Hello all! Up until now I have never really dealt with chords using slurs
and acciaccatura. I can't seem to get it to goto the proper note easily.
When I do there is little to no consistency between how it looks in
reference to the rest of the score. ie. it looks like I had to alter it.
Any help
well I think this is the best I can do
\version 2.18.2
\relative c'{
\time 6/8
{ \voiceOne \stemUp \tweak Flag.transparent ##t e g8}\\{\voiceTwo
\slurDown \stemUp \shape #'((0.2 . 0) (0 . 0) (0 . 0) (0 . 0.3)) Slur
\override Slur.positions = #'(0 . 0) \acciaccatura d'8 c e, g b e g
c} |
}
Hi Abraham and Rale, thanks for the reply. As a classical guitarist I can
say the function that Abraham mentions (Can slurs be
made to start/end on arbitrary chord notes?), would be ideal. perhaps a
work around on the tie function. Something like this would also work. I
think.
\acciaccatura d'8 c
Good pint Urs however that only works for outside notes, also I wanted the
direction to be opposite the stem as in traditional classical guitar. So
it doesn't work. also what happens when the slur is to a note in the
middle? as in the examples I just sent.
here is a quick example
Sorry Urs I thought that was to me as the tittle is similar.
my apologies
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
I understand that however you still can not control what note it goes to.
\slashedGrace b8_( e, a c4 )
How would I indicate to have the slur attach to the 'a' note?
And, until there is a
better solution, you may have to tweak the shape of the slur to go to
the correct note (say you wanted to
Hi Abraham,
Thanks for all the help. I do like your code it works really nice. As for
the voices
And just so you know, the { ... }\\{ ... } implicitly applies
\voiceOne and \voiceTwo, so those are unnecessary.
I did realize that however i read a post somewhere saying that if you
explicitly
Hi Abraham thanks for your help
Stephen
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
As already said 'sed' is your friend. Also I always keep my binaries eg.
lilypond-2.16.2-1.linux-x86.sh for just such reasons. I just install in
another path. And use it on files I was working on prior to the upgrade. I
believe they can be found here.
http://lilypond.org/ftp/binaries/linux-x86/
I play with that stuff now and then, although not my main thing. Anyway
this was my solution
Stephen
\version 2.18.2
\header {
title = Whiskey in the Jar
copyright =©Stephen MacNeil 2014
}
source =
piece =
tagline =
global = {
\key c \major
\time 4/4
}
\paper {
top-margin = #5
it was pointed out that i posted the modifications of the old
definitions.ily. I think the only changes since then have been aesthetics
-- and mainly to the tab portion of which, in this case since it's gone
makes no difference. anyway here is the new file with the changes.
modified version of
I noticed in a past post Vol 145 issue 124 you were trying to remove tab
from the guitar bends. Anyway I don't ever use tab myself and modified the
ily file so there is no tab. if you still need it or find it helpful here
it is. Let me know if it was helpful or if you found a better solution.
Do mean like this ?
\version 2.18.2
\paper {
system-system-spacing #'basic-distance = #25
}
\score { \new StaffGroup
\new Staff { c'1 e'1
\break g'1 b'1 }
\new Staff { d'1 f'1 \break a'1 c''1 }
\layout {
indent = #0 ragged-right = ##t %\override Staff.VerticalAxisGroup
I would like to increase the staff however when i change
#(set-global-staff-size 40)
my tagline gets bigger. How can i overcome this?
thanks
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
can I curve a line?
\draw-line #'(1 . 1)
Thanks
Stephen
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
for f in *.xml
Craig
On Fri, 20 Mar 2015 at 06:58 Stephen MacNeil classicalja...@gmail.com
wrote:
if you use linux you can do
for i in ... ;
do ;
done
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman
or
\override Hairpin.minimum-length = #5
lol
so
\relative c'' {
\once \override Hairpin.X-offset = #1.35
b c8\ q q q\!
\once \override TextScript.layer = #2
\once\override TextScript.staff-padding = #3.4
b c8
_\markup \with-dimensions #'(2 . 7) #'(0 . 0)\with-color #white \filled-box
Does this work for you?
\version 2.18.2
\relative c'' {
b c8\ q q q\!b c8 q q q
}
\relative c'' {
\once \override Hairpin.X-offset = #1.35
\override Hairpin.minimum-length = #5
b c8\ q q q\!
