proton.me/> secure email.
>
> --- Original Message ---
> On Sunday, November 27th, 2022 at 13:44, Molly Preston <
> mollypresto...@gmail.com> wrote:
>
> I am working with a texture of triplet 16ths that
I am working with a texture of triplet 16ths that occasionally are duple
16ths. I am wondering if there is a way to turn the beam into a single beam
between the second f'' in the triplet to the c'' in the below example. I'm
not sure what that's called and couldn't find it in the notation manual.
Hi! I'm doing a notation assignment.
1) How do I get the pedal markings to show up bracket style when using the
Dynamics context for it?
2) How do I get the fingering 1 in the second voice to move above the Staff?
\version "2.22.2"
rightHand = {
<<
\voiceOne {
\set fingeringOrientations
lly
On Tue, Jan 24, 2023, 18:42 Knute Snortum wrote:
> On Tue, Jan 24, 2023 at 1:07 PM Molly Preston
> wrote:
> >
> > Hi! I'm doing a notation assignment.
> >
> > 1) How do I get the pedal markings to show up bracket style when using
> the Dynamics context for it?
&g
Yeah I tried that and it didn't look any different to me. I want the
sustainOn to be in the middle of the note head.
On Tue, Jan 24, 2023, 22:07 Mark Mathias wrote:
> On Tue, Jan 24, 2023 at 7:52 PM Molly Preston
> wrote:
>
>> Thank you so much Knute!
>>
>&
Interesting! They look more different on yours than on mine. I'm not sure
why.
-Molly
On Tue, Jan 24, 2023 at 10:57 PM Mark Mathias wrote:
> On Tue, Jan 24, 2023 at 10:37 PM Molly Preston
> wrote:
>
>> Yeah I tried that and it didn't look any different to me. I want t
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