Again, without going in to names, even the edited
CDs have irregular breathing and other noises,
which of course raises the interesting question
as to why the students are asked to breathe
differently than the teachers. But maybe it is a
good idea, I have tried it over the years, but it
doesn
Cedar is what professional audio engineers use to remove unwanted
noises, such as creaking, coughing, sneezing, cell phones, candy, fans,
fridges etc.
You can make a good living removing squeaks from guitar recordings (I
prefer leaving them in, but the customers usually don't)
[1]
- Original Message -
From: <[EMAIL PROTECTED]>
To: "Arthur Ness" <[EMAIL PROTECTED]>; "Paul Pleijsier"
<[EMAIL PROTECTED]>
Cc: "Lute Net"
Sent: Sunday, September 28, 2008 5:53 PM
Subject: [LUTE] Re: Respighi
| Arthur,
|
| --- Arthur Ness <[EMAIL PROTECTED]> wrote:
|
| > "ConcerTINO alla
Dear All:
I'm told by a professional recording engineer that people who play
quiet instruments sometimes train themselves always to breathe through
the mouth during recording sessions. Breathing through the nose makes a
lot more noise, while even, controlled breathing through the m
- Original Message -
From: "howard posner" <[EMAIL PROTECTED]>
To: "Lute Net"
Sent: Sunday, September 28, 2008 8:18 PM
Subject: [LUTE] Re: Respighi
| On Sep 28, 2008, at 12:24 PM, Arthur Ness wrote:
|
| > He argued that Segovia was lying
| > when he bragged to have commissioned the first
Mathias,
So, is "Spaltklang" the equivalent of other 20th
century ideas about older music, such as terraced
dynamics?
Chris
--- "Mathias Rösel" <[EMAIL PROTECTED]>
wrote:
> "howard posner" <[EMAIL PROTECTED]> schrieb:
> > So if I understand correctly, the answer to my
> question about who
But he is a regular guitarist, with all its goods and bads… Probably
thinks we are silly fools ;-))
But the video is OK, if you like anything played efficiently.
J
___
On 2008-09-29, at 14:35, Stephan Olbertz wrote:
Does anyone know what this exactly is?
http://de.youtube.com/watch?v=u0dH
Maria Gerasimenko-Golota, a friend of mine.
RT
- Original Message -
From: "Jean-Marie Poirier" <[EMAIL PROTECTED]>
To: "lute"
Sent: Monday, September 29, 2008 10:30 AM
Subject: [LUTE] Re: Lute sound / split sound
>BTW, what does "MGG" stand for?
Die Musik in Geschichte und Gegenwar
Listening to BACH "Intavolatura", CD by Rolf Lislevand, you can hear his
breathing (disturbing, IMO) and in some of POD CD too, but less disturbing I
think...
V.
-Message d'origine-
De : Eugene C. Braig IV [mailto:[EMAIL PROTECTED]
Envoyé : lundi 29 septembre 2008 16:27
À : lute-cs.dartmo
At 03:40 AM 9/29/2008, David Tayler wrote:
Just out of curiosity, I listened to to samples from various
recordings, especially concert recordings, since breaths are edited
in recordings, using a pair of headphones that I use for editing.
Without mentioning specifics, I can say for the majority br
On Sep 29, 2008, at 4:22 AM, Mathias Rösel wrote:
> Hope that helps so far, as for chapters and verses.
So if I understand correctly, the answer to my question about who
mentioned "Spaltklang" is that it was 20th-century German
musicologists interpreting the intent of earlier musicians withou
"howard posner" <[EMAIL PROTECTED]> schrieb:
>> might argue that there _was_ kinda ideal sound. On my way through
the
>> museum of musical instruments in Vienna, I learned that in the 16th
>> century it was "Spaltklang".
> The obvious question would be "who said that?"
1.) "Die Verwendung der Ins
"howard posner" <[EMAIL PROTECTED]> schrieb:
>> might argue that there _was_ kinda ideal sound. On my way through
the
>> museum of musical instruments in Vienna, I learned that in the 16th
>> century it was "Spaltklang".
> The obvious question would be "who said that?"
1.) "Die Verwendung der Ins
Cedar
dt
At 02:54 AM 9/29/2008, you wrote:
>On Sep 29, 2008, at 4:40 PM, David Tayler wrote:
>
>>Plenty of subvocalization as well, which of course is also edited out.
>
>How do you edit that out?
>Glen Gould wants to know.
>
>Ed Durbrow
>Saitama, Japan
>[EMAIL PROTECTED]
>http://www9.plala.or.j
On Sep 29, 2008, at 4:40 PM, David Tayler wrote:
Plenty of subvocalization as well, which of course is also edited out.
How do you edit that out?
Glen Gould wants to know.
Ed Durbrow
Saitama, Japan
[EMAIL PROTECTED]
http://www9.plala.or.jp/edurbrow/
To get on or off this list see list in
- Original Message -
From: "Taco Walstra" <[EMAIL PROTECTED]>
To: "Arthur Ness" <[EMAIL PROTECTED]>
Cc: "lutelist"
Sent: Monday, September 29, 2008 3:53 AM
Subject: Re: [LUTE] Re: Respighi
| On Friday 26 September 2008 17:16, Arthur Ness rattled on the keyboard:
| > - Original Mess
"howard posner" <[EMAIL PROTECTED]> schrieb:
> >>> might argue that there _was_ kinda ideal sound. On my way through
> >>> the
> >>> museum of musical instruments in Vienna, I learned that in the 16th
> >>> century it was "Spaltklang".
> >
> >> The obvious question would be "who said that?"
MGG
On Friday 26 September 2008 17:16, Arthur Ness rattled on the keyboard:
> - Original Message -
> From: "Roman Turovsky" <[EMAIL PROTECTED]>
> To: "Paul Pleijsier" <[EMAIL PROTECTED]>; "Arthur Ness"
> <[EMAIL PROTECTED]>
> Cc: "Lute Net"
> Sent: Friday, September 26, 2008 10:26 AM
> Subject
Just out of curiosity, I listened to to samples from various
recordings, especially concert recordings, since breaths are edited
in recordings, using a pair of headphones that I use for editing.
Without mentioning specifics, I can say for the majority breathing is
pretty random and does not foll
19 matches
Mail list logo
