I've visited this museum 3 or 4 times during business trips to Stockholm. It
is a wonderful place. Don't miss going there if you have a chance
Steve...
- Original Message -
From: "Kenneth Sparr" <[EMAIL PROTECTED]>
To: "'Arthur Ness'" <[EMAIL PROTECTED]>; "'Paolo Declich'"
<[EMAIL
Kenneth Sparr wrote:
>The Rudolf Nydahl extensive collection of music and musical instruments is
>now housed in Stockholm, Stiftelsen Musikkulturens främjande. The
>museum/collection has its own webpage at http://www.nydahlcoll.se/
>
>The lute MS mentioned by Arthur is in this collection. It is de
Ariel,
The one I use is made by planet waves and can be had at :
http://www.musiciansfriend.com/product/Guitar/Accessories?sku=421100
This has two velcro pads on the back which hold it in the case. You add
water with a syringe. I made a platform across the neck brace in the
case and placed a cl
The Rudolf Nydahl extensive collection of music and musical instruments is
now housed in Stockholm, Stiftelsen Musikkulturens främjande. The
museum/collection has its own webpage at http://www.nydahlcoll.se/
The lute MS mentioned by Arthur is in this collection. It is described in
RUDÉN, J. O., Mu
Hello Paolo,
There were two Telemann partitas (in G and e) in a manuscript auctioned in
1928, from the famous Musikbibliothek of Dr. Werner Wolffheim in Berlin. There
were over 4000 items, and it took a week to auction everything. Its lute
treasures included Dresden/Weiss.
Item 64 was a lu
The end of the first para below should, of course, read: ie more like a 19thC
Bass guitar...
apologies
MH
Martyn Hodgson <[EMAIL PROTECTED]> wrote:
Date: Sat, 21 Jan 2006 18:58:28 + (GMT)
To: Roman Turovsky <[EMAIL PROTECTED]>, Lute Net
From: Martyn Hodgson <[EMAIL PRO
If the 18thC Mandora/Gallichon was the ancestor of the VW 'laute', perhaps
this instrument represents some sort of arch-mandora ancestory? Against that,
I would have expected single strings (ie more like a 19thC 'Bass' lute).
Perhaps more likely, but still speculative, the instrument
I'd say the bridge placement and shell's wood choice and spacers look
WV as do the inlaid frets. On the other hand, the depth of the shell
and lack of the funky endclasp make me wonder. Interesting pegwork on
the 1st and 9th courses. Weren't WV strings traditionally held behind
the bridge
Matthias:
As currently set up, this has 14 courses, not 13. There are nine on the
fingerboard, of which the top two are single.
Daniel
On 21 Jan 2006 09:54 GMT =?ISO-8859-1?b?Ik1hdGhpYXMgUvZzZWwi?=
<[EMAIL PROTECTED]> writes:
> "Roman Turovsky" <[EMAIL PROTECTED]> schrieb:
> > The bridge posi
I always thought that those dreaded jazzy elements derived from Oslo jazz
style.
RT
> Hi all,
>
>> PS Roman, did you ever notice the very "jazzy" elements of Kapsperger?
>> It might even be so that all the recordings of his music do not make
>
> His fellow citizens called him "Il misterioso Ger
Leonard,
That 45 to 40% works for me. The manufacturer of the humidifier pod I
use also suggests that. I start to notice that the octives on the low
basses start to drift, and the pegs begin to loosen as the lute dries
out. At 45%, I water every 2 or 3 days, below 40% I water daily. This is
preve
Hi,
does anybody out there have a list of contents from John Forbes - Cantus,
Songs and Fancies (Aberdeen 1662, 1666 and 1682) ?
best wishes
Mark Wheeler
www.pantagruel.de
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Hi all,
> PS Roman, did you ever notice the very "jazzy" elements of Kapsperger?
> It might even be so that all the recordings of his music do not make
His fellow citizens called him "Il misterioso Germano del dixilando" , that is
at least suspicious! ;-)
BH
To get on or off this list see
"Roman Turovsky" <[EMAIL PROTECTED]> schrieb:
> The bridge position is very WV like...
yes, indeed. Much too close to the rose. On the other hand, if you
closely look at the pictures at ebay's, you'll discover the spot on the
soundboard along the chanterelle where players would put their pinkies.
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