\once \override TextScript.layer = #2
\once\override TextScript.staff-padding = #3.4
actually you don't need
\once\override TextScript.vertical-skylines = #'()
so
\relative c'' {
\once \override Hairpin.X-offset = #1.35
\override Hairpin.minimum-length = #5
b c8\ q q q\!
\once \override TextScript.layer = #2
\once\override TextScript.staff-padding = #3.4
b c8
_\markup
Yes it was a hack, however this might look better and in a dynamics part it
should work
stephen
\relative c'' { b c8 q q q }
\new Dynamics {
\once \override Hairpin.X-offset = #1.35
% \override Hairpin.after-line-breaking = #shorten-hairpin
s4.*89/90\ s\!
}
On Thu, Mar 19, 2015 at
if you use linux you can do
for i in ... ;
do ;
done
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
You could always do a markup ?
tpo = \markup {
{\bold Allegro \hspace #1
\concat { \lower #.25 ( \small \raise #.25 \note #4 #UP } \hspace #.5 { =
90 \raise #.5 \musicglyph #scripts.tenuto\concat{ 120\bold )}}
} }
\relative c' {
\clef treble
\key c \major
\time 4/4
\tempo Allegro 4 = 90
How is this
\version 2.18.2
myMusic = \transpose c c, {
\key ees\major
\tag myStaff { ees8 ees16 f f f aes8~ aes4 aes8 g16 f }
% = here's a workaround, using brackets, but gives warnings:
\tag myTab {
ees8 ees16 f f f aes8~ aes4 aes8 g16 f }
}
\score {
\new StaffGroup
\new Staff
These are some basic hacks that make my life easier. Lots are borrowed and
modified for guitar, or what I needed it for. Things could be better I know.
Just Thought I would share some things I tend to use.
http://www.mglessons.com/lilypond/guitar-current-example.pdf
\version 2.18.2
\relative c'' {
% this should be all you need
% if you use \once you can aply it any time
\once \set subdivideBeams = ##t
\set baseMoment = #(ly:make-moment 1/20)
\tuplet 5/4 {
% no square brackets needed
e,32 c' bes e d bes' g d' d, aes'
}
% without
\tuplet 5/4 {
wow that Is great. thanks very much.
Stephen
Thanks for sharing your work.
Regarding the tuplet bracket/slur Harm did a remarkable tool here:
http://www.lilypondforum.de/index.php?topic=1658.0
With the settings I'm using it goes :
\version 2.18.2
printTupletBow = {
%% Use slur-stencil
Is this the idea?
\version 2.18.2
rotateBracket =
#(define-music-function (parser location input) (pair?)
#{
\once \override HorizontalBracket.bracket-flare = $input
#})
\relative {
\rotateBracket #'(2 . 4)
b\startGroup b\stopGroup
}
\layout {
\context {
\Voice
\consists
How is this
\version 2.18.2
\language english
daCapo = {
%\once
%\override Score.RehearsalMark #'self-alignment-X = #RIGHT
\once
\override Score.RehearsalMark #'self-alignment-X = #0
\once
\override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
\tweak direction
you can specify a placement for the rest by indicating a note\rest. in this
case i used g8\rest
hope that helps
stephen
\include english.ly
pianoVoiceOne = \relative c' { fs b d2 f c' }
pianoVoiceTwo = \relative c' { s1 }
pianoVoiceThree = \relative c' { \stemDown g8\rest a fs [ d ]
how would i get the input string to attach to a markup?
eg
\version 2.18.2
acdy =
\markup \pad-markup #.5 \halign #-1.3
{ \combine
\draw-line #'($str . .5) \draw-line #'($str . -.5)
}
The idea is to be able to assign a length $str
thanks
Stephen
Thanks for putting on the path Mark!
This is my solution thus far to a sizable hairpin for accent dynamics
acdy =
#(define-music-function
(parser location str)
(number?)
#{
-\markup
{ \pad-markup #.5 \halign #-1.2
\combine
\draw-line #`(,str . 0.7)
\draw-line #`(,str . -0.7)
}
#}
)
what about
\override Score.TextScript.padding = #3
or
\override Score.TextScript.Y-offset = #-3
Stephen
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
I would like to change the notehead side -- I would prefer it default
however a workaround is cool too.
I noticed you can do it with dotted
\override Staff.NoteCollision.prefer-dotted-right = ##f
however I would like to do it with none dotted - something like
\override
how would i do this with the flags attached?
