Greetings all,
Unfortunate news from Sibley regarding the Lord Danby Lute Book. They are
unable to digitize the manuscript since the scanning process would be to
invasive for this fragile manuscript. As of now, the microfilms will be the
sole medium in which they are available.
I have, however, be
Dear All,
The manuscript version of this piece is to be found
on folio 6v of the Welde Lute Book where it is described
as a galliard by Anthony Holborne. A facsimile
of the whole manuscript has been published by the Lute
Society and is available at a very reasonable cost.
The contact details can b
Edward Martin wrote:
A respondent kindly provided me a version, but it was in modern tab in
Fronimo. Although I appreciate his sharing, what I really need is a copy
of the facsimile. Thanks in advance, for anyone who can provide it.
I don't think there was an "original tablature." I find t
Thanks to all who supplied information!
--
Stephen Fryer
Lund Computer Services
**
The more answers I find, the more questions I have
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I'm praying no-one ever asks me to do a re-fret on one of those...
- Original Message -
From: "Andrew Gibbs" <[EMAIL PROTECTED]>
To:
Sent: Saturday, November 17, 2007 6:06 PM
Subject: [LUTE] Die Wohltemperirte Gitarre
Open strings in 1/6 comma and wiggly frets (Paul Guy chording on
Michael and all,
Than you again for this clarification. I feel equally enthusiastic
about the topic, although I don't quite no why, as I am not a lute
maker, actually a phonetician; but perhaps the small knowledge of
acoustics acquired in relation to phonetics makes me open to this
questi
On Sat, Nov 17, 2007, Tony Chalkley <[EMAIL PROTECTED]> said:
> Harrumph! It would hardly hurt if they all waived their copyright this late
> in the day
I agree, but you have to recall that posting on the internet is quite a
lot more exposure than was involved originally, and the authors might
Anthony, et all,
Wonderful information! Thank you.
Although I wasn't able to attend the Lundberg lectures (I do posses the notes,
though), I was fortunate enough to correspond with Mr. Lundberg often in his
last few years. Bracing was one of our subjects of conversation. The way I
underst
I should add that Dorfmueller's dissertation is centered
on Mus Ms 1512. The manuscript also contains
instructions on playing the lute, tuning and fretting.
The instructions are reprinted in the Denkmaeler der
Tonkunst in Oesterreich xiv/28 and xxxvii/72.
==AJN
Boston, Mass.
This week's free
Thank you Michael for this very clear explanation of the effects of
fan-barring.
As you were present at the Lundberg lectures, you may be better able
to clarify his position.
I sent a message grouped to yourself, Daniel, Howard, and Andrew, so
I will not repeat myself here, but I am understan
Le 18 nov. 07 =C3! 07:16, howard posner a =C3=A9crit :
>
> On Nov 17, 2007, at 9:34 PM, Michael Bocchicchio wrote:
>
>> With three different tags inside, do we know beyond the shadow of
>> a doubt that the whole soundboard was not remade in the later half
>> of the 17th century? -- It was a com
On Nov 17, 2007, at 11:29 PM, Daniel Shoskes wrote:
I used it for a while, but gave up after I got an Intel Mac that
could run windows and Django. Fonts never looked quite right.
I just found it was easy as pie to change the font.
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Thank you for this Andrew. Interesting that in spite of the wiggly frets he,
quite correctly, points out that it's only really suitable for certain common
guitar keys.
MH
Andrew Gibbs <[EMAIL PROTECTED]> wrote:
Open strings in 1/6 comma and wiggly frets (Paul Guy chording on Die
Wo
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