_The Rowallan Manuscript: Edinburgh University Library, Laing III 487_
transcribed by Wayne Cripps
(Fort Worth: Lyre Music Press, 1995).
It is a beautifully produced edition. Pen and ink drawings by Kay Crane of
scenes from Scotland fill what would have been blank spaces to prevent
undue
At 02:24 PM 10/10/2003 +0200, arielabramovich [EMAIL PROTECTED] wrote:
From the beginning, I find morally unacceptable the =
trading and private ownership of rights over the artistic-intelectual =
production of someone who died centuries ago. Minkoff has nothing to do =
with Vallet's efforts, and
Dear all,
I think I had too much.
Mr. MO's comedy is simply too much for me, although I've learned interesting
things from him, like the fact that in South America no one starves to
death... how good the tax payers are. What a nice and generous world the
one you built in your own
At 06:00 PM 10/10/2003 +0200, arielabramovich [EMAIL PROTECTED] wrote:
Dear all,
I think I had too much.
But you keep coming for more...
I'll ignore your comments about Marxist's propaganda. even
better: I'll ignore the whole email, and your existence.
That's your
At 19:04 10.10.2003, Eugene Braig wrote:
Maybe I'm a touch naive, but I find this debate on the use of printed music
aimless and a bit silly. The whole whole thing very simply should be
reduced to:
-if an activity is legal, feel free to do it (if its morality is suspect,
you're old enough to
At 01:17 PM 10/10/2003 -0400, Roman Turovsky
I got it. Must be the pimp.
Reread: We all understand that MO sermon on morality is equivalent to one
given on chastity by a professional whore. What's questioned is your
immaculate business practices, specifically: procurement of materials.
Ch'ja b
Mathias,
I just used the term bass rider as the same as his so called Gallant
lute, there was no reference to bass rider in the letter.
Your right as far as saying there is no PROOF that Weiss didn't use
nails, but there is a quote somewhere ( I'll try to find it) about the
crass sound
At 07:38 PM 10/10/2003 +0200, arielabramovich wrote:
This is again, a matter of values. If I believe that any law is unfair,
apart from trying to change that, I would consider breaking them as well, if
I believe that would help to bring a substantial change in the direction
pointed by my moral
I will discreetly limit myself to relay that your reputation 'round Moscow
is that of a shyster and shiromyzhnik [sic!].
RT
At 01:17 PM 10/10/2003 -0400, Roman Turovsky
I got it. Must be the pimp.
Reread: We all understand that MO sermon on morality is equivalent to one
given on chastity by a
At 08:16 PM 10/10/2003 +0200, Peter Paeffgen [EMAIL PROTECTED]
wrote:
Good reliable reprints are expensive, Matanya, that's for sure.
I know that. One facsimile I did, in half tone, the Swan Manuscript from
St. Petersburg, cost me over $16,000 to produce. In 1994. I sold a grand
total of 135
Dear Eugene,
definitively we can have an exchange of opinions without forgetting our =
manners.
I've never been rude to anyone before I was attacked.
=20
=20
=20
This is a point upon which we will have to differ; I hope we can do so =
civilly. Of course, in knowingly breaking
Hello all,
I find this discussion very interesting, so I thought I'd throw in my two
cents worth. I'm a professional musician and private teacher of guitar and
lute. In a sense the real issue is a moral one, because I don't think anyone is
really making much money playing lute, or selling
At 03:25 PM 10/10/2003 -0400, Roman Turovsky wrote:
material. Access to printed lute music is not an unalienable human
right. Like it or not, music is not bread...or freedom.
To some it's both.
Of course, you are correct...to a certain degree. But again, I was not
trying to address the
I will discreetly limit myself to relay that your reputation 'round Moscow
is that of a shyster and shiromyzhnik [sic!].
In that case, you resort to slander by innuendo, since you will not say
exactly who in Moscow said anything about me, and how reliable that opinion
was. Obviously, you
You're right Roman, I shouldn't waist a single second with this
Clinton's fan.
Actually Bill doesn't deserve this. I always liked Clinton, AND he plays
sax, and has joie de vivre.
RT
Dear J E,
thanks for your observations, but I'm affraid you're =
making a partial interpretation of my words and logic.
I've never told Minkoff that I'm poor, and that they =
should give the whole lute books of their catalogue for free.
I'm just
At 10:01 PM 10/10/2003 +0200, arielabramovich [EMAIL PROTECTED] wrote:
The whole =
political discussion came because of some very particularly agressive =
messages posted by MO.
In other words, since you had no reasonable retort on the merits of the
issue, you brought in world politics.
At 04:08 PM 10/10/2003 -0400, Roman Turovsky [EMAIL PROTECTED] wrote:
I will discreetly limit myself to relay that your reputation 'round Moscow
is that of a shyster and shiromyzhnik [sic!].
In that case, you resort to slander by innuendo, since you will not say
exactly who in Moscow said
An Elizabethan lutarist?
Eugene wrote:
I also understand that the members of a modern Elizabethan reenactment
group might not be inspired to take up a more proper lute out of sole
interest in the lute, which may very well be misguided motivation (not to
mention an expensive investment of both
At 03:25 PM 10/10/2003 -0400, Roman Turovsky wrote:
material. Access to printed lute music is not an unalienable human
right. Like it or not, music is not bread...or freedom.
To some it's both.
Of course, you are correct...to a certain degree. But again, I was not
trying to address
Dear Ariel,
You may be unaware, but Matanya Ophee publishes lute facsimiles,
just as Minkoff and SPES do. You may not like what he says, but when
you insist on saying that photocopying facsimiles is acceptable, he
has every right to feel aggrieved. He is responsible (amongst other
things) for
To those in the Philadelphia Area
Salvatore Salvaggio
Lute and Baroque Guitar
French Baroque Suites by Grenerin, Campion + De Visee/
Fantasias, Ayres and Dances for lute by da Milano,
Dowland and others
Date + time:
Sunday, Oct. 12, 2003 3 pm
Location:
Settlement Music School
Mary
And if you are in the NYC area tomorrow afternoon...
Fireworks: Gems of the English and Italian Baroque
Cesti, Handel, Matteis, Piccinini, Purcell, Rossi
Simpson
Jessica Gould, soprano
Lucas Harris, lute baroque guitar
Carlene Stober, viola da gamba
For more details, see
23 matches
Mail list logo
