Hey, I'm having a problem with inserting a coda in the piano setting. I
used available coda snippet, but I want to insert the piano bracket as well
(so it looks like fresh piano staff near the end of the line), not sure how
to do this. Stopping and starting staff just prints clefs, can you just
pri
Hey,
As I'm recently starting to type more and more in Lily and browsing some
scores on Mutopia Project to see how others are doing it, I wonder how you
- proffessionals - are approaching it? Does it depends on the type of the
score?
I started to like \pararellmusic, because you can go one measur
on 4 voices
and then use another Frescobaldi window just to see preview of the score.
I'll try that approach next time.
Pozdrawiam,
Krzysztof Gutowski
2017-02-21 11:18 GMT+01:00 Federico Bruni :
> Il giorno mar 21 feb 2017 alle 10:40, kmg
> ha scritto:
>
>> I started to like \p
t anyway. Thanks again.
Pozdrawiam,
Krzysztof Gutowski
2017-02-21 12:19 GMT+01:00 kmg :
> Thanks! Actually somehow I never used screen splitting.. now trying it
> out, and it means you have basically \parallelmusic without drawbacks,
> that's really cool. Also with folding Fresc
s are great, but seeing some live application is totally different
story!
Pozdrawiam,
Krzysztof Gutowski
2017-02-21 12:29 GMT+01:00 kmg :
> Also, thanks Urs! For some reason I saw your response only when checking
> out the lists directly, it was not in my mailbox. Honestly I also like the
&g
I'm using custom font of which I have only regular italic variant; while it
makes expression text look good, it also makes dynamics made in \markup
appear like they were typed in this font instead with my music font.
MWE (somewhat):
\version "2.19.55"
...
c\sfz-\markup { \italic "cresc." } %work
+01:00 Thomas Morley :
> 2017-03-03 3:43 GMT+01:00 kmg :
> > I'm using custom font of which I have only regular italic variant; while
> it
> > makes expression text look good, it also makes dynamics made in \markup
> > appear like they were typed in this font inst
cht :
> Am 04.03.2017 um 01:00 schrieb kmg:
>
>> As an additional request, could you recommend some starting points for
>> Scheme learning?
>>
>
> First, there’s LilyPond’s own Extending Manual, which covers some of the
> more pertinent basics.
> Then there’s
Hey, I'm working on re-typing some educational notes and I'm wondering if
maybe someone had this problem and also came up with some Scheme to deal
with this.
http://i.imgur.com/T7z8Ty7.png - this is the source;
http://i.imgur.com/IGocUKW.png - this is what I came up with (nevermind
wrong notes)
Wow, this is perfect, thank you so much! http://i.imgur.com/pqHVtXr.png -
looks so nice.
Definitely saving this, so I never lose it!
Pozdrawiam,
Krzysztof Gutowski
2017-04-16 14:25 GMT+02:00 Thomas Morley :
> Hi Krzysztof ,
>
> 2017-04-15 20:11 GMT+02:00 kmg :
> > Hey, I'm
Hey guys, I recently discovered Lily and I like it a lot. For practice
purposes I decided to engrave some old psalm and lyrics look bad. From what
I read, hyphens are always centered between sylabes, so my question: is
there a way to avoid them getting into barlines, or align them in verses?
Anywa
Hey guys, rather unusual stuff happening..
I want to edit my list options (don't want every new thread into my
mailbox). I have my password cached in the browser and I'm getting
'authentication failed' error every time I try to login. When trying to
reset password, I'm getting info that it should
Hey, I tried for some time now to make my score as I want it, but I'm out
of ideas. Issue: http://i.imgur.com/xXJ73J3.png - you can see the straight
line at the end of the first system and the next one is properly showing my
extra staff. However, this straight line seems to act as if there was
invi
I had this problem before, where music just went out of the page. It turned
out that some of the bar checks failed. But here it shouldn't be the case,
as I'm using bar checks and the place where it breaks is under cadenza
anyway. For the sake of simplicity I skipped the beginning. It supposed to
be
at.
Thank you again, and sorry for not replying to all. I'm new to the list,
but I'll do it from now on!
Pozdrawiam,
Krzysztof Gutowski
2016-11-19 23:43 GMT+01:00 Thomas Morley :
> Please always click reply all, to keep the discussion on the list
>
> 2016-11-19 23:26 GMT+01:00
What is going on guys,
Thanks for your recent help, now I'm digging LilyPond more and more, but
after searching in the manuals/snippets, I couldn't find how to fix this:
http://i.imgur.com/L5YCxnv.png
In this case time signature is stated in the beginning, when instrument
starts solo. Then I man
Thanks, that looks good. However, is there a way to enable it again if
needed? This trick is only needed in the beginning of the piece, not
throughout the whole score. If it can be only changed globally, then I'll
deal with the extra space I guess. Curious though if it's possible to do it
only once
I'm sorry, I can't figure out MWE for this, because it seems specific for
my score now. I tried replicating it by having empty dynamics/piano
material, but in the new score it doesn't seem to generate extra space...
So first, the issue: by adding two dynamics contexts (one between the piano
staffs,
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