\markup {\halign #-11 \raise #.6 \note #8 #UP \raise #.6 \note #8 #UP
\raise #.6 \note #8 #UP \raise #.6 \note #8 #UP }
thanks
Stephen
___
lilypond-user mailing list
lilypond-user@gnu.org
Both suggestions worked for me. I tend to put things in a separate file as
definitions/variables etc. I just like it clean to see what I am doing
(especially in large scores).
Like
%%
\version 2.18.2
pos = \markup \concat {
\large \bold { Un poco Pi \char ##x00F9 lento, }
Hey I have been doing dynamics with capitals like
\version 2.18.2
\relative c'{
g-24_\markup{ \halign #1.3 \lower #4 \italic \fontsize #1 \bold FF}
bes-4\4_\markup {\concat \halign #.8 {\dynamic m \italic \fontsize #1
\bold F}} c d
bes4 d f a_\markup \halign #0 {\concat {\dynamic s \italic
like this?
\version 2.18.2
\header {
title = Bass riffs
opus =
tagline =
}
% font
\paper {
#(set-paper-size letter)
top-margin = #5
bottom-margin = #8
ragged-last-bottom = ##t
print-all-headers = ##f
% system-system-spacing #'basic-distance = #25
oddFooterMarkup = \markup {
like this?
\version 2.18.2
\header {
title = Whiskey in the Jar
subtitle =
composer =
instrument =
% arranger =
opus =
style = Folk
copyright = ©Stephen MacNeil 2014
source =
piece =
tagline =
}
global = {
\key c \major
\time 4/4
}
\paper {
% page-count = 1
top
when composers wanted to create an accent (before the notated accent
symbol) they used diminuendo over just one note. this however in Performing
practice leaves the question did they mean an accented note or a note that
quickly diminishes, or perhaps both. as performance practice becomes more
it in two different ways: once as an
articulation, once as a dynamic script. You also see the line-widths of my
long-accent-markup and the default hairpin in comparison.
HTH, Simon
Am 27.03.2015 um 19:03 schrieb Stephen MacNeil:
when composers wanted to create an accent (before the notated accent
it did not work Just an ADD :)
so I converted it to ps -- works perfect (no links)
then converted it back to pdf (works 100% links and all!!!)
that being said I have no idea what it should look like but to me it's
perfect!
cheers
Stephen
___
the files when i compiled on my linux box render a more compressed look
then those on my friends windows?
same file both have 2.18.2
why?
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
2 questions
1. if i draw a line how can i make it so it always moves to the upper/lower
portion onto a specific part of the staff regardless of were it starts c or
c' or c'' etc
2. i modified HorizontalBracket and bendafter so how do I make that
line/curve follow the distance of the
it looks like you shortened \transpose not \relative but i like it I may
use it thanks
Stephen
octave =
#(define-music-function
(parser location octaves music)
(integer? ly:music?)
(_i Raise or lower @var{music} by a nubmer of @var{octaves}.)
(make-music 'TransposedMusic
'element
Hi Wol,
i think turning off outside-staff-priority only affects outside the staff
and will not bring it in the staff.
use..
\relative c'' {
% first number is right left second is up down
\override TextScript.extra-offset = #'(0 . -4)
c d c d c1^hello r2 c2
}
HTH
stephen
actually if
i like
I = ^\markup \raise #2 \pad-around #.2 \halign #-2 \concat{\italic {I
\lower #.5 \super 7}}
ii =
etc.
then add
roman = { \I s1 \ii s1 \iii s1 ... }
then in each just add
\roman
fmajortreble = {
\keychangevisual
\key f \major \break
\roman
f a c e1 g bes d f1 a
add something like this at top
I = ^\markup \pad-around #1 \halign #-2 \concat{\italic {I \lower #.5
\pad-around #.2 \super 7}}
ii = ^\markup \pad-markup #1 \halign #-2 \concat{\italic {ii \lower #.5
\pad-around #.2 \super 7}}
iii = ^\markup \pad-markup #1 \halign #-2 \concat{\italic {iii
– I attach a much cleaner version (attaching is preferrable since
nothing may be messed up on the way).
