Le 8 févr. 09 à 00:10, wi...@cs.helsinki.fi a écrit :
Hey gang,
I just found out that I have in a way or another - and more or less -
tubed all my 8 instruments! :-)
Being both a valve and gut sound fan myself, and strongly associating
the warm sound quality of both (transistors with
So much music, so little time!
Gary
(Aspires to be dilettante)
- Original Message -
From: Daniel Winheld dwinh...@comcast.net
To: lute@cs.dartmouth.edu
Sent: Saturday, February 07, 2009 8:51 AM
Subject: [LUTE] Re: Dilettantism
Yes but.. The but for me hinges on the words
Yes, it is a good read. The interesting thing is the discussion on
strings. A good deal has happened in our modern research and development
since the interview.
ed
At 08:41 AM 2/8/2009 +0100, Sauvage Valéry wrote:
Yes I know it is an old one, but I didn't knew it before... so perhaps I'm
Le 8 févr. 09 à 01:07, howard posner a écrit :
On Feb 7, 2009, at 9:29 AM, Anthony Hind wrote:
I can think of professional players who do limit themselves to
Renaissance lutes, Jacob Heringman, and this
does seem to have allowed him to develop an extremely elegant
Renaissance RH position.
A
Music is so vast that one could spend a lifetime in one position and never
exhaust the possibilities.
Gary
(kid in a candy store)
- Original Message -
From: Sean Smith lutesm...@mac.com
To: Lute Net lute@cs.dartmouth.edu
Sent: Saturday, February 07, 2009 10:07 AM
Subject: [LUTE] Re:
Dan;
What's your definition of doing better?
Gary
- Original Message -
From: Daniel Winheld dwinh...@comcast.net
To: lute@cs.dartmouth.edu
Sent: Saturday, February 07, 2009 10:18 AM
Subject: [LUTE] Re: Dilettantism
One thing I didn't address in my rant;
Are we in the lute
Dear Rat;
I don't now if you'll be able to access this with your computer
problemas, But if you are, I thought you might find this interview with
Paul O'dette interesting if only for what he has to say about the way
Beethoven is performed.
Love,
G
You're either assuming or asserting they haven't. Both of which I'd be
inclined to take issue with.
Gary
- Original Message -
From: Peter Martin peter.l...@gmail.com
To: Lute list lute@cs.dartmouth.edu
Sent: Saturday, February 07, 2009 1:04 PM
Subject: [LUTE] Re: Dilettantism
My
It may well be exactly the case when the truth is depressing; but wouldn't
it, at the same time, leave you feeling elated?
AB
- Original Message -
From: Roman Turovsky r.turov...@verizon.net
To: Daniel Shoskes kidneykut...@gmail.com
Cc: lute lute@cs.dartmouth.edu
Sent: Sunday,
Question 1:
For an 8 course Renaissance lute, what would be considered an appropriate
string height
range measured where the neck joins the body? I'm new to lute, and although my
teacher
says he's surprised that my budget EMS lute is really pretty good, I feel the
string height
might be
3.5mm @ the 8th fret.
RT
- Original Message -
From: Tom Draughon t...@heartistrymusic.com
To: lute@cs.dartmouth.edu
Sent: Sunday, February 08, 2009 10:05 AM
Subject: [LUTE] String Height
Question 1:
For an 8 course Renaissance lute, what would be considered an appropriate
Best of luck to our lute nominees in the Grammy Awards tonight. Ronn
McFarlane for Indigo Road and Paul O'Dette/Stephen Stubbs for Lully's
Psyche
DS
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Yes, we hope the best for them!
ed
At 10:29 AM 2/8/2009 -0500, Daniel Shoskes wrote:
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Content-Type: text/plain; charset=us-ascii
Best of luck to our lute nominees in the Grammy Awards tonight. Ronn
McFarlane for Indigo Road and Paul O'Dette/Stephen
I would add Ed Martin's 'Allemande' recording to their list. One of the
best I've heard in a long time.
Rob MacKillop
2009/2/8 Edward Martin [1...@gamutstrings.com
Yes, we hope the best for them!
ed
--
References
1. mailto:e...@gamutstrings.com
To get on or
On Feb 8, 2009, at 1:07 AM, Anthony Hind wrote:
Yes, I have those too, but by looking at a detail, you miss the
general point, I was making. That dilettanteism is relative, and
Jacob is more of a specialist than most. This has probably lead him
to develop his very elegant renaissance RH
Le 8 févr. 09 à 17:07, Rob MacKillop a écrit :
I would add Ed Martin's 'Allemande' recording to their list. One
of the
best I've heard in a long time.
Rob MacKillop
Very beautiful, and very well appreciated by all I have played it to,
including non-specialists.
