BIG SALE OF LUTE BOOKS
Lute and guitar player Bob Trenholm of L'Atelier Grigorian, Toronto,
[one of the few remaining
in depth classical and jazz stores left in North America
[1]www.grigorian.com] who no longer plays [now content to mainly
listen and currently working on a
Sterling,
I'm sort of a lurker on this list, I had started building a lute some
years ago - after getting interested by making the Music Maker's flat
back to see if I could handle the play. Medical matters have taken me
away from the lute, but I retain interest. I still play, and sometimes
Dear all,
Many thanks for your replies. It seems there is consensus on the Zoom.
These had attracted me when I saw the specs. Now to decide the budget and
H2 or H4.
Thanks again, I can rely on your collective wisdom to solve problems!!
Best wishes and happy weekend
Anthony
--
I use an Olympus LS-10 for some time now and I'm very happy with it.
No issues whatsoever. Great sound even from the built in microphones.
Lex
Op 17 jun 2012, om 04:38 heeft t...@heartistrymusic.com het volgende geschreven:
Be Warned: I have been using Tascam DR100. Less than 2 years,
maybe
Do the new Zooms have manual gain setting? Indispensable.
David
On 17 June 2012 09:46, Anthony Hart resea...@monsignor-reggio.com wrote:
Dear all,
Many thanks for your replies. It seems there is consensus on the Zoom.
These had attracted me when I saw the specs. Now to decide the budget and
Dear Martin,
I agree - modern English is not always easy for singers. The main reason so
many pop performers adopt US pronunciation is not entirely due to
wishing to ape our more 'hip' (as opposed to HIP) American cousins, but
because for singing it actually makes things easier.
This is not a
Hi Anthony,
there is also an H1 with a very attractive price tag.
The H2 and H4 are now upgraded to H2n and H4n.
All 3 currently available models use the same microphone capsules so
should all offer the same sound quality.
regards
andy
Anthony Hart wrote:
Dear all,
Many thanks for your
hi David,
good question!
The H2n has a little rotary control for the input/mic level.
The H1 has little up/down push buttons do per form a similar function.
I'd guess that the rotary control on the H2n is actually connected to a good
old potentiometer,
so for H2n answer to your question would
I bought an original Edirol R-09 when it first came out (in Japan) and it
changed my life. Of course any other similar recorder would have also changed
it. When it finally died after many years, I figured the cost of repair would
be enough that I might as well buy a new recorder as whole
Hi netters
I wonder if anyone has used clamp on wheels for dragging theorboes around
campuses etc.
LIke with luggage, though you could remove them. I looked briefly at a site
that sold something called E-Z wheels; Any experience with those?
Thanks,
Dick Brook
richa...@ptd.net
To get on
How about a pair of old fashioned clamp-on roller skates? Or rest it on a
skate board.
Leonard
On 6/17/12 12:12 PM, richard brook richa...@ptd.net wrote:
Hi netters
I wonder if anyone has used clamp on wheels for dragging theorboes
around campuses etc.
LIke with luggage, though you could
Dear lutenists,
in the ms. Capirola inxed there is a not-so-clear text that the SPES
facsimile editor O. Cristoforetti interpretes as Recercar ottavo,
lalcier, et un spiciar, lave. What could that explanation lalcier, et
un spiciar, lave mean? It doesn't look like modern Italian, nor Latin.
Very nice playing!
Rolf Lislevand told me that the notes in the Capirola manuscript is
written in Venetian. But I understand even less than Italian or Latin so I
hope someone else will translate.
mvh
Are
Dear lutenists,
in the ms. Capirola inxed there is a not-so-clear text that the SPES
Andy,
I have an 'old' Zoom H2. Is your workaround (below) intended to get a
recording with less noise?
I'd like to try it. I can see how to record at 24bit wav but I don't
understand the rest.
The gain settings are L/M/H. I have it set to M (mid). I've put up the
volume
Dear Arto,
It's a dedication. I quote from Otto Gombosi's introductory essay
on the manuscript, from his 1955 SMA edition of Capirola:
'We can be more definite in determining the identity of 'lalcier,'
who, together with an unnamed apothecary, possessed Ricercar VIII:
he was Alvise Arcieri,
For 'professional' recording - somebody mentioned 'cd-quality'
recording - one needs to be able to set the gain manually. A lute is
considered a soft instrument, but I think it's better to see it as an
instrument with a very wide dynamic range: infinite nuances from ppp
to mf. If your recording
Years and years ago I put a pair of skate board wheels on my theorbo
case, and boy am I glad I did! TGV: theorbe a grande vitesse! What I
did was buy a (cheap) skateboard, change the supsension from a stiff
block of rubber intended to cushion a 10-year old to something softer
(I used layers of
WALSH STUART wrote:
Andy,
I have an 'old' Zoom H2. Is your workaround (below) intended to get a
recording with less noise?
hi Stuart,
In order to be sure of avoiding distortion when just using just the L/M/H control
for volume I often end up with a quiet recording.
In digital recording
I've just broken in my new Tascam stereo mic on the iPhone. It does have manual
gain wheel, and the resulting audioclip was really good.
More later!...
Sent from my iPhone
On Jun 17, 2012, at 4:00 PM, David van Ooijen davidvanooi...@gmail.com wrote:
For 'professional' recording - somebody
Hello Chris and Sterling et allus!
I have been off this thread as I have been out of town for the last
several days...
To answer Chris's question, NO , one does not abrade/plane the bridge
off the soundboard at all.
The problem we face is that wood is an excellent thermal sink, and as
Before I buy any new electronic product I always spend some time scanning the
reviews on the Internet, paying special attention to the negative ones to find
out what can go wrong. Having done that for the pocket digital recorders now
available, I stand by my recommendation for Roland/Edirol.
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