HTH, Simon
Am 21.04.2015 um 23:13 schrieb Stephen MacNeil:
here you go
CUT
\version 2.18.2
\header {
title = Root Position 7th Chords
composer = Lance James
here you go
CUT
\version 2.18.2
\header {
title = Root Position 7th Chords
composer = Lance James
}
harmonies = \chordmode {
c1:maj7 d:m7 e:m7 f:maj7 g:7 a:m7 b:m7.5- \break
f1:maj7 g:m7 a:m7 bes:maj7 c:7 d:m7 e:m7.5- \break
bes1:maj7 c:m7 d:m7 ees:maj7 f:7 g:m7 a:m7.5- \break
Harm , Thomas Morley and others
I like to follow the discussions even if I don't understand/need something
because I usually learn a lot and sometimes even adapt some ideas or code
into something I can use later.
In this thread I was amazed that the scheme created could interpret the
chords!!! I
...@gmail.com
wrote:
Hi Stephen,
On Wed, Apr 22, 2015 at 12:24 PM, Stephen MacNeil
classicalja...@gmail.com wrote:
Harm , Thomas Morley and others
I like to follow the discussions even if I don't understand/need
something because I usually learn a lot and sometimes even adapt some ideas
or code
i thought i sent you something showing how to move it
anyway not sure where you want it, but do it like this
HTH
Stephen
VS.ly
Description: Binary data
___
lilypond-user mailing list
lilypond-user@gnu.org
for! Thanks a lot man!
On Sat, Apr 25, 2015 at 3:50 AM, Stephen MacNeil
classicalja...@gmail.com wrote:
like this ?
\bendOn
\bendGrace e8(f8)(e8) (g4~)g2 |
\bendOff
\bendOn
e8 (f)(e)(g~) g2
\bendOff
if not have an example?
%% cut
\version 2.18.2
\include
sorry forgot the subject
stephen
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
like this ?
\bendOn
\bendGrace e8(f8)(e8) (g4~)g2 |
\bendOff
\bendOn
e8 (f)(e)(g~) g2
\bendOff
if not have an example?
%% cut
\version 2.18.2
\include definitions.ily
\paper {
indent = 0
}
\layout {
\context {
\Staff
\override StringNumber #'stencil = ##f
\override
remove global
Stephen
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
well you need to
1. remove the space with sed, so music % 1 becomes %1 also I added a at
the end so it wouldn't get confused ie. %1 will also remove %10 %100 etc
2. since you used it after measure one sed can only delete measures after
-- so 2 on
you could just input %1x in the files where you
22, 2015 at 5:59 PM, Thomas Morley thomasmorle...@gmail.com
wrote:
2015-04-22 19:24 GMT+02:00 Stephen MacNeil classicalja...@gmail.com:
Harm , Thomas Morley and others
I like to follow the discussions even if I don't understand/need
something
because I usually learn a lot and sometimes even
Hey Calixte
what a great idea it made me think.
what about sed?
Or have a script/feature/tool that automatically counts measures : it
would
be able to put bar numbers in comment, and with another script we could say
delete/comment/whatever measure n to m
anyway I tried a few examples and used
Well after reading many responses to this question I thought I would give
my own.
I think first one must answer
Why do publishers use other programs?
Who submits to publishers?
Why do users use other programs?
Why do publishers use other programs?
Obviously there was typesetting before
take a look here
http://fritz.rmi.de/dokumentation/lilypond/Documentation/user/lilypond/Automatic-accidentals.html
HTH
Stephen
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Urs and Joram
not sure about how you intend this excerpt to be personal etc. However in
the past composers often indicated ideas through different ways - different
groups of sixteen notes etc. to show phrasing, articulation etc. again i
don't know the piece or the context so a rule of thumb is
I have line as a markup.. every time the spacing changes I have to adjust
the line. is there a way for it to follow (till the end) of the the note
region?
Thanks
Stephen
___
lilypond-user mailing list
lilypond-user@gnu.org
own?
Thanks
Stephen
On Tue, Apr 28, 2015 at 10:59 AM, David Nalesnik david.nales...@gmail.com
wrote:
Hi Stephen,
On Tue, Apr 28, 2015 at 9:57 AM, Stephen MacNeil classicalja...@gmail.com
wrote:
I have line as a markup.. every time the spacing changes I have to adjust
the line
is this correct?
(#'(,num))
(#'(,str))
thanks
Stephen
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
I don't use tab but a friend asked how he could do it. So I came up with
this. It allows you to at least print 1/4 3/4 tone bends. Anyway it's just
a band aid to the problem. But hey it works. I just did a test nothing
more. No real stuff... never will I don't use tab.
if you want the file i
Hi Marc
Yes, please! Is it based on bend.ily, or did you wrote it from scratch?