I wasn't
Anthony,
I'm really fascinted by your detailed analyzis of all technicall
matters concerning lute construction, stringing and playing. I wish I
had such an eye on all this things. But in my experience, after some
40 years of observations of teaching music playing (including my own
From: Jerzy Zak jurek...@gmail.com
Anthony,
I'm really fascinted by your detailed analyzis of all technicall
matters concerning lute construction, stringing and playing. I wish I
had such an eye on all this things. But in my experience, after some
40 years of observations of teaching music
A difficult question, the loneliness at the top being poor excuse for
elation.
I know for a fact that those Things of Beauty that Deviate from the Protocol
do in fact get documentably appreciated. That surely helps to deal with the
indifferent world.
RT
I tend to identify with
- Original
Karamazov and Dilettantism! Really fascinating. Is anybody brave
enough to throw an exegesis on the combination? Is Karamazov a
perversely hidden dilettante dressed up in attributes of great
virtuoso or is he an evangelist of true and clean expression, just
the instrument (a bit moded but
David van Ooijen wrote:
On Sat, Feb 7, 2009 at 11:33 PM, Stuart Walsh s.wa...@ntlworld.com wrote:
Did someone once put up a calculator which which worked out fret positions,
in meantone, for a given string length?
Stuart
It's not exactly a calculator, but it has a table with numbers
Anthony,
On 2009-02-08, at 19:16, Anthony Hind wrote:
Indeed, there are signs that there were disagreements, between
lutenists of past times.
About the practice of using Bologna lutes...
Some lutenists like Mace and Jacques Gautier, who seem to...
The description by Mace of J.
Stuart Walsh wrote:
David van Ooijen wrote:
On Sat, Feb 7, 2009 at 11:33 PM, Stuart Walsh s.wa...@ntlworld.com
wrote:
Did someone once put up a calculator which which worked out fret
positions,
in meantone, for a given string length?
Stuart
It's not exactly a calculator, but it has
Anthony Hind anthony.h...@noos.fr schrieb:
Thus J-barring=bass rider, and fan-barring=swan-necked lutes would be
a tendency, but the two sets may not be identical.
e.g. Wolfgang Emmerich who has made research on Railich, tells me
that Railich's later productions did have fan-barring. Yet
Charles Browne wrote:
There is a fret placement spreadsheet on the LSA website that will
provide you with all the information without re-calculation. It will
give fret positions for a number of temperaments/and string lengths
it is worth looking at!
Charles
Thanks. Found it and punched in the
Stuart,
Try the 1/4 comma to start; the thinking being to overdo the change so
you can more easily define its differences. You can always scale back
to 1/6 and compare. If you go the 1/4 comma route you may want to play
your lower F#s on the 6th G fret till you get a tastino, at least for
Anthony Hind anthony.h...@noos.fr schrieb:
See Hoppy's Bach which is even further forward on the rose than Miguel.
http://www.youtube.com/watch?v=M1vxZgM08zo
Guitar playing in disguise at its best.
Compare Hoppy's position this photo by Manuel Minguillon
From: Mathias Rösel mathias.roe...@t-online.de
All instruction from the period tell us and the pictures
show us that the right hand was at the bridge. How
seriously should we take this? Barto
Perhaps like with a traffic sign when driving a car? I mean, not
religiously, of course B)
Mathias
An
On the subject of fret placement, what about fret placement on the
Baroque lute?
Davidr
dlu...@verizon.net
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Question 1:
For an 8 course Renaissance lute, what would be considered an appropriate
string height
range measured where the neck joins the body?
High enough to prevent any buzzing, low enough to feel easy to the LH and
minimize tension increase.
Several factors affect it, most a
Yes, especially for that Falkenhagen Prelude.
RT
From: David Rastall dlu...@verizon.net
On the subject of fret placement, what about fret placement on the
Baroque lute?
Davidr
dlu...@verizon.net
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Priorite `a droite, maybe?
P
On Sun, Feb 8, 2009 at 9:33 PM, Roman Turovsky
[1]lu...@polyhymnion.org wrote:
From: Mathias Roesel mathias.roe...@t-online.de
All instruction from the period tell us and the pictures
show us that the right hand was at the bridge. How
Dear Tom,
You don't say what your current string heights are, and there are many
causes of buzzes
I would say the string height (from the surface of the fingerboard to
the underside of the string) should be about 2.6-2.8mm for the first
course and about 3.5-3.75mm for the 8th course.
Stuart Walsh wrote:
Charles Browne wrote:
There is a fret placement spreadsheet on the LSA website that will
provide you with all the information without re-calculation. It will
give fret positions for a number of temperaments/and string lengths
it is worth looking at!
Charles
Thanks. Found
Stuart Walsh wrote:
multiplying by 43. But - so much choice. Any advice on a temperament for
second half of fifteenth century?
For earlier music, Ars Nova and Trecento, I use Pythagorean
temperament. It was a surpsrise to me how much Italian early 16th
century music I still could play with
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