Hi,
I have uploaded a new simple duet for 2 equal lutes (Unisono)
Attaingnant, Pierre - Galliarde
Enjoy it
Anton
Score and mp3 file
http://imslp.org/wiki/Galliard_%28Attaingnant,_Pierre%29
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Hi,
I have uploaded a vera new lute duet for 2 equal lutes (Unisono)
Maschera - Fuga Tertia
It is a very nice music.
Enjoy it
Anton
score, parts , mp3 file
http://imslp.org/wiki/Fuga_Tertia_%28Maschera,_Florentio%29
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hi,
I uploaded a new lute duet for 2 equal lutes (Unisono)
Byrd - Galiarda XCII
For all who don't want to play the same English duets again and again. (Beside
there are still really very fine and some unknown duets!)
Enjoy it
Anton
i have uploaded 4 lute duets (Unisono) (Revised)
Tiento 2 del primer tono (Cabezón, Antonio de)
Tiento 5 del primer tono (Cabezón, Antonio de)
Tiento 7 del cuarto tono (Cabezón, Antonio de)
Tiento 9 del quinto tono (Cabezón, Antonio de)
Enjoy
hi,
I have revised and uoloaded M.Praetorius duets and trios.
IMSLP don't want to listen them seperatly. So You will find them under
Terpsichore.
here is the link
http://imslp.org/wiki/Terpsichore,_Musarum_Aoniarum_%28Praetorius,_Michael%29
Anton
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William Brohinsky wrote:
When intentionally tuning a cello to perfect fifths, use the octave
harmonic (divides the string in half) on the upper string, and the
'third' harmonic, i.e., the one that divides the lower string in
thirds.
Just for the sake of interest.
Harmonics on a plucked
On 25 June 2012 09:39, andy butler akbut...@tiscali.co.uk wrote:
Harmonics on a plucked string are a little bit sharp,
Isn't it the case that harmonics are pure by definition?
David
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David van Ooijen
davidvanooi...@gmail.com
www.davidvanooijen.nl
They would be for a perfectly thin flexible string - but string stiffness
sharpens the higher harmonics.
Bill
Sent from my BlackBerry smartphone from Virgin Media
-Original Message-
From: David van Ooijen davidvanooi...@gmail.com
Sender: lute-...@cs.dartmouth.edu
Date: Mon, 25 Jun 2012
That may be true, but a more obvious cause would be that the total
length of vibrating string is reduced by the width of the area of
contact of the finger.
Cheers
Philip Brown
On Mon, Jun 25, 2012 at 9:00 AM, willsam...@yahoo.co.uk wrote:
They would be for a perfectly thin flexible string -
with apologies to those who aren't interested ;-)
For a plucked instrument the finger on the node is removed from the string just
after the pluck. (otherwise the sound is damped)
Indeed, having sharp harmonics is a property of all strings outside the physics
lesson, as any piano tuner knows.
Wow. awful lot of theory vs. practice here, and apparently the
practice isn't all that clean.
The topic was admitted from the first to be 'off topic': bowed
strings, not plucked (i.e., cello.)
Stretched partials do indeed happen, most famous in pianos. There, the
very short length and high
Sorry, Philip. I was going to get here, and was interrupted by a colleague.
The idea of playing harmonics on bowed string instruments includes
using a very light touch (hence, not squashing finger meat all over
the string) and finding the point as you bow that the harmonic
sounds best. That is
I have to say, I'm always amused by these discussions that broadly
outline the imprint of theoretical measurements on the phenomenon of
sound. If we look at all the factors, including thickness and
stiffness of string material, variability in trueness of dimension,
interference of
Back in the '70s I remember reading in a book about historical tuning
theory that, at least according to that author (whose name I can't recall),
people in all likelihood used theories like Just Intonation and Meantone
as a starting point, then adjusted things until they sounded good to them.
Ron and Donna, thanks for this post.
Although it is about recorded music in general, I don't consider it
to be off topic, because professional lute players must make and
sell recordings. Although sales of early music are probably not
affected as much now as, say, Cold Play, by what is
Dear collective wisdom,
Would any one of you have the possibility to share a digitized copy (scan or
pdf or whatever) of Luis de Briceño's Metodo mui facilissimo published in
Paris in 1626.
The Minkoff reprint has been out of date for years and it impossible now to get
a copy from the
Thank you William Brohinsky - and others - for your response. I have been
tuning using the open strings fifths, but do remember a teacher years ago
telling me that tuning using the octave harmonic is more precise. I'll try
that method again. My Korg is a less high tech model; I may look
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