IIRC, 1/4 bends were possible in bend.ily ...
It uses definitions.ily which I believe is based on bend.ily i think. Great
work by the way! And yes quarter tones are possibly however It dies if the
tab is printed.
/openlilylib/openlilylib/tree/master/notation-snippets/guitar-string-bending
There I used slurs to fake bends – still not optimal, but at least
lilypond calculates the arrows automatically.
Cheers,
Marc
Am 02.05.2015 um 15:14 schrieb Stephen MacNeil:
here
Stephen
Quick question how does one put a thumb in the fret-diagram fingering?
apparently it was added 4 years ago but i can't seem to figure it out. I
thought I could change mute string but it doesn't go below... that i can
figure. My markup is
\fret-diagram #6-1;5-3-3;4-3-4;3-2-2;2-1-1;1-o;
Also i
just a side note quarter tone bends work without the tab using
definitions_No-Tab.ly it seems it's the tab that messes it up -- hence the
need for the Qt_BendDef.
Stephen
___
lilypond-user mailing list
lilypond-user@gnu.org
))
http://lilypond.org/doc/v2.19/input/regression/dd/lily-caf6e8f6.ly (the
“P” is not printed)
hth
patrick
On 03.05.2015, at 17:35, Stephen MacNeil classicalja...@gmail.com wrote:
Hi Harm
Thanks for the reply
This is the code and version
\version 2.18.2
\markup
\fill-line {
\concat
-freiburg.de wrote:
Am Mittwoch, 29. April 2015 07:21 CEST, Stephen MacNeil
classicalja...@gmail.com schrieb:
is this correct?
What's the intent?
(#'(,num))
(#'(,str))
No, commas (',') are only allowed within a backquoted form.
Cheers, RalfD
thanks
Stephen
Hi patrick,
This is the workaround I used to create fret-diagrams with a thumb.
http://mglessons.com/lilypond/fret-diagram.ly
http://mglessons.com/lilypond/fret-diagram.pdf
HTH
Stephen
%% cut
#(define-public (stack-stencil-overlay stencils)
Recursive function to add stencils together
No problem, hope it does what you need.
Stephen
On Tue, May 5, 2015 at 9:13 AM, pls p.l.schm...@gmx.de wrote:
Thanks!
On 05.05.2015, at 14:21, Stephen MacNeil classicalja...@gmail.com wrote:
Hi patrick,
This is the workaround I used to create fret-diagrams with a thumb.
http
I found a way to do it.
http://mglessons.com/lilypond/Score2.pdf
but as I said i think this was added 4 years ago so if anyone has a proper
(faster way) that would be great.
Thanks
Stephen
___
lilypond-user mailing list
lilypond-user@gnu.org
... however no go.
Thanks
Stephen
On Sun, May 3, 2015 at 11:14 AM, Thomas Morley thomasmorle...@gmail.com
wrote:
2015-05-03 16:26 GMT+02:00 Stephen MacNeil classicalja...@gmail.com:
I found a way to do it.
http://mglessons.com/lilypond/Score2.pdf
but as I said i think this was added 4 years
override the default offset, but turn off
completely the following
of the music ?
Paul
On Fri, May 8, 2015 at 12:46 AM, Stephen MacNeil classicalja...@gmail.com
wrote:
Hey paul
if the markup is all on one it takes only one staff padding. What i mean
is each markup is based off of what
the overlay on the lsr will do this.
can't remember where it is but I have it here so ...
play with translate to position
I put them on top off one another so you can see it's use.
%%
#(define-public (stack-stencil-overlay stencils)
it in this list I may add a link in github wiki to offer a
workaround for quarter tone bends.
Thanks
Federico
Il giorno sab 2 mag 2015 alle 19:24, Marc Hohl m...@hohlart.de ha
scritto:
Am 02.05.2015 um 15:12 schrieb Stephen MacNeil:
Hi Marc
Yes, please! Is it based on bend.ily, or did you
here if people are interested -- i posted this before .. anyway here is a
link to use definitions.ily without tab called definitions_No-Tab.ly
(forgot ily in the name just rename it you you wish)
http://mglessons.com/lilypond/example_No-Tab.pdf
http://mglessons.com/lilypond/example_No-Tab.ly
thanks again
Stephen
On Mon, May 4, 2015 at 4:09 PM, Stephen MacNeil classicalja...@gmail.com
wrote:
I do have a workaround if needed for 2.19.. I created it when i couldn't
get it to work
thanks again
Stephen
On Mon, May 4, 2015 at 4:06 PM, pls p.l.schm...@gmx.de wrote:
Yes, it stills
Thanks
I will keep a watch on it.
Stephen
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Thanks Abraham
I did go with png
Stephen
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
I was wondering why when I have a line attached to a stencil - Maybe others
(only tried this so far) - the png does not show the line but the pdf does.
Further if i convert the pdf to png i can see the line.
the following two examples illustrate this behavior.
my command for the png is
lilypond
/notation/techniques-specific-to-lyrics
--
Phil Holmes
- Original Message -
*From:* B~M viola1...@gmail.com
*To:* Stephen MacNeil classicalja...@gmail.com
*Cc:* Lilypond-User Mailing List lilypond-user@gnu.org
*Sent:* Thursday, May 07, 2015 10:55 PM
*Subject:* Re: repeated _\markup
I made a script a while ago that prints single or multiple pages to jpg or
pdf and those I can easily include on a web page however, woff svg (which i
know nothing about) comes out without the font? what i mean is the staff
shows but there are boxes where the notes go. So my question is how do i
Hey paul
if the markup is all on one it takes only one staff padding. What i mean is
each markup is based off of what you attach it to. so a trick I do is put
them in one markup then all you need to do is center under each with halign.
here is an example
Also i am not sure why you wanted Vb ...
Hey Andrew I use LFS -- have for years. I HATE binary distros especially
ubuntu and it's variants. That said i know several (as a guitarist) sites
with forums that discuss lilypond - and the users are never here. As well I
personally know users that - again are not here. so really there is no way
Thanks Luca I will give it a try!
Stephen
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
i have made a function (because i hate the way lily handles the
slur/acciaccatura - for guitar anyway). Now I have 2. one is the original
slur as sloppy and mangled in her age as she is, i still find it very
romantic looking. on the other hand, number two is very clean, but I am not
sure it goes
Luca
I agree and thanks. I made a change that keeps the natural slur. My
original thought problem is the inconsistency when it is drawn above or
below ... and this varies on stem direction as well. In guitar music with
all voices on a single clef this gets quite cramped. Hence my idea of just
Luca
Thanks for the help. I couldn't get minimum-length to do anything, however
I was able to solve the problem using a modified version of shapeSlur (is
that the predecessor of shape?) in conjunction with other things,
Stephen
On Sat, May 16, 2015 at 11:56 AM, Stephen MacNeil classicalja
, David Nalesnik david.nales...@gmail.com
wrote:
On Mon, May 18, 2015 at 9:42 AM, Stephen MacNeil classicalja...@gmail.com
wrote:
Luca
Thanks for the help. I couldn't get minimum-length to do anything,
however I was able to solve the problem using a modified version of
shapeSlur
fo your kind attention!
Luca
On Fri, May 15, 2015 at 3:04 PM, Luca Rossetto Casel luca.rosse...@email.it
wrote:
Il 15/05/2015 17:33, Stephen MacNeil ha scritto:
anyway number 3 is using the natural slur drawn by lilypond.
http://mglessons.com/lilypond/chordSlur3.pdf
Dear Stephen
wow very nice work pierre!!
Stephen
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Hello Urs,
Me as well
Stephen
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
in that example i would use
\paper {
system-system-spacing #'basic-distance = #20
}
Stephen
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
you can tweak it more -- it's adapted from what i use
I also use tupslurU when i need them on top
tupslurD = {
\override TupletBracket.stencil = #ly:slur::print
\override TupletBracket.direction = #DOWN
\override TupletBracket.thickness = #3
\override TupletBracket.positions = #'(-4 . -3.5)
i just redid my guide finger if anyone is interested
\version 2.18.2
5
#(define (fingering-event? m) (and (ly:music? m)
(music-is-of-type? m 'fingering-event)))
gf =
#(define-event-function (parser location num str fingering)
(number? number? fingering-event?)
(let*
I needed a solution as well and wrote this. I find for my needs it works
wonders.
acdy =
#(define-music-function
(parser location str)
(number?)
#{
-\markup
{
\halign #-1.2
\combine
\draw-line #`(,str . 0.7)
\draw-line #`(,str . -0.7)
}
#}
)
\relative c' {
c ^\acdy #-4 c
1 - 100 of 207 matches
Mail list logo
